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issues. Henri was devoted to Sophie, even taking her last name as his, but Sophie was often dismissive and cold towards Henri's romantic overtures (indeed, according to Ede they either never had sex, only did once or twice, or rarely did). They were often apart and Sophie would buy Henri prostitutes
213:
in 1912, he began to believe that sculpture should leave behind the highly finished, polished style of ancient Greece and embrace a more earthy direct carving, in which the tool marks are left visible on the final work as a fingerprint of the artist. Abandoning his early fascination for
290:'s work on the Chinese brought the young sculptor to the galleries of Eastern art, where he studied the ideogram and applied it to his art. Gaudier-Brzeska had the ability to imply, with a few deft strokes, the being of a subject. His drawings also show the influence of
394:
Despite the fact that he had only four years to develop his art, Gaudier-Brzeska has had a surprisingly strong influence on 20th-century modernist sculpture in
England and France. His work is in the permanent collections at the
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the linking of their names was never more than a personal arrangement.) During this time his conflicting attitudes towards art are exemplified in what he wrote to Dr. Uhlmayr, with whom he had lived the previous year:
226:. As he was unable to afford the raw materials necessary to attempt projects on the scale of Epstein's Indian and Assyrian influenced pieces, he concentrated initially on miniaturist sculpture genres such as Japanese
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bought a sizeable portion of
Gaudier-Brzeska's work from Sophie Brzeska's estate after she died intestate. Her estate included numerous letters sent between Henri and Sophie. Ede used these as the basis for his book
333:, explored their relationship and age differences. In Ede's work, Brzeska was presented as more of a companion and her relationship with Gaudier resembled a co-dependency, since both suffered from clear
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Gaudier-Brzeska's drawing style was influenced by the
Chinese calligraphy and poetry which he discovered at the "Ezuversity", Ezra Pound's unofficial locus of teaching. Pound's interaction with
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twice his age, when he was only 18. Gaudier was an artist and
Brzeska a novelist. Several books about Gaudier's work have been produced, but only the 1931 book
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852:
283:. In 1913 Henri Gaudier-Brzeska met Alfred Wolmark, the Jewish artist and modelled a bronze bust of the young artist, and the two remained close friends.
193:
He resolved these reservations by taking up sculpture, having been inspired by his carpenter father. Once in
England Gaudier-Brzeska fell in with the
305:. During his time in the army, he sculpted a figure out of the butt of a rifle taken from a German soldier, "to express a gentler order of feeling"
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391:. The conclusion of the film peruses many of his sculptures and fully demonstrates what great art he produced in his short lifetime.
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in Paris, and with whom he began an intense relationship, annexing her surname although they never married. (According to
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141:; 4 October 1891 – 5 June 1915) was a French artist and sculptor who developed a rough-hewn, primitive style of direct
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itself focuses on the artist and
Brzeska is regarded with very little interest. Ken Russell's 1972
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The relationship between Henri
Gaudier and Sophie Brzeska was fictionalised in the stage play
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Following his death Sophie
Brzeska became distraught, eventually dying in an asylum in 1925.
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957:) — Memoir of Pound's time with Gaudier-Brzeska, including letters and photos of sculpture.
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Modernism and the Museum: Asian, African, and
Pacific Art and the London Avant-Garde
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on the life and work of
Gaudier-Brzeska, which in turn became the basis of
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from 30 September 2010 through 2 January 2011, which included his work.
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in American public collections, on the French Sculpture Census website
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At the start of the First World War, Gaudier-Brzeska enlisted with the
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962:'We the Moderns': Gaudier-Brzeska and the Birth of Modern Sculpture
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by H. S. Ede (Jim Ede) focuses on the relationship. A 1985 play by
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The Vorticists at the Restaurant de la Tour Eiffel, Spring 1915
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903:"The Vorticists: Rebel Artists in London and New York, 1914-18"
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before developing an interest in work from West Africa and the
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Brzeska is often left out of accounts of Gaudier's life. Even
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165:, a Polish writer over twice his age whom he had met at the
1049:"Article on Henri Gaudier-Brzeska and Ken Russell's film"
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The Huntington Library, Art Museum, and Botanical Gardens
702:"Henri Gaudier-Brzeska. A Labourer (Man with Cap). 1912"
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for his enjoyment instead of having relations with him.
752:"Textile or Wallpaper Design: Gaudier-Brzeska, Henri"
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949:(Reprinted 1970, New York City: New Directions,
1323:French military personnel killed in World War I
471:: Rebel Artists in London and New York, 1914–18
267:In 1913, he assisted with the illustrations of
980:— Catalogue of an exhibition of the same name.
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1026:1 artwork by or after Henri Gaudier-Brzeska
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1068:"Letters written by Henri Gaudier-Brzeska"
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1015:"TateShots: Gaudier-Brzeska's Sketchbook"
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991:Works by or about Henri Gaudier-Brzeska
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209:. After coming under the influence of
615:. Ramsay Head Press. 1985. p. 1.
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7:
681:University of Michigan Museum of Art
593:"Vortex (Written from the Trenches)"
413:University of Michigan Museum of Art
258:Seated Figure, The Singer, Caritas,
205:, becoming a founding member of the
558:Arrowsmith, Rupert Richard (2010).
806:Fine Arts Museums of San Francisco
433:Fine Arts Museums of San Francisco
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1001:"Henri Gaudier-Brzeska 1891–1915"
727:"Collections Object : Torso"
853:"Portrait of Claud Lovat Fraser"
309:Relationship with Sophie Brzeska
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631:Princeton University Art Museum
613:Books in Scotland, Issues 19-29
591:Gaudier-Brzeska, Henri (1915).
405:Princeton University Art Museum
453:Musée des Beaux-Arts d'Orléans
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1328:20th-century French sculptors
781:Museum of Fine Arts, Budapest
429:Museum of Fine Arts, Budapest
241:Henri Gaudier-Brzeska, 1914,
167:Bibliothèque Sainte-Geneviève
1338:20th-century French painters
466:held an exhibition entitled
449:Musée National d'Art Moderne
1235:Hieratic Head of Ezra Pound
445:Museum of Fine Arts, Boston
27:French painter and sculptor
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832:Metropolitan Museum of Art
756:Victoria and Albert Museum
731:Philadelphia Museum of Art
437:Metropolitan Museum of Art
425:Victoria and Albert Museum
421:Philadelphia Museum of Art
224:Victoria and Albert Museum
153:Henri Gaudier was born in
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941:Gaudier-Brzeska: A Memoir
601:. No. 2. p. 34.
509:. London, UK: Heinemann.
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1037:"Background to the film
907:The Nasher Museum of Art
706:The Museum of Modern Art
802:"Henri Gaudier-Brzeska"
627:"Henri Gaudier-Brzeska"
564:Oxford University Press
74:St Jean de Braye, near
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909:. 2010. Archived from
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273:The Splendid Wayfaring
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1333:French male sculptors
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1151:Henri Gaudier-Brzeska
1056:Henri Gaudier-Brzeska
828:"Wrestlers, ca. 1914"
389:film of the same name
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135:Henri Gaudier-Brzeska
36:Henri Gaudier-Brzeska
1308:Artists from Orléans
460:Nasher Museum of Art
417:Museum of Modern Art
369:Aberdeen Art Gallery
95:Neuville-Saint-Vaast
1313:Artists from London
1073:Imperial War Museum
882:Museum of Fine Arts
808:. 21 September 2018
777:"Sketch of Animals"
656:Harvard Art Museums
409:Harvard Art Museums
281:Edward Gordon Craig
155:Saint-Jean-de-Braye
1318:People from Fulham
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1186:Dorothy Shakespear
1146:Frederick Etchells
677:"Exchange: Turtle"
479:The Laughing Woman
451:in Paris, and the
441:Huntington Library
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303:Neuville-St.-Vaast
277:Claud Lovat Fraser
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260:Head of Ezra Pound
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1156:Cuthbert Hamilton
1126:Lawrence Atkinson
964:. Cambridge, UK:
577:978-0-19-959369-9
455:, among others.
269:Haldane MacFall's
247:Boy with a rabbit
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16:(Redirected from
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533:Mercury Graphics
529:"Sophie Brzeska"
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347:film of the book
288:Ernest Fenollosa
243:Boy with a Coney
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913:on 7 March 2013
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917:17 September
915:. Retrieved
911:the original
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197:movement of
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89:(1915-06-05)
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29:
1298:1915 deaths
1293:1891 births
1262:Works about
1230:(1914–1915)
1222:(1914–1915)
937:Pound, Ezra
652:"The Idiot"
385:Ken Russell
329:, entitled
299:French army
275:along with
87:5 June 1915
1303:Vorticists
1287:Categories
1251:Rock Drill
1171:Ezra Pound
1119:Vorticists
543:20 October
486:References
249:), marble.
199:Ezra Pound
67:1891-10-04
1227:The Crowd
1112:Vorticism
945:John Lane
503:Ede, H.S.
327:Una Flett
319:governess
195:Vorticism
149:Biography
127:Vorticism
109:Sculpture
968:. 2007.
939:(1916).
887:12 March
862:12 March
837:12 March
812:12 March
786:12 March
761:12 March
736:12 March
711:12 March
686:12 March
661:12 March
636:12 March
505:(1931).
331:Zosienka
222:and the
123:Movement
112:Painting
97:, France
78:, France
1021:. 2011.
993:at the
930:Sources
515:1655358
376:Jim Ede
228:netsuke
189:, 1909.
171:Jim Ede
159:Orléans
143:carving
139:Gaudier
115:Drawing
76:Orléans
1254:(1913)
1246:(1914)
1238:(1914)
1211:Output
1030:Art UK
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568:passim
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419:, the
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411:, the
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403:, the
356:Legacy
292:Cubism
51:, 1913
1219:Blast
598:Blast
271:book
157:near
1032:site
1019:Tate
1006:Tate
970:ISBN
951:ISBN
919:2010
889:2021
864:2021
839:2021
814:2021
788:2021
763:2021
738:2021
713:2021
688:2021
663:2021
638:2021
572:ISBN
545:2010
511:OCLC
458:The
279:and
201:and
137:(né
84:Died
57:Born
462:at
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494:^
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