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Giorgio de Chirico

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things sometimes produced in him: In a manuscript of 1909 he wrote of the "host of strange, unknown and solitary things that can be translated into painting ... What is required above all is a pronounced sensitivity." Metaphysical art combined everyday reality with mythology, and evoked inexplicable moods of nostalgia, tense expectation, and estrangement. The picture space often featured illogical, contradictory, and drastically receding perspectives. Among de Chirico's most frequent motifs were arcades, of which he wrote: "The Roman arcade is fate ... its voice speaks in riddles which are filled with a peculiarly Roman poetry".
4215: 861:, 1915, de Chirico's train has once more entered the city ... a bright ball of vapor hovers directly above its smokestack. Perhaps it comes from the train and is near us. Or possibly it is a cloud on the horizon, lit by the sun that never penetrates the buildings, in the last electric blue silence of dusk. It contracts the near and the far, enchanting one's sense of space. Early de Chiricos are full of such effects. Et quid amabo nisi quod aenigma est? ("What shall I love if not the enigma?")—this question, inscribed by the young artist on his self-portrait in 1911, is their subtext. 640: 626: 1328: 846:
feeling of "power and freedom". According to Sanford Schwartz, de Chirico—whose father was a railroad engineer—painted images that suggest "the way you take in buildings and vistas from the perspective of a train window. His towers, walls, and plazas seem to flash by, and you are made to feel the power that comes from seeing things that way: you feel you know them more intimately than the people do who live with them day by day."
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The standard sources record that de Chirico was born in 1888 at Volos in Greece, his mother being a Genoese Greek of Smyrna origins and his father a Sicilian barone of Greek ancestry. The Greek Kyriko family had moved to Palermo from Rhodes in 1523, as part of a migration of some 4000 Greek Catholic
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later observed deeper connections between the painting and the pianist's music; Rimbaud had "called on the artist to be a seer in order to plumb the depths of the unconscious in the quest for clairvoyance ... The one-eyed figure represented the visionary. The architectural forms and the placement of
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in his paintings, strives to create images charged with myths and visions, for an art that is still literally "metaphysical", beyond reality. During these years, De Chirico also studied and rediscovered the painting techniques adopted by old masters, such as Titian: "So I started doing copies of the
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De Chirico met and married his first wife, the Russian ballerina Raissa Gurievich (1894-1979) in 1925, and together they moved to Paris. His relationship with the Surrealists grew increasingly contentious, as they publicly disparaged his new work; by 1926 he had come to regard them as "cretinous and
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discovered one of de Chirico's metaphysical paintings on display in Guillaume's Paris gallery, and was enthralled. Numerous young artists who were similarly affected by de Chirico's imagery became the core of the Paris Surrealist group centered around Breton. In 1924 de Chirico visited Paris and was
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The paintings de Chirico produced between 1909 and 1919, his metaphysical period, are characterized by haunted, brooding moods evoked by their images. At the start of this period, his subjects were motionless cityscapes inspired by the bright daylight of Mediterranean cities, but gradually he turned
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there is a long perspective where some people are very small compared to tall colonnaded buildings, while the mannequins have an oval shaped head, without eyes, ears, mouth, representing a visual depersonalization. It has also been suggested that de Chirico suffered from a personality disorder with
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De Chirico's conception of Metaphysical art was strongly influenced by his reading of Nietzsche, whose style of writing fascinated de Chirico with its suggestions of unseen auguries beneath the appearance of things. De Chirico found inspiration in the unexpected sensations that familiar places or
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De Chirico's later paintings never received the same critical praise as did those from his metaphysical period. He resented this, as he thought his later work was better and more mature. He nevertheless produced backdated "self-forgeries" both to profit from his earlier success, and as an act of
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De Chirico's best-known works are the paintings of his metaphysical period. In them he developed a repertoire of motifs—empty arcades, towers, elongated shadows, mannequins, and trains among others—that he arranged to create "images of forlornness and emptiness" that paradoxically also convey a
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At the outbreak of World War I, he returned to Italy. Upon his arrival in May 1915, he enlisted in the army, but he was considered unfit for work and assigned to the hospital at Ferrara. The shop windows of that town inspired a series of paintings that feature biscuits, maps, and geometric
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De Chirico returned to Italy in the summer of 1909 and spent six months in Milan. By 1910, he was beginning to paint in a simpler style with flat, anonymous surfaces. At the beginning of 1910, he moved to Florence where he painted the first of his 'Metaphysical Town Square' series,
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wrote how one day in 1922 he saw one of de Chirico's paintings in an art dealer's window, and was so impressed by it he resolved on the spot to become an artist—although he had never even held a brush. Other Surrealists who acknowledged de Chirico's influence include
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In 1930, de Chirico met his second wife, Isabella Pakszwer Far (1909–1990), a Russian, with whom he would remain for the rest of his life. Together they moved to Italy in 1932 and to the US in 1936, finally settling in Rome in 1944. In 1948 he bought a house near the
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families). De Chirico's family was in Greece at the time of his birth because his father, an engineer, was in charge of the construction of a railroad. His younger brother, Andrea Francesco Alberto, became a famous writer, painter and composer under the pseudonym
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entitled "The Return of Craftsmanship", in which he advocated a return to traditional methods and iconography. This article heralded an abrupt change in his artistic orientation, as he adopted a classicizing manner inspired by such old masters as
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Realismus: zwischen Revolution und Reaktion, 1919–1939 : [Ausstellung im Centre Georges Pompidou, Paris, 17. Dezember 1980-20. April 1981 : Ausstellung in der Staatlichen Kunsthalle, Berlin, 16. Mai-28. Juni
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hostile". They soon parted ways in acrimony. In 1928 he held his first exhibition in New York City and shortly afterwards, London. He wrote essays on art and other subjects, and in 1929 published a novel entitled
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revenge—retribution for the critical preference for his early work. He also denounced many paintings attributed to him in public and private collections as forgeries. In 1945, he published his memoirs.
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Ristić AJ, Petrović I, Vojvodić N, Janković S, Sokić D. Phenomenology and psychiatric origins of psychogenic non-epileptic seizures. Srp Arh Celok Lek. (2004) 132:22–7.
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old masters. In Rome... in Florence... and then I also got interested in their techniques, I consulted numerous treatises on painting, both ancient and modern."
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while in Florence. In July 1911 he spent a few days in Turin on his way to Paris. De Chirico was profoundly moved by what he called the 'metaphysical aspect' of
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style, while frequently revisiting the metaphysical themes of his earlier work. In 2018 it was suggested that de Chirico may have suffered from
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Podoll, K.; Nicola, U. (2004). "Pathographie und Neuropsychologie: Die Migräne Giorgio de Chiricos und die Geburt der metaphysischen Malerei".
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De Chirico's style has influenced several filmmakers, particularly in the 1950s through 1970s. The visual style of the French animated film
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see the entry on de Chirico in "Propyläen Kunstgeschichte, Die Kunst des 20. Jahrhunderts 1880–1940", by Giulio Carlo Argan, 1990, p. 201,
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movement. He continued to paint, and in 1918, he transferred to Rome. Starting from 1918, his work was exhibited extensively in Europe.
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the chalkboard evoked the unity of art and science—a perfect symbol for an artist whose music has been called 'mathematical.'"
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narcissistic and paranoid traits and had suffered from somatization disorders, in the period between 1909 and 1918.
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Christina Britzolakis, "Conversation amongst the Ruins: Plath and de Chirico", in Connors & Bayley, eds., '
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included a poetic diptych called "Two de Chiricos": "The Philosopher's Conquest" and "The Disquieting Muses".
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After 1919, he became a critic of modern art, studied traditional painting techniques, and later worked in a
4938: 4628: 4271: 4152: 3320: 2266:"The Origins of Adelaide Mabili and Her Marriage to Giorgio De Chirico: Restoration of the Historical Truth" 1158: 940: 2181: 5351: 5229: 5128: 5076: 5070: 4966: 4347: 3610: 2710: 1681: 1367: 1218: 1094: 850: 680: 352:; 10 July 1888 – 20 November 1978) was an Italian artist and writer born in Greece. In the years before 5110: 5084: 4932: 4911: 4753: 4498: 4453: 4379: 4330: 4137: 3943: 3706: 1783: 1550: 1448: 1327: 1006: 909: 886: 734:
accepted into the group, although the surrealists were severely critical of his post-metaphysical work.
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De Chirico moved to Paris in July 1911, where he joined his brother Andrea. Through his brother he met
3553:"REVOLUTIONARY ABSENCE: Giorgio de Chirico and the early Situationist International" by Ara H. Merjian 1083:, was influenced by de Chirico's work, primarily via Tanguy, a friend of Prévert. The visual style of 5321: 5316: 5035: 4906: 4787: 4400: 3650: 834: 647: 633: 619: 297: 96: 5260: 5185: 4924: 4576: 4555: 4174: 4103: 4061: 3938: 3908: 3274: 2924: 826: 493: 489: 381: 377: 5265: 5122: 4952: 4748: 4738: 4463: 4318: 3973: 3839: 3474:"Railway Stations and Minotaurs: gender in the paintings of Giorgio de Chirico and Pablo Picasso" 3301: 692: 469: 461: 4458: 1236:" was partly influenced by de Chirico. Bowie was an admirer of his genderless tailors' dummies. 1080: 563: 32: 3206:
Index biographique des membres et associés de l'Académie royale de Belgique (1769–2005), p. 72.
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De Chirico's autobiography and essays, as well as his first metaphysical painting, for example
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De Chirico's Formation in Florence (1910–1911): The Discovery of the B.N.C.F Library Registers
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Vanni, A.; Biancosino, B.; Grassi, L. (2012). "Diagnostic revision of De Chiricos' case".
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He remained extremely prolific even as he approached his 90th year. During the 1960s,
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Giorgio De Chirico. L'uomo, l'artista, il polemico: Guida alle interviste 1938–1978
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Giorgio De Chirico. L'uomo, l'artista, il polemico: Guida alle interviste 1938–1978
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Brandani, Edoardo (a cura di), Di Genova, Giorgio, Bonfiglioli, Patrizia (1999),
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On Classic Ground: Picasso, Léger, de Chirico and the New Classicism, 1910–1930
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Gale, Matthew (2003, January 01). "De Chirico, Giorgio". Grove Art Online. Ed.
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symptoms, found in de Chirico's writings were the following: headache, nausea,
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Provocations: Collected Essays on Art, Feminism, Politics, Sex, and Education
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origin (the Kyriko or Chirico family was of Greek origin, having moved from
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could condense voluminous feeling through metaphor and association ... In
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his attention to studies of cluttered storerooms, sometimes inhabited by
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Rolando Caputo. "Literary cineastes: the Italian novel and the cinema".
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In this, he resembles his more representational American contemporary,
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De Chirico won praise for his work almost immediately from the writer
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O'Meally, Robert G. (1997). "Jazz Albums as Art: Some Reflections".
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Giorgio de Chirico and the Metaphysical City: Nietzsche, Modernism
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Viewpoints: Mathematical Perspective and Fractal Geometry in Art
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The space behind the frame: Giorgio de Chirico’s extra dimension
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The return of the Prodigal son I (from the series Metamorphosis)
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sold in Japan and Europe was strongly influenced by de Chirico.
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Beginning in 1900, de Chirico studied drawing and painting at
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worked in his atelier. In 1974 de Chirico was elected to the
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Thelonious Monk: The Life and Times of an American Original
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Nothing If Not Critical: Selected Essays on Art and Artists
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Fagiolo Dell'Arco, Maurizio, & Cavallo, Luigi (1985),
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Baldacci, Paolo & Fagiolo Dell'Arco, Maurizio (1982),
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Royal Academy of Science, Letters and Fine Arts of Belgium
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Giorgio de Chirico: The Changing Face of Metaphysical Art
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Giorgio de Chirico. Cat. delle opere grafiche 1921 a 1969
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Giorgio de Chirico, catalogo dell'opera grafica 1969–1977
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composed three poems inspired by de Chirico's paintings:
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thought for the first time." Other artists as diverse as
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constructions in indoor settings. In Ferrara he met with
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Giorgio de Chirico and the United Kingdom (c. 1916–1978)
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as "one of the most moving moments of my life: my eyes
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Giuseppe Maria Alberto Giorgio de Chirico was born in
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The Archaeologists IV (from the series Metamorphosis)
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De Chirico was unaware of his condition, although in
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In November 1919, de Chirico published an article in
336: 324: 315: 3532:"Il rapporto tra Giorgio de Chirico e l`Inghilterra" 5248: 5202: 5156: 5063: 5016: 4899: 4862: 4855: 4687: 4540: 4486: 4477: 4424: 4366: 4222: 4110: 4042: 3846: 3776: 3757: 3741: 3602: 3478:Pontiggia, Elena, & Gazzaneo, Giovanni (2012), 2704:Chirchiglia, D; Chirchiglia, P; Marotta, R (2018). 1148:'s poems are influenced by de Chirico. In his book 1026:, who described his first sighting of de Chirico's 916:, he recounts the experience of headache through a 908:theory according to which genes are born under the 312: 267: 206: 185: 155: 134: 91: 72: 46: 23: 5090:The Drawing of Geometric Patterns in Saracenic Art 1104:used a reproduction of de Chirico's 1915 painting 464:— mainly under the guidance of the Greek painters 5225:Goudreau Museum of Mathematics in Art and Science 3135:Mielke, James; Rybicki, Joe (23 September 2005). 2792:"La sindrome di Alice nel paese delle meraviglie" 3405:, Paris, New Haven (Yale University Press), 2014 3294:The International Review of African American Art 1586:Geometric Composition with Landscape and Factory 1134:Writers who have appreciated de Chirico include 1108:(originally painted as a tribute to French poet 955:(seeing objects larger or smaller than normal), 722:in the arts. He became an outspoken opponent of 3167:No more rules: graphic design and postmodernism 2051:, trans. Margaret Crosland (Da Capo Press 1994) 1731:The Eventuality of Destiny (Monumental Figures) 1463:Gare Montparnasse (The Melancholy of Departure) 855: 508:. The style of his earliest paintings, such as 2699: 2697: 2695: 2693: 2691: 364:art movement, which profoundly influenced the 5220:European Society for Mathematics and the Arts 4394:Mathematica: A World of Numbers... and Beyond 4088: 3824: 3580: 3463:, n. 11–13), Maretti Editore, Falciano, 2014. 3354:Calvesi, Maurizio, & Mori, Gioia (2007), 2976:Eye Rhymes: Sylvia Plath's Art of the Visual' 2329: 2327: 1185:, respectively. The poems were read by actor 582:and Salon d'Automne; his work was noticed by 357: 8: 4374:List of works designed with the golden ratio 3549:by Giorgio de Chirico in English translation 3342:Cat. generale di opere di Giorgio de Chirico 2942: 2930:The Cambridge Companion to the Italian Novel 2794:[The Alice in Wonderland syndrome]. 2491: 2489: 1093:(1976) was influenced by de Chirico's work. 578:. During 1913 he exhibited paintings at the 3238:"Giorgio de Chirico - Argonaut of the Soul" 3217:"Giorgio de Chirico – Argonaut of the soul" 3089:Il portale sulla letteratura di Rai Cultura 3062:Il portale sulla letteratura di Rai Cultura 3043:Il portale sulla letteratura di Rai Cultura 3024:Il portale sulla letteratura di Rai Cultura 2458:. New York: Yarrow Press, 1990, pp. 28–29. 1295:. Unsourced material may be challenged and 488:and read the writings of the philosophers 384:, and for the mythology of his birthplace. 4859: 4483: 4095: 4081: 4073: 3831: 3817: 3809: 3587: 3573: 3565: 3480:Giorgio de Chirico. L'Apocalisse e la luce 2093: 2091: 912:. Moreover, in a short piece dedicated to 813:. The artist, far from willing to achieve 729:In the early 1920s, the Surrealist writer 632:, 1914–15, oil on canvas, 89.6 × 70.1 cm, 232: 1930⁠–⁠1931) 31: 20: 4434:Cathedral of Saint Mary of the Assumption 2766: 2733: 2723: 2310:(in Italian). Roma: Gangemi. p. 49. 2244:(in Italian). Roma: Gangemi. p. 64. 1315:Learn how and when to remove this message 618:), 1914–15, oil on canvas, 61 × 50.2 cm, 566:, where he exhibited three of his works: 304:Giuseppe Maria Alberto Giorgio de Chirico 51:Giuseppe Maria Alberto Giorgio de Chirico 3766:Giorgio de Chirico: Argonaut of the Soul 3699:Metaphysical Interior with Large Factory 3369:L'opera completa di de Chirico 1908–1924 2683:Silent Theater: the Art of Edward Hopper 2228:families into Sicily and southern Italy. 2075:Giorgio de Chirico: Argonaut of the Soul 1956:Mysterious Baths – Flight Toward the Sea 1565:Metaphysical Interior with Large Factory 881:suggested that de Chirico suffered from 512:(1909), shows the influence of Böcklin. 5367:Members of the Royal Academy of Belgium 4980:Vier Bücher von Menschlicher Proportion 3494:Giorgio de Chirico, Catalogue personale 2526:"Metaphysical Art Interview de Chirico" 2087: 1144:"probably ... the finest ." Several of 664:), 1917, oil on canvas, 104.8 x 69.5 cm 646:, 1917, oil on canvas, 95.9 × 70.5 cm, 3482:, Silvana Editoriale, Cinisellobalsamo 2946: 2914:, Paola Martini et Pascale Ramel, p. 4 2437:. München: Prestel-Verlag. pp. 83–84. 1990:Metaphysical Interior with Setting Sun 1629:(1947), replica of the 1916 painting, 679:), 1920, oil on wood, 50.2 x 39.5 cm, 500:. There, he also studied the works of 3180:Paglia, Camille (17 September 2019). 2751:"The syndrome of Alice in Wonderland" 2508:. London: Tate Gallery, 1990, p. 81. 2504:Cowling, Elizabeth; Mundy, Jennifer. 2126: 2124: 1952:Interno Metafisico con Nudo Anatomico 877:A 2018 study by researchers from the 368:. His best-known works often feature 347: 296:, 1914, oil on canvas, 73 × 59.1 cm, 7: 3374:Fagiolo Dell'Arco, Maurizio (1991), 3367:Fagiolo Dell'Arco, Maurizio (1999), 3186:. Knopf Doubleday Publishing Group. 2902:Quelques propositions d'activités – 2870:"Every Time I Look at It I Feel Ill" 2755:Canadian Medical Association Journal 2208: 2206: 1293:adding citations to reliable sources 1221:" is based on de Chirico's painting 943:(described as "spiritual fevers)"), 757:De Chirico in 1970, photographed by 5332:Academy of Fine Arts, Munich alumni 5165:Journal of Mathematics and the Arts 4051:"900", Cahiers d'Italie et d'Europe 3691:Metaphysical Interior with Biscuits 3421:, Maretti Editore, Falciano, 2017. 3390:De Chirico, 1888–1978, opere scelte 3330:, Galleria Philippe Daverio, Milano 3328:Giorgio de Chirico Parigi 1924–1930 2834:(in German) (75 (Suppl. 2):S258–9). 2103:Fondazione Giorgio e Isa de Chirico 2024:Pianto d'amore – Ettore e Andromaca 2010:Piazza d'Italia con Statua Equestre 1909:Metaphysical Interior with Biscuits 1866:Metaphysical Interior with Workshop 1557:Metaphysical Interior with Biscuits 1494:Piazza d'Italia (Autumn Melancholy) 5179:Making Mathematics with Needlework 3383:De Chirico. Disegni inediti (1929) 2868:Marler, Regina (25 October 2018). 1498:Melancholy and Mystery of a Street 782:, a museum dedicated to his work. 718:, and became part of the post-war 590:, and he sold his first painting, 531:, after the revelation he felt in 448:in 1523 together with 4,000 other 14: 5005:I quattro libri dell'architettura 3378:, Extra Moenia Arte Moderna, Todi 2584:The Memoirs of Giorgio de Chirico 2346:. Cologne: Taschen, 2005, p. 10. 2116:Union List of Artist Names Online 2049:The Memoirs of Giorgio De Chirico 1672:The House with the Green Shutters 976:The Enigma of an Autumn Afternoon 939:(visual field stain), visual and 529:The Enigma of an Autumn Afternoon 5284: 5283: 4529:Self-portrait in a Convex Mirror 4213: 3385:, Edizioni grafiche Tega, Milano 2927:& Andrea Ciccarelli (eds.). 2685:, London/New York: Phaidon, 2007 2615:"Cappella di Giorgio De Chirico" 1854:Villa Medici – Temple and Statue 1631:University of Iowa Museum of Art 1265: 959:(see objects as very far away), 308: 273: 16:Greek-Italian artist (1888–1978) 3749:Giorgio de Chirico House Museum 3358:, Giunti Editore, Firenze, 1988 1970:Solitudine della Gente di Circo 1903:Salambò su un cavallo impennato 1745:Temple et Forêt dans la Chambre 1112:) as the cover art for pianist 1066:were influenced by de Chirico. 780:Giorgio de Chirico House Museum 252: 229: 5240:National Museum of Mathematics 4992:Regole generali d'architettura 2978:(Oxford University Press 2007) 2014:La mattina ai bagni misteriosi 2006:La Mattina ai Bagni misteriosi 1530:Two Sisters (The Jewish Angel) 831:French Académie des Beaux-Arts 691:and together they founded the 562:, a member of the jury at the 1: 5342:Italian expatriates in Greece 5327:20th-century Italian painters 3619:The Nostalgia of the Infinite 3514:, biography and image gallery 2118:, retrieved 15 February 2019. 1897:Venezia, Isola di San Giorgio 1763:Bagnante (Ritratto di Raissa) 1427:Melancholy of a Beautiful Day 1376:The Nostalgia of the Infinite 1357:Ritratto di Andrea de Chirico 1347:Enigma of an Autumn Afternoon 740:Hebdomeros, the Metaphysician 4765:Garden of Cosmic Speculation 2131:Rivosecchi, Valerio (1987). 2002:Mobili e rocce in una stanza 1837:Illustrations from the book 1820:The Vexations of The Thinker 1814:La Vasca di Bagni Misteriosi 1790:I Gladiatori (Combattimento) 1778:Illustrations from the book 1486:The Philosopher and the Poet 883:Alice in Wonderland syndrome 873:Alice in Wonderland syndrome 397:Alice in Wonderland syndrome 349:[ˈdʒordʒodeˈkiːriko] 5357:20th-century Greek painters 3683:The Melancholy of Departure 3635:The Soothsayer's Recompense 3396:de Chirico, gli anni Trenta 2993:www.fondazionedechirico.org 2657:Hughes, Robert, essay from 2586:, Perseus Books Group, 1994 1590:Great Metaphysical Interior 1545:The Melancholy of Departure 1490:Still Life: Turin in Spring 1415:The Uncertainty of the Poet 1336:Peggy Guggenheim Collection 1175:Peggy Guggenheim Collection 1167:The Uncertainty of the Poet 985:phenomena, associated with 644:Great Metaphysical Interior 5428: 5397:Italian surrealist artists 5382:People of Sicilian descent 5377:People of Ligurian descent 4282:Islamic geometric patterns 3675:The Double Dream of Spring 3520:at fondazionedechirico.org 3512:Giorgio de Chirico at MoMA 3362:de Chirico, gli anni Venti 2672:, retrieved June 19, 2013. 1751:Gladiatori (began in 1927) 1699:Mannequins on the Seashore 1646:Departure of the Argonauts 1521:The Double Dream of Spring 1478:The Philosopher's Conquest 1398:The Soothsayers Recompense 1183:Metropolitan Museum of Art 978:(1909), are evidence that 961:depersonalization syndrome 785:In 1939, he adopted a neo- 519: 142:Athens School of Fine Arts 5279: 5103:A Mathematician's Apology 4211: 3731:Venecia, Puente de Rialto 3302:Hampton University Museum 2648:Schwartz 1990, pp. 23–24. 2213:Hassall, Douglas (2020). 1873:Venecia, Puente de Rialto 1709:La Commedia e la Tragedia 1504:The Evil Genius of a King 1454:The Nostalgia of the Poet 1387:The Enigma of the Arrival 1223:The Evil Genius of a King 1163:The Nostalgia of the Poet 1090:The Desert of the Tartars 616:The Evil Genius of a King 612:Le mauvais génie d'un roi 480:, where he studied under 281: 272: 263: 37:Photograph of Chirico by 30: 5402:Greek surrealist artists 5215:The Bridges Organization 3526:Metaphysical Perspective 3507:Metaphysical Art Archive 3461:Metaphysical Art Journal 3388:Gimferrer, Pere (1988), 3376:Giorgio de Chirico carte 3337:, Edizioni Bora, Bologna 2961:, p. 89. (Originally in 2874:New York Review of Books 2725:10.3389/fneur.2018.00553 2414:Holzhey 2005, pp. 15–18. 2271:15 February 2019 at the 1931:Chianciano Museum of Art 1443:The Anguish of Departure 1411:The Awakening of Ariadne 1228:The music video for the 941:gustatory hallucinations 742:. Also in 1929, he made 537:The Enigma of the Oracle 423:origins (likely born in 5077:The Grammar of Ornament 5029:Nature's Harmonic Unity 4939:De prospectiva pingendi 3446:Noel-Johnson Victoria, 3436:, Skira, Milano, 2019. 3432:Noel-Johnson Victoria, 3415:Noel-Johnson Victoria, 3401:Merjian, Ara H. (2014) 3371:, Rizzoli, Milano, 1984 3137:"A Giant in the Making" 2533:fondazionedechirico.org 1984:Muse with Broken Column 1808:Cavalli in Riva al Mare 1574:The Great Metaphysician 1458:L'Énigme de la fatalité 879:Magna Græcia University 662:The Grand Metaphysician 119:41.885127°N 12.473186°E 5230:Institute For Figuring 5142:The 'Life' of a Carpet 4967:A Treatise on Painting 3611:The Enigma of the Hour 3315:Baker, Kenneth (1982) 3226:– via vimeo.com. 2711:Frontiers in Neurology 2264:Nikolaos Velissiotis, 1976:Orfeo Trovatore Stanco 1727:L'Esprit de Domination 1682:Honolulu Museum of Art 1633: 1606:Still Life with Salami 1572:(both began in 1916), 1391:La Matinée Angoissante 1368:The Enigma of the Hour 1343:Flight of the Centauri 1338: 1095:Michelangelo Antonioni 889:affecting a person's 863: 853:wrote that de Chirico 765: 683: 681:Pinakothek der Moderne 665: 650: 636: 622: 580:Salon des Indépendants 572:Enigma of an Afternoon 551:-like hybrid figures. 358: 300: 5347:Italian male painters 5111:George David Birkhoff 5085:Ernest Hanbury Hankin 4953:De divina proportione 4933:Piero della Francesca 4912:Leon Battista Alberti 4499:Piero della Francesca 4138:Hyperboloid structure 3944:Arrigo Renato Marzola 3707:The Disquieting Muses 3472:Owen, Maurice (1995) 3466:Owen, Maurice (1983) 3410:De Chirico metafisico 2965:4:15 (Dec. 18, 1966)) 2639:Schwartz 1990, p. 22. 2604:Schwartz 1990, p. 29. 2137:Enciclopedia Italiana 2133:"De Chirico, Giorgio" 2028:The Sailors' Barracks 1948:The Return of Ulysses 1891:The Fall – Via Crucis 1784:Guillaume Apollinaire 1721:Cupboards in a Valley 1666:Florentine Still Life 1627:The Disquieting Muses 1625: 1582:Metaphysical Interior 1570:The Faithful Servitor 1551:The Disquieting Muses 1526:The Purity of a Dream 1449:Guillaume Apollinaire 1330: 1173:(1913), works in the 1007:Guillaume Apollinaire 887:neurological disorder 761:. Fondo Paolo Monti, 756: 671: 656: 642: 628: 610: 588:Guillaume Apollinaire 290: 242:Isabella Pakszwer Far 5036:Frederik Macody Lund 4907:Filippo Brunelleschi 4788:Hamid Naderi Yeganeh 4650:La condition humaine 3524:Giorgio de Chirico: 3408:Mori, Gioia (2007), 3275:Simon & Schuster 2619:sanfrancescoaripa.it 2554:"Giorgio De Chirico" 2495:Holzhey 2005, p. 94. 2483:Holzhey 2005, p. 67. 2474:Holzhey 2005, p. 62. 2423:Holzhey 2005, p. 46. 2405:Holzhey 2005, p. 25. 2396:Holzhey 2005, p. 15. 2387:Holzhey 2005, p. 14. 2342:Holzhey, Magdalena. 1962:Il rimorso di Oreste 1927:La mia mano sinistra 1717:The Painter's Family 1419:La Statua Silenziosa 1379:(1911), or 1912–1913 1351:Enigma of the Oracle 1289:improve this section 1245:1958: Member of the 931:, abdominal pain as 835:San Francesco a Ripa 789:style influenced by 658:Il grande metafisico 648:Museum of Modern Art 634:Museum of Modern Art 620:Museum of Modern Art 568:Enigma of the Oracle 474:Academy of Fine Arts 298:Museum of Modern Art 147:Academy of Fine Arts 124:41.885127; 12.473186 97:San Francesco a Ripa 5362:Greek male painters 5261:Mathematical beauty 5186:Rhythm of Structure 5129:Gödel, Escher, Bach 4925:De re aedificatoria 4556:The Ancient of Days 4175:Projective geometry 4104:Mathematics and art 4062:Margherita Sarfatti 3939:Gian Emilio Malerba 3909:Leonardo Dudreville 2925:Peter E. Bondanella 2564:on 14 February 2007 2456:Artists and Writers 2454:Schwartz, Sanford. 2432:Metken, G. (1981). 2055:Geometry of Shadows 1996:Sole sul cavalletto 1966:La Biga Invincibile 1802:Cavalos a Beira-Mar 1600:Hermetic Melancholy 1474:The Enigma of a Day 1423:The Anxious Journey 827:Massimiliano Fuksas 494:Arthur Schopenhauer 490:Friedrich Nietzsche 427:) and his father a 382:Friedrich Nietzsche 378:Arthur Schopenhauer 115: /  5412:Writers from Volos 5392:Surrealist artists 5312:Giorgio de Chirico 5266:Patterns in nature 5123:Douglas Hofstadter 4749:Desmond Paul Henry 4739:Bathsheba Grossman 4671:The Swallow's Tail 4592:Giorgio de Chirico 4464:Sydney Opera House 4319:Croatian interlace 3974:Giuseppe Montanari 3884:Giorgio de Chirico 3840:Novecento Italiano 3627:Le Rêve Transformé 3596:Giorgio de Chirico 3537:2019-08-05 at the 3487:Giorgio de Chirico 3455:2019-08-07 at the 3321:The Boston Phoenix 3083:Letteratura, Rai. 3056:Letteratura, Rai. 3037:Letteratura, Rai. 3018:Letteratura, Rai. 2999:on 14 October 2017 2910:2012-07-10 at the 2904:Le roi et l'oiseau 2855:10.1708/1139.12563 2668:2007-02-14 at the 2344:Giorgio de Chirico 2189:marsilioeditori.it 2018:Ettore e Andromaca 1942:Ettore e Andromaca 1739:The Archaeologists 1735:Mobili nella valle 1695:The Terrible Games 1634: 1596:Metaphysical Muses 1578:Ettore e Andromaca 1432:Le Rêve Transformé 1339: 1252:Académie de France 1072:Le Roi et l'oiseau 902:Memoirs of my Life 766: 693:pittura metafisica 684: 666: 651: 637: 623: 535:. He also painted 533:Piazza Santa Croce 470:Georgios Jakobides 462:Athens Polytechnic 301: 25:Giorgio de Chirico 5372:People from Volos 5299: 5298: 5152: 5151: 5116:Aesthetic Measure 4987:Sebastiano Serlio 4961:Leonardo da Vinci 4851: 4850: 4843:Margaret Wertheim 4504:Leonardo da Vinci 4070: 4069: 3964:Francesco Messina 3889:Raffaele De Grada 3806: 3805: 3659:Gare Montparnasse 3651:The Child's Brain 3555:from Issue 67 of 3427:978-88-98855-37-7 3412:, Giunti, Firenze 3392:, Rizzoli, Milano 3284:978-1-4391-9049-4 3193:978-0-525-43386-6 2661:, 1982, seen at 2377:978-3-549-05112-2 2180:Anissia Becerra. 1980:Intero Metafisico 1847:Clarice Lispector 1691:Le Grand Automate 1687:Au Bord de la Mer 1678:The Great Machine 1506:(begun in 1914), 1482:The Child's Brain 1445:(begun in 1913), 1325: 1324: 1317: 1213:The cover art of 1138:, who has called 1102:Riverside Records 859:The Joy of Return 510:The Dying Centaur 482:Gabriel von Hackl 360:scuola metafisica 356:, he founded the 285: 284: 218:Raissa Gourevitch 5419: 5337:Ballet designers 5287: 5286: 5137:Nikos Salingaros 4860: 4828:Hiroshi Sugimoto 4778:Robert Longhurst 4724:Helaman Ferguson 4679:Crockett Johnson 4608:Circle Limit III 4577:Danseuse au café 4484: 4454:Pyramid of Khufu 4217: 4097: 4090: 4083: 4074: 3989:Roberto Narducci 3969:Giuseppe Migneco 3894:Fortunato Depero 3833: 3826: 3819: 3810: 3798:Metaphysical art 3723:The Prodigal Son 3667:The Song of Love 3589: 3582: 3575: 3566: 3558:Cabinet Magazine 3489:, New York, 1955 3344:, Milano 1971–74 3305: 3288: 3254: 3253: 3251: 3249: 3234: 3228: 3227: 3225: 3223: 3213: 3207: 3204: 3198: 3197: 3177: 3171: 3170: 3163: 3157: 3156: 3154: 3152: 3143:. 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(2014). 2239: 2238: 2234: 2212: 2211: 2204: 2194: 2192: 2184: 2179: 2178: 2174: 2164: 2162: 2157: 2156: 2152: 2142: 2140: 2130: 2129: 2122: 2114: 2110: 2097: 2096: 2089: 2085: 2064: 2037: 1915:Piazza d'Italia 1885:Piazza d'Italia 1796:Milan Cathedral 1713:Commedia Romana 1653:The Great Tower 1610:The Sacred Fish 1516:Piazza d'Italia 1361:Alberto Savinio 1321: 1310: 1304: 1301: 1286: 1270: 1259: 1242: 1219:Thieves Like Us 1150:Blizzard of One 1114:Thelonious Monk 1085:Valerio Zurlini 1081:Jacques Prévert 1036:Giorgio Morandi 1003: 994:Piazza d'Italia 875: 843: 771: 720:return to order 706:Valori plastici 701: 699:Return to order 564:Salon d'Automne 524: 518: 466:Georgios Roilos 455:Alberto Savinio 405: 344: 337: 311: 307: 259: 258: 255: 1946) 250: 246: 243: 235: 227: 223: 220: 202: 181: 151: 123: 121: 117: 114: 109: 106: 104: 102: 101: 100: 87: 81: 77: 68: 62: 56: 54: 53: 52: 42: 26: 17: 12: 11: 5: 5425: 5423: 5415: 5414: 5409: 5404: 5399: 5394: 5389: 5384: 5379: 5374: 5369: 5364: 5359: 5354: 5349: 5344: 5339: 5334: 5329: 5324: 5319: 5314: 5304: 5303: 5297: 5296: 5294: 5293: 5280: 5277: 5276: 5274: 5273: 5268: 5263: 5258: 5252: 5250: 5246: 5245: 5243: 5242: 5237: 5232: 5227: 5222: 5217: 5212: 5206: 5204: 5200: 5199: 5197: 5196: 5189: 5182: 5175: 5168: 5160: 5158: 5154: 5153: 5150: 5149: 5147: 5146: 5145: 5144: 5134: 5133: 5132: 5120: 5119: 5118: 5108: 5107: 5106: 5094: 5093: 5092: 5082: 5081: 5080: 5067: 5065: 5061: 5060: 5058: 5057: 5056: 5055: 5053:The Greek Vase 5045: 5044: 5043: 5033: 5032: 5031: 5020: 5018: 5014: 5013: 5011: 5010: 5009: 5008: 4996: 4995: 4994: 4984: 4983: 4982: 4975:Albrecht Dürer 4972: 4971: 4970: 4958: 4957: 4956: 4944: 4943: 4942: 4930: 4929: 4928: 4921: 4909: 4903: 4901: 4897: 4896: 4894: 4893: 4892: 4891: 4879: 4878: 4877: 4866: 4864: 4857: 4853: 4852: 4849: 4848: 4846: 4845: 4840: 4838:Roman Verostko 4835: 4830: 4825: 4820: 4815: 4813:Alba Rojo Cama 4810: 4805: 4800: 4795: 4790: 4785: 4780: 4775: 4770: 4769: 4768: 4759:Charles Jencks 4756: 4751: 4746: 4744:George W. Hart 4741: 4736: 4731: 4726: 4721: 4716: 4711: 4706: 4697: 4691: 4689: 4685: 4684: 4682: 4681: 4676: 4675: 4674: 4667: 4655: 4654: 4653: 4641: 4640: 4639: 4632: 4625: 4618: 4611: 4599: 4594: 4589: 4588: 4587: 4580: 4571:Jean Metzinger 4568: 4567: 4566: 4559: 4546: 4544: 4538: 4537: 4535: 4534: 4533: 4532: 4520: 4518:Albrecht Dürer 4515: 4514: 4513: 4501: 4496: 4490: 4488: 4481: 4475: 4474: 4472: 4471: 4466: 4461: 4456: 4451: 4446: 4441: 4436: 4430: 4428: 4422: 4421: 4419: 4418: 4411: 4404: 4397: 4390: 4383: 4376: 4370: 4368: 4364: 4363: 4361: 4360: 4355: 4350: 4345: 4344: 4343: 4333: 4328: 4327: 4326: 4321: 4316: 4306: 4305: 4304: 4299: 4294: 4289: 4279: 4274: 4269: 4264: 4259: 4258: 4257: 4252: 4247: 4237: 4235:Anamorphic art 4232: 4226: 4224: 4220: 4219: 4212: 4210: 4208: 4207: 4202: 4197: 4192: 4191: 4190: 4185: 4177: 4172: 4167: 4166: 4165: 4163:Camera obscura 4160: 4150: 4145: 4140: 4135: 4130: 4125: 4120: 4114: 4112: 4108: 4107: 4102: 4100: 4099: 4092: 4085: 4077: 4068: 4067: 4065: 4064: 4059: 4054: 4046: 4044: 4040: 4039: 4037: 4036: 4031: 4026: 4021: 4016: 4011: 4006: 4001: 3996: 3991: 3986: 3984:Giovanni Muzio 3981: 3976: 3971: 3966: 3961: 3956: 3954:Guido Marussig 3951: 3949:Arturo Martini 3946: 3941: 3936: 3931: 3926: 3924:Virgilio Guidi 3921: 3916: 3911: 3906: 3901: 3899:Antonio Donghi 3896: 3891: 3886: 3881: 3876: 3871: 3866: 3861: 3856: 3850: 3848: 3844: 3843: 3838: 3836: 3835: 3828: 3821: 3813: 3804: 3803: 3801: 3800: 3795: 3787: 3780: 3778: 3774: 3773: 3771: 3770: 3761: 3759: 3755: 3754: 3752: 3751: 3745: 3743: 3739: 3738: 3736: 3735: 3727: 3719: 3711: 3703: 3695: 3687: 3679: 3671: 3663: 3655: 3647: 3639: 3631: 3623: 3615: 3606: 3604: 3600: 3599: 3594: 3592: 3591: 3584: 3577: 3569: 3563: 3562: 3550: 3542: 3529: 3521: 3515: 3509: 3502: 3501:External links 3499: 3498: 3497: 3496:, Milano, 1970 3490: 3485:Soby, J. Th., 3483: 3476: 3470: 3464: 3444: 3430: 3413: 3406: 3399: 3393: 3386: 3379: 3372: 3365: 3359: 3352: 3351:, Milano, 1969 3345: 3338: 3331: 3324: 3311: 3308: 3307: 3306: 3289: 3283: 3256: 3255: 3244:on 3 June 2013 3229: 3208: 3199: 3192: 3172: 3169:. 1 June 2004. 3158: 3147:on 22 May 2011 3127: 3115:Gabriele Tinti 3102: 3075: 3048: 3029: 3010: 2980: 2967: 2959:Selected Prose 2951: 2945:, p. 39; 2935: 2916: 2894: 2860: 2837: 2832:Der Nervenarzt 2822: 2813: 2798:(in Italian). 2796:Minerva Medica 2790:Cau C (1999). 2782: 2741: 2687: 2674: 2650: 2641: 2632: 2606: 2597: 2575: 2545: 2517: 2497: 2485: 2476: 2467: 2447: 2425: 2416: 2407: 2398: 2389: 2380: 2355: 2335: 2323: 2317:978-8849224320 2316: 2298: 2281: 2257: 2251:978-8849224320 2250: 2232: 2225:(5): 100–103. 2202: 2172: 2150: 2120: 2108: 2086: 2084: 2081: 2080: 2079: 2071: 2063: 2060: 2059: 2058: 2052: 2046: 2036: 2033: 2032: 2031: 2021: 1999: 1993: 1987: 1973: 1959: 1945: 1939: 1933: 1924: 1918: 1912: 1906: 1900: 1894: 1888: 1882: 1876: 1869: 1863: 1857: 1851: 1842: 1835: 1829: 1823: 1817: 1811: 1805: 1799: 1793: 1787: 1776: 1769:I fuochi sacri 1766: 1748: 1742: 1724: 1706: 1684: 1675: 1669: 1663: 1657: 1649: 1638:Italian Piazza 1620: 1619: 1613: 1603: 1593: 1561: 1537: 1501: 1440: 1394: 1380: 1372: 1364: 1354: 1323: 1322: 1273: 1271: 1264: 1258: 1257:Selected works 1255: 1254: 1253: 1250: 1241: 1238: 1159:Gabriele Tinti 1124:Five Spot Café 1116:'s live album 1110:Arthur Rimbaud 1002: 999: 910:sign of Saturn 874: 871: 842: 839: 770: 767: 700: 697: 602:Paul Guillaume 560:Pierre Laprade 520:Main article: 517: 514: 502:Arnold Böcklin 498:Otto Weininger 450:Greek Catholic 404: 403:Life and works 401: 283: 282: 279: 278: 270: 269: 265: 264: 261: 260: 248: 244: 241: 240: 239: 238: 225: 221: 216: 215: 214: 213: 210: 208: 204: 203: 201: 200: 195: 189: 187: 183: 182: 180: 179: 174: 169: 166: 163: 159: 157: 156:Known for 153: 152: 150: 149: 144: 138: 136: 132: 131: 93: 89: 88: 82: 80:(aged 90) 74: 70: 69: 63: 50: 48: 44: 43: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 5424: 5413: 5410: 5408: 5405: 5403: 5400: 5398: 5395: 5393: 5390: 5388: 5385: 5383: 5380: 5378: 5375: 5373: 5370: 5368: 5365: 5363: 5360: 5358: 5355: 5353: 5352:Greek artists 5350: 5348: 5345: 5343: 5340: 5338: 5335: 5333: 5330: 5328: 5325: 5323: 5320: 5318: 5315: 5313: 5310: 5309: 5307: 5292: 5291: 5282: 5281: 5278: 5272: 5269: 5267: 5264: 5262: 5259: 5257: 5256:Droste effect 5254: 5253: 5251: 5247: 5241: 5238: 5236: 5235:Mathemalchemy 5233: 5231: 5228: 5226: 5223: 5221: 5218: 5216: 5213: 5211: 5208: 5207: 5205: 5203:Organizations 5201: 5195: 5194: 5190: 5188: 5187: 5183: 5181: 5180: 5176: 5174: 5173: 5172:Lumen Naturae 5169: 5167: 5166: 5162: 5161: 5159: 5155: 5143: 5140: 5139: 5138: 5135: 5131: 5130: 5126: 5125: 5124: 5121: 5117: 5114: 5113: 5112: 5109: 5105: 5104: 5100: 5099: 5098: 5095: 5091: 5088: 5087: 5086: 5083: 5079: 5078: 5074: 5073: 5072: 5069: 5068: 5066: 5062: 5054: 5051: 5050: 5049: 5046: 5042: 5039: 5038: 5037: 5034: 5030: 5027: 5026: 5025: 5024:Samuel Colman 5022: 5021: 5019: 5015: 5007: 5006: 5002: 5001: 5000: 4997: 4993: 4990: 4989: 4988: 4985: 4981: 4978: 4977: 4976: 4973: 4969: 4968: 4964: 4963: 4962: 4959: 4955: 4954: 4950: 4949: 4948: 4945: 4941: 4940: 4936: 4935: 4934: 4931: 4927: 4926: 4922: 4920: 4919: 4915: 4914: 4913: 4910: 4908: 4905: 4904: 4902: 4898: 4890: 4889: 4885: 4884: 4883: 4880: 4876: 4873: 4872: 4871: 4868: 4867: 4865: 4861: 4858: 4854: 4844: 4841: 4839: 4836: 4834: 4833:Daina Taimiņa 4831: 4829: 4826: 4824: 4821: 4819: 4818:Reza Sarhangi 4816: 4814: 4811: 4809: 4806: 4804: 4801: 4799: 4796: 4794: 4791: 4789: 4786: 4784: 4781: 4779: 4776: 4774: 4771: 4767: 4766: 4762: 4761: 4760: 4757: 4755: 4752: 4750: 4747: 4745: 4742: 4740: 4737: 4735: 4732: 4730: 4729:Peter Forakis 4727: 4725: 4722: 4720: 4717: 4715: 4712: 4710: 4707: 4705: 4701: 4698: 4696: 4693: 4692: 4690: 4686: 4680: 4677: 4673: 4672: 4668: 4666: 4665: 4661: 4660: 4659: 4658:Salvador Dalí 4656: 4652: 4651: 4647: 4646: 4645: 4644:René Magritte 4642: 4638: 4637: 4633: 4631: 4630: 4626: 4624: 4623: 4619: 4617: 4616: 4615:Print Gallery 4612: 4610: 4609: 4605: 4604: 4603: 4600: 4598: 4595: 4593: 4590: 4586: 4585: 4584:L'Oiseau bleu 4581: 4579: 4578: 4574: 4573: 4572: 4569: 4565: 4564: 4560: 4558: 4557: 4553: 4552: 4551: 4550:William Blake 4548: 4547: 4545: 4539: 4531: 4530: 4526: 4525: 4524: 4521: 4519: 4516: 4512: 4511: 4510:Vitruvian Man 4507: 4506: 4505: 4502: 4500: 4497: 4495: 4494:Paolo Uccello 4492: 4491: 4489: 4485: 4482: 4480: 4476: 4470: 4467: 4465: 4462: 4460: 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4437: 4435: 4432: 4431: 4429: 4427: 4423: 4417: 4416: 4415:Pi in the Sky 4412: 4410: 4409: 4405: 4403: 4402: 4398: 4396: 4395: 4391: 4389: 4388: 4387:Mathemalchemy 4384: 4382: 4381: 4377: 4375: 4372: 4371: 4369: 4365: 4359: 4356: 4354: 4351: 4349: 4346: 4342: 4339: 4338: 4337: 4334: 4332: 4329: 4325: 4322: 4320: 4317: 4315: 4312: 4311: 4310: 4307: 4303: 4300: 4298: 4295: 4293: 4290: 4288: 4285: 4284: 4283: 4280: 4278: 4275: 4273: 4270: 4268: 4265: 4263: 4260: 4256: 4255:Vastu shastra 4253: 4251: 4248: 4246: 4245:Geodesic dome 4243: 4242: 4241: 4238: 4236: 4233: 4231: 4228: 4227: 4225: 4221: 4216: 4206: 4203: 4201: 4198: 4196: 4193: 4189: 4186: 4184: 4181: 4180: 4178: 4176: 4173: 4171: 4170:Plastic ratio 4168: 4164: 4161: 4159: 4158:Camera lucida 4156: 4155: 4154: 4151: 4149: 4146: 4144: 4141: 4139: 4136: 4134: 4131: 4129: 4126: 4124: 4121: 4119: 4116: 4115: 4113: 4109: 4105: 4098: 4093: 4091: 4086: 4084: 4079: 4078: 4075: 4063: 4060: 4058: 4055: 4053: 4052: 4048: 4047: 4045: 4041: 4035: 4032: 4030: 4027: 4025: 4022: 4020: 4017: 4015: 4014:Gino Severini 4012: 4010: 4007: 4005: 4002: 4000: 3997: 3995: 3992: 3990: 3987: 3985: 3982: 3980: 3977: 3975: 3972: 3970: 3967: 3965: 3962: 3960: 3957: 3955: 3952: 3950: 3947: 3945: 3942: 3940: 3937: 3935: 3932: 3930: 3927: 3925: 3922: 3920: 3917: 3915: 3912: 3910: 3907: 3905: 3902: 3900: 3897: 3895: 3892: 3890: 3887: 3885: 3882: 3880: 3877: 3875: 3872: 3870: 3867: 3865: 3862: 3860: 3859:Anselmo Bucci 3857: 3855: 3854:Giacomo Balla 3852: 3851: 3849: 3845: 3841: 3834: 3829: 3827: 3822: 3820: 3815: 3814: 3811: 3799: 3796: 3793: 3792: 3788: 3785: 3782: 3781: 3779: 3775: 3768: 3767: 3763: 3762: 3760: 3758:Documentaries 3756: 3750: 3747: 3746: 3744: 3740: 3733: 3732: 3728: 3725: 3724: 3720: 3717: 3716: 3712: 3709: 3708: 3704: 3701: 3700: 3696: 3693: 3692: 3688: 3685: 3684: 3680: 3677: 3676: 3672: 3669: 3668: 3664: 3661: 3660: 3656: 3653: 3652: 3648: 3645: 3644: 3640: 3637: 3636: 3632: 3629: 3628: 3624: 3621: 3620: 3616: 3613: 3612: 3608: 3607: 3605: 3601: 3597: 3590: 3585: 3583: 3578: 3576: 3571: 3570: 3567: 3560: 3559: 3554: 3551: 3548: 3547: 3543: 3540: 3536: 3533: 3530: 3528: 3527: 3522: 3519: 3516: 3513: 3510: 3508: 3505: 3504: 3500: 3495: 3492:Schmied, W., 3491: 3488: 3484: 3481: 3477: 3475: 3471: 3469: 3465: 3462: 3458: 3454: 3451: 3450: 3445: 3443: 3442:88-572-4058-4 3439: 3435: 3431: 3428: 3424: 3420: 3419: 3414: 3411: 3407: 3404: 3400: 3397: 3394: 3391: 3387: 3384: 3380: 3377: 3373: 3370: 3366: 3363: 3360: 3357: 3353: 3350: 3347:Ciranna, A., 3346: 3343: 3339: 3336: 3332: 3329: 3325: 3323: 3322: 3318: 3314: 3313: 3309: 3303: 3299: 3295: 3290: 3286: 3280: 3276: 3272: 3268: 3267:Kelley, Robin 3264: 3263: 3262: 3261: 3243: 3239: 3233: 3230: 3218: 3212: 3209: 3203: 3200: 3195: 3189: 3185: 3184: 3176: 3173: 3168: 3162: 3159: 3146: 3142: 3138: 3131: 3128: 3116: 3112: 3106: 3103: 3090: 3086: 3079: 3076: 3063: 3059: 3052: 3049: 3044: 3040: 3033: 3030: 3025: 3021: 3014: 3011: 2998: 2994: 2990: 2984: 2981: 2977: 2971: 2968: 2964: 2960: 2955: 2952: 2949:, p. 249 2948: 2944: 2943:O'Meally 1997 2939: 2936: 2932: 2931: 2926: 2920: 2917: 2913: 2909: 2906: 2905: 2898: 2895: 2883: 2879: 2875: 2871: 2864: 2861: 2856: 2852: 2848: 2847:Riv Psichiatr 2841: 2838: 2833: 2826: 2823: 2817: 2814: 2809: 2805: 2801: 2797: 2793: 2786: 2783: 2778: 2774: 2769: 2764: 2760: 2756: 2752: 2745: 2742: 2736: 2731: 2726: 2721: 2717: 2713: 2712: 2707: 2700: 2698: 2696: 2694: 2692: 2688: 2684: 2678: 2675: 2671: 2667: 2664: 2660: 2654: 2651: 2645: 2642: 2636: 2633: 2620: 2616: 2610: 2607: 2601: 2598: 2595: 2594:0-306-80568-5 2591: 2587: 2585: 2579: 2576: 2563: 2559: 2555: 2549: 2546: 2534: 2527: 2521: 2518: 2515: 2514:1-854-37043-X 2511: 2507: 2501: 2498: 2492: 2490: 2486: 2480: 2477: 2471: 2468: 2465: 2464:1-878274-01-5 2461: 2457: 2451: 2448: 2444: 2443:3-7913-0540-9 2440: 2436: 2429: 2426: 2420: 2417: 2411: 2408: 2402: 2399: 2393: 2390: 2384: 2381: 2378: 2374: 2368: 2366: 2364: 2362: 2360: 2356: 2353: 2352:3-8228-4152-8 2349: 2345: 2339: 2336: 2330: 2328: 2324: 2319: 2313: 2309: 2302: 2299: 2294: 2291: 2285: 2282: 2278: 2274: 2270: 2267: 2261: 2258: 2253: 2247: 2243: 2236: 2233: 2229: 2224: 2220: 2216: 2209: 2207: 2203: 2190: 2183: 2176: 2173: 2160: 2154: 2151: 2138: 2134: 2127: 2125: 2121: 2117: 2112: 2109: 2104: 2100: 2094: 2092: 2088: 2082: 2077: 2076: 2072: 2069: 2066: 2065: 2061: 2056: 2053: 2050: 2047: 2044: 2043: 2039: 2038: 2034: 2029: 2025: 2022: 2019: 2015: 2011: 2007: 2003: 2000: 1997: 1994: 1991: 1988: 1985: 1981: 1977: 1974: 1971: 1967: 1963: 1960: 1957: 1953: 1949: 1946: 1943: 1940: 1937: 1934: 1932: 1928: 1925: 1922: 1919: 1916: 1913: 1910: 1907: 1904: 1901: 1898: 1895: 1892: 1889: 1886: 1883: 1880: 1877: 1875: 1874: 1870: 1867: 1864: 1861: 1858: 1855: 1852: 1849: 1848: 1843: 1840: 1836: 1833: 1830: 1827: 1826:Self-portrait 1824: 1821: 1818: 1815: 1812: 1809: 1806: 1803: 1800: 1797: 1794: 1791: 1788: 1785: 1781: 1777: 1774: 1770: 1767: 1764: 1760: 1756: 1752: 1749: 1746: 1743: 1740: 1736: 1732: 1728: 1725: 1722: 1718: 1714: 1710: 1707: 1704: 1700: 1696: 1692: 1688: 1685: 1683: 1679: 1676: 1673: 1670: 1667: 1664: 1661: 1658: 1655: 1654: 1650: 1647: 1643: 1639: 1636: 1635: 1632: 1628: 1624: 1617: 1616:Self-portrait 1614: 1611: 1607: 1604: 1601: 1597: 1594: 1591: 1587: 1583: 1579: 1575: 1571: 1567: 1566: 1562: 1559: 1558: 1553: 1552: 1547: 1546: 1541: 1538: 1535: 1531: 1527: 1523: 1522: 1517: 1513: 1509: 1505: 1502: 1499: 1495: 1491: 1487: 1483: 1479: 1475: 1471: 1470: 1465: 1464: 1459: 1455: 1451: 1450: 1444: 1441: 1438: 1437:Self-Portrait 1434: 1433: 1428: 1424: 1420: 1416: 1412: 1408: 1404: 1403:The Red Tower 1400: 1399: 1395: 1392: 1388: 1384: 1381: 1378: 1377: 1373: 1370: 1369: 1365: 1363:) (1909–1910) 1362: 1358: 1355: 1352: 1348: 1344: 1341: 1340: 1337: 1333: 1332:The Red Tower 1329: 1319: 1316: 1308: 1298: 1294: 1290: 1284: 1283: 1279: 1274:This section 1272: 1268: 1263: 1262: 1256: 1251: 1248: 1244: 1243: 1239: 1237: 1235: 1231: 1226: 1224: 1220: 1216: 1211: 1209: 1208: 1203: 1202:PlayStation 2 1199: 1194: 1192: 1188: 1184: 1180: 1176: 1172: 1168: 1164: 1160: 1156: 1154: 1151: 1147: 1143: 1142: 1137: 1132: 1129: 1125: 1121: 1120: 1115: 1111: 1107: 1103: 1098: 1096: 1092: 1091: 1086: 1082: 1078: 1077:Paul Grimault 1074: 1073: 1067: 1065: 1061: 1057: 1056:Philip Guston 1053: 1049: 1048:Carel Willink 1045: 1041: 1037: 1033: 1029: 1025: 1024:René Magritte 1021: 1020:Salvador Dalí 1017: 1012: 1008: 1000: 998: 995: 990: 988: 984: 981: 977: 972: 970: 966: 962: 958: 954: 950: 946: 942: 938: 934: 930: 926: 921: 919: 915: 911: 907: 903: 898: 896: 895:Lewis Carroll 892: 888: 884: 880: 872: 870: 868: 867:Edward Hopper 862: 860: 854: 852: 851:Robert Hughes 847: 840: 838: 836: 832: 828: 823: 819: 816: 812: 808: 804: 800: 796: 792: 788: 783: 781: 777: 776:Spanish Steps 768: 764: 760: 755: 751: 749: 745: 744:stage designs 741: 735: 732: 727: 725: 721: 717: 713: 708: 707: 698: 696: 694: 690: 682: 678: 674: 673:Self-portrait 670: 663: 659: 655: 649: 645: 641: 635: 631: 627: 621: 617: 613: 609: 605: 603: 599: 598: 593: 592:The Red Tower 589: 585: 584:Pablo Picasso 581: 577: 576:Self-Portrait 573: 569: 565: 561: 556: 552: 550: 544: 542: 538: 534: 530: 523: 515: 513: 511: 507: 503: 499: 495: 491: 487: 486:Carl von Marr 483: 479: 475: 471: 467: 463: 458: 456: 451: 447: 443: 439: 435: 434: 430: 426: 422: 418: 414: 410: 402: 400: 398: 394: 390: 385: 383: 379: 375: 371: 370:Roman arcades 367: 362: 361: 355: 350: 342: 341: 332: 305: 299: 295: 294: 289: 280: 276: 271: 266: 262: 237: 236: 219: 212: 211: 209: 205: 199: 196: 194: 191: 190: 188: 184: 178: 175: 173: 170: 167: 164: 161: 160: 158: 154: 148: 145: 143: 140: 139: 137: 133: 128: 98: 94: 92:Resting place 90: 85: 75: 71: 66: 49: 45: 40: 34: 29: 22: 19: 5288: 5191: 5184: 5177: 5170: 5163: 5157:Publications 5141: 5127: 5115: 5101: 5089: 5075: 5052: 5048:Jay Hambidge 5041:Ad Quadratum 5040: 5028: 5003: 4991: 4979: 4965: 4951: 4947:Luca Pacioli 4937: 4923: 4916: 4886: 4874: 4798:Hinke Osinga 4793:István Orosz 4763: 4754:Anthony Hill 4709:Scott Draves 4704:Erik Demaine 4688:Contemporary 4669: 4662: 4648: 4634: 4627: 4620: 4613: 4606: 4602:M. C. Escher 4591: 4582: 4575: 4561: 4554: 4527: 4523:Parmigianino 4508: 4439:Hagia Sophia 4413: 4406: 4399: 4392: 4385: 4378: 4262:Computer art 4240:Architecture 4200:Tessellation 4183:Architecture 4133:Golden ratio 4049: 4034:Adolfo Wildt 4019:Mario Sironi 3999:René Paresce 3929:Achille Lega 3919:Achille Funi 3914:Guido Farina 3883: 3864:Pompeo Borra 3789: 3764: 3729: 3721: 3713: 3705: 3697: 3689: 3681: 3673: 3665: 3657: 3649: 3641: 3633: 3625: 3617: 3609: 3595: 3556: 3545: 3541:. Rai Scuola 3525: 3493: 3486: 3479: 3460: 3448: 3433: 3417: 3409: 3402: 3395: 3389: 3382: 3375: 3368: 3361: 3355: 3348: 3341: 3334: 3327: 3319: 3297: 3293: 3270: 3260:Bibliography 3259: 3258: 3246:. Retrieved 3242:the original 3232: 3220:. Retrieved 3211: 3202: 3182: 3175: 3166: 3161: 3149:. Retrieved 3145:the original 3130: 3118:. Retrieved 3114: 3105: 3093:. Retrieved 3091:(in Italian) 3088: 3078: 3066:. Retrieved 3064:(in Italian) 3061: 3051: 3042: 3032: 3023: 3013: 3001:. 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Retrieved 2139:(in Italian) 2136: 2111: 2102: 2073: 2067: 2054: 2048: 2040: 2027: 2023: 2017: 2013: 2009: 2005: 2001: 1995: 1989: 1983: 1979: 1975: 1969: 1965: 1961: 1955: 1951: 1947: 1941: 1935: 1926: 1920: 1914: 1908: 1902: 1896: 1890: 1884: 1878: 1871: 1865: 1859: 1853: 1845:Portrait of 1844: 1839:L'Apocalisse 1838: 1831: 1825: 1819: 1813: 1807: 1801: 1795: 1789: 1780:Calligrammes 1779: 1773:Calligrammes 1772: 1768: 1762: 1758: 1754: 1750: 1744: 1738: 1734: 1730: 1726: 1720: 1716: 1712: 1708: 1702: 1698: 1694: 1690: 1686: 1677: 1671: 1665: 1659: 1651: 1645: 1641: 1637: 1626: 1615: 1609: 1605: 1599: 1595: 1589: 1585: 1581: 1577: 1573: 1569: 1563: 1555: 1549: 1543: 1539: 1533: 1529: 1525: 1519: 1515: 1511: 1507: 1503: 1497: 1493: 1489: 1485: 1481: 1477: 1473: 1467: 1461: 1457: 1453: 1447:Portrait of 1446: 1442: 1436: 1430: 1426: 1422: 1418: 1414: 1410: 1406: 1402: 1396: 1390: 1386: 1382: 1374: 1366: 1356: 1350: 1346: 1342: 1331: 1311: 1302: 1287:Please help 1275: 1227: 1222: 1212: 1205: 1195: 1170: 1169:(1913), and 1166: 1162: 1157: 1149: 1146:Sylvia Plath 1139: 1136:John Ashbery 1133: 1128:Robin Kelley 1117: 1105: 1099: 1088: 1070: 1068: 1064:Mark Kostabi 1044:Paul Delvaux 1031: 1027: 1004: 993: 991: 975: 973: 923:Accounts of 922: 901: 899: 876: 864: 858: 856: 848: 844: 824: 820: 784: 772: 739: 736: 731:André Breton 728: 704: 702: 685: 677:Autoritratto 676: 672: 661: 657: 643: 629: 615: 611: 596: 591: 575: 571: 567: 557: 553: 545: 536: 528: 525: 509: 459: 431: 406: 389:neoclassical 386: 303: 302: 291: 177:stage design 78:(1978-11-20) 61:10 July 1888 18: 5322:1978 deaths 5317:1888 births 5097:G. H. Hardy 4900:Renaissance 4870:Polykleitos 4808:Tony Robbin 4719:John Ernest 4714:Jan Dibbets 4664:Crucifixion 4487:Renaissance 4341:Mathematics 4314:Celtic knot 4277:Fractal art 4179:Proportion 4153:Perspective 4029:Mario Tozzi 4024:Arturo Tosi 3994:Ubaldo Oppi 3934:Betto Lotti 3904:Ercole Drei 3874:Carlo Carrà 3794:(1929 book) 3340:Bruni, C., 2947:Kelley 2009 2143:17 February 2099:"Biography" 2068:Aenigma Est 2062:Films about 1828:(1935–1937) 1804:(1932–1933) 1703:The Painter 1512:The Prophet 1305:August 2019 1230:David Bowie 1217:'s single " 1198:Fumito Ueda 1191:Met in 2016 1153:Mark Strand 1060:Andy Warhol 1040:Carlo Carrà 1011:Yves Tanguy 987:paramnesias 983:visual aura 971:phenomena. 945:autokinesis 929:photophobia 918:lucid dream 914:Carlo Carrà 906:Renaissance 759:Paolo Monti 689:Carlo Carrà 506:Max Klinger 366:surrealists 354:World War I 122: / 5306:Categories 5071:Owen Jones 4918:De pictura 4823:Oliver Sin 4773:Andy Lomas 4622:Relativity 4353:String art 4267:Fiber arts 4148:Paraboloid 4004:Ugo Piatti 3869:Aldo Carpi 3791:Hebdomeros 3356:De Chirico 3120:22 January 3111:"Readings" 3095:22 January 3068:22 January 3003:14 October 2887:22 January 2083:References 2042:Hebdomeros 1929:, (1963), 1921:Cornipedes 1832:Archeologi 1540:Andromache 1383:Melanconia 1187:Burt Young 1181:, and the 1141:Hebdomeros 1119:Misterioso 1052:Harue Koga 957:teleopsias 953:micropsias 949:macropsias 935:symptoms, 897:'s novel. 891:perception 885:(AIWS), a 795:Tintoretto 778:; now the 769:Later work 724:modern art 716:Signorelli 374:mannequins 198:surrealism 110:12°28′23″E 107:41°53′06″N 95:Church of 57:1888-07-10 4882:Vitruvius 4856:Theorists 4636:Waterfall 4541:19th–20th 4469:Taj Mahal 4449:Parthenon 4426:Buildings 4380:Continuum 4348:Sculpture 4324:Interlace 4118:Algorithm 4009:Gio Ponti 3786:(brother) 3710:(c. 1917) 3702:(1916-17) 3622:(c. 1911) 3603:Paintings 3561:(2019-20) 2963:Book Week 2882:0028-7504 2568:2 January 2195:7 January 1936:Manichino 1893:(1947–54) 1771:(for the 1668:(c. 1923) 1276:does not 1215:New Order 1100:In 1958, 1016:Max Ernst 969:jamais vu 933:autonomic 849:In 1982, 807:Delacroix 549:mannequin 268:Signature 165:sculpture 135:Education 5290:Category 5017:Romantic 4695:Max Bill 4629:Reptiles 4444:Pantheon 4401:Octacube 4367:Artworks 4309:Knotting 4297:Muqarnas 4195:Symmetry 4123:Catenary 4111:Concepts 3546:Speranze 3535:Archived 3453:Archived 3269:(2009). 2908:Archived 2808:10767914 2777:13304769 2666:Archived 2269:Archived 2219:Quadrant 2035:Writings 1923:, (1963) 1642:Maschere 1508:The Seer 1334:(1913), 1165:(1914), 1106:The Seer 1087:'s film 980:migraine 925:migraine 630:The Seer 429:Sicilian 413:baroness 345:Italian: 186:Movement 162:Painting 67:, Greece 5249:Related 4863:Ancient 4597:Man Ray 4543:Century 4479:Artists 4336:Origami 4250:Pyramid 4128:Fractal 4043:Related 3847:Artists 3777:Related 3742:Museums 3643:Ariadne 3518:Chirico 3248:19 June 3151:19 June 2768:1826192 2735:6099085 2718:(553). 1860:Minerva 1680:(1925) 1534:The Duo 1407:Ariadne 1359:(Alias 1297:removed 1282:sources 1240:Honours 1189:at the 1171:Ariadne 965:déjà vu 937:scotoma 815:realism 803:Raphael 787:Baroque 712:Raphael 597:Ariadne 446:Palermo 417:Genoese 393:Baroque 391:or neo- 380:and of 257:​ 249:​ 245:​ 234:​ 226:​ 222:​ 207:Spouses 172:costume 168:drawing 86:, Italy 41:in 1936 5064:Modern 4700:Martin 4563:Newton 4358:Tiling 4302:Zellij 4272:4D art 3769:(2010) 3734:(1950) 3726:(1922) 3718:(1921) 3694:(1916) 3686:(1916) 3678:(1915) 3670:(1914) 3662:(1914) 3654:(1914) 3646:(1913) 3638:(1913) 3630:(1913) 3614:(1911) 3440:  3425:  3281:  3222:24 May 3190:  2880:  2806:  2775:  2765:  2732:  2625:11 May 2592:  2538:24 May 2512:  2462:  2441:  2375:  2350:  2314:  2248:  2165:4 June 2045:(1929) 2030:(1974) 2020:(1973) 1998:(1973) 1992:(1971) 1986:(1970) 1972:(1969) 1958:(1968) 1944:(1966) 1938:(1964) 1917:(1962) 1911:(1958) 1905:(1956) 1899:(1955) 1887:(1952) 1881:(1950) 1868:(1948) 1862:(1947) 1856:(1945) 1850:(1945) 1841:(1941) 1834:(1940) 1822:(1937) 1816:(1936) 1810:(1934) 1798:, 1932 1792:(1931) 1786:(1930) 1775:) 1929 1765:(1929) 1747:(1928) 1741:(1927) 1723:(1926) 1705:(1925) 1674:(1924) 1662:(1922) 1656:(1921) 1648:(1921) 1618:(1920) 1612:(1919) 1602:(1918) 1592:(1917) 1560:(1916) 1536:(1915) 1500:(1914) 1496:, and 1439:(1913) 1435:, and 1393:(1912) 1371:(1911) 1353:(1909) 1232:song " 1177:, the 1022:, and 1001:Legacy 811:Renoir 791:Rubens 478:Munich 442:Rhodes 433:barone 425:Smyrna 340:-ik-oh 99:, Rome 4875:Canon 4331:Music 4287:Girih 4223:Forms 4188:Human 3300:(1). 2529:(PDF) 2185:(PDF) 1204:game 1075:, by 1062:and 967:, or 841:Style 799:Dürer 541:Turin 438:Greek 421:Greek 409:Volos 251:( 247: 228:( 224: 65:Volos 4702:and 4292:Jali 3438:ISBN 3423:ISBN 3279:ISBN 3250:2013 3224:2023 3188:ISBN 3153:2013 3122:2019 3097:2019 3070:2019 3005:2017 2889:2019 2878:ISSN 2804:PMID 2773:PMID 2627:2019 2590:ISBN 2570:2008 2540:2023 2510:ISBN 2460:ISBN 2439:ISBN 2435:1981 2373:ISBN 2348:ISBN 2312:ISBN 2246:ISBN 2197:2022 2167:2020 2145:2019 2026:and 2016:and 1982:and 1968:and 1954:and 1879:Fiat 1761:and 1737:and 1719:and 1701:and 1644:and 1608:and 1598:and 1588:and 1568:and 1532:and 1510:(or 1389:and 1349:and 1280:any 1278:cite 1179:Tate 1079:and 809:and 763:BEIC 746:for 714:and 586:and 574:and 504:and 496:and 484:and 468:and 457:. 338:KIRR 84:Rome 73:Died 47:Born 3459:, ( 3141:1UP 2851:doi 2763:PMC 2730:PMC 2720:doi 1782:by 1715:), 1514:), 1291:by 1207:Ico 1200:'s 1032:saw 476:in 444:to 436:of 415:of 5308:: 4408:Pi 3298:14 3296:. 3277:. 3273:. 3139:. 3113:. 3087:. 3060:. 3041:. 3022:. 2991:. 2876:. 2872:. 2800:90 2771:. 2759:73 2757:. 2753:. 2728:. 2714:. 2708:. 2690:^ 2617:. 2588:, 2556:. 2531:. 2488:^ 2358:^ 2326:^ 2275:, 2223:64 2221:. 2217:. 2205:^ 2187:. 2135:. 2123:^ 2101:. 2090:^ 2012:, 2008:, 2004:, 1978:, 1964:, 1950:, 1757:, 1753:, 1733:, 1729:, 1697:, 1693:, 1689:, 1640:, 1584:, 1580:, 1576:, 1554:, 1548:, 1542:, 1528:, 1524:, 1518:, 1492:, 1488:, 1484:, 1480:, 1476:, 1472:, 1466:, 1460:, 1456:, 1452:, 1429:, 1425:, 1421:, 1417:, 1413:, 1409:, 1405:, 1401:, 1385:, 1345:, 1225:. 1193:. 1058:, 1054:, 1050:, 1046:, 1042:, 1038:, 1018:, 963:, 951:, 837:. 805:, 801:, 797:, 750:. 726:. 570:, 492:, 399:. 343:; 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Index


Carl Van Vechten
Volos
Rome
San Francesco a Ripa
41°53′06″N 12°28′23″E / 41.885127°N 12.473186°E / 41.885127; 12.473186
Athens School of Fine Arts
Academy of Fine Arts
costume
stage design
Metaphysical art
surrealism
Raissa Gourevitch


The Song of Love
Museum of Modern Art
/ˈkɪrɪk/
KIRR-ik-oh
[ˈdʒordʒodeˈkiːriko]
World War I
scuola metafisica
surrealists
Roman arcades
mannequins
Arthur Schopenhauer
Friedrich Nietzsche
neoclassical
Baroque
Alice in Wonderland syndrome

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