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359:, 2001, Drama, 35mm, 92 min., Drama on the mystic death of the lovers Petra Kelly und Gert Bastian. - Nominated for the Golden Leopard 2001, International Film Festival Locarno - Official Selection International Film Festival Berlin 2002 - Zurich Film Prize, 2001 - Nominated for “Best Swiss Feature Film”, 2001 - Quality Award (Swiss Ministry of Culture)
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Retrospectives 2007 - 2009: happiness is a warm gun, THE THOMAS IMBACH FILMS in: BERLIN, Arsenal-Kino, WIEN, Votiv-Kino, US-tour (08/09): HOUSTON/TX, Museum of Fine Arts, SAN ANTONIO/TX, European Film
Festival, WASHINGTON D.C., National Gallery of Arts, DENVER/CO, Denver Film Festival, New York City,
374:, 1997, Feature documentary, 35mm, 122 Min. Docudrama with teenagers on the sunny side of Zurich's Gold Coast - Best Documentary, International Film Festival Mannheim - Premio Giampaolo Paoli, International Film Festival Florence - Quality Award (Swiss Ministry of Culture) - Zurich Film Prize
317:, 2013, Fiction feature film, 35mm, 100 min. Co-produced by Okofilm Productions, Schweizer Radio und Fernsehen, SRG SSR, ARTE, Sciapode Productions. World Premiere: Locarno 2013, competition, International Premiere: Toronto Film Festival 2013, special presentations.
336:, 2007, Drama, 35mm, 75 min. Underwater fairy tale of the Swiss Banker Roger Caviezel. Premiered at the 57th International Film Festival Berlin - Swiss Film Awards 2008, Nomination Best Actor - Zurich Film Awards 2008, Special Jury award.
380:, 1994, Feature documentary, 35mm, 75 Min. Documentary on employees of a Swiss high-tech bank corporation, FIPRESCI-Prize in Leipzig, Quality Award (Swiss Ministry of Culture) - Art award of the city Lucerne - Zurich Film Prize
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happy too, 2002, Digi-Beta, 60 min. “happy too” parallels the Kelly-Bastian relationship with the struggles of the actors in “Happiness is a Warm Gun”, Premiered at the
International Film Festival Locarno 2002, Cinéastes du
327:, 35mm (DCP), 111 min. Coproduction: Okofilm, Zurich, SRF Schweizer Radio und Fernsehen and ARTE. World Premiere Berlinale 2011, Forum, Yamagata International Documentary Film Festival, Competition.
402:
Mare, 2020, Fiction feature film, 84 min. Produced by
Okofilm Productions, Dinaridi Film, ZDF Zweites Deutsches Fernsehen, ARTE, SRF Schweizer Radio und Fernsehen. Screened at Sektion Panorama at
386:, 1991, 16mm, 58 min. Rail-movie with three homeless people in the IC-triangle ZH-BE-BS - Nominated for the Max-OphĂĽls-Prize, 1991, Quality Award (Swiss Ministry of Culture)
422:, 2014, by Jasmila Zbanic, Fiction feature film,35mm Produced by Produkcija Ziva, Deblokada Films. Coproduced by Komplizen Film, MPM Film, Okofilm Productions. Screened at
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Kino CH / CINÉMA CH, Reception, Aesthetic, History EINE ÄSTHETIK DER WIDERSPRÜCHE. VARIATIONEN ÜBER THOMAS IMBACH (Monographie) by Marcy
Goldberg, SchĂĽren Verlag 2008.
238:(1997) Imbach established his trademark audio-visual style, which is based on a combination of cinema- verité camerawork and fast-paced editing. His fiction features
311:, 2018, Autobiographical inspired feature film, Arriraw and 35mm, 114 min. Premiered in competition at Locarno Film Festival 2018 - Received Zurich Film Award 2018.
368:, 1998, 35mm (Cinemascope), 45 min. Science-Fiction essay on babies of high-tech researchers for Swiss Television/3SAT - Commissioned by Swiss Television and 3Sat
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2020, where it received the Prize for Best
Cinematography. Thomas Imbach is currently considered one of the most unconventional and consistent Swiss filmmakers.
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392:, 1988, 16mm, 56 min. Doku-comedy about the Swiss Army - Opening film at the Solothurn Film Festival - Student Award (Swiss Ministry of Culture)
222:. With his production company Bachim Films, Imbach produced his own work until 2007. He then founded Okofilm Productions with director/producer
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349:, 2006, Drama 35mm, 98 min. Contemporary adaptation of Georg Büchner's „Lenz“ - Premiered at the 56th International Film Festival Berlin.
226:. All of his films have been theatrically released and Imbach has won numerous awards for his work, both in Switzerland and abroad. With
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Retrospective at the 13. BAFICI Festivals in Buenos Aires, 2011: I Was a Swiss Banker, Lenz, Happiness Is a Warm Gun, Well Done.
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Dokumentarisch
Arbeiten, a studio conversation with Thomas Imbach by Christoph HĂĽbner and Gabriele Voss, SchĂĽren Verlag 1999.
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CINEMA 50, „Variations on a Ture Story“, a conversation with Thomas Imbach by Grob and
Nathalie Böhler, Schüren Verlag 2005.
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448:„My Filmschool“: Werner Nekes Retrospektive, Katalog 1986/87, by Thomas Imbach and Christoph Settele, Zyklop Verlag 1986.
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Directing-Workshop at the international film schools in Berlin (DFFB), Munich ([HFF Munich|HFF) and Cape Town 99-08.
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Lenz am Berg, 2006, 35mm; Film
Installation, 3-Channel-Projection Kunsthaus Zurich: In the Alps, 10/2006 – 01/2007.
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Portrait Film on Thomas Imbach “Die Kamera als Sonde”, 2000, Beta-SP, 60 min. by
Christoph HĂĽbner for WDR/3Sat
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CINEMA 46, „Den
Schleier der Wahrnehmung zerreissen“ by Marcy Goldberg (on WELL DONE), Chronos Verlag 2001.
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SRF-Kultur vom 7. August 2018, Gespräch zwischen Thomas Imbach und dem Filmkritiker Michael Sennhauser,
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https://www.srf.ch/kultur/film-serien/neu-im-kino-glaubenberg-von-der-obsession-einer-liebe
305:, 2020, Documentary, 35mm, 132 min. Premiered in competition at Visions du RĂ©el Nyon 2020.
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Since 2018: Chairman of the Board of Directors of Neugass Kino AG.
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A major contributor to this article appears to have a
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214:(born 1962) is an independent filmmaker based in
416:2014 (Competition), Sarajevo 2014 (Competition)
276:celebrated its premiere in Locarno and at the
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63:Learn how and when to remove these messages
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280:in 2013. His latest documentary
161:. Please discuss further on the
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659:"Lenz at Berlinale 2006 Review"
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397:As producer
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378:Well Done
270:Berlinale
229:Well Done
163:talk page
55:talk page
629:9 August
258:(2006),
353:Présent
303:Nemesis
282:Nemesis
372:Ghetto
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216:ZĂĽrich
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