224:. She admits marrying Hay-Edie “on the rebound from Reich, someone completely different: a safe English gentleman – only to learn there is no such thing as a safe partner.” They spent WWII in Shanghai, Hong Kong and Calcutta, for Archie's work in the shipping industry. They had four children; she gave birth to her first daughter in Shanghai and first son in Calcutta. In China she learned to use local looms and in India she learnt to make hand-woven rugs. In Calcutta, the Palace of the
212:. When she moved into a flat in Oslo, Reich turned up on her doorstep, saying, “I told you I’d find you. I would like to find out more about you.” They developed an intellectual and sometimes physical relationship. Reich proposed marriage, but Bergerson refused. He had children by his first wife, and she knew that “marrying Reich would have meant subjugating her career to his”, something she was not prepared to do.
255:, Rostrevor and began to train local women to work the looms, using Irish yarns from Donegal. In 1948 Jacqueline Weaver, her friend from Dartington, travelled to Ireland to help look after Hay-Edie's children, allowing Hay-Edie to devote more time to getting her business up and running. In 1949 she established the company
490:
271:
wrote to Hay-Edie, “Of all the rugs which I have seen, only yours have got the character enough as a background for my new designs of furniture to be exhibited at La
Triennale de Milano 1951…” Her rugs were exhibited alongside Day's furniture at the
191:(1897–1957), who told her, “You interest me. I want to know you.” About this comment, Bergerson later said she “sensed danger.” Later that year she returned to Norway, where she advised on home industries, and worked at
314:
In the late 1970s much of Europe's textile production moved to Asia and Hay-Edie gradually had to let her weavers go. Her daughter, Karen, continued to accept commissions. Hey-Edie began exhibiting with Karen in 1980.
146:
In 1904 Gerd
Bergerson was born in Trondheim, to Olav Bergerson and Ynghild Grønning. She had three brothers. She attended both private and government schools, and went on to study design and hand-weaving at the
232:, Ireland. His description of the County Down countryside motivated her to move there with her children in 1947. Archie came a few years later, his work in the shipping industry keeping him in Asia.
163:, Spain, for 18 months to teach weaving. In 1932 she moved to England and worked for the Rural Industries Bureau, travelling the country advising handweavers. In 1933 she created textiles for
1870:
303:
and, without an appointment, convinced the buyer for the textile department to take orders of her fabric designs.” During Hey-Edie's career, she also worked with the House of
251:, her intention being to establish a design studio. However she couldn't find sufficiently skilled craftworkers to make her creations so she moved into larger premises at
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textile mill, where she became friends with town planner and journalist
Jacqueline Weaver. She also met the Austrian psychoanalyst
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296:, her largest order to date. In 1961 she collaborated with local Down designer, Sheila Mullally.
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commissioned Hay-Edie to create textiles for his furniture ranges. One of her creations was
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After leaving the Home
Industries School, Bergerson was sent by the Norwegian government to
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Between Asia and
Ireland, she lived in England. In 1947 Hay-Edie and her children moved to
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She married
Englishman Archie Hay-Edie (1904–1994) on 22 October 1938 at St John's,
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commissioned 22 hand-woven rugs from her. While in India, she met someone from
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through the 1950s and 1960s. Hay-Edie collaborated with fashion designer
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Jacqueline
Tyrwhitt: A Transnational Life in Urban Planning and Design
356:
1958: Piccolo
Gallery, Belfast, College of Technology, Belfast (1958)
160:
171:, including the “very first double-weave furnishing fabrics used by
259:. One of her products was an unusually woven “shaggy dog” cloth”.
292:
furnishing fabric. In 1956 she won the bid to provide fabric for
118:(b. Trondheim, Norway 4 November 1904, d. 1997) was a pioneering
453:
Kilkeel
Commonwealth Technical Training Team committee, member
427:
1419:. Belfast, UK: Arts Council of Northern Ireland. p. 27.
107:
151:, Oslo. She was engaged as a young woman but did not marry.
1191:(No 161 ed.). London: Immediate Media Co. p. 58.
942:"Craftsmanship – but there's nothing arty-crafty about it"
401:
Hay-Edie also exhibited in Oslo, ZĂĽrich and
Copenhagen.
1373:"Believing in weaving : a return to classic craft"
1065:"Believing in weaving : a return to classic craft"
247:
She initially installed a loom in her house, founding
1785:. Detroit, US: Art Trade Press. 1986. p. 214.
1670:. Detroit, US: Art Trade Press. 1986. p. 214.
535:. Detroit, US: Art Trade Press. 1986. p. 214.
103:
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87:
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21:
1828:. Detroit, US: Art Trade Press. 1962. p. 330.
1644:"Margaret Howell collaborate with Mourne Textiles"
1092:. New York, US: Taylor and Francis. p. 105.
346:(RSUA) Design Group's exhibition of architecture
323:Her work featured in the following exhibitions:
1843:. Michigan, US: Four Courts Press. p. 28.
1288:"A large order for a small Rostrevor "Factory""
1246:"A large order for a small Rostrevor "Factory""
581:"A large order for a small Rostrevor "Factory""
409:Hay-Edie appeared on the following programmes:
377:1966: Arts Council Gallery, Belfast, Trondheim
363:at the Arts Council, Dublin and Belfast (1964)
1460:"Weaving and pottery – the art of the useful"
8:
1871:Fellows of the Society of Industrial Artists
1625:"Arts and Crafts on show at Gilford Castle"
1187:Mark Hooper (2014). "A finely woven tale".
1224:. London, UK: Bell and Hyman. p. 94.
641:: CS1 maint: location missing publisher (
18:
1140:Fabric and Form: Irish fashion since 1950
1115:Fabric and Form: Irish fashion since 1950
1034:. Shanghai, China. 1949-07-11. p. 4.
961:Fabric and Form: Irish fashion since 1950
676:Fabric and Form: Irish fashion since 1950
1631:. Portadown, UK. 1982-03-12. p. 22.
919:. New York, US: Doubleday. p. 256.
876:. New York, US: Doubleday. p. 256.
851:. New York, US: Doubleday. p. 177.
826:. New York, US: Doubleday. p. 173.
752:. New York, US: Doubleday. p. 172.
727:. New York, US: Doubleday. p. 172.
1841:Irish Art Societies and Sketching Clubs
1117:. Stroud, UK: Sutton Pub. p. 138.
963:. Stroud, UK: Sutton Pub. p. 138.
678:. Stroud, UK: Sutton Pub. p. 138.
524:
1753:. Belfast, UK. 1972-01-01. p. 30.
1735:. Belfast, UK. 1971-11-27. p. 35.
1558:. Belfast, UK. 1966-02-02. p. 23.
1142:. Stroud, UK: Sutton Pub. p. 32.
634:
75:Home Industries School for Women, Oslo
1771:. Belfast, UK. 1961-05-01. p. 5.
1717:. Belfast, UK. 1965-01-26. p. 7.
1613:. Belfast, UK. 1980-11-05. p. 3.
1595:. Belfast, UK. 1972-10-10. p. 3.
1540:. Belfast, UK. 1965-08-28. p. 3.
1522:. Belfast, UK. 1965-08-02. p. 4.
1447:. Belfast, UK. 1955-04-29. p. 4.
1312:. London, UK. 1969-03-10. p. 12.
663:. Belfast, UK. 1958-03-13. p. 7.
7:
1916:Craft Centre of Great Britain member
1479:"Exhibition of fine arts in Belfast"
99:4, including Karen Hay-Edie (weaver)
1691:Josephine Marley-Cox (1952-10-19).
1324:"Gerd Hay-Edie for Mourne Textiles"
1294:. Newry, UK. 1956-03-17. p. 5.
1252:. Newry, UK. 1956-03-17. p. 5.
1209:. Newry, UK. 1953-01-03. p. 8.
1052:. Newry, UK. 1953-01-03. p. 8.
904:. Hong Kong. 1938-11-03. p. 8.
587:. Newry, UK. 1956-03-17. p. 5.
391:Gerd Hay-Edie – Evolutionary Weaver
344:Royal Society of Ulster Architects
299:In 1966 Hay-Edie “walked into the
122:and textile designer. She created
14:
386:1982: Gilford Castle, County Down
91:Archibald Walker Hay-Edie m. 1938
1398:"A fabric artist in the Mournes"
1028:"Far Eastern Freight Conference"
1010:"A fabric artist in the Mournes"
657:"A fabric artist in the Mournes"
600:"A fabric artist in the Mournes"
488:
149:Home Industries School for Women
210:Norwegian Tapestry Yarn Company
134:furniture range and fabric for
1642:Will Johns (11 October 2016).
1477:Kenneth Jamison (1958-10-15).
1458:Kenneth Jamison (1958-05-20).
469:Crafts Centre of Great Britain
413:1963 – she was the subject of
383:1980: Octagon Gallery, Belfast
380:1972: Octagon Gallery, Belfast
263:Collaborations and commissions
1:
1808:"Red Rose Guild of Craftsmen"
1569:Stewart Mackay (1966-01-22).
374:Arts Council Gallery, Belfast
1699:. Manchester, UK. p. 4.
1417:Causeway: The Arts in Ulster
775:"A Norwegian design pioneer"
179:Wilhelm Reich and Dartington
1891:Norwegian textile designers
1264:"Blazer, furnishing fabric"
917:The Quest for Wilhelm Reich
874:The Quest for Wilhelm Reich
849:The Quest for Wilhelm Reich
824:The Quest for Wilhelm Reich
750:The Quest for Wilhelm Reich
725:The Quest for Wilhelm Reich
621:. Boston, US. p. 173.
619:The Quest for Wilhelm Reich
506:The Quest for Wilhelm Reich
1932:
1534:"Weaving and pottery show"
1504:. Belfast, UK. p. 11.
1396:Betty Lowry (1958-03-13).
1138:McCrum, Elizabeth (1996).
1113:McCrum, Elizabeth (1996).
1008:Betty Lowry (1958-03-13).
959:McCrum, Elizabeth (1996).
674:McCrum, Elizabeth (1996).
598:Betty Lowry (1958-03-13).
457:Society of Industrial Arts
108:https://mournetextiles.com
16:Norwegian textile designer
1577:. Belfast, UK. p. 3.
1496:A W Bowyer (1964-12-18).
1485:. Belfast, UK. p. 8.
1466:. Belfast, UK. p. 3.
1415:Longley, Michael (1971).
1404:. Belfast, UK. p. 7.
1016:. Belfast, UK. p. 7.
948:. Belfast, UK. p. 4.
606:. Belfast, UK. p. 7.
1886:Member of Red Rose Guild
1814:. London, UK. p. 5.
1607:"Etching at the Octagon"
1498:"Fine crafts on display"
1203:"Unique Mourne industry"
1046:"Unique Mourne industry"
183:In 1936 she oversaw the
142:Early life and education
67:Mrs A W Hay-Edie, Bergie
1839:Stewart, Ann M (1997).
1729:"Talented women on BBC"
1697:Manchester Evening News
1571:"Norway's Irish tweeds"
1220:Schoeser, Mary (1986).
329:British Industries Fair
1222:Fabrics and wallpapers
915:Wilson, Colin (1996).
872:Wilson, Colin (1996).
847:Wilson, Colin (1996).
822:Wilson, Colin (1996).
748:Wilson, Colin (1996).
723:Wilson, Colin (1996).
617:Wilson, Colin (1996).
504:Wilson, Colin (1996).
436:1972 – interviewed by
422:1971 – interviewed by
351:Helsingborg Exhibition
1906:People from Trondheim
1747:"Speaking personally"
1268:collections.vam.ac.uk
902:Hong Kong Daily Press
779:dailyscandinavian.com
278:Hille furniture brand
274:1951 Milan Trienniale
138:’s clothing designs.
1806:A.C.S (1953-10-14).
1693:"Your home and mine"
475:Royal Ulster Academy
405:Television and radio
372:Design Centre London
226:Maharajah of Gwalior
1911:People from Kilkeel
1611:Belfast News-Letter
1593:Belfast News-Letter
1575:Belfast News-Letter
1556:Belfast News-Letter
1538:Belfast News-Letter
1483:Belfast News-Letter
1328:ourlinenstories.com
1310:The Daily Telegraph
946:Belfast News-Letter
940:Theo (1965-09-09).
704:twentytwentyone.com
340:Festival of Britain
267:In the early 1950s
222:Windermere, Cumbria
1765:"A stitch in time"
1441:"Mourne rug maker"
1352:mournetextiles.com
1168:mournetextiles.com
989:mournetextiles.com
803:mournetextiles.com
561:mournetextiles.com
459:(F.S.I.A.), fellow
1876:Norwegian weavers
1769:Belfast Telegraph
1715:Belfast Telegraph
1520:Belfast Telegraph
1516:"Industy and Art"
1502:Belfast Telegraph
1464:Belfast Telegraph
1445:Belfast Telegraph
1402:Belfast Telegraph
1292:Frontier Sentinel
1250:Frontier Sentinel
1207:Frontier Sentinel
1088:Shoshkes, Ellen.
1050:Frontier Sentinel
1014:Belfast Telegraph
661:Belfast Telegraph
604:Belfast Telegraph
585:Frontier Sentinel
284:in 1950. In 1954
249:Mourne Industries
216:Marriage and Asia
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418:Lady in Question
368:Hand and Machine
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342:as part of the
336:Milan Triennial
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244:, County Down.
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