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2014) and at the DYSTOPIE - sound art festival, 2018, funded by Senate of Berlin, and 2020, funded by
Kulturstiftung des Bundes. Since 1998, he has held many lectures in Germany and abroad, published numerous essays dealing with sound and media art, as well as art in public space, and he has given workshops, including at the Berlin University of Arts (UdK / Sound Studies) and the Istanbul Bilgi University and in 2015 at the Hochschule fĂĽr Gestaltung HfG Karlsruhe too. Since 2013, he has been a lecturer in General Studies at the UdK Berlin and currently he is professor for sound art and director of the masters program
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political public space, plays an important role in his work, both in terms of content and form. With his site-specific installations, as well as his concert works and radio play-like sound walks, he challenges, in a deliberately irritating manner, his public’s perception of the border between art and reality. He plays with trans-border, audio-visual communication spaces. Techniques for this include the artistic fake, which leads the recipient into an uncertain terrain to question identities, and, in a provocative fashion, forces the visitor to engage in critical reflection.
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art, one finds no other artists in that field who have given the musical and the auditory the same precedence, nor is there the same kind of connection to place that Klein has developed. These two aspects constitute the unique quality of this artist’s aesthetic thinking: The precision and sensitivity with which he chooses sounds, noises, images, poems and text compositions for a given project are as unusual as the site-specificity that forms the core of his aesthetic." (Prof. Sabine Sanio,
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250:). In 2010 he showed a dual audio-visual installation on oriental and occidental assassins: gunmen and martyrs ("Cuts and Creeds") in Berlin and Istanbul, using the self-manifestations of young, male assassins. Borders and their violation – politically and mentally – are the central topic in his exhibition “borderlines” (European Media Art Festival EMAF 2011) including his ongoing work
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192:(2004/2006) he received international attention: he extended public space by connecting two cities for two months ("Bi-medial Space of Contact" in six cities of Europe). He developed a concept of interactive media art at certain urban places (subway entrance halls). With the Swiss performance artist Steffi Weismann he created dialogical, interactive installations (
302:, which connects historical radio testimonies with the present in a place steeped in history. He dealt with the recent past in his immersive audiovisual installation Dark Matter(2021), which traces the development of hate speech in radical right-wing music and propaganda and ends with the attack in Halle (Saale) in 2019
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in
Osnabrueck. The jury (Abina Manning, Olaf Stüber, Peter Zorn) said: "Passing by an official looking office on a local side street, it may happen that a middle-aged person seduces us to engage in a Mephisto like debate. “The European Border Watch” encourages us to police the borders ourselves from
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In recent years, the artistic debate on societal power relations in politics and the economy has been the focus of Klein's artistic as well as curatorial work. His interventions in both physical space and the public media have at times provoked strong reactions from the public and press, as his work
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Georg Klein organized and curated various events and exhibitions, as well in his role as chair of the bgnm (staatsbank berlin, 2001-2005), as co-founder of the Errant Bodies group berlin (since 2013, now: Errant Sound), as curator at the
MuseumsQuartier Vienna ("Post Colonial Flagship Store" PCFS,
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With a background in composition, Georg Klein has developed a multi-faceted artistic practice, in which he works with sound, video, text, and photography. In his installations and interventions – in particular those in public spaces – he intensifies the visual, acoustic, situational, and political
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Prof. Sabine Sanio describes Georg Klein’s work as "an anomaly in both sound and new media art." Sanio writes: "In sound art there is no other artistic position that deals so intensively and rigorously with social reality and public urban space. While these themes are more widespread in new media
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The point of departure of his work is the investigation of sites and situations. He focuses on their inherent contradictions, which he transforms aesthetically so as to become a topic of discussion and deliberation. The theme of borders and their transgression, in psychological inner space and in
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the comfort of our own homes. This convincing creepy fake project finally forces us to strengthen our own arguments and be continually vigilant against the slippery slide of fanatical ideas." 'Borders and
Migration' are the main topic also in following works like
169:) and worked in the following years in the Electronic Studio of the TU Berlin on live electronic and computer music. In 2001, he turned to installation as his artistic form and public space as his performance site (
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In 2003, he founded KlangQuadrat (Sound Square), an office for sound and media art, with Julia
Gerlach. Their projects received support from the Capital Cultural Fund in Berlin, the
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German Sound Art Award 2002). From 2001 to 2005, he was chairman of the Berlin
Society of New Music (bgnm). He later began to incorporate the medium of video in his work.
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270:) he takes up current social themes in order to expand on them in a confusing and ambivalent manner, challenging the viewer/listener to confrontational examination.
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Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
212:(2007 / 2014) he worked with a fake by founding a new political organisation. This installation provoked strong reactions in from members of the public. (
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for a project on the visualization of sound for deaf people and was also a lecturer at the FU Berlin. In 1996, he first emerged as a composer (
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aspects into an area of tension. In these installations visitors become involved, either on an interactive or participatory basis.
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has often made use of a subversive-affirmative strategy and has thereby abandoned the safe and secure framework of art.
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723:, Georg Klein. In: Neue Zeitschrift fĂĽr Musik, Heft 5-2014, Ed. Rolf W. Stoll, Schott Music 2014, ISSN 0945-6945
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521:, in coop. with Steffi Weismann, installation and performance, Schlossmediale Werdenberg (Switzerland, 2013)
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with an illegal immigrant from
Nigeria appearing in the streets of different European cities. With his work
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Gehör-Gänge – Zu Georg Kleins
Klangsituation „transition“ in Richard Serras Skulptur „Berlin Junction“.
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441:, 3-part sound installation in Schwesternpark Witten (Wittener Tage fĂĽr zeitgen. Musik, Witten 2022)
751:, ISEA 2010 Ruhr Conference Proceedings, Ed. J.Funke, A.Broeckmann et.al., Revolver Berlin 2010,
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447:, Interactive sound installation under a traffic bridge (intraregionale, Burgdorf/Hannover 2021)
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76:(born 1 March 1964) is a German sound, video, and media artist, and a composer. Based in
527:, intervention in public space and media altar of mercy (Nationaltheater Mannheim, 2012)
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Katalog
Kunstgalerie Umm El Fahem, Ed. Shlomit Baumann, dt.-arab.-hebr., Jerusalem 2009
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465:, audiovisual installation in a fog space, DYSTOPIE - sound art festival (Berlin 2018)
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551:, installation with a travel agency (Umm El Fahem / Tel Aviv, Exhibition „29km“ 2009)
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in Israel, this work dealing again with a fake in public space and the internet (
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745:, In: KUNSTFORUM International, Issue 212: res publica 2.0, Hg. Paolo Bianchi.
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188:, the German-Polish Foundation, and the Schering Foundation. With his project
776:, In: Organised Sound 14/1, 2009 (Cambridge University Press), ISSN 1355-7718
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Cuts and Creeds – Young, male assassins in an oriental-occidental perspective
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2012, Stefan Fricke / Georg Klein, In: MusikTexte, Issue 135, ISSN 0178-8884
298:(Berlin, 2018). In 2020, he received the Audio Walk Award for his soundwalk
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Art lecture 2002. SFB Kulturen des
Performativen, Freie Universität Berlin.
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In: Organised Sound 8/2, 2003 (Cambridge University Press), ISSN 1355-7718
471:, permanent sound installation at IGA / Gardens of the World (Berlin 2017)
706:, Thematic catalog of works of Georg Klein, Ed. S.Sanio, German/English,
89:
402:
Scholarship by Deutsche Akademie Rom, Italy (Villa Massimo / Casa Baldi)
258:(Mannheim, 2012), installed in front of banks and job centers, the work
509:, in coop. with Sven Kalden, Exhibition at MuseumsQuartier (Wien, 2014)
138:
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Katalog+DVD, Ed. Allg. Konsumverein e.V., dt.-engl., Braunschweig 2009
575:, tram installation (Europ. Zentrum der KĂĽnste Hellerau, Dresden 2007)
213:
77:
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In: Katalog TRASA warszawa-berlin. Kehrer-Verlag, Heidelberg, 2004,
483:, walk-in space bubble with interactive installation (Hannover 2016)
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665:, interactive sound installation (Philharmonie Berlin, 2001/2002)
557:, interactive sound installation(Konsumverein, Braunschweig 2009)
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KlangQuadrat/SoundSquare - office for sound and media art Berlin
453:, Immersive Sound-Video-Installation (Errant Sound, Berlin 2021)
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81:
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Don't call it art! – On strategies of media art in public space
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Grant by Senat of Berlin at BM Contemporary Art Center Istanbul
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Artist in Residence, quartier21/Tonspur, MuseumsQuartier Vienna
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Die Wirklichkeit als Ort der Kunst / Reality as a Site for Art
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by Barbara Kepa with Georg Klein, English, Berliner Pool, 2013
539:, installation at a prison facade (TĂĽrkei, Sinopale III, 2010)
360:
EMAF Dialogue Award of the Federal Ministry of Foreign Affairs
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https://www.georgklein.de/installations/052_darkmatter_e.html
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Working Stipend by Senat of Berlin in Sound Art / Composition
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Sound Studies and Sonic Arts, University of the Arts Berlin
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Ortsklang Marl Mitte – blaues blach – VielKunst.WenigArbeit
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In: textbuch transition, Pfau-Verlag (SaarbrĂĽcken, 2001),
459:, sound and video installation with objects (Berlin 2018)
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Dialogue Award of the Federal Ministry of Foreign Affairs
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http://www.emaf.de/english/festival/preisverleihung.html
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Site-Sounds – On strategies of sound art in public space
477:, sound sculpture, Art Biennale Daegu (South Korea 2016)
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Deutsche Video-Kunst / Medien-Raum-Wettbewerb 2006-2008
637:– stage music/conductor, (Berliner Ensemble, director:
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Project Space Prize for Errant Sound by Senat of Berlin
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In 2009, two of his most delicate works were realized:
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Unter freiem Himmel – Klangkunst im öffentlichen Raum
591:, sound and video installation (Rome, German Academy
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The Sound before Silence - Souvenirs from North Korea
647:, (Rotes Rathaus Berlin 2003, Stiftung Kulturfonds)
563:, in coop. with Steffi Weismann, (Los Angeles 2008)
396:
Media-Space-Preis 2006, Skulpturenmuseum Marl / NRW
884:From the sound installation to the sound situation
677:, (film music, Intern. Filmfestspiele Berlin 1997)
819:transition – berlin junction, eine klangsituation
629:TRASA warszawa-berlin, Ein bimedialer Kontaktraum
533:, participative poster action, Europe, since 2011
898:TRASA – Kontaktraum zwischen Warschau und Berlin
671:, (Intern. Gustav-Mahler-Kompositionspreis 1999)
1018:https://www.dystopie-festival.net/2020/?lang=en
1075:Sound Art Festival, Interactive takeaway wagon
613:, fĂĽr Sextett mit Spiegelsextett (Berlin 2006)
515:, sound Walk with smartphone app (Berlin 2013)
378:Artist in Residence, Schlossmediale Werdenberg
235:in the Red-Light-District of Braunschweig and
153:. He then studied the philosophy of religion,
1103:Sound Art Festival klangstaetten|stadtklaenge
1030:https://www.udk-berlin.de/person/georg-klein/
909:Georg Klein oder der KĂĽnstler als Orts-Seher.
619:, in coop. with Tetsuo Furodate (Berlin 2006)
362:, European Media Art Festival, Germany (2015)
8:
963:, Ed. Sanio, Sabine, Heidelberg 2014, p. 80.
893:. Osaka Univers. Journal of Arts No.18, 2002
601:, in Koop. mit Steffi Weismann, installation
366:Curator in Residence, MuseumsQuartier Vienna
1055:English Interview by B.Kepa / Berliner Pool
39:promotes the subject in a subjective manner
653:, sound installation (Schloss Wiepersdorf)
625:, in Koop. mit Steffi Weismann (Bern 2005)
227:in a watch tower at the former Berlin Wall
499:, installation, Festival Klangwerkstatt,
61:Learn how and when to remove this message
16:For other people named George Klein, see
733:Gratwanderung zwischen Kunst und Politik
607:Intern. Klangkunstfestival (Berlin 2006)
420:Sound Art Scholarship by Senat of Berlin
354:1st prize IGA sound art competition 2017
1045:Website of the artist (German/English)
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873:In: musik|politik, BGNM-Jahrbuch 2002,
426:Gustav-Mahler Composition Prize Austria
145:and communication studies first at the
930:im vorĂĽbergehen? kunst und eingedenken
891:Sound Art in re-unioned City of Berlin
569:, Media Facades Festival (Berlin 2008)
103:, simultaneously in Warsaw and Berlin.
1143:Technical University of Munich alumni
223:Interactive Sound-Video-Installation
99:Interactive Sound-Video-Installation
7:
1148:Technische Universität Berlin alumni
1080:DeutschlandRadio Arts Birthday with
507:PCFS - Post Colonial Flagship Store
36:This article contains wording that
1020:DYSTOPIE sound art festival Berlin
974:"Georg klein : : Godwin"
659:, (Deutscher Klangkunstpreis 2002)
487:European Border Watch Organisation
283:European Media Art Festival (EMAF)
279:European Border Watch Organisation
214:http://www.europeanborderwatch.org
167:Berlin International Film Festival
41:without imparting real information
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808:Katalog Urban Art Stories, 2005,
324:Stipend by German Academy of Arts
161:. He worked for three years as a
739:Stadtkunst als Bild, Text, Klang
623:pickup – Intervention at a Kiosk
408:Scholarship Stiftung Kulturfonds
137:Georg Klein was born in 1964 in
27:
904:62 (MĂĽhlenbeck b. Berlin, 2005)
685:Interactive sound installation
793:sonambiente Klangkunstfestival
414:Scholarship SchloĂź Wiepersdorf
147:Technical University of Munich
1:
241:http://www.ramallahtours.info
157:, and music ethnology at the
151:Technische Universität Berlin
18:George Klein (disambiguation)
961:borderlines - Auf der Grenze
704:borderlines - Auf der Grenze
663:transition – berlin junction
469:Grün Hören / Listening Green
372:Artist in Residence, Taranto
312:Sound Studies and Sonic Arts
292:Grün Hören / Listening Green
1163:20th-century male musicians
1128:German installation artists
1067:Berlin Society of New Music
491:European Media Art Festival
290:(Daegu, South Korea 2016),
277:, Germany, for his project
208:2013). In his installation
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768:klangstaetten|stadtklaenge
581:, border project Festival
141:. He began his studies in
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1008:Documentation Dark Matter
832:Deutscher Klangkunstpreis
545:, (Berlin/Istanbul, 2010)
268:http://www.toposonie.info
1158:Male classical composers
631:, (Warschau-Berlin 2004)
457:The Sound before Silence
338:, Los Angeles, US (2019)
304:Halle_synagogue_shooting
262:(Switzerland, 2013) and
210:turmlaute.2: watch tower
159:Freie Universität Berlin
986:Peter Zorn, EMAF Award
858:Electronic in New Music
589:turmlaute.1: Hungerturm
493:EMAF (Osnabrueck, 2015)
260:UNzuRECHT / UNorJUSTICE
1133:Experimental composers
694:
669:Li.. und die Erde I+II
336:Residency Villa Aurora
300:toposonie::engelbecken
228:
104:
1088:Berliner Festspiele:
845:TRASA warszawa-berlin
684:
579:turmlaute.2: Wachturm
497:The Interactive Piano
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186:German Foreign Office
98:
1153:German video artists
1138:German sound artists
907:Barbara Barthelmes:
475:Deep Difference Unit
380:, Switzerland (2013)
288:Deep Difference Unit
273:In 2015, he got the
175:Ortsklang Marl Mitte
133:Education and career
698:Catalogs or reviews
294:(Berlin, 2017) and
266:(Berlin, 2013, see
80:, he also lived in
1096:2012-02-10 at the
1060:2019-09-01 at the
993:2017-03-02 at the
806:The Making of Alex
741:2011, Georg Klein
695:
595:/Casa Baldi, 2006)
246:2014-12-18 at the
229:
163:research assistant
105:
896:Christa BrĂĽstle:
866:978-3-936000-15-3
801:978-3-936636-93-2
788:978-3-924790-80-6
757:978-3-86895-103-5
716:978-3-86828-520-8
689:in the sculpture
433:Works (selection)
318:Awards and grants
143:sound engineering
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513:toposonie::spree
422:, Germany (2000)
416:, Germany (2002)
410:, Germany (2003)
398:, Germany (2006)
386:, Austria (2012)
368:, Austria (2014)
332:, Germany (2020)
330:Audio Walk Award
264:toposonie::spree
206:UNorJUSTNESS A+B
182:Goethe-Institute
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721:Drehung im Kopf
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392:, Turkey (2010)
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1118:1964 births
1090:Tower Music
1073:sonambiente
782:, Katalog,
639:Peter Zadek
604:sonambiente
573:meta.stasen
451:Dark Matter
225:turmlaute.2
86:Los Angeles
74:Georg Klein
1112:Categories
944:References
902:Positionen
762:29 km
687:transition
583:MaerzMusik
481:ungrounded
171:transition
127:UdK Berlin
675:amor fati
51:June 2023
1094:Archived
1082:DADAyama
1058:Archived
991:Archived
651:wel-come
635:PeerGynt
617:DADAyama
599:takeaway
463:Fog Zone
244:Archived
198:takeaway
108:Art work
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445:passage
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194:pickup
184:, the
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78:Berlin
611:sixis
190:TRASA
101:TRASA
934:ISBN
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