Knowledge (XXG)

Gil Z. Hochberg

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391: 159: 31:(2007), focuses on literary works that complicate binary formulations of identity in Palestine/Israel and that foreground complex and fraught histories in common. She previously taught for 15 years at 203: 160:"Gil Z. Hochberg. In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination. Princeton, NJ: Princeton University Press, 2007. xiii, 192 pp" 428: 452: 101: 457: 421: 414: 56: 27:(2015) examines the politics of visibility in Palestine/Israel through film, art and photography. Her first book, 231: 19:
is the Ransford Professor of Hebrew and Visual Studies, Comparative Literature, and Middle East Studies at
447: 66: 39: 20: 339: 282: 179: 140: 263:"Reviewed work: Visual Occupations: Violence and Visibility in a Conflict Zone, Gil Z. Hochberg" 232:"In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination: Gil Z. Hochberg" 87: 398: 370: 359:"Review: Visual Occupations: Violence and Visibility in a Conflict Zone, by Gil Z. Hochberg" 331: 274: 243: 212: 171: 132: 286: 262: 144: 120: 247: 199:"In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination (review)" 441: 343: 183: 390: 301:"Visual Occupations: Violence and Visibility in a Conflict Zone – InVisible Culture" 300: 335: 319: 278: 374: 216: 175: 136: 53:
In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination
358: 29:
In Spite of Partition: Jews, Arabs and the Limits of Separatist Imagination
102:"Columbia Unmoored: Academics Appropriate the Holocaust to Bash Israel" 198: 32: 204:
Comparative Studies of South Asia, Africa and the Middle East
63:
Visual Occupations: Vision and Visibility in a Conflict Zone
25:
Visual Occupations: Vision and Visibility in a Conflict Zone
37:
Her statements on Israel were criticized by Karys Rhea in
402: 422: 8: 429: 415: 79: 230:Divine, Donna Robinson (May 2, 2008). 23:. She has written two academic books. 7: 387: 385: 346:– via Taylor and Francis+NEJM. 318:Amin, Alessandra (January 2, 2016). 397:This biography of an academic is a 357:Grinberg, Omri (November 1, 2017). 158:Berg, Nancy E. (November 2, 2009). 401:. You can help Knowledge (XXG) by 248:10.1111/j.1949-3606.2008.tb00167.x 197:Grumberg, Karen (August 6, 2009). 14: 250:– via Wiley Online Library. 389: 1: 336:10.1080/00043249.2016.1171553 236:Digest of Middle East Studies 377:– via jps.ucpress.edu. 363:Journal of Palestine Studies 125:Journal of Palestine Studies 88:"Gil Hochberg | MESAAS" 453:Columbia University faculty 186:– via Cambridge Core. 474: 384: 287:10.13169/reorient.2.1.0117 279:10.13169/reorient.2.1.0117 57:Princeton University Press 375:10.1525/jps.2017.47.1.114 219:– via Project MUSE. 217:10.1215/1089201X-2009-018 176:10.1017/S0364009409990134 458:Academic biography stubs 145:10.1525/jps.2008.38.1.90 137:10.1525/jps.2008.38.1.90 119:Bresheeth, Haim (2008). 305:ivc.lib.rochester.edu 261:Kiven Strohm (2016). 67:Duke University Press 90:. 28 September 2018. 40:The Tower (magazine) 21:Columbia University 410: 409: 320:"Sites of Seeing" 465: 431: 424: 417: 393: 386: 379: 378: 354: 348: 347: 315: 309: 308: 297: 291: 290: 258: 252: 251: 227: 221: 220: 194: 188: 187: 155: 149: 148: 116: 110: 109: 108:. March 8, 2019. 98: 92: 91: 84: 473: 472: 468: 467: 466: 464: 463: 462: 438: 437: 436: 435: 383: 382: 356: 355: 351: 317: 316: 312: 299: 298: 294: 260: 259: 255: 229: 228: 224: 196: 195: 191: 157: 156: 152: 118: 117: 113: 100: 99: 95: 86: 85: 81: 76: 49: 17:Gil Z. Hochberg 12: 11: 5: 471: 469: 461: 460: 455: 450: 440: 439: 434: 433: 426: 419: 411: 408: 407: 394: 381: 380: 369:(1): 114–116. 349: 330:(1): 110–112. 310: 292: 273:(1): 117–120. 253: 242:(1): 172–173. 222: 211:(2): 342–343. 189: 170:(2): 435–437. 150: 111: 93: 78: 77: 75: 72: 71: 70: 60: 48: 45: 13: 10: 9: 6: 4: 3: 2: 470: 459: 456: 454: 451: 449: 448:Living people 446: 445: 443: 432: 427: 425: 420: 418: 413: 412: 406: 404: 400: 395: 392: 388: 376: 372: 368: 364: 360: 353: 350: 345: 341: 337: 333: 329: 325: 321: 314: 311: 306: 302: 296: 293: 288: 284: 280: 276: 272: 268: 264: 257: 254: 249: 245: 241: 237: 233: 226: 223: 218: 214: 210: 206: 205: 200: 193: 190: 185: 181: 177: 173: 169: 165: 161: 154: 151: 146: 142: 138: 134: 130: 126: 122: 115: 112: 107: 103: 97: 94: 89: 83: 80: 73: 68: 64: 61: 58: 54: 51: 50: 46: 44: 42: 41: 35: 34: 30: 26: 22: 18: 403:expanding it 396: 366: 362: 352: 327: 323: 313: 304: 295: 270: 266: 256: 239: 235: 225: 208: 202: 192: 167: 163: 153: 128: 124: 114: 105: 96: 82: 62: 52: 47:Bibliography 38: 36: 28: 24: 16: 15: 324:Art Journal 442:Categories 164:AJS Review 74:References 344:192925146 184:162874066 131:: 90–91. 106:The Tower 267:Reorient 121:"Review" 69:, 2015) 59:, 2007) 342:  285:  182:  143:  340:S2CID 283:JSTOR 180:S2CID 141:JSTOR 399:stub 33:UCLA 371:doi 332:doi 275:doi 244:doi 213:doi 172:doi 133:doi 444:: 367:47 365:. 361:. 338:. 328:75 326:. 322:. 303:. 281:. 269:. 265:. 240:17 238:. 234:. 209:29 207:. 201:. 178:. 168:33 166:. 162:. 139:. 129:38 127:. 123:. 104:. 43:. 430:e 423:t 416:v 405:. 373:: 334:: 307:. 289:. 277:: 271:2 246:: 215:: 174:: 147:. 135:: 65:( 55:(

Index

Columbia University
UCLA
The Tower (magazine)
Princeton University Press
Duke University Press
"Gil Hochberg | MESAAS"
"Columbia Unmoored: Academics Appropriate the Holocaust to Bash Israel"
"Review"
doi
10.1525/jps.2008.38.1.90
JSTOR
10.1525/jps.2008.38.1.90
"Gil Z. Hochberg. In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination. Princeton, NJ: Princeton University Press, 2007. xiii, 192 pp"
doi
10.1017/S0364009409990134
S2CID
162874066
"In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination (review)"
Comparative Studies of South Asia, Africa and the Middle East
doi
10.1215/1089201X-2009-018
"In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination: Gil Z. Hochberg"
doi
10.1111/j.1949-3606.2008.tb00167.x
"Reviewed work: Visual Occupations: Violence and Visibility in a Conflict Zone, Gil Z. Hochberg"
doi
10.13169/reorient.2.1.0117
JSTOR
10.13169/reorient.2.1.0117
"Visual Occupations: Violence and Visibility in a Conflict Zone – InVisible Culture"

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