121:, the group changed its name to the Lincoln Club in 1917. It became the Germania Club in 1928. The group evolved from a choral ensemble that collected books and material relating to the German experience in America, to an almost purely social club which developed a reputation as one of the leading private clubs of Chicago. The club disbanded in 1986.
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The group was part of a widespread tradition of local ethnic music and social groups across the United States during the 19th
Century with ensembles of the same name existing in Baltimore, Maryland, Washington, DC, New York, Saginaw, MI, and Evansville, Indiana. The Chicago-based Germania Männerchor
48:, who had previously been a member and conductor of the Philharmonic Society, an honorary member. Lob and some members of Germania Mannerchor split and formed the Concordia music society. The two groups maintained a rivalry, producing a number of high quality productions of operas such as
28:, was a male choral cooperative society formed by German immigrants in Chicago. The group performed vocal music, music accompanied by an orchestra, and music for social dancing, later transforming to a private social club. It was one of the most popular singing groups in Chicago.
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of
Chicago. It produced a catalog of the 500 books in its library and a 1903 Yearbook in German. The club purchased German related architectural items to furnish the club, including an 18 foot tall section of Manufacturer's Building from the
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which had been made by a German porcelain company and 18 inch tall wooden panels that measured up to 11 feet long decorated with intricate carvings of scenes from Wagner's operas that had originally been created for a
Chicago mansion.
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before being buried in
Springfield. When the group formally organized later that year as Germania Männerchor, Lob was elected as its first conductor. By 1868 the group had voted to make
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became the conductor in 1879. Of the number of choral societies in
Chicago that existed prior to 1871, only the Germania Mannerchor was still in existence as of 1893.
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66:(by Germania Männerchor). Each of the choruses had over a hundred members. The group performed in locations ranging from the short-lived
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89:. The Concordia chorus merged back with Germania Mannerchor in 1873. In 1875, they performed a concert with
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The Book of
Chicagoans: A Biographical Dictionary of Leading Living Men of the City of Chicago
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Founded at the Bier of
Lincoln: A History of the Germania Club of Chicago, 1865--1986
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Musical memories: my recollections of celebrities of the half century, 1850-1900
526:"A Tidal Wave of Encouragement": American Composers' Concerts in the Gilded Age
79:
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A Fierce
Discontent: The Rise and Fall of the Progressive Movement in A
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In 1871, Balatka left to join the
Liederkranz, and was replaced by
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Theodore Thomas, a
Musical Autobiography: Concert programmes
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Crosby's Opera House: Symbol of Chicago's Cultural Awakening
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while the body of Abraham Lincoln lay in state in Chicago
314:. John N. McClintock and Company. 1893. pp. 480–.
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670:Heinen, Joseph C.; Heinen, Susan Barton (2009).
228:Heinen, Joseph C.; Heinen, Susan Barton (2009).
494:Thomas, Theodore; Upton, George Putnam (1905).
437:. North American Book Dist LLC. pp. 187–.
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117:With the anti-German rhetoric that accompanied
78:held in Indianapolis, performing the works of
529:. Greenwood Publishing Group. pp. 226–.
195:. University of Chicago Press. pp. 40–.
192:American Orchestras in the Nineteenth Century
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360:Education, United States. Office of (1886).
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270:. Fairleigh Dickinson Univ Press. pp.
36:The group was originally formed in 1865 by
605:: CS1 maint: location missing publisher (
334:. G. Gregory Printing Company. pp.
160:Theodore Thomas: A Musical Autobiography
431:(Ind.), Writers' Program (1973-01-01).
403:. Taylor & Francis. pp. 117–.
400:Music and Culture in America, 1861-1918
146:
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733:. University of Illinois at Chicago.
676:. Arcadia Publishing. pp. 107–.
626:. Simon and Schuster. pp. 292–.
434:Indiana: A Guide to the Hoosier State
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234:. Arcadia Publishing. pp. 101–.
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363:The study of music in public schools
773:Musical groups established in 1865
768:German-American culture in Chicago
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129:Notable members have included:
119:American entry into World War I
620:McGerr, Michael (2010-05-11).
523:Bomberger, E. Douglas (2002).
76:Nord-Amerikanischer Sängerbund
1:
704:John W. Leonard, ed. (1905).
656:The Newberry Library Bulletin
465:Upton, George Putnam (1908).
366:. Govt. Print. Off. pp.
100:In 1889, the group built the
189:Spitzer, John (2012-03-07).
111:World's Columbian Exposition
82:under the baton of Balatka.
763:Musical groups from Chicago
262:Cropsey, Eugene H. (1999).
794:
729:Lohne, Raymond A. (2007).
471:. A. C. McClurg. pp.
104:on Germania Place in the
157:Thomas, Theodore (1905).
74:participated in the 1867
70:to open air productions.
397:Saffle, Michael (1998).
331:Chicago, the Wonder City
778:German-American history
563:. Bowker. pp. 363–
557:White, William (1895).
328:Seeger, Eugen (1893).
102:Germania Club Building
587:. (Chicago, ILL. 1903
311:The Bay State Monthly
710:. Marquis. pp.
659:. The Library. 1955.
380:Germania Mannerchor.
163:. McClurg. pp.
673:Lost German Chicago
231:Lost German Chicago
54:(by Concordia) and
18:Germania Männerchor
758:Choirs in Illinois
68:Crosby Opera House
40:to perform songs
95:Henry Schoenefeld
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106:Near North Side
91:Theodore Thomas
57:Der Freischuetz
51:The Magic Flute
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87:Julius Fuchs
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46:Hans Balatka
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22:Lincoln Club
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500:. pp.
93:directing.
752:Categories
141:References
601:cite book
584:Year Book
80:Franz Abt
63:Stradella
689:17 March
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38:Otto Lob
24:and the
32:History
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