192:) already indicated an individuality beyond the standard art college precepts, and he continued to develop his style through his time as a student. Much of Jaeger's own most significant sculptural output stemmed from his own early student years at Dresden. It involved small and mid-sized bronze forms including statuettes and torsos, and displays of physicality in images of dancers, sporting figures and bathers. Despite the political correctness of those times, there is a surprising shortage of workers and peasants, but it is impossible to avoid the male nude figures. This phase of his work, which lasted well into the 1960s, can be seen as a great sigh of relief in protracted reaction to his own experiences of war and imprisonment. But that did not preclude more conventional manifestations of government mandated good taste, such as "Prehistoric torso" (
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In his later 60s Jaeger found he no longer had the strength in his hands to produce the large scale works that had been the mainstay of his output during the previous four decades. Beginning in 1994/95 he began producing smaller sculpted figures, water colours, and, most prominently, oil paintings.
230:), a cement casting of 1979/80, was characteristic of much of his work at this time, with its suppressed hurt, representing the incorporation of various influences to create an unmistakable Jaeger style, which was also powerfully expressed in his "Hommage to
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was undergoing radical reconfiguration at this time in response to new government priorities, which in effect amounted a to a closing down, during 1951/52, of what had been the
College of Architecture and Fine Arts. By that time Jaeger had moved on to
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He now returned to the series of sketches on which he had embarked in 1943, centred on the horrors of war: the theme was one of which he would find himself unable to let go for decades. In the Autumn/Fall of 1949 he enrolled at the
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September 1927 in Förderstedt geboren, ist Gerd Jaeger landläufig als einer der wichtigsten
Bildhauer Ostdeutschlands und Lehrer von ganzen Künstlergenerationen dieser Spezies bekannt
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Imposing female figures and torsos continued to feature in his output during the 1960s and 70s, along with portrait works ("Screaming" /
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and then quite soon, as a young soldier, sent to fight on the
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450:. LIT Verlag Münster. p. 791.
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200:) - both plaster casts from 1958.
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134:Otto Herbig
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63:Gerd Jaeger
25:Female nude
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420:6 November
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317:References
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311:(Munich)
259:Chemnitz
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267:Coswig
255:"Life"
130:Weimar
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