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German Concentration Camps Factual Survey

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317:, and Marcel Cohen, in addition to Crossman, Wills, and Bernstein's friend Alfred Hitchcock. Though Bernstein has described Hitchcock as the film's director, the Imperial War Museum describes Hitchcock as the film's "treatment advisor," noting that his one-month participation did not begin until after the footage was already shot and he was not involved in the rough cut of the film. Tanner also described Hitchcock as an advisor on the film and not as its director. Among the guidance Hitchcock provided was to recommend that the film avoid tricky editing to enhance its credibility, and to use wherever possible long shots and 268: 2221: 384:
Psychological Warfare Office and SHAEF were dissolved, leaving the British Ministry of Information in charge. The British military desire for a more congenial approach to relations with Germans and completion of other concentration camp documentaries were also reasons for it not being released. The result was that what had been envisioned originally as a joint project became two separate films: the British
201: 325: 321:. He also recommended that German villagers be shown visiting the camps, and suggested showing scenes at Auschwitz showing piles of hair, wedding rings, spectacles and toothbrushes. Hitchcock told the filmmakers that these steps were necessary because many people would not believe the film and would accuse the Allies of faking the film. 218:, a cinema entrepreneur, had been an advisor to the Ministry of Information since 1940, and from 1942 onwards had been in charge of supply of British films to cinemas in areas freed from Axis control. Early in 1945, he began to make inquiries about the availability of Soviet films showing scenes of German atrocities. 379:
A rough cut of five reels of the film was screened in September 1945, after which the film was shelved. The Imperial War Museum states that the project from the beginning was beset by "the practical difficulties of international co-operation and the realities of post-war shortages." As a result, the
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said that "the film can seem shocking but not surprising, simply because such imagery has been so thoroughly incorporated into pop culture, either through direct citation or by inference." But the "troubling sense of familiarity soon dissipates ... because this is not like most films." Unlike many
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After production commenced, film was continually flowing in from the front, as concentration camps were liberated. Ultimately the film incorporated the work of British, American and Soviet camera crews. Their cameras documented piles of dead, as well as starved survivors and burned remains in the
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British concern about the growing Zionist movement has been cited as a reason for the shelving of the film. Also cited are U.S. Army slowness in providing footage and technical issues, such as the search for an editing machine. The U.S. withdrew from the project in July 1945, shortly before the
561:(PBS, 1984) needed restoration. The Imperial War Museum decided to complete the original 1945 documentary instead. Work began in December 2008, using the filmmakers' rough cut, script and shot list, and the footage was digitalized by a post-production facility in Wales. 337:
ovens of the crematoria, and incorporated Hitchcock's suggestion by showing piles of victims' belongings, teeth, and bags of hair at the Majdanek camp. An immense pile of spectacles was accompanied by narration noting that perhaps one victim in ten wore spectacles.
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film was delayed "long enough to be overtaken by other events," including completion of two other concentration camp films and changes in occupation policy, "where the authorities no longer considered a one-hour compilation of atrocity material appropriate."
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for Europe's Jews. PBS notes that a 1941 British Ministry of Information guideline advised war propagandists to deal with "the treatment of indisputably innocent people, not with violent political opponents and not with Jews," to make their work credible.
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films on the subject, there are no heroics or "hollow claims about the 'triumph' of the human spirit. ... The few smiles here are desperate. Mostly, there are starving survivors milling about the camps and staring into the camera with hollow eyes."
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The Imperial War Museum took possession of the rough cut, consisting of five reels of the film, in 1952. The museum also received 100 reels of footage, a script for the narration, and a shot list for completion of the film.
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The missing sixth reel was reconstructed utilizing the original shot list. All scenes were located except for two maps, one of which was replaced by a new one. The original narration was spoken by actor
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on 22 April 1945, a week after it was liberated by British forces. What he saw there made him determined to make the film to show to German audiences. Production of the film was ordered by the
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The British government shelved the film without showing it to the public, and questions have been raised about the extent to which political considerations, such as British concern about
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cameramen. Fourteen locations were covered by the film, including ten concentration camps and four locations where atrocities had taken place. Among the camps where footage was shot was
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for North America and Puerto Rico. The film premiered in New York City on 6 January 2017. The restored film, 75 minutes in length, is bookended by a brief introduction and postscript.
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was narrator. The title of the film was derived from a line of narration in the 1945 documentary: "Unless the world learns the lesson these pictures teach, night will fall."
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The 2014 documentary was released at a number of film festivals, including the 2014 Berlin International Film Festival, and was shown along with the 1945 documentary at the
1234: 371:, the Belsen commandant known as the "Beast of Belsen". Kramer had claimed that he did not have sufficient food to feed the inmates, which was contradicted by the footage. 3558: 2434: 1173: 2540: 177:
The project was abandoned in September 1945, and the film was left unfinished for nearly seventy years. The film's restoration was completed by film scholars at the
3143: 230: 1018: 3935: 889: 3762: 1462: 2545: 2457: 3461: 3285: 2035: 822: 3920: 3422: 2349: 2144: 2049: 1457: 1427: 717:, in its review of the documentary, said that "what the new film accomplishes, more than anything else, is to make you wish you could see the original." 2645: 2151: 1452: 1281: 413: 3496: 2945: 854: 584: 155: 3844: 3365: 3093: 2488: 2439: 2257: 1151: 3925: 2669: 2113: 252:. Their films were recorded without sound. Recognizing the need to make the films as authentic as possible, he asked a newsreel cameraman from 233:(SHAEF). The PWD was responsible for the political activities in Germany of the British Ministry of Information and its U.S. counterpart, the 1876: 1655: 1514: 912: 1084: 3049: 2467: 2307: 2164: 3854: 3687: 3332: 2795: 2535: 1331: 784: 3930: 2883: 1115: 592: 521: 2664: 2409: 215: 151: 46: 2679: 2615: 569:, and sound effects were added from the museum's resources. Its world premiere was at the 2014 Berlin International Film Festival. 1211: 3450: 2907: 2684: 2625: 2600: 2389: 2317: 287: 264:, later executed for atrocities at Belsen. Klein was interviewed in front of a pile of bodies that included some of his victims. 222: 3915: 2528: 2523: 2120: 1740: 1498: 245: 344:
was made in the production of the film, which might be attributed to the failure of the filmmakers to grasp the full scale of
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The first five reels of the film, which was originally to have been six reels in length, were shown at the
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had already been filming the early days of Belsen's liberation, including the capture of its commandant,
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The restored film was scheduled to be screened in January 2015 at the Metropolis Kino in Hamburg, the
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Work to restore and complete the film commenced after it became apparent that the popular documentary
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Footage from the film was also incorporated in a number of other films and broadcasts over the years.
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was to go into general release to the public sometime during the year, either on DVD or in theaters.
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As a result of the film's shelving, it did not receive the same acclaim as other documentaries on
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called it "an extraordinary act of cinematic reclamation and historiography." Times' film critic
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Digitizing the film had the effect of transforming "the grainy past into a vivid present."
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Footage from the documentary was used in the postwar prosecution of Nazi war criminals at
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Holocaust and the moving image : representations in film and television since 1933
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as very different to the "grieving meditation on inhumanity that Bernstein conceived."
348: 237:. Bernstein began to assemble his film production team in April 1945. He and the U.S. 56: 3904: 3662: 3591: 3482: 3350: 3180: 3137: 2983: 2968: 2266: 2206: 1924: 1884: 1389: 1235:"Alfred Hitchcock holocaust film to go on general release 70 years after suppression" 588: 535: 463: 449: 341: 257: 267: 192:
or changes in German occupation policy, may have played in the film being withheld.
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in July 2015 and the Holocaust & Human Rights Educator Conference in
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was broadcast on major television networks around the world, including
189: 753:"Production Credits, German Concentration Camps Factual Survey (1945)" 3745: 1948: 682:. It includes about 12 minutes of footage from the 1945 documentary. 596: 244:
By the time Bernstein had visited Belsen, cameramen from the British
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A nonprofit called "3 Generations" was granted screening rights to
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in its German-language version, which had a different director and
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A 70-minute documentary on the making of the 1945 film, entitled
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in London, were planned. The film also was to be screened at the
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in 1984, and in 1985, as an episode "Memory of the Camps" on the
2235: 785:"Revisiting Concentration Camp Atrocities in Shattering Clarity" 181:. The finished film had its world premiere early in 2014 at the 3627: 3448: 3079: 2569: 2239: 1409: 954:(1. publ. ed.). London: Wallflower Press. pp. 50–62. 431:
utilized the same footage, was shorter and was released in the
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were the driving forces behind the film in its early stages.
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acting as a "treatment advisor". The script was written by
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Footage from the film was used in the 1985 documentary
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on 14 April 2015, and is available for viewing on the
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as narrator. However, that version of the film had no
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The film eventually utilized both silent footage from
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Holocaust Doc 'Night Will Fall' Gets Global Broadcast
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Archived from 1144:"Restoration and Completion of the Film" 585:Holocaust Memorial Museum of San Antonio 737: 309:Bernstein's team included film editors 948:Haggith, Toby; Newman, Joanna (2005). 602:In January 2015 it was disclosed that 328:The film was evidence at the trial of 3936:Documentary films about the Holocaust 1515:The Lodger: A Story of the London Fog 821:. Imperial War Museum. 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children 2446: 2304:Czechoslovakia 2269: 2264: 2234: 2229: 2211: 2190: 2086:The Short Night 2061: 2018: 1963: 1813:Under Capricorn 1716: 1710: 1608:Elstree Calling 1575: 1569: 1490: 1477: 1439: 1434: 1368:The short film 1343: 1338: 1329: 1322: 1313: 1311: 1306: 1305: 1301: 1291: 1289: 1280: 1279: 1275: 1265: 1263: 1258: 1257: 1253: 1243: 1241: 1232: 1231: 1227: 1217: 1215: 1202: 1201: 1197: 1187: 1185: 1184:on 26 June 2015 1172: 1171: 1167: 1157: 1155: 1142: 1141: 1134: 1124: 1122: 1120:Huff Post Media 1113: 1112: 1103: 1093: 1091: 1082: 1081: 1068: 1058: 1056: 1047: 1046: 1037: 1027: 1025: 1016: 1015: 1002: 992: 990: 981: 980: 969: 962: 947: 946: 927: 918: 916: 911: 910: 901: 887: 886: 873: 863: 861: 852: 851: 838: 828: 826: 825:on 1 March 2017 817: 816: 803: 793: 791: 782: 781: 770: 760: 758: 755: 751: 750: 739: 735: 723: 695:Night Will Fall 671:Night Will Fall 666: 664:Night Will Fall 660: 657:Night Will Fall 628: 551: 514:Night Will Fall 488: 454:Claude Lanzmann 409: 400:Die 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3451:Responsibility 3449: 3442: 3441: 3438: 3437: 3434: 3433: 3431: 3430: 3425: 3420: 3415: 3410: 3405: 3400: 3395: 3389: 3387: 3381: 3380: 3377: 3376: 3374: 3373: 3368: 3363: 3358: 3353: 3348: 3343: 3337: 3335: 3329: 3328: 3326: 3325: 3324: 3323: 3318: 3313: 3303: 3302: 3301: 3290: 3288: 3282: 3281: 3279: 3278: 3273: 3268: 3263: 3258: 3253: 3248: 3243: 3238: 3233: 3230:Einsatzgruppen 3225: 3223: 3219: 3218: 3216: 3215: 3210: 3205: 3199: 3197: 3194:Final Solution 3189: 3188: 3186: 3185: 3184: 3183: 3173: 3172: 3171: 3166: 3156: 3151: 3146: 3141: 3133: 3131: 3127: 3126: 3124: 3123: 3118: 3113: 3107: 3105: 3096: 3086: 3085: 3080: 3073: 3072: 3069: 3068: 3065: 3064: 3061: 3060: 3058: 3057: 3055:Ústredňa Židov 3052: 3047: 3041: 3039: 3031: 3030: 3028: 3027: 3022: 3020:Theresienstadt 3017: 3012: 3007: 3002: 2996: 2994: 2990: 2989: 2987: 2986: 2981: 2976: 2971: 2966: 2961: 2956: 2950: 2948: 2939: 2928: 2927: 2925: 2924: 2917: 2910: 2905: 2896: 2894: 2890: 2889: 2887: 2886: 2881: 2876: 2871: 2866: 2861: 2859:Einsatzgruppen 2855: 2853: 2849: 2848: 2846: 2845: 2840: 2833: 2828: 2823: 2818: 2811: 2806: 2801: 2792: 2787: 2782: 2773: 2768: 2763: 2755: 2753: 2749: 2748: 2746: 2745: 2740: 2735: 2730: 2725: 2720: 2714: 2712: 2706: 2705: 2703: 2702: 2697: 2692: 2687: 2682: 2677: 2672: 2667: 2665:Mittelbau-Dora 2662: 2653: 2648: 2646:Kraków-Płaszów 2643: 2638: 2633: 2628: 2623: 2618: 2613: 2608: 2603: 2598: 2592: 2590: 2580: 2579: 2570: 2563: 2562: 2559: 2558: 2556: 2555: 2554: 2553: 2548: 2543: 2536:Rescue of Jews 2533: 2532: 2531: 2526: 2521: 2516: 2511: 2506: 2501: 2496: 2485: 2483: 2479: 2478: 2476: 2475: 2470: 2465: 2460: 2454: 2452: 2448: 2447: 2445: 2444: 2443: 2442: 2437: 2429: 2428: 2427: 2422: 2417: 2407: 2402: 2397: 2392: 2387: 2382: 2377: 2372: 2371: 2370: 2359: 2354: 2353: 2352: 2342: 2337: 2332: 2327: 2322: 2321: 2320: 2315: 2310: 2302: 2297: 2292: 2287: 2281: 2279: 2271: 2270: 2265: 2263: 2262: 2255: 2248: 2240: 2231: 2230: 2228: 2227: 2216: 2213: 2212: 2210: 2209: 2204: 2198: 2196: 2192: 2191: 2189: 2188: 2187: 2186: 2174: 2167: 2162: 2155: 2148: 2141: 2134: 2129: 2124: 2117: 2110: 2103: 2096: 2093:The Blackguard 2089: 2082: 2075: 2069: 2067: 2063: 2062: 2060: 2059: 2047: 2039: 2026: 2024: 2020: 2019: 2017: 2016: 2008: 2000: 1992: 1984: 1975: 1973: 1969: 1968: 1965: 1964: 1962: 1961: 1953: 1945: 1937: 1929: 1921: 1913: 1905: 1897: 1889: 1881: 1873: 1865: 1857: 1849: 1841: 1833: 1825: 1817: 1809: 1801: 1793: 1785: 1777: 1769: 1761: 1753: 1745: 1737: 1729: 1720: 1718: 1712: 1711: 1709: 1708: 1700: 1692: 1684: 1676: 1668: 1660: 1652: 1644: 1636: 1628: 1620: 1612: 1604: 1596: 1588: 1579: 1577: 1571: 1570: 1568: 1567: 1559: 1551: 1543: 1535: 1527: 1519: 1511: 1503: 1494: 1492: 1483: 1479: 1478: 1476: 1475: 1470: 1465: 1460: 1455: 1450: 1444: 1441: 1440: 1435: 1433: 1432: 1425: 1418: 1410: 1404: 1403: 1397:George Stevens 1395:, directed by 1387: 1379: 1366: 1355: 1342: 1341:External links 1339: 1337: 1336: 1330:Carole Horst, 1320: 1299: 1273: 1251: 1225: 1195: 1165: 1132: 1101: 1066: 1035: 1000: 967: 960: 925: 899: 871: 836: 801: 768: 736: 734: 731: 730: 729: 722: 719: 693:in July 2014. 662:Main article: 659: 654: 649:Manohla Dargis 639:Jasper Britton 627: 624: 567:Jasper Britton 550: 547: 487: 484: 394:, directed by 376: 373: 363:, the site of 349:Final Solution 346:Adolf Hitler's 340:No mention of 197: 194: 130: 129: 128:United Kingdom 126: 122: 121: 118: 115: 112: 111: 102: 101:Distributed by 98: 97: 88: 86: 81: 78: 77: 64: 60: 59: 57:Jasper Britton 54: 50: 49: 44: 40: 39: 30: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 3958: 3947: 3944: 3942: 3939: 3937: 3934: 3932: 3929: 3927: 3924: 3922: 3919: 3917: 3914: 3912: 3909: 3908: 3906: 3882: 3878: 3876: 3873: 3871: 3868: 3866: 3863: 3861: 3858: 3856: 3853: 3851: 3848: 3846: 3843: 3841: 3838: 3834: 3831: 3830: 3829: 3826: 3824: 3821: 3819: 3816: 3814: 3811: 3810: 3808: 3804: 3796: 3793: 3792: 3791: 3788: 3784: 3781: 3780: 3779: 3776: 3774: 3771: 3769: 3766: 3764: 3761: 3759: 3756: 3752: 3749: 3747: 3744: 3742: 3739: 3738: 3737: 3734: 3732: 3729: 3728: 3726: 3724: 3720: 3714: 3708: 3706: 3703: 3701: 3698: 3694: 3691: 3690: 3689: 3686: 3684: 3681: 3679: 3676: 3674: 3671: 3669: 3666: 3664: 3663:Nazi eugenics 3661: 3659: 3656: 3655: 3653: 3649: 3645: 3637: 3634: 3631: 3630: 3626: 3622: 3608: 3605: 3603: 3600: 3598: 3595: 3593: 3592:Topf and Sons 3590: 3588: 3585: 3583: 3580: 3578: 3575: 3573: 3570: 3568: 3565: 3564: 3562: 3560: 3559:Collaborators 3556: 3550: 3547: 3545: 3542: 3540: 3539: 3535: 3534: 3532: 3528: 3522: 3519: 3517: 3514: 3511: 3508: 3505: 3502: 3498: 3497:Referat IV B4 3495: 3494: 3493: (RSHA) 3492: 3489: 3487: 3485: 3484:Schutzstaffel 3481: 3479: 3476: 3475: 3473: 3471:Organizations 3469: 3463: 3460: 3459: 3456: 3452: 3447: 3443: 3429: 3426: 3424: 3421: 3419: 3416: 3414: 3413:Romani people 3411: 3409: 3406: 3404: 3401: 3399: 3396: 3394: 3391: 3390: 3388: 3386: 3382: 3372: 3369: 3367: 3366:Working Group 3364: 3362: 3359: 3357: 3354: 3352: 3351:Kastner train 3349: 3347: 3344: 3342: 3339: 3338: 3336: 3334: 3330: 3322: 3319: 3317: 3314: 3312: 3309: 3308: 3307: 3304: 3300: 3297: 3296: 3295: 3292: 3291: 3289: 3287: 3283: 3277: 3274: 3272: 3269: 3267: 3264: 3262: 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3232: 3231: 3227: 3226: 3224: 3220: 3214: 3211: 3209: 3206: 3204: 3201: 3200: 3198: 3195: 3190: 3182: 3179: 3178: 3177: 3174: 3170: 3167: 3165: 3162: 3161: 3160: 3157: 3155: 3152: 3150: 3147: 3145: 3142: 3140: 3139: 3138:Kristallnacht 3135: 3134: 3132: 3128: 3122: 3119: 3117: 3114: 3112: 3109: 3108: 3106: 3104: 3100: 3097: 3095: 3091: 3087: 3083: 3078: 3074: 3056: 3053: 3051: 3048: 3046: 3043: 3042: 3040: 3038: 3037: 3032: 3026: 3023: 3021: 3018: 3016: 3013: 3011: 3008: 3006: 3003: 3001: 2998: 2997: 2995: 2991: 2985: 2982: 2980: 2977: 2975: 2972: 2970: 2967: 2965: 2962: 2960: 2957: 2955: 2952: 2951: 2949: 2947: 2943: 2940: 2937: 2933: 2929: 2923: 2922: 2921:Sanitätswesen 2918: 2916: 2915: 2911: 2909: 2906: 2904: 2903: 2898: 2897: 2895: 2891: 2885: 2884:Death marches 2882: 2880: 2877: 2875: 2872: 2870: 2867: 2865: 2862: 2860: 2857: 2856: 2854: 2850: 2844: 2841: 2839: 2834: 2832: 2829: 2827: 2824: 2822: 2819: 2817: 2812: 2810: 2807: 2805: 2802: 2800: 2799: 2793: 2791: 2788: 2786: 2783: 2781: 2780: 2774: 2772: 2769: 2767: 2764: 2762: 2757: 2756: 2754: 2750: 2744: 2741: 2739: 2736: 2734: 2731: 2729: 2726: 2724: 2721: 2719: 2716: 2715: 2713: 2711: 2710:Extermination 2707: 2701: 2698: 2696: 2693: 2691: 2688: 2686: 2685:Sachsenhausen 2683: 2681: 2678: 2676: 2673: 2671: 2668: 2666: 2663: 2661: 2657: 2654: 2652: 2649: 2647: 2644: 2642: 2639: 2637: 2634: 2632: 2629: 2627: 2626:Herzogenbusch 2624: 2622: 2619: 2617: 2614: 2612: 2609: 2607: 2604: 2602: 2601:Bergen-Belsen 2599: 2597: 2594: 2593: 2591: 2589: 2588:Concentration 2585: 2581: 2577: 2573: 2568: 2564: 2552: 2549: 2547: 2544: 2542: 2539: 2538: 2537: 2534: 2530: 2527: 2525: 2524:United States 2522: 2520: 2517: 2515: 2512: 2510: 2507: 2505: 2502: 2500: 2497: 2495: 2492: 2491: 2490: 2487: 2486: 2484: 2480: 2474: 2471: 2469: 2466: 2464: 2461: 2459: 2456: 2455: 2453: 2449: 2441: 2438: 2436: 2433: 2432: 2430: 2426: 2423: 2421: 2418: 2416: 2413: 2412: 2411: 2408: 2406: 2403: 2401: 2398: 2396: 2393: 2391: 2388: 2386: 2383: 2381: 2378: 2376: 2373: 2369: 2366: 2365: 2364:and colonies 2363: 2360: 2358: 2355: 2351: 2348: 2347: 2346: 2343: 2341: 2338: 2336: 2333: 2331: 2328: 2326: 2323: 2319: 2316: 2314: 2311: 2309: 2306: 2305: 2303: 2301: 2298: 2296: 2293: 2291: 2288: 2286: 2283: 2282: 2280: 2276: 2272: 2268: 2267:The Holocaust 2261: 2256: 2254: 2249: 2247: 2242: 2241: 2238: 2226: 2218: 2217: 2214: 2208: 2205: 2203: 2200: 2199: 2197: 2193: 2185: 2182: 2181: 2180: 2179: 2175: 2173: 2172: 2168: 2166: 2163: 2161: 2160: 2156: 2154: 2153: 2149: 2147: 2146: 2142: 2140: 2139: 2135: 2133: 2130: 2128: 2125: 2123: 2122: 2118: 2116: 2115: 2111: 2109: 2108: 2104: 2102: 2101: 2097: 2095: 2094: 2090: 2088: 2087: 2083: 2081: 2080: 2076: 2074: 2071: 2070: 2068: 2064: 2057: 2053: 2052: 2048: 2045: 2044: 2040: 2037: 2033: 2032: 2028: 2027: 2025: 2021: 2014: 2013: 2009: 2006: 2005: 2001: 1998: 1997: 1993: 1990: 1989: 1985: 1982: 1981: 1977: 1976: 1974: 1970: 1959: 1958: 1954: 1951: 1950: 1946: 1943: 1942: 1938: 1935: 1934: 1930: 1927: 1926: 1922: 1919: 1918: 1914: 1911: 1910: 1906: 1903: 1902: 1898: 1895: 1894: 1890: 1887: 1886: 1885:The Wrong Man 1882: 1879: 1878: 1874: 1871: 1870: 1866: 1863: 1862: 1858: 1855: 1854: 1850: 1847: 1846: 1842: 1839: 1838: 1834: 1831: 1830: 1826: 1823: 1822: 1818: 1815: 1814: 1810: 1807: 1806: 1802: 1799: 1798: 1794: 1791: 1790: 1786: 1783: 1782: 1778: 1775: 1774: 1770: 1767: 1766: 1762: 1759: 1758: 1754: 1751: 1750: 1746: 1743: 1742: 1738: 1735: 1734: 1730: 1727: 1726: 1722: 1721: 1719: 1713: 1706: 1705: 1701: 1698: 1697: 1693: 1690: 1689: 1685: 1682: 1681: 1677: 1674: 1673: 1669: 1666: 1665: 1661: 1658: 1657: 1653: 1650: 1649: 1645: 1642: 1641: 1637: 1634: 1633: 1629: 1626: 1625: 1621: 1618: 1617: 1616:The Skin Game 1613: 1610: 1609: 1605: 1602: 1601: 1597: 1594: 1593: 1589: 1586: 1585: 1581: 1580: 1578: 1572: 1565: 1564: 1560: 1557: 1556: 1552: 1549: 1548: 1544: 1541: 1540: 1536: 1533: 1532: 1528: 1525: 1524: 1520: 1517: 1516: 1512: 1509: 1508: 1504: 1501: 1500: 1496: 1495: 1493: 1487: 1484: 1482:Feature films 1480: 1474: 1471: 1469: 1466: 1464: 1461: 1459: 1456: 1454: 1451: 1449: 1446: 1445: 1442: 1438: 1431: 1426: 1424: 1419: 1417: 1412: 1411: 1408: 1402: 1398: 1394: 1392: 1388: 1385: 1384: 1380: 1377: 1373: 1372: 1367: 1365: 1361: 1360: 1356: 1354: 1350: 1349: 1345: 1344: 1340: 1333: 1327: 1325: 1321: 1309: 1303: 1300: 1287: 1283: 1277: 1274: 1261: 1255: 1252: 1240: 1239:The Telegraph 1236: 1229: 1226: 1213: 1209: 1205: 1199: 1196: 1183: 1179: 1175: 1169: 1166: 1153: 1149: 1145: 1139: 1137: 1133: 1121: 1117: 1110: 1108: 1106: 1102: 1090: 1086: 1079: 1077: 1075: 1073: 1071: 1067: 1054: 1050: 1044: 1042: 1040: 1036: 1024: 1020: 1013: 1011: 1009: 1007: 1005: 1001: 989: 985: 978: 976: 974: 972: 968: 963: 957: 953: 952: 944: 942: 940: 938: 936: 934: 932: 930: 926: 914: 908: 906: 904: 900: 895: 891: 884: 882: 880: 878: 876: 872: 860: 856: 849: 847: 845: 843: 841: 837: 824: 820: 814: 812: 810: 808: 806: 802: 790: 786: 779: 777: 775: 773: 769: 754: 748: 746: 744: 742: 738: 732: 728: 725: 724: 720: 718: 716: 715: 710: 708: 704: 700: 696: 692: 687: 685: 681: 677: 673: 672: 665: 658: 655: 653: 650: 646: 645: 640: 635: 633: 625: 623: 621: 617: 616: 611: 607: 605: 600: 598: 594: 590: 589:BFI Southbank 586: 582: 578: 573: 570: 568: 562: 560: 555: 548: 546: 543: 541: 537: 536:Trevor Howard 533: 532: 527: 523: 518: 516: 515: 510: 505: 503: 499: 495: 494: 485: 483: 481: 480: 475: 474:Marcel Ophüls 471: 470: 469:Night and Fog 465: 464:Alain Resnais 461: 460: 455: 451: 450:the Holocaust 446: 444: 440: 439: 434: 430: 423: 407: 405: 401: 397: 393: 392: 387: 381: 374: 372: 370: 366: 362: 358: 353: 350: 347: 343: 342:the Holocaust 338: 331: 326: 322: 320: 316: 312: 307: 305: 301: 297: 293: 289: 285: 281: 273: 269: 265: 263: 259: 255: 251: 247: 242: 240: 236: 232: 228: 224: 219: 217: 210: 206: 202: 195: 193: 191: 186: 184: 180: 175: 173: 169: 165: 161: 157: 153: 148: 146: 142: 138: 137: 127: 123: 119: 113: 110: 106: 103: 99: 95: 91: 87: 79: 74: 70: 66:George Smith 65: 61: 58: 55: 51: 48: 45: 41: 38: 34: 31: 27: 22: 19: 3875:Yizkor books 3536: 3483: 3228: 3176:in Lithuania 3136: 3034: 2919: 2912: 2901: 2835: 2813: 2794: 2775: 2758: 2541:by Catholics 2410:Soviet Union 2278:By territory 2176: 2169: 2157: 2150: 2143: 2138:High Anxiety 2136: 2119: 2112: 2106: 2105: 2098: 2091: 2084: 2077: 2073:Hitchcockian 2050: 2041: 2029: 2010: 2002: 1994: 1986: 1978: 1955: 1947: 1939: 1933:Torn Curtain 1931: 1923: 1915: 1907: 1899: 1891: 1883: 1875: 1867: 1859: 1851: 1843: 1835: 1827: 1821:Stage Fright 1819: 1811: 1803: 1795: 1787: 1779: 1771: 1763: 1755: 1747: 1739: 1731: 1723: 1702: 1694: 1686: 1678: 1672:Secret Agent 1670: 1664:The 39 Steps 1662: 1654: 1646: 1638: 1630: 1622: 1614: 1606: 1598: 1590: 1582: 1561: 1553: 1545: 1537: 1529: 1521: 1513: 1505: 1497: 1473:Bibliography 1390: 1382: 1370: 1358: 1347: 1312:. Retrieved 1302: 1290:. Retrieved 1285: 1276: 1264:. Retrieved 1254: 1242:. Retrieved 1238: 1228: 1216:. Retrieved 1212:the original 1207: 1198: 1186:. Retrieved 1182:the original 1177: 1168: 1156:. Retrieved 1152:the original 1147: 1123:. Retrieved 1119: 1092:. Retrieved 1088: 1057:. Retrieved 1052: 1026:. Retrieved 1022: 991:. Retrieved 987: 950: 917:. Retrieved 894:The Guardian 893: 862:. Retrieved 859:The Guardian 858: 827:. Retrieved 823:the original 792:. Retrieved 788: 759:. 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PBS 756:(PDF) 459:Shoah 94:SHAEF 3751:List 3506:(SD) 3486:(SS) 3169:Lviv 3154:Iași 3094:Jews 3015:Riga 2974:Lwów 2964:Łódź 2936:list 2785:Gurs 2658:and 2574:and 2184:film 1805:Rope 1624:Mary 1364:IMDb 1294:2017 1268:2015 1246:2015 1220:2015 1190:2015 1160:2015 1127:2015 1096:2015 1061:2015 1030:2015 995:2015 956:ISBN 866:2015 831:2016 796:2017 763:2015 302:and 166:and 2900:SS- 1362:at 699:HBO 526:PBS 456:’s 367:of 3907:: 2837:sk 2815:nl 2797:it 2778:fr 2760:be 1323:^ 1284:. 1237:. 1206:. 1176:. 1146:. 1135:^ 1118:. 1104:^ 1087:. 1069:^ 1051:. 1038:^ 1021:. 1003:^ 986:. 970:^ 928:^ 902:^ 892:. 874:^ 857:. 839:^ 804:^ 787:. 771:^ 740:^ 709:. 641:, 476:’ 466:’ 406:. 313:, 306:. 298:, 294:, 290:, 258:SS 3883:" 3879:" 3196:" 3192:" 2938:) 2934:( 2259:e 2252:t 2245:v 2058:) 2038:) 1429:e 1422:t 1415:v 1378:. 1317:. 1296:. 1270:. 1248:. 1222:. 1192:. 1162:. 1129:. 1098:. 1063:. 1032:. 997:. 964:. 922:. 896:. 868:. 833:. 798:. 765:. 496:(

Index

Richard Crossman
Colin Wills
Sidney Bernstein
Jasper Britton
Stewart McAllister
Peter Tanner
Psychological Warfare Division
SHAEF
British Film Institute
Imperial War Museum
documentary film
Nazi concentration camps
Sidney Bernstein
British Ministry of Information
Alfred Hitchcock
Richard Crossman
Colin Wills
Sergei Nolbandov
Imperial War Museum
Berlin Film Festival
Zionism

Fritz Klein
Belsen
Sidney Bernstein
Bergen-Belsen concentration camp
Psychological Warfare Division
Supreme Headquarters Allied Expeditionary Force
Office of War Information
Information Control Division

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