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569:. Pinwell drew 100 illustrations for the book over a period of six months. The book was published both in weekly and monthly parts and as a single volume by Ward and Lock. The first part was launched in the same week as Cassell's illustrated Goldsmith and led to bitter recriminations between the publishers, with Cassell's accusing Ward and Lock of having copied their idea, and of thrusting an inferior product on the public. However, Liveing states that Pinwell was a better black-and-white artist than Henry Anelay (1817-1883), who illustrated Cassell's version. Both versions were issued in weekly parts at a cost of one penny, with a monthly part at fourpence or fivepence (Cassell) or sixpence (Dalziel).
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274:, whose style came from drawing on wood for book-illustration. Pinwell, Walker, and Houghton, three young men "who did so much for wood engraving in the sixties" all died in 1875 within seven months of each other. Reid notes that there is a legend that Pinwell and Walker were friends, but in reality, this was not so. Walker only once visited Pinwell's house, in 1873, and he had already left Whymper when Pinwell started there. Roget notes the many similarities between the lives of Pinwell and Walker: both died early in their careers, Pinwell was two and a half years younger than Walker, and survived him by only three months, both were partially educated at
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305:(George Routledge and Sons, London, 1866) also consisted of poems with individual illustrations, is "sometimes considered archetypally Idyllic in spirit", and as it contains work by Walker and North as well as Pinwell and Houghton, is probably more representative of the school. Gleeson White described it as "one of the finest of the illustrated gift books".
278:, both began their profession as draughtsmen on wood, and in some cases worked on the same books, both died from consumption after attempting to stem it with a winter in Africa, they shared a common style, and shared common subjects, and had posthumous exhibitions at M. Deschamp's gallery in London after their deaths.
316:
described the title as having been "chosen to designate a collection of Poems and
Pictures representing every-day scenes, occurrences, and incidents in various phases of assistance." Each poem has at least one accompanying illustration. In some cases the artist had illustrated the poem, in others the
170:
His work on embroidery design led to him meeting his future wife
Isabella Marcy Stevens (c. 1843 – first quarter of 1923) who needed a design for a difficult piece of work. The acquaintanceship grew into affection, and eventually to marriage. The couple were married at St. Marylebone
469:
on 26 June 1869. It also suffers from being marked with a partial impression of the text from the following page. This was the only illustration by
Pinwell appearing in that volume of the magazine. The watercolour was one of the three paintings submitted by Pinwell for membership of the Water Colour
618:
on 31 January 1863. Gleeson White calls the illustration "a powerful but entirely untypical illustration of a classical subject by an artist who is best known for pastoral and bucolic scenes". Reid notes that the subject is "utterly remote" from the kind of subject that
Pinwell would himself have
482:
described the work as "a scene of every-day observation ,yet most pathetically rendered. At one end of the bench a street musician and her child are counting their scanty gains, at the other end a soldier flirts with a nurse, while between the two sits such a specimen of shabby gentility as would
231:
George C. Williamson wrote a biography of
Pinwell in 1900. However, Reid states that this was undertaken largely for the satisfaction of Pinwell's widow, and that "its main purpose seems to be to persuade us that Pinwell could hold his own in the most refined society" and to counter "contemporary
726:
cites Hardie as saying that
Pinwell could be set beside Charles Keene "as one of the greatest of British draughtsmen" Cundall notes that Pinwell "executed many small water-colour paintings with a peculiar charm" and that much of Pinwell's work "has refined feeling, but it often displays
517:
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His professional friends came together after his death to raise a fund for the benefit of the widow. Many of his studies and sketches were made public after his death. A posthumous exhibition of his works was held in
February to March at M. Deschamp's Gallery at 168
730:
Reid states that the work of an artist like
Pinwell is always liable to over or under estimation. His art was "hampered constantly by imperfect technique" but that "its very failures are more interesting than the successes of cleverer draughtsmen." In comparison to
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He then worked making designs for a firm of embroiderers. In the 1861 census he recorded his occupation as "designer of
Embroidery". His two younger brothers Henry (born c. 1845) and Alfred (born c. 1847), both had their occupation listed as house carpenter.
148:, south-west London, along with his younger brother Henry (born c. 1845). His parents were John Pinwell, a carpenter or builder, and his wife, Mary Ann Baker. Pinwell's father was thought to have been involved in building the original
503:
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London
Metropopolitan Archives (2010). "Year Range 1864-1867: Ref No. p89/mry1/237: 1865 Marriage Solemnized at the Parish Church in the parish of St. Marylebone in the county of London: 25 April 1865: George John Pinwell".
445:
considered that, although full of interest, the Tangier pictures showed signs "of failing power". Pinwell contributed watercolours to the Dudley Gallery from 1865 onwards, and in 1869 was elected associate of the
735:, Reid states that Pinwell "had a decorative sense far superior to Walker's" and that Pinwell "had a wider range, is infinitely more imaginative, and his work, above all, has a subjective, a lyrical quality".
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gives his father's name as John, his marriage registration gives his name as George John, and his trade as a builder. However the census and other records give his father's name as John and his occupation as
1058:
Surrey History Centre (2010). "Year Range: 1845-1872: Ref. No. 2217/1/1: Baptisms solenmized in St. Mark's Church, Surbition in the county of Surrey in the Year 1845: George John Pinwell and Henry Pinwell".
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365:
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Reid seems to have been the first to use the term. Goldman divides the Victorian illustrators into three groups: The Pre-Raphaelites, the Idyllic School, and other styles, including the High Victorians.
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stated that Pinwell "did too much to do all things well, and, on the whole, although his originality and ability were beyond question, he never did quite justice to the genuine powers he possessed."
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is reversed from the watercolour, a normal feature of engravings as the final print is a mirror image of the engraving. The engraving was cropped before printing it in
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919:(Batsford, London, 1967-1968) by Martin Hardie (1875–1952), in three volumes. Volume III covers The Victorian Era and address Pinwell on pages 138-139 and on 159-180.
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216:. His two brothers, and two brothers-in-law, Alfred and Thomas Stevens, attended the funeral. His grave (plot no.20882) has no headstone or visible memorial.
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The 1871 census shows his profession as an artist in watercolours, residing at 52 Adeliaid Road in Hampstead. In 1874 Pinwell fell seriously ill and went to
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Cundall states that Pinwell made many small watercolours "of subjects which he had already produced in black-and-white". His first exhibited watercolour,
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A round of days described in original poems by some of our most celebrated poets, and in pictures by eminent artists engraved by the Brothers Dalziel
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178:. After his mother's remarriage in 1861 removed the need for him to work, he became a full time pupil at the Academy, and in 1862 he moved on to
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833:, in March 1895. Reid considers that this story may or may not be true , but Trimpe gives it as fact in her account of Pinwell in the
159:
Pinwell's father dies in 1854, leaving the family in very straitened circumstances. He apparently worked as a butterman's boy in the
1961:
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noted that "It is significant of the fine quality of Pinwell's art that many of his works are the property of artists."
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with illustrations by John Everett Millais (1829–1896) and Pinwell to 1864. Reid also gives 1862 as the date of publication.
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Idyllic Pictures. Drawn by Barnes, Miss E. Edwards, P. Gray, Houghton, R. P. Leitch, Pinwell, Sandys, Small, G. Thomas, etc
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stated that the watercolour was "dramatic in feeling" and showed "the most accurate perception of individual character."
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Pinwell was born on 26 December 1842 at 12 Great Mays Buildings, London. He was baptised on 27 July 1845, at St. Mark's,
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1982:
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472:
175:
301:, printed from the original wood blocks, each accompanied by a poem, many of which were published for the first time.
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Dalziels' Illustrated Goldsmith with one hundred pictures drawn by G. J. Pinwell and engraved by the Brothers Dalziel
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461:. In the following example the black-and-white engraving was prepared from the watercolour. Note that the engraving
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163:, London whose work, among other things was to stand outside the shop on Saturday nights shouting "Buy| Buy| Buy!"
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chosen. From that time his work was in constant demand. Pinwell illustrated for a range of magazines including:
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Roget only refers to the cause of death as "a fatal malady" but both Walker and Pinwell died of consumption.
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462:
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stated that the charm of Pinwell's work was "its vivid pictorial truth to life, its dramatic feeling." The
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Together with Walker, another pupil of Whymper, and North, Pinwell was a member of a group known as the
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and then full member in 1871. In all, he exhibited fifty-nine works at the Royal Watercolour Society.
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for the winter and spent eight months there. He returned to London in the spring of 1875. He died of
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1816:
855:
His long illness and the expense of travelling to Africa has reduced his resources and his savings.
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This was published both as a part book and as a single volume set in a small typeface containing:
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Pinwell's best Watercolours were probably the three paintings he submitted for membership of the
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1957:
1921:
1885:
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213:
1178:
Illustrators of the Eighteen Sixties: An Illustrated Survey of the Work of 58 British Artists
1938:
1797:
1768:
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1478:
1371:
1359:
A history of the Old Water-Colour Society now The Royal Society of Painters in Water Colours
1307:
1237:
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991:
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695:
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Pinwell also illustrated several other books which were engraved by the Dalziels' including
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457:, shown in the Dudley Gallery in 1865, was based on the themes and imagery he had used for
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259:, not as a regular apprentice, but in an informal arrangement. At Whymper's Pinwell met
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in London on 24 April 1865. The 1911 census shows that the marriage was without issue.
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2014:
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224:. After the exhibition, any works that were not private property were to be sold at
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209:, London. His estate was valued at less than £800 and his wife was the executrix.
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156:. His mother was "a rough, illiterate woman", and "a rough and determined person."
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1502:
A History of British Water Colour Painting: With a Biographical List of Painters
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1108:
702:
650:
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in 1862, a book of rhymes for children by Matthew Browne(a pseudonym used by
1325:"Wills and Probates 1858-1996: Pages for Pinwell and the year of death 1875"
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of which Walker is seen as the leader. The name seems to come from the book
160:
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Pinwell belonged to the small group of watercolour painters which included
727:
imperfections in execution." Houfe calls Pinwell "A brilliant colourist".
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145:
1047:. Vol. 21 (11th ed.). Cambridge University Press. p. 631.
432:
60:
1954:
Dictionary of 19th Century British Book Illustrators and Caricaturists
1860:
Salaman, M. C. (1914). Holme, C. Geoffrey; Halton, Ernest G. (eds.).
1460:(4th ed.). Jefferson: McFarland & Company, Inc. p. 85.
153:
129:
125:
56:
1756:
Dictionary of British Book Illustrators and Caricaturists, 1800-1914
1920:(2nd ed.). Woodbridge: Antique Collectors' Club. p. 371.
1540:
Victorian Illustrated Books 1850-1870: The Heyday of Wood-Engraving
174:
While working at the embroiderers Pinwell attended night school at
1890:
Tonbridge History: The Website of the Tonbridge Historical Society
1289:. Vol. 11: Pinchon-Rouck. Paris: Editions Gründ. p. 25.
592:
1143:
London, England, Church of England Marriages and Banns, 1754-1932
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The origin of the butterman's boy story is apparently art critic
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Pinwell most significant book illustration work was probably the
317:
poet has tried to portray in words the ideas in an illustration.
308:
The following five illustrations were Pinwell's contribution to
240:
Williamson states that Pinwell's his first drawing appeared in
846:
Alfred's name was given as called Frederick in the 1851 census
182:. In the following year he was drawing on wood blocks for the
2028:
Donato Esposito, 'George John Pinwell (1842–1875)', in
1785:
Adventure in Publishing: The House of Ward Lock (1854-1954)
1956:. Woodbridge: Antique Collectors' Club. pp. 258–259.
212:
He was buried on 11 September 1875 on the western side of
1417:
1415:
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Pinwell's first magazine illustration was for a poem by
2023:
George John Pinwell: A Victorian Artist and Illustrator
1362:. Vol. 2: 1832 on. London: Longmans, Green, and Co
762:
760:
1061:
Surrey, England, Church of England Baptisms, 1813-1917
232:
allegations concerning his sobriety and his grammar."
2032:(London: Lund Humphries, 2017), pp. 61–89.
1759:(Rev. ed.). Woodbridge: Antique Collectors' Club
1135:
1133:
1319:
1317:
1843:"Ready This Day: Dalziel's Illustrated Goldsmith".
1812:"Advertisement for Cassell's Illustrated Goldsmith"
1788:. London: Ward, Lock & Co., Limited. p. 29
1727:(Saturday 18 September 1875): 13. 18 September 1875
1494:
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435:, which were among his last works exhibited at the
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91:
83:
67:
42:
37:
George J. Pinwell from a photograph by John Hubbard
23:
1707:(access may be limited outside the United States).
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1505:. New York: E. P. Duttone and Company. p. 133
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1849:(Thursday 25 February 1864): 7. 25 February 1864.
1820:(Wednesday 24 February 1864): 1. 24 February 1864
1431:(Saturday 26 February 1876): 18. 26 February 1876
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251:He executed several designs for the silversmiths
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552:A seat in the park-The illustration as published
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414:The Troth of Gilbert Becket, the Saracen Maiden
400:and two scenes from the Pied Piper of Hamelin,
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538:A seat in the park-A print of the illustration
408:(children). Other well regarded pictures were
1748:
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1652:(Saturday 02 October 1875): 8. 2 October 1875
1217:
1215:
1213:
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8:
1225:English Illustration: The Sixties: 1855-1870
1103:(online ed.). Oxford University Press.
2089:Alumni of the Heatherley School of Fine Art
1170:
1168:
1166:
1164:
1162:
1160:
1158:
1156:
1154:
1152:
455:An Incident in the Life of Oliver Goldsmith
1228:. London: Archibald Constable and Co., Ltd
1091:Trimpe, Pamela White (23 September 2004).
128:26 December 1842 – 8 September 1875
31:
20:
2025:(New York: Peter Lang Publishing, 2001)
2018:(London: George Bell & Sons, 1900).
1863:Modern Book Illustrators and Their Work
1100:Oxford Dictionary of National Biography
932:
835:Oxford Dictionary of National Biography
813:Oxford Dictionary of National Biography
756:
657:Judy, or the London Serio-Comic Journal
524:A seat in the park-Finished Watercolour
485:
483:have assuredly won Thackeray's heart."
431:He painted three major watercolours at
319:
597:Pinwell's first magazine illustration
510:A seat in the park-More advanced study
16:British watercolourist and illustrator
1615:. London: George Routledge & Sons
1581:. London: Cassell, Petter, and Galpin
1181:. New York: Dover Publications, Inc.
295:, an anthology of illustrations from
7:
1917:The Dictionary of Victorian Painters
612:, which appeared in volume eight of
2054:("The idyllists" - southwilts.com)
2030:Frederick Walker and the Idyllists
1094:"Pinwell, George John (1842-1975)"
14:
2119:19th-century British male artists
1978:"Works of the Late G. J. Pinwell"
829:'s preface to a Catalogue of the
496:A seat in the park-An early study
132:), was a British illustrator and
1543:. London: British Museum Press.
724:Dictionary of Victorian Painters
544:
530:
516:
502:
488:
378:
364:
350:
336:
322:
2015:George J. Pinwell and his works
1866:. London: The Studio. p. 6
960:George J. Pinwell and his works
917:Watercolour Painting in Britain
459:Dalziel's Illustrated Goldsmith
1676:"Obituary George John Pinwell"
1394:. 11 September 1875. p. 5
1386:"Funeral of Mr. G. J. Pinwell"
963:. London: George Bell and Sons
957:Williamson, George C. (1900).
798:, and a sketch of the live of
228:for the benefit of the widow.
1:
2084:19th-century British painters
1986:. 21 February 1876. p. 6
1694:2027/gri.ark:/13960/t1bk81c9r
1286:Benezit Dictionary Of Artists
831:Birmingham Society of Artists
2114:Burials at Highgate Cemetery
2043:Works by George John Pinwell
1575:Cassell and Company (1867).
1145:. Provo, Utah: Ancestry.com.
1124:UK public library membership
1063:. Provo, Utah: Ancestry.com.
1034:"Pinwell, George John"
2012:George Charles Williamson,
1914:Woods, Christopher (1978).
1688:(December): 365–366. 1875.
638:Churchman's Family Magazine
2135:
1356:Roget, John Lewis (1891).
1029:Williamson, George Charles
792:The Captivity: An Oratorio
263:an apprentice of Whymper.
197:on 8 September 1875 at 86
1996:British Newspaper Archive
1830:British Newspaper Archive
1737:British Newspaper Archive
1662:British Newspaper Archive
1609:Dalziel Brothers (1866).
1441:British Newspaper Archive
1404:British Newspaper Archive
1000:. London: Ward & Lock
632:Cassell's Family Magazine
582:Ballads of the Affections
448:Royal Watercolour Society
437:Royal Watercolour Society
394:Royal Watercolour Society
176:St. Martin's Lane Academy
30:
1782:Liveing, Edward (1954).
1719:"The Late G. J. Pinwell"
1644:"The Late G. J. Pinwell"
1457:Dictionary of Pseudonyms
1423:"The Pinwell Exhibition"
905:The Pied Piper of Hamlin
901:The Pied Piper of Hamlin
720:Modern Book Illustrators
416:the legendary mother of
406:The Pied Piper of Hamlin
402:The Pied Piper of Hamlin
150:Surbiton railway station
2109:British watercolourists
1846:London Evening Standard
1724:Illustrated London News
1222:White, Gleeson (1903).
1044:Encyclopædia Britannica
782:, Miscellaneous Poems,
606:George Walter Thornbury
1537:Goldman, Paul (1994).
1499:Cundall, H. M (1908).
1175:Reid, Forrest (1975).
1109:10.1093/ref:odnb/22308
768:The Vicar of Wakefield
601:
106:Dalziels' Illustrated
87:Artist and illustrator
2104:British male painters
2021:Pamela White Trimpe,
1952:Houfe, Simon (1996).
1753:Houfe, Simon (1981).
1454:Room, Adrian (2004).
796:She Stoops to Conquer
784:The Haunch of Venison
689:The Cornhill Magazine
596:
246:William Brighty Rands
2099:British illustrators
788:The Good-Natured Man
780:The Deserted Village
276:Heatherley's Academy
272:Arthur Boyd Houghton
180:Heatherley's Academy
2094:Artists from London
1817:Dublin Evening Mail
1329:Find a Will Service
899:The other two were
709:The Sunday Magazine
426:Landlord and Tenant
372:Adjusting the clock
344:Driving in the cows
257:Josiah Wood Whymper
117:George John Pinwell
25:George John Pinwell
802:by H. W. Dulcken.
602:
439:in 1875. However,
410:The Elixir of Love
398:A Seat in the Park
2047:Project Gutenberg
1927:978-0-902028-72-2
1296:978-2-7000-3081-5
1281:Bénézit, Emmanuel
1122:(Subscription or
992:Goldsmith, Oliver
214:Highgate Cemetery
114:
113:
92:Years active
2126:
2000:
1999:
1994:– via The
1993:
1991:
1974:
1968:
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1943:
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1939:Internet Archive
1937:– via The
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1798:Internet Archive
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1769:Internet Archive
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1562:Internet Archive
1560:– via The
1559:
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1550:978-0-71412600-5
1534:
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1518:
1515:Internet Archive
1513:– via The
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1479:Internet Archive
1477:– via The
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1372:Internet Archive
1370:– via The
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1308:Internet Archive
1306:– via The
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1238:Internet Archive
1236:– via The
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1200:Internet Archive
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973:Internet Archive
971:– via The
970:
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868:catalogue dates
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764:
696:The Leisure Hour
560:Dalziel Brothers
548:
534:
520:
506:
492:
382:
368:
354:
340:
330:On the Threshold
326:
314:Dalziel Brothers
293:Idyllic Pictures
268:Frederick Walker
255:. He worked for
184:Dalziel Brothers
123:
102:
74:
71:8 September 1875
53:26 December 1842
52:
50:
35:
21:
2134:
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2064:
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2060:(Victorian web)
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2009:
2007:Further reading
2004:
2003:
1989:
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827:Harry Quilter
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772:The Traveller
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418:Thomas Becket
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358:Milking a cow
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84:Occupation(s)
82:
70:
66:
62:
58:
45:
41:
34:
29:
22:
19:
2029:
2022:
2013:
1988:. Retrieved
1981:
1972:
1953:
1947:
1931:. Retrieved
1916:
1894:. Retrieved
1889:
1880:
1868:. Retrieved
1862:
1855:
1844:
1838:
1822:. Retrieved
1815:
1806:
1790:. Retrieved
1784:
1777:
1761:. Retrieved
1755:
1729:. Retrieved
1722:
1713:
1697:. Retrieved
1685:
1679:
1670:
1654:. Retrieved
1647:
1617:. Retrieved
1611:
1583:. Retrieved
1577:
1570:
1554:. Retrieved
1539:
1507:. Retrieved
1501:
1471:. Retrieved
1456:
1449:
1433:. Retrieved
1426:
1396:. Retrieved
1389:
1380:
1364:. Retrieved
1358:
1332:. Retrieved
1328:
1302:11 September
1300:. Retrieved
1285:
1260:. Retrieved
1255:
1246:
1230:. Retrieved
1224:
1192:. Retrieved
1177:
1142:
1112:. Retrieved
1098:
1060:
1053:
1042:
1002:. Retrieved
996:
965:. Retrieved
959:
916:
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574:Jean Ingelow
571:
564:Illustrated
563:
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477:
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463:Joseph Swain
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191:North Africa
188:
173:
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143:
116:
115:
105:
101:Notable work
73:(1875-09-08)
18:
2079:1875 deaths
2074:1842 births
1933:5 September
1705:Hathi Trust
1649:The Graphic
1428:The Graphic
903:(rats) and
776:Retaliation
738:The Graphic
733:Fred Walker
668:Once a Week
615:Once a Week
479:The Graphic
467:Once a Week
442:The Graphic
422:Out of Town
404:(rats) and
253:Elkington's
195:consumption
2068:Categories
1126:required.)
927:References
907:(children)
816:carpenter.
811:While the
715:Assessment
703:The Quiver
651:Good Words
625:The Argosy
584:, and the
576:'s poems,
298:The Quiver
226:Christie's
203:Haverstock
49:1842-12-26
1990:8 October
1896:7 October
1870:7 January
1824:7 October
1792:7 January
1731:8 October
1699:8 October
1656:8 October
1619:8 October
1585:8 October
1556:8 October
1509:28 August
1473:19 August
1435:8 October
1398:8 October
1366:8 October
1334:8 October
1262:8 October
1232:7 January
1194:7 January
1114:7 October
1004:6 October
967:6 October
800:Goldsmith
744:The Globe
566:Goldsmith
473:The Globe
470:Society.
386:In church
289:Idealists
261:J W North
161:City Road
140:Biography
108:Goldsmith
95:1862–1875
1283:(2006).
1031:(1911).
994:(1865).
146:Surbiton
1763:14 July
1256:FreeBMD
1041:(ed.).
608:called
433:Tangier
287:or the
61:England
1960:
1924:
1892:. 2019
1547:
1464:
1293:
1185:
1120:
424:, and
312:. The
154:London
130:London
126:London
78:London
57:London
1983:Globe
1391:Globe
1258:. ONS
1037:. In
751:Notes
675:Punch
396:were
1992:2020
1958:ISBN
1935:2020
1922:ISBN
1898:2020
1872:2020
1826:2020
1794:2020
1765:2020
1733:2020
1701:2020
1658:2020
1621:2020
1587:2020
1558:2020
1545:ISBN
1511:2020
1475:2020
1462:ISBN
1437:2020
1400:2020
1368:2020
1336:2020
1304:2020
1291:ISBN
1264:2020
1234:2020
1196:2020
1183:ISBN
1116:2020
1006:2020
969:2020
270:and
236:Work
68:Died
43:Born
2045:at
1690:hdl
1105:doi
644:Fun
580:'s
121:RWS
2070::
1980:.
1906:^
1888:.
1814:.
1745:^
1721:.
1686:37
1684:.
1678:.
1646:.
1633:^
1599:^
1523:^
1487:^
1425:.
1412:^
1388:.
1344:^
1327:.
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1272:^
1254:.
1208:^
1151:^
1132:^
1097:.
1069:^
1018:^
981:^
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794:,
790:,
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590:.
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428:.
420:,
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205:,
201:,
186:.
136:.
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1998:.
1966:.
1941:.
1900:.
1874:.
1832:.
1800:.
1771:.
1739:.
1692::
1664:.
1627:.
1593:.
1564:.
1517:.
1481:.
1443:.
1406:.
1374:.
1338:.
1310:.
1266:.
1240:.
1202:.
1118:.
1107::
1012:.
975:.
837:.
124:(
51:)
47:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
