400:
216:
316:
36:
466:. Zulian was not satisfied with only having those learned men making their studies under him, so that he himself made several excursions during his legateship; excursions whose purpose was "collecting as many monuments as Zulian could put his hands on." It was during one of these excursions that he collected the well-known
1069:
426:
and a relief of
Mithras killing a bull. Zulian asked his friend Canova, whom he much helped in Rome, to restore the sculptures. Canova is known for his unavailability to restore sculptures, however, he made an exception for his friend the ambassador, and quickly answered that he would complete the
336:
In 1777, Zulian became ambassador to Rome. Shortly after, Canova moved there on a study trip financed by the state. Zulian took Canova under his patronage and protection, and significantly helped him in Rome, welcoming him as his guest and allowing him to turn some rooms of his palace into his
541:
Zulian, a man of fine taste and knowledgeable in the arts, put together a valuable collection of artworks, which he kept in Padua, his habitual city of residence. Among the most precious pieces of Zulian's collection, there were sculptures and rare carved gems, collected by him in Rome,
345:, it is to this statue and Zulian's trust in Canova that the beginning of the latter's glory might be ascribed. Canova had been criticized in Rome at first. However, Zulian decided not to listen to his first judge, and instead trusted the counsel of
1183:
M. De Paoli, Le gemme di
Girolamo Zulian, in L. Dolcini, B. Zanettin (a cura di), Cristalli e gemme. RealtĂ fisica e immaginario, simbologia, tecniche e arte, Catalogo della mostra (Venezia, Palazzo Loredan, 28 aprile-24 maggio 1999), Venezia 1999,
372:) while in Rome. He donated the original to the Padua Academy, which named him an honorary member, and to which he made other donations in the years, including an ancient tablet discovered by Fortis, which confirmed the existence of the cult of
1237:
352:
Zulian also gave Canova the marble block for the
Theseus. He left the choice of subject for this commission to Canova. It was Canova's friend Gavin Hamilton who suggested Theseus and the slaughtered Minotaur from
1177:
M. De Paoli, Il legato Zulian, 1795, in I. Favaretto, G. L. Ravagnan (a cura di), Lo
Statuario Pubblico della Serenissima. Due secoli di collezionismo di antichità 1596–1797, Cittadella (Padova) 1997, 282–298.
431:
Dopo pranso l'Ambasciatore mi mando' con Selva a vedere il pié che sta nel cortile per andare dal
Segretario perché lo vedessi, avendo piaccere che fosse accomodatto; io lo vidi e gli risposi che l'accomoderò.
1242:
245:
Zulian is said to have been an extremely clever man, who, for all being neither an artist nor a scholar, used his power and wealth to promote and protect the arts. Zulian went on to become
908:
Dizionario storico-portatile di tutte le venete patrizie famiglie: così di quelle, che rimaser'al serrar del
Maggior Consiglio, come di tutte le altre, che a questo furono aggregate
422:, to Venice a few years before 1785. Foreseeing the hard times which were to befall Venice, Zulian transferred three other important sculptures to Venice, that is the pair
804:
Elementi di agricoltura fisica e chimica del signor Johan
Gottschalk Wallerius, cavaliere del regio ordine di Wasa ... Traduzione dal francese del dottore Luigi Arduino .
399:
1180:
M. De Paoli, Antonio Canova e il «museo» Zulian. Vicende di una collezione veneziana della seconda metà del
Settecento, "Ricerche di Storia dell'Arte" 66 (1998), 19–36.
230:
Zulian was born in Venice, Republic of Venice, in 1730. He was born into an influential old
Venetian noble family, which built the Palazzo Zulian on Venice's
495:, and, according to other sources, it was presented to ambassador Zulian as a gift. The Cammeo achieved instant fame, and was described by art historians
242:(or Sts. Gervasius and Protasius), as specified in his will drawn up on August 2, 1794. Further, part of Zulian's art collection passed to the Priuli.
1227:
341:
from Canova, one of Canova's earliest works after settling in Rome. This sculpture greatly contributed to advance Canova's career. According to
1070:"Cammeo Zulian con la rappresentazione di Giove Egioco, II sec. d.C. Venezia, Polo Museale del Veneto, Museo Archeologico Nazionale di Venezia"
882:
1222:
1217:
1136:
890:
765:
727:
654:
627:
558:. His collection, bequeathed by him to the city of Venice, was spared auctioning and dispersion, a fate which befell most local collections.
484:
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338:
321:
204:
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207:
in 1781, while serving as ambassador to Rome. Zulian is credited as having played a fundamental role in Canova's rise to fame.
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82:
978:
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La storia del
Palazzo di Venezia dalle collezioni Barbo e Grimani a sede dell'ambasciata veneta e austriaca
361:
to him. The subject is also intended as an Enlightenment allegory of reason triumphing over irrationality.
500:
300:
514:
Even before coming back from Costantinople, Zulian was already planning to restore the house of the poet
1212:
1207:
1047:
1124:
Illuminismo e ilustraciĂłn le antichitĂ e i loro protagonisti in Spagna e in Italia nel XVIII secolo
1000:
526:
479:
841:
753:
471:
285:
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182:
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50:
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199:, he is best known for his leading art collection and for being one of the earliest patrons of
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761:
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650:
623:
615:
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377:
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I trionfi di Volpato il centrotavola del Museo di Bassano del Grappa e il biscuit neoclassico
831:
459:
365:
262:
342:
315:
252:
191:
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Guida per la cittĂ di Padova all'amico delle belle arti. [With plates and a map.]
1092:
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455:
385:
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280:
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Alcuni palazzi ed antichi edificii di Venezia storicamente illustrati con annotazioni
358:
196:
186:
926:
1093:"Il Museo della Biblioteca di San Marco nella tempesta: Venezia 1797 - Parigi 1815"
715:
Roman Art, Religion and Society New Studies from the Roman Art Seminar, Oxford 2005
646:
Roman Art, Religion and Society New Studies from the Roman Art Seminar, Oxford 2005
474:
231:
220:
75:
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La raccolta di antichitĂ di Girolamo Zulian. Una collezione neoclassica veneziana
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elected together with Lodovico Flangini and Alvise Elmo in 1774. Zulian was also
418:
Zulian, following the advice of Canova, transferred a well-known sculpture, the
239:
948:
Il Cricco Di Teodoro, Itinerario nell'arte, dall'etĂ dei lumi ai giorni nostri
543:
266:
178:
35:
547:
515:
290:
174:
54:
673:
Storia della letteratura italiana del cavaliere Giuseppe Maffei Volume 2
492:
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Teseo sul Minotauro di Antonio Canova: analisi completa della scultura
412:
330:
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23:
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507:, was commissioned by Zulian himself, and originally printed in
373:
354:
454:
and was shipping out to Costantinople, Zulian was followed by
1238:
Ambassadors of the Republic of Venice to the Ottoman Empire
392:
during his embassy in Rome, which he donated to his friend
676:. F. Le Monnier; National library of Florence. p.
203:, a great friend of his, from whom he commissioned the
1159:
Girolamo Zulian: the collection, the man and his world
1026:"Greek and Roman Sculptures in the Museo Archeologico"
554:
to the Turkish sovereign. Zulian died just before the
1243:
Ambassadors of the Republic of Venice to the Holy See
407:
brought by Zulian to Venice and restored by Canova,
234:
in the 17th century. Girolamo Zulian bequeathed the
148:
138:
128:
108:
103:
81:
71:
49:
21:
783:Fornarina giornale artistico letterario illustrato
458:, a prominent naturalist, the Neapolitan botanist
439:. Zulian donated them to the institution in 1795.
741:
739:
503:. Visconti's description, which appears in his
364:Zulian also commissioned a plan of Padua from
950:, 3ÂŞ ed., Bologna, Zanichelli, 2012, p. 1404.
927:"Theseus and the Minotaur by Canova, Antonio"
529:a part of his collection, which included his
289:. He later became Venetian ambassador to the
8:
525:Zulian died in 1795, leaving to the public
522:, although the project didn't materialize.
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427:restoration of the marbles. Canova wrote:
34:
18:
1127:. L'Erma di Bretschneider. 2003. p.
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337:studio. In 1781, Zulian commissioned the
1091:De Paoli, Marcella (22 November 2013).
746:Oscar Ganzina; Fabrizio Magani (2003).
567:
946:Giorgio Cricco, Francesco Di Teodoro,
611:La caduta della repubblica di Venezia
485:Venice National Archaeological Museum
437:Venice National Archaeological Museum
384:. Zulian also commissioned a bust of
349:, who had approved of Canova's work.
7:
807:appresso Andrea Foglierini. p.
691:Moschini, Giovanni Antonio (1817).
219:Façade of Palazzo Zulian Priuli on
1001:"Pianta di Padova (Plan of Padua)"
786:. Tip. Elzeviriana. 1882. p.
14:
1048:"Gruppo di gemme incise e cammei"
435:The sculptures are today in the
1228:18th-century Italian diplomats
409:National Archaeological Museum
1:
840:. Ithaca, New York: Filippi;
649:. Archaeopress. p. 181.
303:. Zulian was a Knight of the
1223:Republic of Venice diplomats
1218:18th-century Venetian people
1072:. Artribune. 14 January 2018
979:"La Grande Pianta di Padova"
965:, ArteWorld, 26 giugno 2015"
911:. Bettinelli. 1780. p.
1203:Republic of Venice nobility
1167:De Paoli, Marcella (2008).
967:(in Italian). 26 June 2015.
424:Teste di satiro e satiressa
279:(senior magistrate) of the
1269:
608:Dandolo, Girolamo (1855).
491:was probably recovered in
327:Victoria and Albert Museum
134:Venice, Republic of Venice
1156:Materassi, Luisa (2002).
670:Maffei, Giuseppe (1853).
464:Jean Baptiste LeChevalier
462:, and the French scholar
420:Mezzo piede di un Colosso
405:Mezzo piede di un Colosso
305:Order of the Golden Stole
156:
99:
88:
60:
45:
33:
718:. Archaeopress. p.
339:Theseus and the Minotaur
325:commissioned by Zulian,
322:Theseus and the Minotaur
205:Theseus and the Minotaur
1233:Baili of Constantinople
981:. leparolediminerva.com
801:Arduino, Luigi (1791).
83:Bailo of Constantinople
1097:La Rivista di Engramma
712:Henig, Martin (2006).
643:Henig, Martin (2006).
501:Ennio Quirino Visconti
433:
415:
333:
258:Correttori delle leggi
227:
961:"Dario Mastromattei,
550:, during his time as
537:The Zulian Collection
527:Library of Saint Mark
429:
402:
318:
218:
556:fall of the Republic
450:When he was elected
255:. He was one of the
170:(1730 – 1795) was a
1198:Italian art patrons
394:Pierantonio Serassi
286:Savio del Consiglio
248:Savio di Terraferma
192:Senatore Amplissimo
16:Venetian ambassador
1103:(111). engramma.it
1050:. restituzioni.com
842:Cornell University
754:Cornell University
416:
334:
293:, and later still
228:
195:. A member of the
183:patron of the arts
123:Republic of Venice
53:ambassador to the
1253:Ducal councillors
1138:978-88-8265-243-2
892:978-88-492-9366-1
832:Tassini, Giuseppe
767:978-88-8215-647-3
729:978-1-84171-791-3
656:978-1-84171-791-3
629:978-1-84171-791-3
616:Oxford University
390:Giuseppe Angelini
343:Giuseppe Tambroni
238:to the Priuli of
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1248:House of Zuliani
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881:. 2015. p.
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380:, and a bust of
370:Pianta di Padova
366:Giovanni Volpato
311:Patron of Canova
263:ducal councillor
104:Personal details
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168:Girolamo Zulian
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1105:. Retrieved
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1096:
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1074:. Retrieved
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1008:. Retrieved
995:
983:. Retrieved
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944:(in Italian)
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76:Paolo Renier
62:
1213:1795 deaths
1208:1730 births
752:. Filippi;
505:Opere varie
240:San Trovaso
139:Nationality
1192:Categories
844:. p.
756:. p.
697:. p.
618:. p.
562:References
544:Alexandria
267:Cannaregio
179:ambassador
1107:1 January
1076:1 January
1054:1 January
1032:1 January
1010:1 January
985:1 January
511:in 1793.
271:San Marco
211:Biography
164:Cavaliere
95:1783–1789
91:In office
67:1777–1783
63:In office
24:Cavaliere
834:(1879).
516:Petrarch
475:intaglio
347:Hamilton
291:Holy See
175:nobleman
172:Venetian
143:Venetian
55:Holy See
51:Venetian
1184:89–102.
1150:Sources
879:Gangemi
720:181–185
699:184–185
620:208–211
493:Ephesus
253:Senator
236:palazzo
72:Monarch
1135:
931:wga.hu
889:
764:
758:10; 40
726:
653:
626:
531:Cammeo
489:Cammeo
487:. The
413:Venice
378:Albano
331:London
283:, and
225:Venice
201:Canova
149:Spouse
119:Venice
883:60–61
552:bailo
520:ArquĂ
509:Padua
470:, an
452:bailo
388:from
296:bailo
276:Savio
1133:ISBN
1109:2021
1101:2013
1078:2021
1056:2021
1034:2021
1012:2021
987:2021
887:ISBN
762:ISBN
724:ISBN
651:ISBN
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