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along with
Pinello and made his life difficult. Likewise, the choir was equally mutinous, possibly in loyalty to Forster due to the unpopularity of appointing a foreigner to the post of Kapellmeister. Additionally, it is speculated that Pinello may have been a spy for Rudolf II and this could have contributed to his negative position in the Dresden court. Ultimately his unpopularity at court led to his dismissal in 1584.
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While his time in
Dresden was positively marked by a prolific compositional output, this was a difficult period for Pinello who had difficulty assimilating into the Dresden court. Vice-Kapellmeister, Georg Forster, who had previously served as interim Kapellmeister before Pinello arrived, did not get
70:. He remained in that post for several years during which time his first compositions were published in Venice. These included three "Neapolitan song" anthologies:
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in c. 1544. He came from a noble
Genoese family. The earliest known record of Pinello dates to 1569 when he was serving as a musician in
62:. Financial woes in the Bavarian court, caused that chapel to close in 1570 and at this point Pinello returned to Italy. He settled in
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121:. His work in the Dresden Court made him one of the composers who brought the Italian style into the German-speaking world.
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Pinello returned to Prague where he served the court as
Knabenpräceptor from 1584 until his death on June 15, 1587.
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By 1576 (possibly earlier) Pinello had left his post at the
Vicenza Cathedral and was working as a singer at the
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97:. By 1580 (possibly earlier) he had left that post and was in Prague where he was a singer in the court of
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Ein deutsches
Magnificat in den acht Kirchentönen (1584) – a German Magnificat in the eight church tones *
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161:(Dresden, 1585) – New German songs to five voices held in the style of the Neapolitan
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245:"Biographie universelle des musiciens et bibliographie génèrale de la musique"
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Dane O. Heuchemer (2001). "Pinello di
Ghirardi , Giovanni Battista".
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265:(ADB). Vol. 26, Duncker & Humblot, Leipzig 1888, p. 150.
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and madrigals for eight, ten and fifteen voices (Dresden, 1584)
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Moritz FĂĽrstenau: Pinelli de
Gerardis, Giovanni Baptista. In
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published in 1732 the following compositions by
Pinello:
34:on 15 June 1587) was an Italian music composer and
171:a cinque voci (Dresden, 1585) – in five voices
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72:Il secondo libro delle canzone napolitane
113:after the post was turned down by first
80:El quarto libro delle canzone napolitane
230:10.1093/gmo/9781561592630.article.21776
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76:Il terzo libro delle canzone napolitane
50:Giovanni Battista Pinello was born in
28:Giovanni Battista Pinello di Ghirardi
23:Giovanni Battista Pinello di Ghirardi
7:
159:Neue deutsche Lieder zu fĂĽnf Stimmen
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279:16th-century Italian composers
263:Allgemeine Deutsche Biographie
243:François-Joseph Fétis (1860).
1:
304:Italian Renaissance composers
299:16th-century German composers
247:– via Internet Archive.
109:in November 1580; succeeding
99:Rudolf II, Holy Roman Emperor
165:transferred from the Italian
340:
60:William V, Duke of Bavaria
133:Johann Gottfried Walther
222:Oxford University Press
148:A four-part mass (1583)
309:Sacred music composers
93:in the service of the
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175:Motetii quinque vocum
137:Musicalisches Lexicon
107:Staatskapelle Dresden
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314:Musicians from Genoa
294:Czech male composers
101:. He was appointed
64:maestro di cappella
40:Italian Renaissance
30:(c. 1544 – died in
284:Austrian composers
218:Grove Music Online
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135:mentioned in his
111:Antonio Scandello
95:House of Habsburg
68:Vicenza Cathedral
58:in the chapel of
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153:Cantiones Sacrae
115:Orlando di Lasso
16:Italian composer
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289:Czech composers
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46:Life and career
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184:(Prague 1588)
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119:Jacob Regnart
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319:1540s births
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256:Bibliography
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143:Compositions
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87:Court Church
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78:(1572), and
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324:1587 deaths
273:Categories
194:References
189:References
169:Napolitane
163:villanella
117:and then
91:Innsbruck
82:(1575).
74:(1571),
56:Landshut
105:of the
66:at the
38:of the
182:Motets
177:(1588)
32:Prague
52:Genoa
226:doi
89:in
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202:^
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