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Hüe's music met with limited success mainly because his style did not change with the times. However, he was an often inspired composer whose works garnered the admiration of several famous colleagues, including
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During his lifetime, Hüe wrote a broad range of other compositions, of which his choral works are most noteworthy. Some pieces for
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212:, opéra (3 acts, M. Léna & H. Ferrare, after Blasco Ibanez), f.p. 7 December 1921, Opéra, Paris.
200:, opéra (3 acts, L. Gallet & A. Corneau), f.p. 20 January 1903, Opéra Comique (Favart), Paris.
134:, a ballet-pantomime created for a Chinese spring festival in 1924. His final stage work was based on a
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for flute and orchestra (composed in 1913 for flute and piano and orchestrated in 1923), written for
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into a noted family of architects. His musical education included studies with
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Richard
Langham Smith: "Hüe, Georges (Adolphe)", in: Stanley Sadie (ed.):
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woodland scenes for chorus and orchestra. In 1910, the Opéra produced
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Hüe returned to the stage with his first full-length opera,
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283:International Music Score Library Project
41:(6 May 1858 – 7 June 1948) was a French
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149:are occasionally performed, including
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364:19th-century French male musicians
359:20th-century French male musicians
99:, this work is noteworthy for its
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236:The New Grove Dictionary of Opera
319:20th-century classical composers
314:19th-century classical composers
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354:20th-century French composers
309:19th-century French composers
210:Dans l'ombre de la cathédrale
120:Dans l'ombre de la cathédrale
344:Prix de Rome for composition
95:. Stimulated by fantasy and
329:French male opera composers
27:French composer (1858–1948)
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279:Free scores by Georges Hüe
176:He died in Paris in 1948.
115:with a religious miracle.
349:French Romantic composers
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222:Riquet à la houppe
159:Paris Conservatory
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186:Les Pantins
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251:References
204:Le Miracle
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216:Siang-Sin
151:Fantaisie
132:Siang-Sin
124:socialism
113:Pygmalion
111:story of
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285:(IMSLP)
281:at the
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198:Titania
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180:Operas
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