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of the churches were covered with lead, the Church of St. Demetrius was practically rebuilt, and almost half of the frescoes were restored by
Mitrofanović, giving them a new layer. The major part of the early 17th-century frescoes in the church is found in the
201:. Retaining the old subjects and respecting the preceding compositional solutions, Mitrofanović tended to approach the artistic attitude of master painter John's from the 14th century retaining at the same time his own warmer coloring.
161:, before coming to Montenegro where he worked on frescoes in the Morača monastery. He had many pupils and associates, but his most famous follower was Zograf Jovan. His contemporary was
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The icon of
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initiated the restoration of the old 13th- and 14th-century churches of the
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The icon of Saints
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in 1620. Its restoration marked the symbolic beginning of the
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of true artistic activity in the territories subordinate to
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188:. All the
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