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582:. It was Swiny in the late 1720s who encouraged the artist to paint small topographical views of Venice with a commercial appeal for tourists and foreign visitors to the city. Sometime before 1728, Canaletto began his association with Smith, an English businessman and collector living in Venice, who was appointed British Consul in Venice in 1744. Smith later became the artist's principal agent and patron, acquiring nearly fifty paintings, one hundred fifty drawings and fifteen rare etchings from Canaletto, the largest and finest single group of the artist's works, which he sold to King George III in 1763.
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has led experts in the past to believe that much of the detail in his paintings had been achieved by tracing the image off a camera obscura. It is known that
Canaletto owned a camera obscura, but several experts today are of the opinion that he may have taken some inspiration from it, rather than
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Much of
Canaletto's early artwork was painted "from nature", differing from the then customary practice of completing paintings in the studio. Some of his later works do revert to this custom, as suggested by the tendency for distant figures to be painted as blobs of colour – an effect possibly
652:, was also using his uncle's nickname; or more likely because the story had been spread by unscrupulous art dealers who had been passing off copies of Canaletto's own work and were anxious to see him return to Venice. Historian Michael Levey described his work from this period as "inhibited".
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He was often expected to paint
England in the fashion with which he had painted his native city. Canaletto's painting began to suffer from repetitiveness, losing its fluidity, and becoming mechanical to the point that the English art critic
678:. He continued to paint until his death in 1768. In his later years, he often worked from old sketches, but he sometimes produced surprising new compositions. He was willing to make subtle alterations to topography for artistic effect.
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636:. Smithson was one of the commissioners of Westminster Bridge, and it is "not impossible" that he had encouraged Canaletto to come to England and record the beginning of the bridge's life. His 1754 painting of
333:("little Canal"), and Artemisia Barbieri. Canaletto served an apprenticeship with his father and his brother of a theatrical scene painter. In 1718, having already taken part in designing sets for operas by
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724:. In 1762, George III paid £20,000 for Consul Smith's collection of 50 paintings and 142 drawings. There are many examples of his work in other British collections, including several (19) at the
397:, had inquired about buying two more 'views of Venice', when the agent urged him to consider instead the work of "Antonio Canale... it is like Carlevaris, but you can see the sun shining in it."
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led to a reduction in the number of
British visitors to Venice. Smith also arranged for the publication of a series of etchings of "capricci" (or architectural phantasies) (
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454:) which depicts a humble working area of the city. It is regarded one of his finest works, and was presented by Sir George Beaumont in 1823 and 1828.
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In order to refute this claim the artist, through an advertisement in a newspaper, invited "any
Gentleman" to inspect his latest painting of
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461:. His large-scale landscapes portrayed the city's pageantry and waning traditions, making innovative use of atmospheric effects and strong
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Joseph Smith sold much of his collection to George III, creating the bulk of the large collection of works by
Canaletto owned by the
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suggested that the man painting under the name 'Canaletto' was an impostor. This may have been because
Canaletto's nephew,
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After returning from Rome in 1719, he began painting in his topographical style. His first known signed and dated work is
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Canaletto's early works remain his most coveted and, according to many authorities, his best. One of his early pieces is
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Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 6 Jan. 2017
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Furness, Hannah. (14 April 2017). "Royal
Collection uses infrared to prove Canaletto did not trace his drawings".
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and other
European monarchs vied for his grandest paintings. The record price paid at auction for a Canaletto is
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and others were sold over the last century. Among those formerly at the Carlisle collection are
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He remained in England until 1755, producing views of London (including several of the new
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actually using it for accurate photorealistic tracing in preparation for his paintings.
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Flooding and Environmental Challenges for Venice and its Lagoon: State of Knowledge
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1269:, also known as "Canaletto" in Germany and Poland, was Canaletto's nephew and pupil
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Canaletto, Giovanni Antonio Canal 1697-1768, Volume One: Life and Work, The Plates
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Canaletto's views always fetched high prices, and as early as the 18th century
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732:. A large set of Canaletto works was also part of the collection of the
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1602:"Canaletto | The Stonemason's Yard | NG127 | National Gallery, London"
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Whilst in England, between 1749 and 1752 Canaletto lived at number 41
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Later, Canaletto painted grand scenes of the canals of Venice and the
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The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola
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1787:
Venice Transfigured: The Myth of Venice in British Culture, 1660–1797
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Williams, George G. Assisted by Marian and Geoffrey Williams. (1973)
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1552:"Perspective on Canaletto's Paintings of Piazza San Marco in Venice"
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A History of Painting: Later Italians and Genius of Spain Part Three
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A View of the Grand Canal Looking South from the Palazzo Foscari
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378:(1723, Milan, in a private collection). Studying with the older
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for Sir Hugh Smithson, Bt., who by marriage later became the
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760:, Washington DC (sold in 1938). The last important venetian
212:(18 October 1697 – 19 April 1768), commonly known as
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After his return to Venice, Canaletto was elected to the
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technique. In the period from 1746 to 1756, he worked in
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The Doge and Grand Council in Sala del Maggior Consiglio
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In the 1740s, Canaletto's market was disrupted when the
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1499:, Granada Publishing/Paul Elek Ltd., London 1977, p. 1.
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The Bucentaur Returns to the Pier at the Doge's Palace
1375:"Canaletto", National Gallery of Art, Washington, D.C.
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Many of his pictures were sold to Englishmen on their
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1731:Links, J. G. (April 1981). "Canaletto in England".
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2018:Bacino di San Marco from the Puntana della Dogana
1871:. Vol. 5 (11th ed.). 1911. p. 172.
1044:London Seen Through an Arch of Westminster Bridge
750:Entrance to the Grand Canal from the Molo, Venice
325:He was born in Venice as the son of the painter
1824:Louise Jury, the Independent, 11 November, 2005
1627:"Photo Gallery: Munich Nazi Art Stash Revealed"
772:, which was sold at Sotheby's in July 2015 for
1902:More than 335 images of Canaletto's paintings.
1934:
1677:Antonio Canaletto; Antonio Visentini (1971).
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2010:The Grand Canal and the Church of the Salute
1512:C. A. Fletcher; T. Spencer (14 July 2005).
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1978:The French Ambassador's Arrival in Venice
1764:. Yale University Press. pp. 114–5.
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27:Italian painter of landscapes (1697–1768)
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386:, he rapidly became his master's equal.
1986:The Entrance to the Grand Canal, Venice
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1411:. Oxford, Clarendon Press. p. 9.
728:and a set of 24 in the dining room at
1761:Painting in Eighteenth-century Venice
1437:Haldane MacFall (20 September 2004).
1028:Westminster Bridge Under Construction
742:The Bacino di San Marco: looking East
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2180:Painters from the Republic of Venice
1733:Journal of the Royal Society of Arts
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659:at his studio in Silver Street (now
364:Canaletto was inspired by the Roman
361:during the carnival season of 1720.
1906:Canaletto and the history of vedute
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1885:132 artworks by or after Canaletto
960:Capriccio with Palladian buildings
754:The Square of Saint Mark's, Venice
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2175:18th-century Italian male artists
1550:Erkelens, Casper (1 March 2020).
693:His students included his nephew
2058:The Grand Walk, Vauxhall Gardens
1467:Betsy Dru Tecco (30 July 2004).
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1785:John Eglin (13 January 2001).
1681:. Courier Dover Publications.
1516:. Cambridge University Press.
587:War of the Austrian Succession
574:, first through the agency of
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2160:18th-century Italian painters
1836:"Bacino di San Marco, Venice"
1679:Views of Venice: By Canaletto
899:The Arch of Constantine, Rome
789:View of the Grand Canal from
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2026:The Pra della Valle in Padua
822:Rialto Bridge from the North
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428:View of the Entrance to the
357:which were performed at the
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746:Museum of Fine Arts, Boston
497:Morgan Library & Museum
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2120:Italian landscape painters
1606:www.nationalgallery.org.uk
1262:List of works by Canaletto
626:2nd Earl of Northumberland
595:Italian for fancy) in his
507:The portico with a lantern
32:Canaletto (disambiguation)
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1572:10.1163/22134913-20191131
1497:Canaletto and his patrons
1289:Filippo Pedrocco (1995).
715:Giuseppe Bernardino Bison
240:Painter of cityscapes or
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1900:The Canaletto Foundation
1703:Guide to Literary London
1441:. Kessinger Publishing.
929:The Piazza del Quirinale
869:The Feast Day of St Roch
854:Piazza San Marco, Venice
799:in London in July 2005.
764:at Castle Howard was by
452:National Gallery, London
1868:Encyclopædia Britannica
1862:"Canale, Antonio"
1810:Lonely Planet website,
1657:National Gallery of Art
1407:Constable, W.G (1962).
1362:Encyclopædia Britannica
1202:A View of Walton Bridge
758:National Gallery of Art
632:for Lord Brooke, later
578:, and later the banker
493:Architectural Capriccio
376:Architectural Capriccio
1789:. Palgrave Macmillan.
1758:Michael Levey (1994).
1356:Constable, William G.
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369:Giovanni Paolo Pannini
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302:Canaletto's birthplace
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62:Giovanni Antonio Canal
18:Giovanni Antonio Canal
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1970:The Stonemason's Yard
914:Piazza Navona in Rome
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478:2012 Munich Art Hoard
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391:Alessandro Marchesini
389:In 1725, the painter
312:The Stonemason's Yard
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284:Joseph "Consul" Smith
151:The Stonemason's Yard
2066:Northumberland House
1565:. brill.com: 49–67.
1471:Pk:how to Draw Italy
1186:St. Paul's Cathedral
1155:Northumberland House
991:Santa Maria Zobenigo
676:Collegio dei Pittori
622:Northumberland House
406:produced by using a
351:Tito Sempronio Greco
347:Alessandro Scarlatti
329:, hence his mononym
222:[kanaˈletto]
30:For other uses, see
1840:collections.mfa.org
1538:The Daily Telegraph
1475:. PowerKids Press.
781:Catherine the Great
634:1st Earl of Warwick
563:Knights of the Bath
419:Early and late work
1895:Web Gallery of Art
1739:(5297): 301, 304.
1633:. 17 November 2013
1559:Art and Perception
1293:. Giunti Editore.
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618:Westminster Bridge
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165:Artemisia Barbieri
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2050:Westminster Abbey
1964:List of paintings
1812:Chiesa di San Lio
1796:978-0-312-23299-3
1771:978-0-300-06057-7
1688:978-0-486-22705-4
1523:978-0-521-84046-0
1482:978-0-8239-6686-8
1448:978-1-4179-4508-5
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766:Bernardo Bellotto
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703:Michele Marieschi
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1060:Warwick Castle
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1013:Windsor Castle
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707:Gabriele Bella
690:
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630:Warwick Castle
540:Richmond House
485:
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420:
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408:camera obscura
402:
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339:Giovanni Porto
327:Bernardo Canal
295:
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280:Alnwick Castle
276:Warwick Castle
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130:Known for
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94:(aged 70)
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793:to the Rialto
792:
791:Palazzo Balbi
786:
782:
777:
776:2.6 million.
775:
771:
767:
763:
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756:, now at the
755:
751:
747:
744:, now at the
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739:
738:Castle Howard
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467:Impressionism
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463:local colours
460:
459:Doge's Palace
455:
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395:Stefano Conti
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355:Turno Aricino
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90:19 April 1768
89:
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52:
47:
40:
37:
33:
19:
2072:
2064:
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2024:
2016:
2008:
2000:
1992:
1984:
1976:
1968:
1949:
1910:
1887: at the
1866:
1855:
1843:. Retrieved
1839:
1830:
1819:
1811:
1805:
1786:
1780:
1760:
1753:
1736:
1732:
1702:
1697:
1678:
1672:
1660:. Retrieved
1656:
1647:
1635:. Retrieved
1630:
1621:
1609:. Retrieved
1605:
1596:
1584:. Retrieved
1562:
1558:
1545:
1532:
1513:
1496:
1495:J.G. Links,
1491:
1470:
1438:
1408:
1402:
1390:. Retrieved
1381:
1370:
1361:
1351:
1327:. Retrieved
1325:(in Italian)
1322:
1309:
1290:
1247:
1233:Eton College
1232:
1217:
1200:
1185:
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1153:
1138:
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749:
741:
730:Woburn Abbey
719:
692:
680:
675:
669:
654:
642:
615:
609:in London's
604:
596:
590:
584:
580:Joseph Smith
569:
557:
544:
543:: a classic
536:River Thames
533:
510:
506:
492:
473:
471:
456:
438:
436:
427:
404:
388:
375:
373:
365:
363:
354:
350:
330:
324:
310:
294:Early career
241:
239:
213:
209:
208:
184:Joseph Smith
149:
145:Notable work
92:(1768-04-19)
36:
2135:1768 deaths
2130:1697 births
2029:(1741–1746)
2021:(1740–1745)
1981:(1726–1727)
1653:"Canaletto"
1637:17 November
1387:"Canaletto"
1358:"Canaletto"
1323:DiPI Online
1319:"Canaletto"
963:, c.1756-59
661:Beak Street
607:Beak Street
495:, drawing,
448: 1725
412:perspective
320: 1725
110:Nationality
104:(now Italy)
2114:Categories
1845:2 November
1715:0713401419
1709:, p. 208.
1705:. London:
1586:26 October
1418:0198173245
1274:References
1075:Syon House
613:district.
576:Owen Swiny
572:Grand Tour
521:The first
384:cityscapes
315:, painted
288:George III
266:using the
264:printmaker
180:Owen Swiny
68:1697-10-18
2013:(c. 1740)
1997:(c. 1730)
1957:Paintings
1950:Canaletto
1912:Canaletto
1581:212940083
1291:Canaletto
797:Sotheby's
795:, set at
592:capriccio
366:vedutista
331:Canaletto
290:in 1762.
229:from the
214:Canaletto
194:Signature
175:Patron(s)
158:Parent(s)
120:Education
43:Canaletto
2100:(nephew)
2094:(father)
2061:(c.1751)
1745:41373290
1707:Batsford
1611:22 April
1329:17 March
1256:See also
1062:, c.1748
993:, c.1765
260:capricci
218:Italian:
114:Venetian
2085:Related
1662:2 March
1631:Spiegel
1392:29 July
999:England
803:Gallery
272:England
268:etching
227:painter
138:etching
2077:(1754)
2069:(1752)
2053:(1749)
2045:(1749)
2037:(1747)
2005:(1738)
1989:(1730)
1973:(1725)
1889:Art UK
1793:
1768:
1743:
1713:
1685:
1579:
1520:
1479:
1445:
1415:
1297:
1250:, 1754
1235:, 1754
1220:, 1754
1205:, 1754
1188:, 1754
1173:, 1753
1158:, 1752
1141:, 1751
1126:, 1751
1109:, 1750
1094:, 1749
1077:, 1749
1047:, 1747
1030:, 1747
978:, 1763
946:, 1756
931:, 1750
916:, 1750
901:, 1742
886:, 1740
871:, 1735
856:, 1730
841:, 1730
824:, 1726
762:veduta
689:Market
663:) off
628:; and
600:ideali
598:vedute
566:, 1749
549:, 1747
546:veduta
525:, 1746
511:Vedute
450:, the
433:, 1732
256:London
254:, and
248:Venice
243:vedute
98:Venice
76:Venice
1741:JSTOR
1577:S2CID
1555:(PDF)
808:Italy
538:from
246:, of
1891:site
1847:2020
1791:ISBN
1766:ISBN
1711:ISBN
1683:ISBN
1664:2020
1639:2013
1613:2016
1588:2022
1518:ISBN
1477:ISBN
1443:ISBN
1413:ISBN
1394:2022
1331:2021
1295:ISBN
1015:1747
752:and
709:and
611:Soho
534:The
353:and
341:and
278:and
252:Rome
87:Died
58:Born
1737:129
1567:doi
2116::
1865:.
1838:.
1735:.
1721:^
1655:.
1629:.
1604:.
1575:.
1561:.
1557:.
1504:^
1457:^
1427:^
1360:.
1339:^
1321:.
1317:.
1281:^
768:,
705:,
701:,
697:,
480:.
469:.
445:c.
349:,
337:,
317:c.
250:,
237:.
136:,
100:,
78:,
1942:e
1935:t
1928:v
1849:.
1799:.
1774:.
1747:.
1691:.
1666:.
1641:.
1615:.
1590:.
1569::
1563:8
1540:.
1526:.
1485:.
1451:.
1421:.
1396:.
1364:.
1333:.
1303:.
785:£
774:£
443:(
216:(
70:)
66:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
