Giulia Frasi - Knowledge (XXG)

5058: 463: 5046: 365:(premièred in 1750 with Frasi being once again the principal soprano in a title role written specifically for her by Handel), act 2, scene 2 opens with "a plaintive symphony for flutes and strings establish the lonely despair of the character, and her dread for the violation of her chastity is sublimely expressed in 'With Darkness deep as is my Woe' – in the extraordinary key of F-sharp minor; pathos-generating rolling strings and almost unbearable uses of silence between phrases. After an interlude of 'soft Musick' the desperate woman prays effusively for divine deliverance in 'O that I on Wings cou'd rise'." 5136: 455: 5049:"At the Hospital. For the maintenance and education of exposed and deserted children in Lambs Conduit Fields, on day of 17 at o'clock there will be, performed in the chapel of the said hospital, a sacred oratorio called composed by George Frederick Handel, Esq. The gentlemen are desired to come without swords and the ladies without hoops. NB; there will be no collection. Tickets may be had of the steward at the Hospital, at Arthur's Chocolate House in St. James's Street, at Batson's Coffee House in Cornhill & at Tom's Coffee House in Devereux Court at half a Guinea each." 554: 579:(1789), Charles Burney remembers her at the beginning of her career as " young, and interesting in person, with a sweet and clear voice, and a smooth and chaste style of singing, which, though, cold and unimpassioned, pleased natural ears, and escaped the censure of critics." At the time the roles she sang were often of cold and unimpassioned characters, Burney, however, does not clarify "whether her 'cold' singing emerged from dramatic concerns, or whether her casting reflected the perception of her performance style" 5144:

for William Boyce at Hereford in 1756, then she performed for Arne, and so on. She gave regular concerts in Oxford too. She also continued to be part of the Covent Garden oratorio concerts given by Handel and, later, by John Christopher Smith and John Stanley. (The latter two would produce their own oratorios (or other works suitable for the occasion) whilst also putting together revivals of Handel's.) In fact, after Handel's death in 1759, Frasi continued as Prima Donna under his successors until about 1768.

66: 203: 5131:, or the Sacred Oratorio; together with select pieces between the Acts (as will be specified in the Bill of each Days Performance) by a numerous and excellent Band from London, Bath and other Places. The principal Vocal Parts by Signora Frasi, Miss Brent, Mess. Beard, Champnes, Wass and Hudson from London and Master Norris from Salisbury. Tickets are to be had at Mr. Cross's Music Shop and at the Coffee Houses; Price Five Shillings. 119: 675: 615:, was so successful that its virtuoso aria "Tremende oscuri atroci", was sung at concerts by Frasi for ten years, at least, after the run of the opera was over. This aria, written for the castrato Angelo Monticelli, is "ferociously difficult ... with virtuosic text-painting in the vocal line, rapid passagework and repeated notes that would have required honed technique and a soprano of light agility". 619: 250:. But Count St. Germain composed several new songs, particularly "Per pietà bell'idol mio", which was sung by Frasi, first woman, and encored every night. The rest of his airs, and two by Brivio, Frasi's master ..., were only remarkable for their insipidity. ... The success of this enterprize was inconsiderable, and the performances did not continue more than nine or ten nights. 2744:, 5 February, for the "Benefit Master Arne". "To be divided into three Interludes. After the first a new Concerto on the Organ composed by Arne performed by Master Arne. The second Interlude to conclude with a new Pastoral Scene, the Words selected from Shakespeare and composed by Mr Arne. After the third Interlude a Serenata set to music by Arne. Vocal Parts: Sga Frasi." 357:). To show off Frasi's expressiveness, in this aria, Handel uses rests between phrases (sighs), compound time and simple lines (tender tunes), broken lines and minor key (plaint and sorrows), echos etc. ("It was ... scene tailor-made for Frasi, who would sing it at her last appearance in aid of the Fund for Decay'd Musicians or Their Families .") 568:

Frasi's motivation regarding training: "When Frasi told him, that she should study hard; and was going to learn Thorough-Base, in order to accompany herself: Handel, who well knew how little this pleasing singer was addicted to application and diligence, says, 'Oh – vaat may we not expect!' " Nonetheless she did study under Handel – along with

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and Arne. Operas and oratorios on the London stage were a rather important part of her career but so was her music making in other occasions. She did have a non-negligeable place in London's community of musicians and participated in the cultural richness and musical diversity of London and Britain during the mid-Georgian era.

5277:. Ruby Hughes (soprano); Orchestra of the Age of Enlightenment, Laurence Cummings. (Chaconne Hybrid SACD, Chandos CHSA0403, 2018). This CD is a tribute to Frasi and includes 4 world première recordings of works by Ciampi, Hayes and Smith. There is a historical and musicological essay by David Vickers in the CD booklet. 5283:. Helen Sherman (soprano); The Mozartists, Ian Page. (Signum Classics, B07BF2482X, 2018). This CD offers a musical landscape of the London of the 1760s. The tracklist encompasses works by J. C. Bach, Abel, Pescetti, Perez, Rush and Bates, many of which are world première recordings. It also includes two arias from 346:(her first Handel oratorio). Handel takes her under his wing and she quickly becomes one of his favourites. "The subtle artistry and emotional depth of Handel's writing for Frasi" is a testament to how expressive her singing must have been and to how much Handel must have estimated this particular talent of hers. 5244:

The thirty-one-year career that Frasi enjoyed in London was broad and varied. She was Handel's last prima donna, but she also sang Gluck, the Venetian heritage style of Galuppi, the Neapolitans like Porpora, Pergolesi, Lampugnani, Hasse, Cocchi, and English composers, among which Boyce, Smith, Hayes

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However, inspired by her rare and particular talent in musical expressiveness, Handel composed for her music of overwhelming sensitivity and beauty. "Time and time again feel drawn to the empathetic temperament and lyrical ease of the vocal writing, embodied in the music Handel wrote for her." Her

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The great Opera-house being shut up this year on account of the rebellion, and popular prejudice against the performers, who being foreigners, were chiefly Roman Catholics; an opera was attempted April 7th, at the little theatre in the Hay-market, under the direction of Geminiani. ... The opera was

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Frasi's infamous profligacy inevitably caused problems when her vocal powers ran out. Her accumulated debts due to her expensive and extravagant lifestyle reduced her to poverty, so much so that, in her latest years, after her last documented concert at Hickford's Room on 16 May 1774, she allegedly

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had annual performances at the Foundling Hospital until Handel's death and beyond. Based on Frasi's professional relationship with Handel and her involvement in charity, she is likely to have taken part in most of them. Indeed, David Vickers states that "Frasi participated in all of Handel's annual

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This was rehearsed but eventually abandoned. Handel re-used the music in oratorios. It is plausible that Frasi was part of the cast as, by then, she was already Handel's favourite principal soprano. Moreover, Calliope's ode to sleep ("Gentle Morpheus") shows typical hallmarks of other "Handel/Frasi

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She had excellent reviews, especially in Salisbury, and was highly appreciated by the British public, whose preference yet was the nightingale singing of castrati rather than a voice whose abilities had nothing exceptional however delicate it was.Although it is to be noted that she did reprise some

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She was part of the London Stage for about 31 years in total. Aside from interpreting Handel's and other composers' music on stage, Frasi also continued to sing regularly in charity concerts; she also took part regularly in the annual Musicians Fund (and other) benefits, and sang at the Castle and

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Throughout the 1750s, "Frasi's concert repertoire stretched from Purcell to Terradellas." She was considered a paramount principal soprano in English oratorios or other works of the sort by Handel and by other composers. Frasi was at nine consecutive meetings of the Three Choirs Festival: she sang

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came to England, and had several works represented there, but he failed to gain public's recognition as an opera composer. He then devoted himself to teaching singing for fifteen years, which allowed him to accumulate considerable wealth. He also published music in London.. He left London in 1773.

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Frasi was endowed with a beautiful and robust soprano voice whose expressive qualities were greatly valued by Handel, much more than her technical ones. Indeed, allegedly, Frasi had a very limited interest in studying and practicing; Burney tells us an anecdote showing the composer's sarcasm about

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From 1745 to 1752 Frasi lived in Great Pulteney street, not far from Golden Square. Great Pulteney Street had just been laid out during the area's redevelopment in the early eighteenth century (Many of the houses built at this time still survive today). The street was never fashionable though, nor

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Signora Mingotti having acquainted Sig Vanneschi Yesterday Afternoon that she continues very much indisposed, and is not able to sing To morrow night, by which Reason the Opera called Ezio cannot be performed; instead thereof Sig. Vanneschi begs Leave to perform the Opera of Andromaca, in which

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A few years after her London début she is noticed by Handel, who, appreciating her singing, her determination to sing articulately in English and, above all, her musical expressiveness, hires her for his 1749 season. That same year she becomes his principal soprano and sings the title role in

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roles contain vivid scenes of emotional and spiritual drama; they depict suffering and distress along with courage, dignity, and selflessness, a whole palette of subtle and complex human emotions. The wonderful series of oratorio parts Handel composed for her, including the two Queens in

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As of 1749 Frasi sings in all of the Covent Garden concerts that Handel gave for the rest of his life and she remained Handel's Prima Donna in all his later seasons, creating and interpreting parts he often wrote specifically for her. Her greatest successes were Handel's oratorios.

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During the 1760s, Frasi continued to play a prominent part in the musical life of London. She seems to have transitioned smoothly to the new music style of the generation of composers younger than her; composers like Philip Hayes, who announce the advent of the Classical Era.

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wrote sarcastically: "Signora Frazi, who may be said, with respect to the musical world, to have been long since dead and buried, is expected to rise again in Lent" Vickers adds that "the soprano's comeback comprised a few scattered concerts at inauspicious venues".

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Ruby Hughes says of the roles written by Handel for Frasi that they "seem to engender a depth of female characterisation which may well have subverted the norm at a time". The soprano adds that she is "struck by the significance of considerable achievements."

311:– started as early as 1743. The earliest documented occasion (a fundraiser event) on which she performed English-language airs, including some by Handel, in public was as early as March 1746. Her charity fundraising also included benefactors such as the 5155:

of the King's Theatre and ailings often made her "indisposed". Frasi covered for her many a time, more often than not ending up taking over Mingotti's role for the rest of the performances as Regina Mingotti " not yet recovered of her indisposition".

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required Frasi to express innocence, culpability, pious sorrow and penitence when Eve faces the consequences of her new and inevitable mortality. The aria "It comes" is a showcase of Smith's and Frasi's abilities in conveying such emotions.

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is another example of virtuoso aria written for Frasi. Both arias are strongly influenced by the Neapolitan school, whose composers Frasi had sung earlier in her career. Burney also recorded that the 1742 London pasticcio, entitled

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On Wednesday the 3rd, Thursday the 4th and Friday the 5th of July, being the three Days following the Commemoration of Founders and Benefactors to the University, L'Allegro, il Penseroso, &c. Judas Macchabæus, and

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was originally a concise masque the score of which Arne expanded for the 1753 charitable concert. Notably, he added the aria "Gracious Heav'n, O hear me!" to act 2, scene 2, a piece composed specifically for Frasi.

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Many of Handel's oratorios had numerous revivals with her, including in provincial cities: Oxford in 1754, 1756, 1759, Salisbury in 1758, 1761, 1765, Ranelagh in 1751, 1752, and for nine consecutive years at the

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On a different note, Burney highlights that "having come to this country at an early period of her life, she pronounced our language in singing in a more articulate and intelligible manner than the natives".

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before 1730. She had a younger brother named Giovanni who, like her, settled in England and died there in 1795 at 65, after having worked extensively as a tailor-embroiderer for the then Prince of Wales,

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was director of Italian opera at the Haymarket Theatre whose purpose was to challenge Handel's solid hold on London opera goers. She studied under the English educator, musician and historian

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In total Frasi also participated in at least fourteen opera seasons at the King's Theatre between 1742 and 1761. In addition to which, during the 1754–1756 seasons, she regularly covered for

2609:. For Frasi Ciampi wrote the emotional aria "Oh Dio! Mancar mi sento" and added it to act 3, scene 7 of the London version. The opera ran for eight performances, concurrently with Handel's 5209:

Finally, in 1770 – after having been "confined for some Time by a bad State of Health" – she appeared again at the Little Theatre on 4 May for a charity concert to her own benefit singing

630:(act 1, scene 2). The passaggi battuti, cantar di sbalzo, mordenti, arpeggi etc. are hallmarks of castrato arias. (In the 1769 revival of Arne's opera, Frasi would have sung this aria.) 5241:

Frasi was not only able to quickly win over the London opera stage, but she had Handel's assent as well. She also gained the affection and became a favourite of the English public.

280:. Frasi, who had created the role of the giant Briareo for Gluck, was back on stage and continued her intense musical activity: first with a role in Gluck's second London opera ( 1654:

Lampugnani had to return to Italy, and he was replaced by Christoph Willibald Gluck who accepted the post at the musical director of the King's Theatre upon an invitation from

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by Thomas Arne and both are arias Frasi would have sung in the 1763 revival: act 1, scene 2: "Amid a thousand racking Woes" and act 1, scene 13: "O too lovely, too unkind".

4981:"By Permission of the Lord Chamberlain. Benefit for Sga Frasi. Boxes 10s. 6d. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. To begin at Twelve. Doors open at 11:00 a.m" 7150: 6553: 5225:. However, the organisation of the concert was plagued with difficulties which eventually lead her to give a "full-scale oratorio ... at the unsociable hour of noon." 6713: 1160:

pasticcio at the King's Theatre. In 1743 Lampugnani took the place of Galuppi as musical director of the King's Theater. On 15 November of the same year he produced,

5755: 5376: 5057: 1675:"Benefit Gluck, composer of the operas at the King's Opera House in the Haymarket ... With a Concerto upon a New Instrument of 26 Glasses. ... Song – Signora Frasi 1773:

The opera also consists largely of music from Gluck's earlier works, lack of time having forced him to this device. The opera did not meet with success either.

462: 5045: 1993:. "... The Music of the ... Pastoral is chiefly extracted from the Works of the most famous Italian Composers. ... with a new Concerto on the Fiolincello." 4620:

at the Foundling Hospital and at Covent Garden (the final performance of the work at which Handel was present: 6 April 1759, eight days before his death).

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Parts by many of the most excellent Performers of every Kind from London. Further particulars will be specified in the Bills of each Days Performance.

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21 March: Entertainment of Music at the King's Theatre for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families.

322: 1658:.The opera consists largely of music from Gluck's earlier works, lack of time having forced him to this device. The opera did not meet with success. 7170: 4024:

Grand Entertainment of Vocal and Instrumental Musick for the "Benefit and Increase of a Fund for Support of decay'd Musicians, or their Families."

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at the King's Theatre on 8, 12, 15, 19, 22, 26 and 29 November; 3, 6, 10, 13, 17, and 23 December. Recitatives in English and arias in Italian.

3638:"Entertainment of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families." 3240:"Entertainment of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families." 2866:"Entertainment of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families." 2482:"Entertainment of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families." 5776: 5397: 3963:, at the King's Theatre on 17 and 21 February, 6, 9, 13, 20, 23, 27 March and 6 April. Reprised again for benefits on 27, 29 April and 1 May 3501: 1655: 1536: 134: 2155:(4 March 1748), Frasi managed to squeeze in her fully fledged English oratorio debut for him between performances of a revival of Galuppi's 426:(1757) and the revivals of Handel's oratorios Belshazzar (1758), Jephtha (1758), Messiah (1758), Judas Maccabaeus (1759), and Thomas Arne's 218:

This was followed straight away by a period of intense artistic activity on the London stage, still at the King's Theater, singing works by

5476: 241:, all theatres in London were closed because of the political turmoil caused by the Stuart rising. Charles Burney thus recalls the events: 471:

was it identified with any trade or craft. Yet there was a large brewery and there were famous musical instrument makers as well: notably

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Concert of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."

7145: 277: 7110: 4911: 4432: 4268: 3009: 2872: 2667: 2598: 503: 149: 4999: 4976: 2936: 2768: 2741: 2370: 1990: 651:, are an indication of his regard for her expressive powers, though they are not technically arduous; their extreme compass is 20: 5135: 557:

The first two pages of "Gracious Heav'n, O hear me!", aria composed by Thomas Arne for Frasi and added to act 2, scene 2 of

5836:"The London Stage Database, 1660-1800 – Eighteenth Century Drama: Censorship, Society and the Stage – Adam Matthew Digital" 4930:, also known as "the second" Senesino. Frasi had seldom performed trouser roles since her formative early years in London. 3872:

at the king's theatre on 9, 13, 16, 20, 27, 30 December and on 3, 10, 13, 17, 20, 24, 27, 31 January and 3 and 7 February.

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at the Foundling Hospital. Handel was severely afflicted by the onset of blindness and he turned over the direction of the

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She moved to London in autumn 1742 – perhaps following Giuseppe Ferdinando Brivio – with her friend and fellow singer the

820: 498:'s future brother-in-law) for many years with her daughter (born in 1743). At the time, the City of Westminster had its 472: 219: 180: 2233:

Entertainment of Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."

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Entertainment of Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."

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offices at number 39. In 1740, No. 44 had become an apothecary's shop and was occupied until 1765 by the apothecary to

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However, just a couple of years after her arrival in the British capital, shortly after the première of the pasticcio

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at the Foundling Hospital. For this performance the transposed Guadagni arias were restored to the soprano voice.

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In addition, her association with the annual charity concerts in aid of the Fund for Decay'd – known today as the

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From 1764 onwards her public appearances became less frequent. In 1767 she appeared at London's Covent Garden in

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were interpreted the same evening (1 March 1751) with great success. The cast included her friend the soprano

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were interpreted the same evening (1 March 1751) with great success. The cast included her friend the soprano

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David Vickers explains that "when Handel needed to recruit a new principal soprano soloist for his revival of

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On Tuesday the 3rd of July (the Day of the Installation) will be performed, in the Theatre, the Oratorio of

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Signora Frasi will do the part of Signora Mingotti; and Signora Peralta is to do the part of Signora Frasi.

5123:; on Wednesday the 4th (the Day appointed for commemorating our Founders and Benefactors), the Oratorio of 5835: 4124: 3746: 3628:. Frasi is cast along with castrato Gaetano Guadagni, next to whom she had one of her greatest successes. 3616: 1887: 1812: 515: 491: 297: 39: 419: 254:

When the political situation improved fully-fledged theatrical activities recommenced with a première of

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Concert for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."

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Concert for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."

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for the 1753 revival of the work. The text at the top of the first page reads: "Sung by Signora Frasi"

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in 1754, 1758 and 1759. She was the highest paid singer at Handel's Foundling Hospital performances of

5583:(Chaconne Super Audio CD). Colchester, England: Finn S. Gundersen & Chandos Early Music. CHSA0403. 4271:

on 10, 14, 17, 21 and 28 January; 4, 11 and 18 February. Recitatives in English and arias in Italian.

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Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."

875: 3414: 2472:. (Handel composed new versions of "But who may abide" and "Thou art gone up on high" for Guadagni). 1510: 1005: 2606: 65: 5152: 3791: 3410: 3155: 2965: 2853: 2800: 2351: 2303: 2291: 789: 559: 327: 269: 223: 184: 152:. Her profile rising gradually within the company, she soon appears in secondary roles, including 118: 6298: 5672: 5222: 5202: 4892: 4335: 3119: 3047: 988: 585: 480: 378: 312: 273: 231: 5944: 5023: 3985:

at the king's theatre on 25, 29 May and 3, 12, 19 June, possibly covering for Regina Mingotti.

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Her actual London début took place on 2 November 1742 at the King's Theatre as Mahobeth in the

94:. She also performed there for a few years during the early 1740s making her operatic debut at 7106: 6666: 5772: 5768: 5393: 5389: 5271:

There are countless commercial recordings of Handel's works, including the ones sung by Frasi.

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is a "lively da capo aria di bravura." "Là per l'ombrosa sponda!", found in Vincenzo Ciampi's

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is another example of Smith showcasing Frasi's talent at expressing human feelings in music.

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There is very little biographical information about Giulia Frasi. She was born in or around

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She was paid 6 guineas, very high wages at the time, for the charity revivals of Handel's

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at the king's theatre, covering for Regina Mingotti and eventually taking over the role.

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at the King's Theatre, covering for Regina Mingotti and eventually taking over the role.

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at the king's theatre, covering for Regina Mingotti and eventually taking over the role.

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Three years later she appeared in a few concerts, making a new "come-back" about which

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Note that the table below is not exhaustive. Note also that the works/events listed in

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Metastasio, Pietro; Boldini, Giovanni; Lalli, Domenico; Hasse, Johann Adolf (1754).

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by Thomas Arne. The latter is her last known appearance on the stage in an opera.

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Hunter, David (2003). "Monsieur le Comte de Saint-Germain: The Great Pretender".

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pasticcio. According to David Hunter, the count contributed some of the songs to

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performances of Messiah, in the chapel of the Foundling Hospital (from 1750)."

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It was performed by the "Middlesex" opera company (named after Lord Middlesex)

2377:"Vocal Parts: Sga Frasi and Sga Galli. Harpsichord: Miss Cassandra Frederick, 590: 506:'s household. Many artists lived in Gerrard Street, for instance: the painter 153: 6688: 6508: 6484: 6460: 6436: 6412: 6388: 6316: 6208: 6135: 6062: 6533: 922: 841: 188: 173: 127: 84: 7076:

A biographical Dict. of actors, actress, musicians... in London, 1660–1800

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La Semiramide riconosciuta. Drama per musica pel Teatro di S.M.B. – London

34:) was born c. 1730 and died in 1772 or after May 1774. She was an Italian 5488: 4924: 325:, in aid of which she sang in a performance of Arne's revised version of 54: 43: 3935:, taking over Regina Mingotti's role due to the latter's indisposition. 593:. "Gracious Heav'n, O hear me!" composed by Arne for Frasi and added to 315:, where Handel held regular benefit concerts and annual performances of 144:

Her English career began shortly after her arrival, first performing in

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A General History of Music from the Earliest Ages to the Present Period

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Twelve-bar coloratura from "Amid a thousand racking woes", written for

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Metastasio, Pietro; Algarotti, Francesco; Hasse, Johann Adolf (1748).

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13 April: benefit concert for her friend and colleague Caterina Galli.

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at the King's Theatre, 12 March. Frasi sings two arias from Handel's

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The role interpreted by Frasi was originally created in 1762 by the

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Italian opera in Central Europe (La ópera italiana en Centroeuropa)

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at the King's Theatre, 6 April. Frasi sings three arias by Handel:

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Regina Mingotti: Diva and Impresario at the King's Theatre, London

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Zenobia, dramma per musica da representarsi nell'imperial Favorita

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Regina Mingotti: Diva and Impresario at the King's Theatre, London

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at the King's Theatre, 10 April. Frasi sings two arias by Ciampi:

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at the King's Theatre. a pasticcio with some new music by Galuppi

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on all but one of the Saturdays from 9 February to 20 April 1745.

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Parts by Signora Frasi, Mr. Beard, Mr. Wass, and others; and the

1926:"Lucius VERUS consist of celebrated Airs from Mr Handel's Operas" 695:

are documented; the ones not in bold are plausible suppositions.

409:(including première and creation of the principal soprano roles). 331:

organised at the King's Theatre on 12 May 1753, and many others.

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In her native Italy Frasi studied singing with Milanese composer

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Virtue Rewarded: Handel's Oratorios and the Culture of Sentiment

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Roxana; or, Alexander in India (Rossane o Alessandro Nell'Indie)

133:. In England she joined Lord Middlesex's Italian opera company. 5628:

The favourite songs in the opera call'd Artemene by Sigr. Gluck

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at the Foundling Hospital. Handel comes back at the direction.

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revival but première of the aria "Gracious Heav'n, O hear me!"

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The favourite songs in the opera call'd Artemene by Sigr. Gluck

2201:

at the King's Theatre, 5 April. Frasi sings two Handel arias:

418:

10 April: concert for the benefit of the five-year-old singer

187:

and Brivio. The latter's music will also be used in two other

38:

who was primarily active in London. She sang in every one of

5958:(3) – via International Society of Olympic Historians. 415:

6 April: puts on her own benefit concert at the New Theatre.

2594:

revival but première of the aria "Oh Dio! Mancar mi sento"

5878:"Gerrard Street Area: The Military Ground, Gerrard Street" 3709:

triple part of Dalila, the Philistine and Israelite woman

2238:

at the King's Theatre, 21 March. Frasi sings three arias:

2185:"New Songs- with alterations of Sga Cassarini, Sga Frasi." 4815:

was advertised in 1764 but seems to have been cancelled.

2670:. The opera was a failure and had only two performances. 402:(including première and creation of the role of Susanna). 156:(for example: Taxiles (1743) and Cleon (1747–8), both in 57:

for which the composer wrote roles specifically for her.

7098:. London: Royal Musical Association Monographs, Ashgate. 6770:. London: Royal Musical Association Monographs, Ashgate. 1390:

at the King's Theatre. 10 April. Frasi sings two arias:

6935:"London Stage Event: 02 February 1759 at Covent Garden" 6341:"London Stage Event: 28 January 1746 at King's Theatre" 6112:"London Stage Event: 03 January 1744 at King's Theatre" 5217:, playing first violin and solos, her singer colleague 466:

Former Westminster Penny Post offices at 39 Gerrard St.

458:

Georgian houses in Great Pulteney St. in today's London

377:

Twice weekly: noon concerts at Ranelagh with the tenor

7130:

A Textual and Historical Companion to Handel's Messiah

7091:(in English). Berlín: Berliner Wissenschafts / Verlag. 4197:"Alter'd from the Italian with several new Additions." 2968:

and perhaps Gaetano Guadagni in the part of Pleasure.

2856:

and perhaps Gaetano Guadagni in the part of Pleasure.

2379:"a child of five and a half years and a scholar of Mr 6959:"London Stage Event: 12 March 1761 at King's Theatre" 6911:"London Stage Event: 06 April 1758 at King's Theatre" 6782:"London Stage Event: 17 March 1755 at King's Theatre" 6642:"London Stage Event: 10 April 1750 at King's Theatre" 6618:"London Stage Event: 21 March 1749 at King's Theatre" 6594:"London Stage Event: 05 April 1748 at King's Theatre" 6570:"London Stage Event: 05 March 1748 at King's Theatre" 6185:"London Stage Event: 03 April 1744 at King's Theatre" 2506:

and she closes the concert with a duet from Handel's

6233:"London Stage Event: 10 April 1745 at Covent Garden" 321:

that continued until Handel's death and beyond, the

268:, a command from Lord Middlesex, with a libretto by 6365:"London Stage Event: 13 May 1746 at King's Theatre" 122:

The King's Theatre in Haymarket in the 18th-century

5929:. UC Berkeley Electronic Theses and Dissertations. 5196:She made her last appearances in 1769 in Handel's 373:Some of Frasi's engagements during the year 1749: 5581:Handel's last prima donna: Giulia Frasi in London 5275:Handel's Last Prima Donna: Giulia Frasi In London 4759:"Ye Sacred Priests... Farewell ye Limpid Springs" 4589:"Ye Sacred Priests... Farewell ye Limpid Springs" 4145:at Hereford Cathedral for Three Choirs Festival. 3245:at the King's Theatre, 28 February. Frasi sings: 678:First part of the emotional act 2I, scene 2 from 191:produced at the King's Theatre during the 1740s: 6715:Artaserse. Drama per musica pel Teatro di S.M.B. 6552:Metastasio, Pietro; Hasse, Johann Adolf (1748). 5099:will be performed in the Theatre. The principal 5734:A Textual and Historical Companion to Handel's 5151:. (Mingotti's fits of temper, antagonisms with 4943:Artabaces: Sga Frasi, Signora, Firt appearance; 4920:. A charity evening dedicated to the composer. 514:. The tavern at number 9 was the first home of 243: 7074:P. H. Highfill, K. A. Buenim, E. A. Langhans, 5860:"Brewer Street and Great Pulteney Street Area" 3643:at the King's Theatre, 17 March. Frasi sings: 7064:, Milano 1985, pp. 511 s., 536, 555, 560, 585 6535:Didone. Drama per musica pel Teatro di S.M.B. 4811:in Oxford. A projected London performance of 264:(The Fall of the Giants) on 17 January 1746. 8: 7082:Diz. enc. univ. della musica e dei musicisti 5972:Hughes, Ruby. "Foreword by the soloist". In 5673:"Christoph Willibald Gluck, German composer" 4669:"With several new Songs composed by Mr Arne" 195:, premièred on 12 December 1742 (and later, 160:, and the giant Briareus in the première of 583:castrati roles in revivals (for example in 7101:Pascual, Josep (2004). Ed. Robinbook, ed. 7078:, V, Carbondale, Illinoi, 1978, pp. 398 s. 6809:. Berlín: Berliner Wissenschafts / Verlag. 5840:www.eighteenthcenturydrama.amdigital.co.uk 5174:Swan concerts, at Ranelagh and elsewhere. 3799:Commercial failure, only two performances 1582:New opera at the King's Theatre, January. 572:– and benefited greatly from his tuition. 69:Milan in the 18th century, Palazzo Mannati 5696:helped London's orphans – and vice versa" 5655:. Oxford Publishing Company. p. 841. 5200:at the King's Theatre, and as Arbaces in 7151:18th-century Italian women opera singers 7125:. Ed. Lorenzo Francisco Mojados. Madrid. 7031:"Saturday 30 June 1759 – Advertisements" 7011:"Saturday 22 June 1754 – Advertisements" 6859:. Madrid: Ed. Lorenzo Francisco Mojados. 5643: 5641: 5639: 5637: 5594: 5592: 5590: 4123:at the Foundling Hospital, direction by 3026:See Hercules how smiles yon myrtle plain 1338:pasticcio at the King's Theatre, April. 697: 487:also lived there between 1747 and 1752. 6761: 6759: 6757: 6755: 6753: 6751: 6749: 6747: 6745: 5973: 5915: 5913: 5911: 5830: 5828: 5826: 5824: 5822: 5820: 5818: 5816: 5814: 5812: 5810: 5808: 5769:10.1093/gmo/9781561592630.article.10177 5390:10.1093/gmo/9781561592630.article.10170 5297: 2215:"The Prince unable to Conceal his Pain" 6980: 6978: 6836: 6834: 6743: 6741: 6739: 6737: 6735: 6733: 6731: 6729: 6727: 6725: 5938: 5936: 5909: 5907: 5905: 5903: 5901: 5899: 5897: 5895: 5893: 5891: 5806: 5804: 5802: 5800: 5798: 5796: 5794: 5792: 5790: 5788: 3597:L'allegro, il penseroso ed il moderato 3555:L'allegro, il penseroso ed il moderato 3519:L'allegro, il penseroso ed il moderato 3474:L'allegro, il penseroso ed il moderato 7071:, I, 1597–1940, Geneva 1955, col. 228 6844:. Könemann Verlagsgesellschaft. 1999. 6818: 6816: 6667:"CD Review – George Frideric Handel, 5967: 5965: 5727: 5725: 5723: 5721: 5719: 5717: 5715: 5713: 5711: 5574: 5572: 5570: 5568: 5566: 5564: 5562: 5560: 5558: 5556: 5554: 5552: 5550: 5548: 5546: 5544: 5542: 5540: 5538: 5536: 5534: 5532: 5530: 5528: 5526: 5524: 5522: 5520: 5518: 5465: 5463: 5461: 5459: 5457: 5455: 5453: 5451: 5449: 5447: 5445: 5443: 5441: 5439: 5437: 5435: 5433: 5431: 5429: 5366: 5364: 5362: 5360: 5358: 5356: 5354: 5352: 5350: 5348: 5230:The Morning Post and Daily Advertiser 5160:quotes the following newspaper clip: 5115:published the following advertising: 5090:published the following advertising: 4508:"With New Additions And Alterations." 4465:"With New Additions And Alterations." 782:Tito vespasiano o La clemenza di Tito 658:Following in Handel's steps, Smith's 7: 7103:Guía Universal de la Música Clásica. 5666: 5664: 5662: 5621: 5619: 5617: 5516: 5514: 5512: 5510: 5508: 5506: 5504: 5502: 5500: 5498: 5477:Dizionario Biografico degli Italiani 5427: 5425: 5423: 5421: 5419: 5417: 5415: 5413: 5411: 5409: 5346: 5344: 5342: 5340: 5338: 5336: 5334: 5332: 5330: 5328: 5309: 5307: 5305: 5303: 5301: 2342:at Covent Garden with the contralto 2249:Parto non ho costanza per rimirarti" 1262:at the King's Theater. Adapted from 398:10 February: production of Handel's 353:"Farewell, ye limpid springs" (from 6825:Guía Universal de la Música Clásica 5630:. London: I. Walsh. pp. 10–12. 5626:Gluck, Christoph Willibald (1746). 3745:hospital performance to his pupil, 3059:The Flocks shall leave the Mountain 479:, founder of the firm now known as 16:Italian soprano of the 18th century 4353:pasticcio, at the King's Theatre. 14: 7116:The New Grove Dictionary of Opera 5153:the director of the opera company 3927:at the King's Theatre in lieu of 3122:. This is Handel's last oratorio 3118:at Covent Garden. with the tenor 2256:O Sleep, why dost thou leave me?" 2205:"Heart thou Seat of soft Delight" 1924:pasticcio at the King's Theatre. 405:17 March: production of Handel's 199:, premièred on 9 February 1745). 5753:(2001). "Frederick, Cassandra". 5258:found herself forced to flee to 5040: 4029:at the King's Theatre, 5 April. 2638:at Covent Garden premiere, with 2515:"O fairest of ten thousand fair" 1877:Rossane o Alessandro Nelle Indie 1437:at the King's Theater. Based on 1192:at the King's Theater, January. 436:24 April: Mr Tozzi's concert at 6963:londonstagedatabase.uoregon.edu 6939:londonstagedatabase.uoregon.edu 6915:londonstagedatabase.uoregon.edu 6807:Italian opera in Central Europe 6786:londonstagedatabase.uoregon.edu 6646:londonstagedatabase.uoregon.edu 6622:londonstagedatabase.uoregon.edu 6598:londonstagedatabase.uoregon.edu 6574:londonstagedatabase.uoregon.edu 6369:londonstagedatabase.uoregon.edu 6345:londonstagedatabase.uoregon.edu 6237:londonstagedatabase.uoregon.edu 6189:londonstagedatabase.uoregon.edu 6116:londonstagedatabase.uoregon.edu 4204:Counsel (or Truth): Miss Young; 7171:Italian expatriates in England 2183:at the King's Theater, March. 206:Aria sung by Frasi in Gluck's 1: 7087:Bucciarelli, Melania (2006). 6805:Bucciarelli, Melania (2006). 5920:Lee, Jonathan Rhodes (2013). 5036:Second part and end of career 4180:The Triumph of Time and Truth 2241:"Scherza il nocchier talora" 682:, written by Handel for Frasi 424:The Triumph of Time and Truth 23:Giulia Frasi (source unknown) 6665:Morin, Alexander J. (1998). 5237:A significant musical figure 4940:Artaxerxes: Mrs Dorman, Mrs; 4910:organised by herself at the 3250:Non vi piacque ingiusti Dei" 1931:Berenice : Sga Casarini 1523:, an opera performed at the 272:, glorified the hero of the 7121:Metastasio, Pietro (1751). 6870:Metastasio, Pietro (1740). 6855:Metastasio, Pietro (1751). 5061:London's Foundling Hospital 4754:"Freely I to Heaven Resign" 4058:Titus Manlius: Sig Pazzagli 3595:revival on the same day as 3568:revival on the same day as 2601:, with the famous castrato 1946:Anicetus : Sig Ciacchi 1568:/ Il Trionfo Della Costazza 1563:Il Trionfo Della Continenza 1322:Aristodemo, tiranno di Cuma 98:(1740) and then singing in 7187: 6671:– Incidental Music HWV 45" 5952:Journal of Olympic History 5651:(1935) . F. Mercer (ed.). 5374:(2001). "Frasi , Giulia". 5262:where she died destitute. 4728:role creation shared with 4704:at the Foundling Hospital 4550:at the Foundling Hospital 4407:at the Foundling Hospital 3358:at the Foundling Hospital 3230:at the Foundling Hospital 3146:at the Foundling Hospital 2927:at the Foundling Hospital 2375:Benefit for Miss Frederick 1940:Vologesus : Sga Galli 309:Royal Society of Musicians 7146:Italian operatic sopranos 5041:Handel's last prima donna 4745: 4738: 4579:"He Shall Feed His Flock" 4557: 4481:Zebul : Mr Champness 4021: 3959:with additional arias by 3635: 3582:Ode for St. Cecilia's day 3570:Ode for St. Cecilia's day 3503:Ode for St. Cecilia's day 3490:Ode for St. Cecilia's day 3237: 3016:Caro sposo, amato oggetto 3012:, 29 March. Frasi sings: 3000: 2875:, 16 April. Frasi sings: 2863: 2479: 2361: 2230: 2193: 2111:Don Calascione (Gismondo) 1943:Flavius : Sga Sibila 1937:Lucius Verus: Sga Pircher 1910:Lucius Verus (Lucio Vero) 1665: 1382: 926:, at the King's Theater. 284:) and then with works by 7094:Burden, Michael (2013). 6766:Burden, Michael (2013). 4949:Mandane: Mrs Barthelemon 4918:Jermyn Lying-in Hospital 4061:Manlius: Sig Ricciarelli 3446:Artaserse: sga Passerini 3263:"Ti parli in seno amore" 2879:Infelice in van mi lagno 1934:Lucilla : Sga Frasi 577:General History of Music 323:Jermyn Lying-in Hospital 246:a pasticcio, and called 6823:Pascual, Josep (2004). 5761:Oxford University Press 5677:Encyclopædia Britannica 5579:Vickers, David (2018). 5382:Oxford University Press 4946:Semira: Mrs Scott, Mrs; 4478:Storage: Miss Frederick 4475:Hamor : Miss Young 4469:Jephtha : Mr Beard 4356:Solimano: Sig Pazzaglia 4055:at the King's Theatre. 3759:Joseph and his Brethren 3660:"Return O God of Hosts" 3648:Tremende oscuri atroci" 3443:at the King's Theatre. 3394:Admeto, re di Tessaglia 2084:Scitalce: sig Reginelli 2081:at the King's Theatre. 2034:at the King's Theatre. 1958:La ingratitudine punita 1553:at the King's Theater. 1405:Scherza Quest' Alma Mia 1092:at the King's Theater. 1024:at the King's Theater. 996:at the King's Theater. 844:at the King's Theatre. 508:Chevalier Andrea Casali 46:(with the exception of 7105:. 8496222098. p. 445. 6558:. London: G. Woodfall. 6541:. London: G. Woodfall. 5882:British History Online 5864:British History Online 5178:Progressive retirement 5167: 5140: 5133: 5109: 5062: 5050: 4521:Daniel: Miss Frederick 4278:Signora Colomba Mattei 4125:John Christopher Smith 4064:Servilia: Sga Mingotti 3747:John Christopher Smith 3452:Artabano: sig Albuzzio 3030:The Choice of Hercules 2954:The choice of Hercules 2938:The Choice of Hercules 2842:The choice of Hercules 2773:"Benefit Master Arne". 2771:, 5 February, for the 2754:The Judgement of Paris 2685:Prenesto: Sig Guadagni 2496:Oh dio mancar mi sento 2435:at Covent Garden with 2348:Henry Theodor Reinhold 2300:Henry Theodor Reinhold 2067:Semiramide riconsciuta 728:La Costanza in trionfo 683: 631: 564: 467: 459: 358: 252: 215: 123: 70: 24: 6990:London Stage Database 6890:London Stage Database 6261:London Stage Database 6164:London Stage Database 6091:London Stage Database 6042:London Stage Database 6017:London Stage Database 5690:Howell, Caro (2014). 5608:hemingways-studio.org 5470:Campi, Paola (1998). 5162: 5139:Regina Mingotti, 1745 5138: 5117: 5092: 5076:Three Choirs Festival 5060: 5048: 5002:.with the very young 4569:"Wise Men's Flattery" 4524:Gobrias: Mr Champness 4285:Signora Angola Calari 4226:Demetrio, re di Siria 3461:Megabise: sig Ranieri 3449:Mandane: sga Visconti 3176:New Haymarket Theatre 2895:Return O God of Hosts 2679:Turno: Sga Giacomazzi 2652:Il Trionfo di Camilla 2373:, 10 April, for the " 1637:La caduta de' giganti 1538:Alessandro nell'Indie 1407:" (from Lampugnani's 687:Repertoire and career 677: 639:, the title roles in 621: 604:Meraspe o L’Olimpiade 556: 518:, founded in 1764 by 465: 457: 352: 266:La caduta de' giganti 261:La caduta de' giganti 205: 166:La caduta de' giganti 121: 68: 61:Early life and career 22: 7057:, Torino 1914, p. 31 6827:. Ed. Robinbook, ed. 6718:London: G. Woodfall. 5943:Segrave, Jeffrey O. 5111:On 30 June 1759 the 5084:On 22 June 1754 the 4512:Belshazzar: Mr Beard 4299:Signora Giulia Frasi 3678:Ricimero, Re di Goti 3455:Arbace: sig Serafini 2682:Lavinia: Sga Mellini 2491:Infelice van milagno 2364:"A Concert of Music" 2090:Berenice: sga Pirker 2037:Didone: sga Casarini 2020:Didone (abbandonata) 2002:Alcasto: Sga Pircher 1996:Nerina: Sga Casarini 595:The Masque of Alfred 560:The Masque of Alfred 481:Broadwood & Sons 391:revival of Handel's 384:revival of Handel's 53:, including various 5988:"Risultati ricerca" 4515:Nitocris: Sga Frasi 4313:Signora Laura Rosa. 4213:Deceit: Sga Beralta 4073:Decius: Sga Mondini 3517:on the same day as 3488:on the same day as 3257:Siroe, re di Persia 3036:Se perde l'usignolo 2294:with the contralto 2099:Sibari: sga Sibilla 2093:Ircano: sig Ciacchi 2055:Osmida: sga Sibilla 2046:Emirena: sga Pirker 2040:Enea: sig Reginelli 2008:Idreno: Sig Ciacchi 1521:L'incostanza delusa 1500:L'incostanza delusa 1398:L'incostanza Delusa 917:pasticcio based on 699: 524:Dr. Samuel Johnson. 510:, or the architect 450:Addresses in London 420:Cassandra Frederick 248:L'incostanza delusa 239:L'incostanza delusa 197:L'incostanza delusa 7156:Singers from Milan 7084:, App., pp. 292 s. 6087:"15 November 1743" 6038:"04 December 1742" 6013:"02 November 1742" 5756:Grove Music Online 5377:Grove Music Online 5223:Jean-Pierre Duport 5188:Haberdashers' Hall 5141: 5063: 5051: 4934:Artabanes: Vernon; 4687:Pharoah's Daughter 4667:at Covent Garden, 4390:Pharoah's Daughter 4365:Osmino: Sga Galori 4362:Narsea: Sga Mattei 4359:Selim: Sig Potenza 4306:Salvadore Pazzagli 4210:Pleasure: Mr Beard 4201:Time: Mr Champness 4195:at Covent Garden. 4070:Lucius: Sga Mattei 4012:Drury Lane Theatre 3650:(from Pergolesi's 3626:Drury Lane Theatre 3341:Pharoah's Daughter 2777:Paris: Master Arne 2688:Mezio: Sga Moretti 2676:Latino: Sig Laschi 2673:Camilla: Sga Frasi 2325:Pharoah's Daughter 2049:Jarba: sig Ciacchi 1573:Quintus Flaminius 1268:, by P. A. Rolli. 698: 684: 632: 599:Trionfo di Camilla 565: 539:Foundling Hospital 490:Then she moved to 468: 460: 359: 313:Foundling Hospital 278:Duke of Cumberland 274:battle of Culloden 216: 124: 71: 25: 6886:"10 January 1758" 6283:The Musical Times 6160:"31 January 1744" 5778:978-1-56159-263-0 5399:978-1-56159-263-0 5127:; and on the 5th 5030: 5029: 4937:Rimenes: Raworth; 4518:Cyrus: Miss Young 4437:Gioacchino Cocchi 4371:Resteno: Sga Rosa 4292:Pasquale Portenza 4207:Beauty: Sga Frasi 4067:Sabina: Sga Frasi 4052:English première 3458:Semira: sga Frasi 3038:(from Jommelli's 2958:Alexander's feast 2846:Alexander's feast 2827:Alexander's Feast 2786:Pallas: Sga Galli 2569:at Covent Garden 2543:collaborations". 2510:, with Guadagni: 2219:Alexander's Feast 2096:Mirteo: sga Galli 2087:Tamiri: sga Frasi 2078:English première 2052:Araspe: sga Galli 2043:Selene: sga Frasi 1999:Silvia: Sga Frasi 1989:pasticcio at the 1613:Quintus Flaminius 1525:Haymarket Theatre 867:Caterina Visconti 860:Angelo Monticelli 763:Giovanni Colombri 718:Additional notes 369:1749, a busy year 335:Noticed by Handel 7178: 7118:, II, pp. 289 s. 7041: 7040: 7027: 7021: 7020: 7007: 7001: 7000: 6998: 6996: 6982: 6973: 6972: 6970: 6969: 6955: 6949: 6948: 6946: 6945: 6931: 6925: 6924: 6922: 6921: 6907: 6901: 6900: 6898: 6896: 6882: 6876: 6875: 6867: 6861: 6860: 6852: 6846: 6845: 6838: 6829: 6828: 6820: 6811: 6810: 6802: 6796: 6795: 6793: 6792: 6778: 6772: 6771: 6763: 6720: 6719: 6709: 6703: 6702: 6700: 6699: 6685: 6679: 6678: 6662: 6656: 6655: 6653: 6652: 6638: 6632: 6631: 6629: 6628: 6614: 6608: 6607: 6605: 6604: 6590: 6584: 6583: 6581: 6580: 6566: 6560: 6559: 6549: 6543: 6542: 6540: 6529: 6523: 6522: 6520: 6519: 6505: 6499: 6498: 6496: 6495: 6481: 6475: 6474: 6472: 6471: 6457: 6451: 6450: 6448: 6447: 6433: 6427: 6426: 6424: 6423: 6409: 6403: 6402: 6400: 6399: 6385: 6379: 6378: 6376: 6375: 6361: 6355: 6354: 6352: 6351: 6337: 6331: 6330: 6328: 6327: 6313: 6307: 6306: 6278: 6272: 6271: 6269: 6267: 6253: 6247: 6246: 6244: 6243: 6229: 6223: 6222: 6220: 6219: 6205: 6199: 6198: 6196: 6195: 6181: 6175: 6174: 6172: 6170: 6156: 6150: 6149: 6147: 6146: 6132: 6126: 6125: 6123: 6122: 6108: 6102: 6101: 6099: 6097: 6083: 6077: 6076: 6074: 6073: 6059: 6053: 6052: 6050: 6048: 6034: 6028: 6027: 6025: 6023: 6009: 6003: 6002: 6000: 5999: 5984: 5978: 5977: 5969: 5960: 5959: 5949: 5940: 5931: 5930: 5928: 5917: 5886: 5885: 5874: 5868: 5867: 5856: 5850: 5849: 5847: 5846: 5832: 5783: 5782: 5759:(8th ed.). 5747: 5741: 5740: 5729: 5706: 5705: 5687: 5681: 5680: 5671:Croll, Gerhard. 5668: 5657: 5656: 5645: 5632: 5631: 5623: 5612: 5611: 5596: 5585: 5584: 5576: 5493: 5492: 5486: 5484: 5467: 5404: 5403: 5380:(8th ed.). 5368: 5323: 5322: 5311: 5281:Mozart in London 5219:Gaetano Guadagni 5211:Judas Maccabaeus 5198:Judas Maccabaeus 4966:Israelite woman 4961:Judas Maccabaeus 4876:Israelite woman 4871:Judas Maccabaeus 4653:Alfred the Great 4635:Israelite woman 4630:Judas Maccabaeus 4472:Iphis: Sga Frasi 4368:Emira: Sga Frasi 3063:Acis and Galatea 3046:and a trio with 2889:Giovanni Chinzer 2783:Venus: Sga Frasi 2780:Mercury: Mr Lowe 2701:La Serva Padrona 2640:Gaetano Guadagni 2603:Gaetano Guadagni 2580:Adriano in Siria 2500:Adriano in Siria 2470:Gaetano Guadagni 2209:Acis and Galatea 2153:Judas Maccabaeus 2142:Israelite woman 2136:Judas Maccabaeus 2005:Tirsi: Sga Palli 1783:Anibale in Capua 884:Sga Giulia Frasi 876:Giovanna Contini 700: 361:For example, in 7186: 7185: 7181: 7180: 7179: 7177: 7176: 7175: 7136: 7135: 7069:Annals of Opera 7067:A. Loewenberg, 7053:E. Ferrettini, 7050: 7048:Further reading 7045: 7044: 7029: 7028: 7024: 7009: 7008: 7004: 6994: 6992: 6984: 6983: 6976: 6967: 6965: 6957: 6956: 6952: 6943: 6941: 6933: 6932: 6928: 6919: 6917: 6909: 6908: 6904: 6894: 6892: 6884: 6883: 6879: 6869: 6868: 6864: 6854: 6853: 6849: 6840: 6839: 6832: 6822: 6821: 6814: 6804: 6803: 6799: 6790: 6788: 6780: 6779: 6775: 6765: 6764: 6723: 6711: 6710: 6706: 6697: 6695: 6693:corago.unibo.it 6687: 6686: 6682: 6664: 6663: 6659: 6650: 6648: 6640: 6639: 6635: 6626: 6624: 6616: 6615: 6611: 6602: 6600: 6592: 6591: 6587: 6578: 6576: 6568: 6567: 6563: 6551: 6550: 6546: 6538: 6531: 6530: 6526: 6517: 6515: 6513:corago.unibo.it 6507: 6506: 6502: 6493: 6491: 6489:corago.unibo.it 6483: 6482: 6478: 6469: 6467: 6465:corago.unibo.it 6459: 6458: 6454: 6445: 6443: 6441:corago.unibo.it 6435: 6434: 6430: 6421: 6419: 6417:corago.unibo.it 6411: 6410: 6406: 6397: 6395: 6393:corago.unibo.it 6387: 6386: 6382: 6373: 6371: 6363: 6362: 6358: 6349: 6347: 6339: 6338: 6334: 6325: 6323: 6321:corago.unibo.it 6315: 6314: 6310: 6295:10.2307/3650726 6289:(1885): 40–44. 6280: 6279: 6275: 6265: 6263: 6257:"24 April 1744" 6255: 6254: 6250: 6241: 6239: 6231: 6230: 6226: 6217: 6215: 6213:corago.unibo.it 6207: 6206: 6202: 6193: 6191: 6183: 6182: 6178: 6168: 6166: 6158: 6157: 6153: 6144: 6142: 6140:corago.unibo.it 6134: 6133: 6129: 6120: 6118: 6110: 6109: 6105: 6095: 6093: 6085: 6084: 6080: 6071: 6069: 6067:corago.unibo.it 6061: 6060: 6056: 6046: 6044: 6036: 6035: 6031: 6021: 6019: 6011: 6010: 6006: 5997: 5995: 5986: 5985: 5981: 5971: 5970: 5963: 5947: 5942: 5941: 5934: 5926: 5919: 5918: 5889: 5876: 5875: 5871: 5858: 5857: 5853: 5844: 5842: 5834: 5833: 5786: 5779: 5749: 5748: 5744: 5731: 5730: 5709: 5689: 5688: 5684: 5670: 5669: 5660: 5649:Burney, Charles 5647: 5646: 5635: 5625: 5624: 5615: 5598: 5597: 5588: 5578: 5577: 5496: 5482: 5480: 5472:"Frasi, Giulia" 5469: 5468: 5407: 5400: 5370: 5369: 5326: 5313: 5312: 5299: 5294: 5268: 5255: 5239: 5180: 5149:Regina Mingotti 5043: 5038: 5032: 5024:Hickford's Room 4730:Charlotte Brent 4086:Israel in Egypt 3961:Felice Giardini 3662:(from Handel's 3415:Ottavio Albuzzi 3310:Alexander Balus 3061:(from Handel's 3028:(from Handel's 2897:(from Handel's 2885:Se vedi nascere 2258:(from Handel's 1396:(from Brevio's 689: 647:, and Iphis in 551: 531: 520:Joshua Reynolds 485:Michael Festing 452: 447: 438:Hickford's Room 371: 337: 210:, published in 116: 76: 63: 55:world premières 17: 12: 11: 5: 7184: 7182: 7174: 7173: 7168: 7163: 7158: 7153: 7148: 7138: 7137: 7134: 7133: 7126: 7119: 7113: 7099: 7092: 7085: 7079: 7072: 7065: 7058: 7049: 7046: 7043: 7042: 7036:Oxford Journal 7022: 7016:Oxford Journal 7002: 6974: 6950: 6926: 6902: 6877: 6862: 6847: 6830: 6812: 6797: 6773: 6721: 6704: 6680: 6657: 6633: 6609: 6585: 6561: 6544: 6524: 6500: 6476: 6452: 6428: 6404: 6380: 6356: 6332: 6308: 6273: 6248: 6224: 6200: 6176: 6151: 6127: 6103: 6078: 6054: 6029: 6004: 5979: 5974:Vickers (2018) 5961: 5932: 5887: 5869: 5851: 5784: 5777: 5742: 5707: 5692:"How Handel's 5682: 5658: 5633: 5613: 5604:"Giulia Frasi" 5586: 5494: 5405: 5398: 5324: 5319:Quell'Usignolo 5315:"Giulia Frasi" 5296: 5295: 5293: 5290: 5289: 5288: 5278: 5272: 5267: 5264: 5254: 5251: 5238: 5235: 5221:, and cellist 5179: 5176: 5158:Michael Burden 5113:Oxford Journal 5087:Oxford Journal 5081:For instance: 5042: 5039: 5037: 5034: 5028: 5027: 5020: 5018: 5016: 5014: 5012: 5008: 5007: 5000:Little Theatre 4996: 4994: 4992: 4990: 4988: 4984: 4983: 4977:Little Theatre 4973: 4970: 4967: 4964: 4957: 4953: 4952: 4951: 4950: 4947: 4944: 4941: 4938: 4935: 4916:in aid of the 4912:King's Theatre 4908: 4905: 4902: 4899: 4890: 4886: 4885: 4883: 4880: 4877: 4874: 4867: 4863: 4862: 4860: 4857: 4854: 4851: 4844: 4840: 4839: 4837: 4834: 4831: 4828: 4821: 4817: 4816: 4809: 4806: 4801: 4798: 4791: 4787: 4786: 4784: 4781: 4778: 4775: 4768: 4764: 4763: 4762: 4761: 4756: 4744: 4737: 4733: 4732: 4726: 4723: 4720: 4717: 4710: 4706: 4705: 4702: 4699: 4696: 4695: 4694: 4691: 4688: 4683: 4676: 4672: 4671: 4665: 4662: 4659: 4656: 4649: 4645: 4644: 4642: 4639: 4636: 4633: 4626: 4622: 4621: 4618: 4615: 4612: 4609: 4602: 4598: 4597: 4596: 4595: 4586: 4576: 4563: 4556: 4552: 4551: 4548: 4545: 4539: 4532: 4528: 4527: 4526: 4525: 4522: 4519: 4516: 4513: 4505: 4502: 4499: 4496: 4489: 4485: 4484: 4483: 4482: 4479: 4476: 4473: 4470: 4462: 4459: 4456: 4453: 4446: 4442: 4441: 4433:King's Theatre 4429: 4426: 4423: 4420: 4413: 4409: 4408: 4405: 4402: 4399: 4398: 4397: 4394: 4391: 4386: 4379: 4375: 4374: 4373: 4372: 4369: 4366: 4363: 4360: 4357: 4351: 4348: 4347: 4346: 4341: 4338: 4331: 4328: 4321: 4317: 4316: 4315: 4314: 4307: 4300: 4293: 4286: 4279: 4269:King's Theatre 4265: 4262: 4259: 4256: 4247: 4243: 4242: 4239: 4236: 4233: 4230: 4221: 4217: 4216: 4215: 4214: 4211: 4208: 4205: 4202: 4193: 4190: 4187: 4184: 4175: 4171: 4170: 4167: 4164: 4161: 4158: 4151: 4147: 4146: 4143: 4141: 4136: 4134: 4132: 4128: 4127: 4121: 4118: 4115: 4112: 4105: 4101: 4100: 4098: 4095: 4092: 4090: 4081: 4077: 4076: 4075: 4074: 4071: 4068: 4065: 4062: 4059: 4053: 4050: 4045: 4042: 4035: 4031: 4030: 4027: 4020: 4016: 4015: 4008: 4005: 4002: 4000: 3991: 3987: 3986: 3983: 3980: 3977: 3974: 3969: 3965: 3964: 3957: 3954: 3951: 3948: 3941: 3937: 3936: 3925: 3922: 3919: 3916: 3909: 3905: 3904: 3901: 3898: 3897: 3896: 3893: 3888: 3885: 3878: 3874: 3873: 3870: 3867: 3864: 3861: 3854: 3850: 3849: 3847: 3844: 3841: 3838: 3829: 3825: 3824: 3821: 3818: 3815: 3812: 3805: 3801: 3800: 3797: 3794: 3789: 3786: 3779: 3775: 3774: 3772: 3769: 3766: 3763: 3754: 3750: 3749: 3739: 3736: 3733: 3730: 3723: 3719: 3718: 3716: 3713: 3710: 3707: 3698: 3694: 3693: 3690: 3687: 3684: 3681: 3674: 3670: 3669: 3668: 3667: 3657: 3641: 3634: 3630: 3629: 3622: 3619: 3614: 3612: 3605: 3601: 3600: 3599:(21 February) 3593: 3590: 3587: 3585: 3578: 3574: 3573: 3572:(21 February) 3566: 3563: 3560: 3558: 3551: 3547: 3546: 3543: 3540: 3537: 3534: 3527: 3523: 3522: 3515: 3512: 3509: 3507: 3498: 3494: 3493: 3486: 3483: 3480: 3478: 3469: 3465: 3464: 3463: 3462: 3459: 3456: 3453: 3450: 3447: 3441: 3438: 3435: 3432: 3423: 3419: 3418: 3413:and the tenor 3407: 3404: 3401: 3398: 3389: 3385: 3384: 3382: 3379: 3376: 3373: 3364: 3360: 3359: 3356: 3353: 3350: 3349: 3348: 3345: 3342: 3337: 3330: 3326: 3325: 3323: 3320: 3317: 3314: 3305: 3301: 3300: 3297: 3294: 3291: 3288: 3281: 3277: 3276: 3275: 3274: 3260: 3243: 3236: 3232: 3231: 3228: 3225: 3222: 3219: 3212: 3208: 3207: 3205: 3202: 3199: 3196: 3189: 3185: 3184: 3172: 3169: 3164: 3161: 3152: 3148: 3147: 3144: 3141: 3138: 3135: 3128: 3124: 3123: 3116: 3113: 3110: 3107: 3098: 3094: 3093: 3091: 3088: 3085: 3082: 3073: 3069: 3068: 3067: 3066: 3044: 3043: 3033: 3023: 3010:King's Theatre 3006: 2999: 2995: 2994: 2992: 2989: 2986: 2983: 2974: 2970: 2969: 2962:Caterina Galli 2951: 2948: 2945: 2942: 2933: 2929: 2928: 2925: 2922: 2919: 2916: 2909: 2905: 2904: 2903: 2902: 2892: 2882: 2873:King's Theatre 2869: 2862: 2858: 2857: 2850:Caterina Galli 2839: 2836: 2833: 2831: 2822: 2818: 2817: 2815: 2812: 2809: 2806: 2797: 2793: 2792: 2791: 2790: 2789:Juno: Mrs Arne 2787: 2784: 2781: 2778: 2769:Little Theatre 2765: 2763: 2760: 2757: 2750: 2746: 2745: 2742:Little Theatre 2738: 2735: 2732: 2730: 2723: 2719: 2718: 2716: 2713: 2708: 2705: 2696: 2692: 2691: 2690: 2689: 2686: 2683: 2680: 2677: 2674: 2668:King's Theatre 2664: 2661: 2658: 2655: 2648: 2644: 2643: 2636: 2633: 2630: 2627: 2618: 2614: 2613: 2607:Filippo Laschi 2605:and the tenor 2599:King's Theatre 2595: 2592: 2587: 2584: 2575: 2571: 2570: 2567: 2564: 2561: 2558: 2549: 2545: 2544: 2540: 2537: 2534: 2531: 2524: 2520: 2519: 2518: 2517: 2504: 2503: 2493: 2485: 2478: 2474: 2473: 2466:Caterina Galli 2462: 2459: 2456: 2453: 2444: 2440: 2439: 2437:Caterina Galli 2433: 2430: 2427: 2424: 2415: 2411: 2410: 2408: 2405: 2402: 2399: 2390: 2386: 2385: 2371:Little Theatre 2367: 2360: 2356: 2355: 2350:and the tenor 2344:Caterina Galli 2340: 2337: 2334: 2333: 2332: 2329: 2326: 2321: 2312: 2308: 2307: 2302:and the tenor 2296:Caterina Galli 2288: 2285: 2282: 2279: 2270: 2266: 2265: 2264: 2263: 2252: 2245: 2236: 2229: 2225: 2224: 2223: 2222: 2212: 2199: 2192: 2188: 2187: 2181: 2178: 2175: 2172: 2165: 2161: 2160: 2149: 2146: 2143: 2140: 2131: 2127: 2126: 2124: 2121: 2116: 2114: 2107: 2103: 2102: 2101: 2100: 2097: 2094: 2091: 2088: 2085: 2079: 2076: 2073: 2070: 2063: 2059: 2058: 2057: 2056: 2053: 2050: 2047: 2044: 2041: 2038: 2032: 2029: 2026: 2023: 2016: 2012: 2011: 2010: 2009: 2006: 2003: 2000: 1997: 1991:Little Theatre 1987: 1984: 1983: 1982: 1979: 1976: 1970: 1969: 1964: 1961: 1954: 1950: 1949: 1948: 1947: 1944: 1941: 1938: 1935: 1932: 1922: 1919: 1916: 1913: 1906: 1902: 1901: 1898: 1895: 1894: 1893: 1890: 1883: 1880: 1873: 1869: 1868: 1866: 1863: 1860: 1857: 1850: 1846: 1845: 1843: 1840: 1835: 1832: 1825: 1821: 1820: 1818: 1815: 1810: 1807: 1800: 1796: 1795: 1793: 1790: 1788: 1786: 1779: 1775: 1774: 1771: 1768: 1763: 1760: 1753: 1749: 1748: 1747: 1746: 1739: 1732: 1725: 1718: 1711: 1701: 1698: 1695: 1692: 1685: 1681: 1680: 1671: 1664: 1660: 1659: 1656:Lord Middlesex 1652: 1649: 1644: 1641: 1632: 1628: 1627: 1626: 1625: 1618: 1611: 1604: 1597: 1590: 1580: 1577: 1574: 1571: 1559: 1555: 1554: 1551: 1548: 1545: 1542: 1533: 1529: 1528: 1517: 1514: 1506: 1503: 1496: 1492: 1491: 1490: 1489: 1482: 1475: 1468: 1461: 1454: 1435: 1432: 1429: 1426: 1419: 1415: 1414: 1413: 1412: 1401: 1388: 1381: 1377: 1376: 1375: 1374: 1367: 1360: 1353: 1346: 1336: 1333: 1328: 1325: 1318: 1314: 1313: 1312: 1311: 1304: 1297: 1290: 1283: 1276: 1265:As You Like It 1260: 1257: 1252: 1249: 1242: 1238: 1237: 1236: 1235: 1228: 1221: 1214: 1207: 1200: 1190: 1187: 1184: 1181: 1174: 1170: 1169: 1158: 1155: 1152: 1149: 1142: 1138: 1137: 1136: 1135: 1128: 1121: 1114: 1107: 1100: 1090: 1087: 1084: 1081: 1074: 1070: 1069: 1068: 1067: 1060: 1053: 1046: 1039: 1032: 1022: 1019: 1014: 1011: 1002: 998: 997: 994: 991: 986: 983: 976: 972: 971: 970: 969: 962: 955: 948: 941: 934: 915: 912: 911: 910: 907: 902: 899: 892: 888: 887: 886: 885: 878: 868: 861: 854: 839: 836: 835: 834: 831: 826: 823: 816: 813: 806: 802: 801: 795: 792: 787: 785: 778: 774: 773: 767: 765: 760: 758: 751: 747: 746: 740: 738: 733: 731: 724: 720: 719: 716: 713: 710: 707: 704: 688: 685: 570:Caterina Galli 550: 547: 530: 527: 496:Horace Walpole 492:Gerrard Street 451: 448: 446: 443: 442: 441: 434: 431: 416: 413: 410: 403: 396: 389: 382: 370: 367: 336: 333: 179:with music by 154:breeches roles 150:King's Theatre 139:Charles Burney 135:Lord Middlesex 131:Caterina Galli 115: 112: 75: 72: 62: 59: 15: 13: 10: 9: 6: 4: 3: 2: 7183: 7172: 7169: 7167: 7164: 7162: 7159: 7157: 7154: 7152: 7149: 7147: 7144: 7143: 7141: 7131: 7128:Shaw (1965). 7127: 7124: 7120: 7117: 7114: 7112: 7111:9788496222090 7108: 7104: 7100: 7097: 7093: 7090: 7086: 7083: 7080: 7077: 7073: 7070: 7066: 7063: 7059: 7056: 7052: 7051: 7047: 7038: 7037: 7032: 7026: 7023: 7018: 7017: 7012: 7006: 7003: 6991: 6987: 6986:"04 May 1770" 6981: 6979: 6975: 6964: 6960: 6954: 6951: 6940: 6936: 6930: 6927: 6916: 6912: 6906: 6903: 6891: 6887: 6881: 6878: 6873: 6866: 6863: 6858: 6851: 6848: 6843: 6837: 6835: 6831: 6826: 6819: 6817: 6813: 6808: 6801: 6798: 6787: 6783: 6777: 6774: 6769: 6762: 6760: 6758: 6756: 6754: 6752: 6750: 6748: 6746: 6744: 6742: 6740: 6738: 6736: 6734: 6732: 6730: 6728: 6726: 6722: 6717: 6716: 6708: 6705: 6694: 6690: 6684: 6681: 6676: 6672: 6670: 6661: 6658: 6647: 6643: 6637: 6634: 6623: 6619: 6613: 6610: 6599: 6595: 6589: 6586: 6575: 6571: 6565: 6562: 6557: 6556: 6548: 6545: 6537: 6536: 6528: 6525: 6514: 6510: 6504: 6501: 6490: 6486: 6480: 6477: 6466: 6462: 6456: 6453: 6442: 6438: 6432: 6429: 6418: 6414: 6408: 6405: 6394: 6390: 6384: 6381: 6370: 6366: 6360: 6357: 6346: 6342: 6336: 6333: 6322: 6318: 6312: 6309: 6304: 6300: 6296: 6292: 6288: 6284: 6277: 6274: 6262: 6258: 6252: 6249: 6238: 6234: 6228: 6225: 6214: 6210: 6204: 6201: 6190: 6186: 6180: 6177: 6165: 6161: 6155: 6152: 6141: 6137: 6131: 6128: 6117: 6113: 6107: 6104: 6092: 6088: 6082: 6079: 6068: 6064: 6058: 6055: 6043: 6039: 6033: 6030: 6018: 6014: 6008: 6005: 5993: 5989: 5983: 5980: 5975: 5968: 5966: 5962: 5957: 5953: 5946: 5939: 5937: 5933: 5925: 5924: 5916: 5914: 5912: 5910: 5908: 5906: 5904: 5902: 5900: 5898: 5896: 5894: 5892: 5888: 5883: 5879: 5873: 5870: 5865: 5861: 5855: 5852: 5841: 5837: 5831: 5829: 5827: 5825: 5823: 5821: 5819: 5817: 5815: 5813: 5811: 5809: 5807: 5805: 5803: 5801: 5799: 5797: 5795: 5793: 5791: 5789: 5785: 5780: 5774: 5770: 5766: 5762: 5758: 5757: 5752: 5746: 5743: 5738: 5735: 5732:Shaw (1965). 5728: 5726: 5724: 5722: 5720: 5718: 5716: 5714: 5712: 5708: 5703: 5702: 5697: 5695: 5686: 5683: 5678: 5674: 5667: 5665: 5663: 5659: 5654: 5650: 5644: 5642: 5640: 5638: 5634: 5629: 5622: 5620: 5618: 5614: 5609: 5605: 5601: 5595: 5593: 5591: 5587: 5582: 5575: 5573: 5571: 5569: 5567: 5565: 5563: 5561: 5559: 5557: 5555: 5553: 5551: 5549: 5547: 5545: 5543: 5541: 5539: 5537: 5535: 5533: 5531: 5529: 5527: 5525: 5523: 5521: 5519: 5517: 5515: 5513: 5511: 5509: 5507: 5505: 5503: 5501: 5499: 5495: 5490: 5479: 5478: 5473: 5466: 5464: 5462: 5460: 5458: 5456: 5454: 5452: 5450: 5448: 5446: 5444: 5442: 5440: 5438: 5436: 5434: 5432: 5430: 5428: 5426: 5424: 5422: 5420: 5418: 5416: 5414: 5412: 5410: 5406: 5401: 5395: 5391: 5387: 5383: 5379: 5378: 5373: 5367: 5365: 5363: 5361: 5359: 5357: 5355: 5353: 5351: 5349: 5347: 5345: 5343: 5341: 5339: 5337: 5335: 5333: 5331: 5329: 5325: 5320: 5316: 5310: 5308: 5306: 5304: 5302: 5298: 5291: 5286: 5282: 5279: 5276: 5273: 5270: 5269: 5265: 5263: 5261: 5252: 5250: 5246: 5242: 5236: 5234: 5231: 5226: 5224: 5220: 5216: 5212: 5207: 5205: 5204: 5199: 5194: 5193: 5189: 5185: 5177: 5175: 5171: 5166: 5161: 5159: 5154: 5150: 5145: 5137: 5132: 5130: 5126: 5122: 5116: 5114: 5108: 5106: 5102: 5098: 5091: 5089: 5088: 5082: 5079: 5077: 5071: 5068: 5059: 5055: 5047: 5035: 5033: 5025: 5021: 5019: 5017: 5015: 5013: 5010: 5009: 5005: 5004:Nancy Storace 5001: 4997: 4995: 4993: 4991: 4989: 4986: 4985: 4982: 4978: 4974: 4971: 4968: 4965: 4963: 4962: 4958: 4955: 4954: 4948: 4945: 4942: 4939: 4936: 4933: 4932: 4931: 4929: 4926: 4921: 4919: 4913: 4909: 4906: 4903: 4900: 4898: 4897: 4896: 4891: 4888: 4887: 4884: 4881: 4878: 4875: 4873: 4872: 4868: 4865: 4864: 4861: 4858: 4855: 4852: 4850: 4849: 4845: 4842: 4841: 4838: 4835: 4832: 4829: 4827: 4826: 4822: 4819: 4818: 4814: 4810: 4807: 4805: 4802: 4799: 4797: 4796: 4792: 4789: 4788: 4785: 4782: 4779: 4776: 4774: 4773: 4769: 4766: 4765: 4760: 4757: 4755: 4752: 4751: 4749: 4743: 4742: 4735: 4734: 4731: 4727: 4724: 4721: 4718: 4716: 4715: 4714:Paradise lost 4711: 4708: 4707: 4703: 4700: 4697: 4692: 4689: 4686: 4685: 4684: 4682: 4681: 4677: 4674: 4673: 4670: 4666: 4663: 4660: 4657: 4655: 4654: 4650: 4647: 4646: 4643: 4640: 4637: 4634: 4632: 4631: 4627: 4624: 4623: 4619: 4616: 4613: 4610: 4608: 4607: 4603: 4600: 4599: 4594: 4590: 4587: 4584: 4580: 4577: 4574: 4570: 4567: 4566: 4564: 4562: 4561: 4554: 4553: 4549: 4546: 4544: 4540: 4538: 4537: 4533: 4530: 4529: 4523: 4520: 4517: 4514: 4511: 4510: 4509: 4506: 4503: 4500: 4497: 4495: 4494: 4490: 4487: 4486: 4480: 4477: 4474: 4471: 4468: 4467: 4466: 4463: 4460: 4457: 4454: 4452: 4451: 4447: 4444: 4443: 4438: 4434: 4430: 4427: 4424: 4421: 4419: 4418: 4414: 4411: 4410: 4406: 4403: 4400: 4395: 4392: 4389: 4388: 4387: 4385: 4384: 4380: 4377: 4376: 4370: 4367: 4364: 4361: 4358: 4355: 4354: 4352: 4349: 4345: 4342: 4339: 4337: 4334: 4333: 4332: 4329: 4327: 4326: 4322: 4319: 4318: 4312: 4308: 4305: 4301: 4298: 4294: 4291: 4287: 4284: 4280: 4277: 4273: 4272: 4270: 4266: 4263: 4260: 4257: 4255: 4254: 4253: 4248: 4245: 4244: 4240: 4237: 4234: 4231: 4229: 4228: 4227: 4222: 4219: 4218: 4212: 4209: 4206: 4203: 4200: 4199: 4198: 4194: 4191: 4188: 4185: 4183: 4182: 4181: 4176: 4173: 4172: 4168: 4165: 4162: 4159: 4157: 4156: 4152: 4149: 4148: 4144: 4142: 4140: 4137: 4135: 4133: 4130: 4129: 4126: 4122: 4119: 4116: 4113: 4111: 4110: 4106: 4103: 4102: 4099: 4096: 4093: 4091: 4089: 4088: 4087: 4082: 4079: 4078: 4072: 4069: 4066: 4063: 4060: 4057: 4056: 4054: 4051: 4049: 4046: 4043: 4041: 4040: 4036: 4033: 4032: 4028: 4026: 4025: 4018: 4017: 4013: 4009: 4006: 4003: 4001: 3999: 3998: 3997: 3992: 3989: 3988: 3984: 3981: 3978: 3975: 3973: 3970: 3967: 3966: 3962: 3958: 3955: 3952: 3949: 3947: 3946: 3942: 3939: 3938: 3934: 3930: 3926: 3923: 3920: 3917: 3915: 3914: 3910: 3907: 3906: 3902: 3899: 3894: 3891: 3890: 3889: 3886: 3884: 3883: 3879: 3876: 3875: 3871: 3868: 3865: 3862: 3860: 3859: 3855: 3852: 3851: 3848: 3845: 3842: 3839: 3837: 3836: 3835: 3830: 3827: 3826: 3822: 3819: 3816: 3813: 3811: 3810: 3806: 3803: 3802: 3798: 3795: 3793: 3790: 3787: 3785: 3784: 3780: 3777: 3776: 3773: 3770: 3767: 3764: 3762: 3761: 3760: 3755: 3752: 3751: 3748: 3744: 3740: 3737: 3734: 3731: 3729: 3728: 3724: 3721: 3720: 3717: 3714: 3711: 3708: 3706: 3705: 3704: 3699: 3696: 3695: 3691: 3688: 3685: 3682: 3680: 3679: 3675: 3672: 3671: 3665: 3661: 3658: 3655: 3654: 3649: 3645: 3644: 3642: 3640: 3639: 3632: 3631: 3627: 3623: 3620: 3618: 3615: 3613: 3611: 3610: 3606: 3603: 3602: 3598: 3594: 3591: 3588: 3586: 3584: 3583: 3579: 3576: 3575: 3571: 3567: 3564: 3561: 3559: 3557: 3556: 3552: 3549: 3548: 3544: 3541: 3538: 3535: 3533: 3532: 3528: 3525: 3524: 3520: 3516: 3513: 3510: 3508: 3506: 3505: 3504: 3499: 3496: 3495: 3491: 3487: 3484: 3481: 3479: 3477: 3476: 3475: 3470: 3467: 3466: 3460: 3457: 3454: 3451: 3448: 3445: 3444: 3442: 3439: 3436: 3433: 3431: 3430: 3429: 3424: 3421: 3420: 3416: 3412: 3411:La Viscontina 3408: 3405: 3402: 3399: 3397: 3396: 3395: 3390: 3387: 3386: 3383: 3380: 3377: 3374: 3372: 3371: 3370: 3365: 3362: 3361: 3357: 3354: 3351: 3346: 3343: 3340: 3339: 3338: 3336: 3335: 3331: 3328: 3327: 3324: 3321: 3318: 3315: 3313: 3312: 3311: 3306: 3303: 3302: 3298: 3295: 3292: 3289: 3287: 3286: 3282: 3279: 3278: 3272: 3268: 3264: 3261: 3258: 3255: 3251: 3247: 3246: 3244: 3242: 3241: 3234: 3233: 3229: 3226: 3223: 3220: 3218: 3217: 3213: 3210: 3209: 3206: 3203: 3200: 3197: 3195: 3194: 3190: 3187: 3186: 3181: 3177: 3173: 3170: 3168: 3165: 3162: 3160: 3159: 3158: 3153: 3150: 3149: 3145: 3142: 3139: 3136: 3134: 3133: 3129: 3126: 3125: 3121: 3117: 3114: 3111: 3108: 3106: 3105: 3104: 3099: 3096: 3095: 3092: 3089: 3086: 3083: 3081: 3080: 3079: 3074: 3071: 3070: 3064: 3060: 3057: 3056: 3055: 3053: 3049: 3041: 3037: 3034: 3031: 3027: 3024: 3021: 3017: 3014: 3013: 3011: 3007: 3005: 3004: 2997: 2996: 2993: 2990: 2987: 2984: 2982: 2981: 2980: 2975: 2972: 2971: 2967: 2963: 2959: 2955: 2952: 2949: 2946: 2943: 2941: 2940: 2939: 2934: 2931: 2930: 2926: 2923: 2920: 2917: 2915: 2914: 2910: 2907: 2906: 2900: 2896: 2893: 2890: 2886: 2883: 2880: 2877: 2876: 2874: 2870: 2868: 2867: 2860: 2859: 2855: 2851: 2847: 2843: 2840: 2837: 2834: 2832: 2830: 2829: 2828: 2823: 2820: 2819: 2816: 2813: 2810: 2807: 2805: 2804: 2803: 2798: 2795: 2794: 2788: 2785: 2782: 2779: 2776: 2775: 2774: 2770: 2766: 2764: 2761: 2758: 2756: 2755: 2751: 2748: 2747: 2743: 2739: 2736: 2733: 2731: 2729: 2728: 2727:"A Pasticcio" 2724: 2721: 2720: 2717: 2714: 2712: 2709: 2706: 2704: 2703: 2702: 2697: 2694: 2693: 2687: 2684: 2681: 2678: 2675: 2672: 2671: 2669: 2665: 2662: 2659: 2656: 2654: 2653: 2649: 2646: 2645: 2641: 2637: 2634: 2631: 2628: 2626: 2625: 2624: 2619: 2616: 2615: 2612: 2608: 2604: 2600: 2596: 2593: 2591: 2588: 2585: 2583: 2582: 2581: 2576: 2573: 2572: 2568: 2565: 2562: 2559: 2557: 2556: 2555: 2550: 2547: 2546: 2541: 2538: 2535: 2532: 2530: 2529: 2525: 2522: 2521: 2516: 2513: 2512: 2511: 2509: 2501: 2497: 2494: 2492: 2489: 2488: 2486: 2484: 2483: 2476: 2475: 2471: 2467: 2463: 2460: 2457: 2454: 2452: 2451: 2450: 2445: 2442: 2441: 2438: 2434: 2431: 2428: 2425: 2423: 2422: 2421: 2416: 2413: 2412: 2409: 2406: 2403: 2400: 2398: 2397: 2396: 2391: 2388: 2387: 2384: 2382: 2376: 2372: 2368: 2366: 2365: 2358: 2357: 2353: 2349: 2345: 2341: 2338: 2335: 2330: 2327: 2324: 2323: 2322: 2320: 2319: 2318: 2313: 2310: 2309: 2305: 2301: 2297: 2293: 2292:Covent Garden 2289: 2286: 2283: 2280: 2278: 2277: 2276: 2271: 2268: 2267: 2261: 2257: 2253: 2250: 2246: 2244: 2240: 2239: 2237: 2235: 2234: 2227: 2226: 2220: 2216: 2213: 2210: 2206: 2203: 2202: 2200: 2198: 2197: 2190: 2189: 2186: 2182: 2179: 2176: 2173: 2171: 2170: 2166: 2163: 2162: 2158: 2154: 2150: 2147: 2144: 2141: 2139: 2138: 2137: 2132: 2129: 2128: 2125: 2122: 2120: 2117: 2115: 2113: 2112: 2108: 2105: 2104: 2098: 2095: 2092: 2089: 2086: 2083: 2082: 2080: 2077: 2074: 2071: 2069: 2068: 2064: 2061: 2060: 2054: 2051: 2048: 2045: 2042: 2039: 2036: 2035: 2033: 2030: 2027: 2024: 2022: 2021: 2017: 2014: 2013: 2007: 2004: 2001: 1998: 1995: 1994: 1992: 1988: 1985: 1980: 1977: 1975: 1972: 1971: 1967: 1966: 1965: 1962: 1960: 1959: 1955: 1952: 1951: 1945: 1942: 1939: 1936: 1933: 1930: 1929: 1927: 1923: 1920: 1917: 1914: 1912: 1911: 1907: 1904: 1903: 1899: 1896: 1891: 1889: 1886: 1885: 1884: 1881: 1879: 1878: 1874: 1871: 1870: 1867: 1864: 1861: 1858: 1856: 1855: 1851: 1848: 1847: 1844: 1841: 1839: 1836: 1833: 1831: 1830: 1826: 1823: 1822: 1819: 1816: 1814: 1811: 1808: 1806: 1805: 1801: 1798: 1797: 1794: 1791: 1789: 1787: 1785: 1784: 1780: 1777: 1776: 1772: 1769: 1767: 1764: 1761: 1759: 1758: 1754: 1751: 1750: 1744: 1740: 1737: 1733: 1730: 1726: 1723: 1719: 1716: 1712: 1709: 1705: 1704: 1702: 1699: 1696: 1693: 1691: 1690: 1686: 1683: 1682: 1679: 1678: 1672: 1670: 1669: 1662: 1661: 1657: 1653: 1650: 1648: 1645: 1642: 1640: 1639: 1638: 1633: 1630: 1629: 1623: 1619: 1616: 1612: 1609: 1605: 1602: 1598: 1595: 1591: 1588: 1584: 1583: 1581: 1578: 1575: 1572: 1570: 1569: 1565: 1564: 1560: 1557: 1556: 1552: 1549: 1546: 1543: 1541: 1540: 1539: 1534: 1531: 1530: 1526: 1522: 1518: 1515: 1513: 1512: 1511:Saint-Germain 1507: 1504: 1502: 1501: 1497: 1494: 1493: 1487: 1483: 1480: 1476: 1473: 1469: 1466: 1462: 1459: 1455: 1453:Siga Visconti 1452: 1448: 1447: 1446: 1444: 1440: 1436: 1433: 1430: 1427: 1425: 1424: 1420: 1417: 1416: 1410: 1406: 1402: 1399: 1395: 1392: 1391: 1389: 1387: 1386: 1379: 1378: 1372: 1368: 1365: 1361: 1358: 1354: 1351: 1347: 1344: 1340: 1339: 1337: 1334: 1332: 1329: 1326: 1324: 1323: 1319: 1316: 1315: 1309: 1305: 1302: 1298: 1295: 1291: 1288: 1284: 1281: 1277: 1275:Siga Visconti 1274: 1270: 1269: 1267: 1266: 1261: 1258: 1256: 1253: 1250: 1248: 1247: 1243: 1240: 1239: 1233: 1229: 1227:Siga Visconti 1226: 1222: 1219: 1215: 1212: 1208: 1205: 1201: 1198: 1194: 1193: 1191: 1188: 1185: 1182: 1180: 1179: 1175: 1172: 1171: 1167: 1163: 1159: 1156: 1153: 1150: 1148: 1147: 1143: 1140: 1139: 1133: 1129: 1126: 1122: 1119: 1115: 1112: 1108: 1106:Siga Visconti 1105: 1101: 1098: 1094: 1093: 1091: 1088: 1085: 1082: 1080: 1079: 1075: 1072: 1071: 1065: 1061: 1058: 1054: 1051: 1047: 1044: 1040: 1038:Siga Visconti 1037: 1033: 1030: 1026: 1025: 1023: 1020: 1018: 1015: 1012: 1010: 1009: 1008: 1003: 1000: 999: 995: 992: 990: 987: 984: 982: 981: 977: 974: 973: 967: 963: 960: 956: 953: 949: 946: 942: 940:Siga Visconti 939: 935: 932: 928: 927: 925: 924: 920: 916: 913: 908: 905: 904: 903: 900: 898: 897: 893: 890: 889: 883: 879: 877: 873: 869: 866: 862: 859: 855: 853: 850: 846: 845: 843: 840: 837: 832: 830: 827: 824: 822: 819: 818: 817: 814: 812: 811: 807: 804: 803: 799: 796: 793: 791: 788: 786: 784: 783: 779: 776: 775: 771: 768: 766: 764: 761: 759: 757: 756: 752: 749: 748: 744: 741: 739: 737: 734: 732: 730: 729: 725: 722: 721: 717: 714: 711: 708: 705: 702: 701: 696: 694: 686: 681: 676: 672: 668: 666: 661: 660:Paradise Lost 656: 654: 650: 646: 642: 638: 629: 625: 620: 616: 614: 613: 609: 605: 600: 596: 592: 588: 587: 580: 578: 573: 571: 562: 561: 555: 548: 546: 544: 540: 536: 528: 526: 525: 521: 517: 513: 509: 505: 501: 497: 493: 488: 486: 482: 478: 474: 464: 456: 449: 444: 439: 435: 432: 429: 425: 421: 417: 414: 411: 408: 404: 401: 397: 394: 390: 387: 383: 380: 376: 375: 374: 368: 366: 364: 356: 351: 347: 345: 344: 334: 332: 330: 329: 324: 320: 319: 314: 310: 305: 303: 299: 295: 291: 287: 283: 279: 275: 271: 267: 263: 262: 257: 251: 249: 242: 240: 235: 233: 229: 225: 221: 213: 209: 204: 200: 198: 194: 190: 186: 182: 178: 175: 170: 168: 167: 163: 159: 155: 151: 148:roles at the 147: 142: 140: 136: 132: 129: 120: 113: 111: 109: 105: 101: 97: 93: 88: 86: 81: 73: 67: 60: 58: 56: 52: 50: 45: 41: 37: 33: 29: 21: 7166:1770s deaths 7161:1730s births 7129: 7122: 7115: 7102: 7095: 7088: 7081: 7075: 7068: 7061: 7060:P. H. Lang, 7054: 7034: 7025: 7014: 7005: 6993:. Retrieved 6989: 6966:. Retrieved 6962: 6953: 6942:. Retrieved 6938: 6929: 6918:. Retrieved 6914: 6905: 6893:. Retrieved 6889: 6880: 6871: 6865: 6856: 6850: 6841: 6824: 6806: 6800: 6789:. Retrieved 6785: 6776: 6767: 6714: 6707: 6696:. Retrieved 6692: 6683: 6675:ClassicalNet 6674: 6668: 6660: 6649:. Retrieved 6645: 6636: 6625:. Retrieved 6621: 6612: 6601:. Retrieved 6597: 6588: 6577:. Retrieved 6573: 6564: 6554: 6547: 6534: 6527: 6516:. Retrieved 6512: 6503: 6492:. Retrieved 6488: 6479: 6468:. Retrieved 6464: 6455: 6444:. Retrieved 6440: 6431: 6420:. Retrieved 6416: 6407: 6396:. Retrieved 6392: 6383: 6372:. Retrieved 6368: 6359: 6348:. Retrieved 6344: 6335: 6324:. Retrieved 6320: 6311: 6286: 6282: 6276: 6264:. Retrieved 6260: 6251: 6240:. Retrieved 6236: 6227: 6216:. Retrieved 6212: 6203: 6192:. Retrieved 6188: 6179: 6167:. Retrieved 6163: 6154: 6143:. Retrieved 6139: 6130: 6119:. Retrieved 6115: 6106: 6094:. Retrieved 6090: 6081: 6070:. Retrieved 6066: 6057: 6045:. Retrieved 6041: 6032: 6020:. Retrieved 6016: 6007: 5996:. Retrieved 5994:(in Italian) 5991: 5982: 5955: 5951: 5922: 5881: 5872: 5863: 5854: 5843:. Retrieved 5839: 5754: 5751:Winton, Dean 5745: 5737: 5733: 5701:The Guardian 5699: 5693: 5685: 5676: 5652: 5627: 5607: 5580: 5487:– via 5481:. Retrieved 5475: 5375: 5372:Dean, Winton 5318: 5284: 5280: 5274: 5256: 5247: 5243: 5240: 5229: 5227: 5210: 5208: 5201: 5197: 5195: 5191: 5183: 5181: 5172: 5168: 5163: 5146: 5142: 5128: 5124: 5120: 5118: 5112: 5110: 5105:Instrumental 5104: 5100: 5096: 5093: 5085: 5083: 5080: 5072: 5066: 5064: 5052: 5031: 4980: 4960: 4959: 4922: 4915: 4894: 4893: 4870: 4869: 4847: 4846: 4824: 4823: 4812: 4794: 4793: 4771: 4770: 4758: 4753: 4747: 4740: 4739: 4713: 4712: 4693:First Harlot 4679: 4678: 4668: 4652: 4651: 4629: 4628: 4605: 4604: 4592: 4588: 4582: 4578: 4572: 4568: 4559: 4558: 4542: 4535: 4534: 4507: 4492: 4491: 4464: 4449: 4448: 4416: 4415: 4396:First Harlot 4382: 4381: 4324: 4323: 4310: 4303: 4296: 4289: 4282: 4275: 4250: 4249: 4224: 4223: 4196: 4178: 4177: 4154: 4153: 4108: 4107: 4084: 4083: 4038: 4037: 4023: 4022: 3995: 3993: 3971: 3944: 3943: 3933:Davide Perez 3928: 3912: 3911: 3881: 3880: 3857: 3856: 3833: 3831: 3808: 3807: 3782: 3781: 3757: 3756: 3742: 3726: 3725: 3702: 3700: 3677: 3676: 3663: 3659: 3651: 3647: 3637: 3636: 3608: 3607: 3596: 3581: 3580: 3569: 3554: 3553: 3530: 3529: 3518: 3502: 3500: 3489: 3473: 3471: 3427: 3426: 3392: 3391: 3368: 3366: 3347:First Harlot 3333: 3332: 3308: 3307: 3284: 3283: 3270: 3262: 3256: 3249: 3239: 3238: 3215: 3214: 3192: 3191: 3179: 3156: 3154: 3131: 3130: 3102: 3100: 3077: 3075: 3062: 3058: 3045: 3039: 3035: 3029: 3025: 3015: 3002: 3001: 2978: 2976: 2964:, the tenor 2957: 2953: 2937: 2935: 2912: 2911: 2898: 2894: 2884: 2878: 2865: 2864: 2852:, the tenor 2845: 2841: 2826: 2824: 2801: 2799: 2772: 2753: 2752: 2726: 2725: 2700: 2698: 2651: 2650: 2622: 2620: 2610: 2578: 2577: 2553: 2551: 2526: 2514: 2507: 2505: 2499: 2495: 2490: 2481: 2480: 2448: 2446: 2419: 2417: 2394: 2392: 2378: 2374: 2363: 2362: 2331:First Harlot 2316: 2314: 2274: 2272: 2259: 2255: 2248: 2242: 2232: 2231: 2218: 2214: 2208: 2204: 2195: 2194: 2184: 2168: 2167: 2156: 2152: 2134: 2133: 2110: 2109: 2066: 2065: 2019: 2018: 1957: 1956: 1925: 1909: 1908: 1876: 1875: 1862:Terradellas 1854:Bellerofonte 1853: 1852: 1828: 1827: 1803: 1802: 1782: 1781: 1756: 1755: 1742: 1735: 1731:Sga Pompeati 1728: 1721: 1714: 1707: 1688: 1687: 1676: 1674: 1667: 1666: 1635: 1634: 1621: 1614: 1607: 1603:Sga Pompeati 1600: 1593: 1586: 1567: 1566: 1562: 1561: 1537: 1535: 1520: 1509: 1499: 1498: 1485: 1481:Siga Caselli 1478: 1471: 1467:Siga Mancini 1464: 1457: 1450: 1441: 1439:Metastasio's 1422: 1421: 1408: 1404: 1397: 1393: 1384: 1383: 1370: 1363: 1356: 1352:Rosa Mancini 1349: 1345:Sga Visconti 1342: 1321: 1320: 1307: 1303:Siga Caselli 1300: 1293: 1286: 1282:Siga Mancini 1279: 1272: 1263: 1245: 1244: 1231: 1224: 1217: 1210: 1206:Rosa Mancini 1203: 1196: 1177: 1176: 1165: 1161: 1145: 1144: 1134:Siga Contini 1131: 1124: 1117: 1110: 1103: 1096: 1077: 1076: 1066:Siga Contini 1063: 1056: 1049: 1042: 1035: 1028: 1027:Themistocles 1006: 1004: 979: 978: 968:Siga Contini 965: 958: 951: 944: 937: 930: 921: 895: 894: 881: 871: 864: 857: 848: 809: 808: 781: 780: 754: 753: 727: 726: 712:Composer(s) 692: 690: 679: 669: 664: 659: 657: 648: 644: 640: 636: 633: 627: 626:, in Arne's 610: 603: 598: 594: 584: 581: 576: 574: 566: 558: 542: 534: 532: 512:John Crunden 489: 477:Burkat Shudi 469: 445:Private life 427: 423: 406: 399: 392: 385: 372: 362: 360: 354: 341: 338: 326: 316: 306: 304:and others. 281: 265: 259: 253: 247: 244: 238: 236: 217: 211: 207: 196: 192: 176: 171: 164: 157: 143: 125: 106:(1741), and 89: 77: 47: 31: 28:Giulia Frasi 27: 26: 7055:C. W. Gluck 5600:Winton Dean 5266:Discography 5078:(1756–64). 4987:April 1774 4800:Parthenope 4039:Tito Manlio 3979:Lampugnani 3976:Ipermestra 3945:L'Olimpiade 3882:L'Olimpiade 3653:L'Olimpiade 3609:The Fairies 3539:Lampugnani 3536:Ipermestra 2966:Thomas Lowe 2881:(by Ciampi) 2854:Thomas Lowe 2352:Thomas Lowe 2346:, the bass 2304:Thomas Lowe 2298:, the bass 1813:Terradellas 1668:"A Concert" 1547:Lampugnani 1431:Lampugnani 1394:"Per Pietà" 1369:Ippomedonte 1366:Sga Caselli 1234:Sga Caselli 1186:Lampugnani 1154:Lampugnani 770:Alessandria 612:L'Olimpiade 608:Pergolesi’s 606:, based on 591:coloraturas 483:. Composer 298:Terradellas 146:comprimario 100:Alessandria 7140:Categories 6968:2023-03-05 6944:2023-03-05 6920:2023-03-05 6791:2023-03-05 6698:2023-03-06 6651:2023-03-06 6627:2023-03-06 6603:2023-03-06 6579:2023-03-06 6518:2023-03-06 6494:2023-03-06 6470:2023-03-06 6446:2023-03-06 6422:2023-03-06 6398:2023-03-06 6374:2023-03-06 6350:2023-03-06 6326:2023-03-06 6242:2023-03-06 6218:2023-03-06 6194:2023-03-06 6145:2023-03-06 6121:2023-03-06 6072:2023-03-06 5998:2023-03-06 5845:2023-03-07 5285:Artaxerxes 5203:Artaxerxes 5065:From 1750 4895:Artaxerxes 4813:Telemachus 4795:Telemachus 4573:Belshazzar 4493:Belshazzar 4435:. In 1757 3972:Ipermestra 3918:Andromaca 3903:pasticcio 3858:Demofoonte 3814:Andromaca 3683:Ernelinda 3531:Ipermestra 3316:Cleopatra 3120:John Beard 3040:Cajo Mario 2802:Belshazzar 2251:by Galuppi 1981:Lampugnani 1900:pasticcio 1892:Lampugnani 1724:Monticelli 1694:Clearchus 1589:Monticelli 1488:Fratesanti 1474:Siga Frasi 1460:Monticelli 1373:Fratesanti 1310:Fratesanti 1296:Siga Frasi 1289:Monticelli 1220:Siga Frasi 1213:Fratesanti 1199:Monticelli 1166:Alessandro 1127:Siga Galli 1120:Monticelli 1113:Siga Frasi 1059:Siga Galli 1055:Lisimachus 1052:Monticelli 1045:Siga Frasi 1007:Temistocle 961:Siga Galli 954:Monticelli 947:Siga Frasi 929:Dorimaspes 821:Lampugnani 755:Il Bajazet 628:Artaxerxes 586:Artaxerxes 504:George III 500:Penny Post 379:John Beard 220:Lampugnani 189:pasticcios 181:Lampugnani 169:in 1746). 5011:May 1774 4808:première 4783:première 4725:première 4593:Jephtha). 4498:Nitocris 4428:première 4422:Issipile 4350:première 4281:Radamisto 4264:première 4192:première 4007:première 3921:Jommelli 3913:Andromaca 3900:première 3895:Pergolesi 3866:Jommelli 3840:Josabeth 3817:Jommelli 3809:Andromaca 3783:Andromaca 3621:première 3521:(23 May) 3492:(23 May) 3428:Artaserse 3400:Antigona 3254:Mazzoni's 3198:Costanza 3115:première 2950:première 2944:Pleasure 2808:Nitocris 2737:première 2711:Pergolesi 2663:première 2635:première 2629:Theodora 2533:Calliope 2339:première 2287:première 2174:Costanza 1986:première 1978:Pergolesi 1974:Paganelli 1921:première 1865:première 1842:première 1817:première 1804:Mitridate 1792:première 1770:première 1745:Sga Frasi 1741:Clearchus 1734:Alexander 1720:Demetrius 1700:première 1651:première 1617:Sga Frasi 1606:Indibilis 1599:Eriphilis 1579:première 1544:Timagene 1516:première 1434:première 1359:Sga Frasi 1341:Senocrita 1335:première 1327:Timotele 1306:Selvaggio 1285:Constante 1271:Rosalinda 1259:première 1246:Rosalinda 1223:Ermesenda 1189:première 1157:première 1099:Amorevoli 1089:première 1031:Amorevoli 1021:première 993:première 985:Costanza 933:Amorevoli 923:Artaserse 914:première 856:Cosrovius 852:Amorevoli 842:pasticcio 838:première 815:Mahobeth 715:Premiere 286:Capranica 270:Vanneschi 258:'s opera 174:pasticcio 128:contralto 85:George IV 44:oratorios 7123:Demetrio 6857:Demetrio 6689:"Corago" 6509:"Corago" 6485:"Corago" 6461:"Corago" 6437:"Corago" 6413:"Corago" 6389:"Corago" 6317:"Corago" 6209:"Corago" 6136:"Corago" 6063:"Corago" 5992:OPAC SBN 5489:Treccani 5483:28 March 5215:Giardini 5192:Messiah. 4972:revival 4928:Tenducci 4925:castrato 4907:revival 4901:Arbaces 4882:revival 4859:revival 4853:soprano 4836:revival 4777:Rebecca 4701:revival 4664:revival 4658:Eltruda 4641:revival 4617:revival 4611:soprano 4547:revival 4541:soprano 4504:revival 4461:revival 4417:Issipile 4404:revival 4325:Solimano 4288:Tiridate 4238:revival 4232:Barsene 4166:revival 4160:soprano 4120:revival 4114:soprano 4097:revival 3982:revival 3956:revival 3953:Galuppi 3924:revival 3869:revival 3846:revival 3820:revival 3796:revival 3792:Jommelli 3788:Ermione 3771:revival 3765:Asenath 3738:revival 3732:soprano 3715:revival 3689:revival 3686:Galuppi 3592:revival 3565:revival 3542:revival 3514:revival 3485:revival 3440:revival 3406:revival 3381:revival 3375:Deborah 3355:revival 3322:revival 3296:revival 3290:soprano 3227:revival 3221:soprano 3204:revival 3201:Galuppi 3163:Eltruda 3143:revival 3137:soprano 3090:revival 2991:revival 2924:revival 2918:soprano 2838:revival 2814:revival 2715:revival 2707:Serpina 2657:Camilla 2623:Theodora 2611:Theodora 2586:Emirena 2566:revival 2461:revival 2455:soprano 2432:revival 2426:soprano 2407:revival 2395:Hercules 2381:Paradies 2281:Susanna 2243:by Brevi 2180:revival 2177:Galuppi 2148:revival 2123:revival 2031:revival 1915:Lucilla 1897:revival 1859:Assiane 1838:Paradies 1757:Artamene 1717:Sga Imer 1713:Berenice 1706:Antigono 1697:Galuppi 1689:Antigono 1673:For the 1643:Briareo 1596:Sga Imer 1592:Anagilda 1576:Galuppi 1550:revival 1443:Demetrio 1355:Timotele 1348:Cleonice 1331:Pescetti 1255:Veracini 1251:Ernesto 1230:Fernando 1178:Alphonso 1151:Tassile 1123:Astarbus 1095:Rosbales 1086:Galuppi 1062:Sebastes 964:Floridan 950:Almerind 880:Mahobeth 847:Gianguir 810:Gianguir 800:, Italy 794:revival 772:, Italy 745:, Italy 680:Theodora 653:B3 to A5 645:Theodora 624:Tenducci 516:The Club 393:Hercules 363:Theodora 302:Paradisi 294:Veracini 282:Artamene 208:Artamene 177:Gianguir 110:(1742). 102:(1740), 42:English 40:Handel's 7039:. 1759. 7019:. 1754. 6995:5 March 6895:5 March 6669:Alceste 6303:3650726 6266:5 March 6169:5 March 6096:5 March 6047:5 March 6022:5 March 5884:. 1966. 5866:. 1963. 5736:Messiah 5694:Messiah 5186:and at 5129:Messiah 5097:Messiah 5067:Messiah 4998:at the 4975:at the 4969:Handel 4879:Handel 4856:Handel 4848:Messiah 4833:Handel 4830:Esther 4772:Rebecca 4748:Jephtha 4698:Handel 4690:Nicaule 4680:Solomon 4638:Handel 4614:Handel 4606:Messiah 4583:Messiah 4543:Handel 4536:Messiah 4501:Handel 4458:Handel 4450:Jephtha 4431:at the 4425:Cocchi 4401:Handel 4393:Nicaule 4383:Solomon 4336:Bertoni 4309:Mitrane 4274:Zenobia 4267:at the 4261:Cocchi 4252:Zenobia 4235:Cocchi 4189:Handel 4186:Beauty 4163:Handel 4155:Messiah 4117:Handel 4109:Messiah 4094:Handel 4044:Sabina 4010:at the 3950:Argene 3892:Galuppi 3887:Argene 3863:Creusa 3843:Handel 3834:Athalia 3768:Handel 3743:Messiah 3735:Handel 3727:Messiah 3712:Handel 3624:at the 3589:Handel 3562:Handel 3511:Handel 3482:Handel 3434:Semira 3403:Handel 3378:Handel 3369:Deborah 3352:Handel 3344:Nicaule 3334:Solomon 3319:Handel 3293:Handel 3285:Messiah 3271:Farnace 3224:Handel 3216:Messiah 3174:at the 3140:Handel 3132:Messiah 3112:Handel 3103:Jephtha 3087:Handel 3084:Achsah 3020:Alberti 3008:at the 2988:Handel 2985:Esther 2947:Handel 2921:Handel 2913:Messiah 2871:at the 2835:Handel 2811:Handel 2767:at the 2740:at the 2666:at the 2660:Ciampi 2632:Handel 2597:at the 2563:Handel 2560:Michal 2536:Handel 2528:Alceste 2458:Handel 2449:Messiah 2429:Handel 2420:Messiah 2404:Handel 2369:at the 2336:Handel 2328:Nicaule 2317:Solomon 2284:Handel 2275:Susanna 2145:Handel 2119:Latilla 2072:Tamiri 2025:Selene 1963:Silvia 1918:Handel 1829:Fetonte 1809:Arbate 1710:Ciacchi 1624:Ciacchi 1508:Brivio 1505:Corina 1484:Fenicio 1477:Mitrane 1463:Barsene 1456:Alceste 1449:Rosmira 1428:Olinto 1423:Alceste 1409:Bajazet 1299:Montano 1292:Ernesto 1209:Pelagio 1195:Alfonso 1183:Garzia 1162:Rossane 1130:Lesbano 1116:Sirbace 1083:Nirena 1078:Sirbace 1034:Aspasia 1017:Porpora 1013:Roxana 989:Galuppi 957:Idrenus 936:Mandana 919:Gluck's 896:Mandane 665:Rebecca 649:Jephtha 641:Susanna 637:Solomon 575:In his 543:Messiah 537:at the 535:Solomon 473:Kirkman 430:(1759). 407:Solomon 400:Susanna 386:Messiah 355:Jephtha 343:Susanna 318:Messiah 290:Caldara 232:Galuppi 228:Porpora 214:in 1746 193:Mandane 162:Gluck's 158:Rossane 104:Bergamo 36:soprano 7109: 7062:Händel 6301: 5775: 5396: 5260:Calais 5184:Esther 5125:Esther 5121:Samson 4825:Esther 4780:Smith 4722:Smith 4591:(from 4581:(from 4571:(from 4455:Iphis 4340:Handel 4330:Emira 4302:Zopira 3703:Samson 3664:Samson 3437:Hasse 3265:(from 3252:(from 3193:Enrico 3180:Alfred 3157:Alfred 3109:Iphis 3078:Joshua 2979:Esther 2899:Samson 2759:Venus 2590:Ciampi 2498:(from 2260:Semele 2217:(from 2207:(from 2169:Enrico 2157:Enrico 2075:Hasse 2028:Hasse 1888:Handel 1882:Cleon 1834:Teone 1762:Tamur 1727:Ismene 1620:Scipio 1585:Lucius 1470:Olinto 1362:Eurito 1278:Clelia 1216:Garzia 1202:Elvira 1109:Nerena 1102:Eurene 1048:Xerxes 1041:Roxana 980:Enrico 906:Brivio 901:Emira 863:Semira 825:Brivio 798:Modena 736:Brivio 428:Alfred 328:Alfred 276:, the 114:London 108:Modena 92:Brivio 49:Semele 32:Frassi 30:(also 6842:Ópera 6539:(PDF) 6299:JSTOR 5948:(PDF) 5927:(PDF) 5292:Notes 5253:Death 5101:Vocal 4956:1770 4904:Arne 4889:1769 4866:1769 4843:1767 4820:1767 4804:Hayes 4790:1763 4767:1761 4736:1761 4709:1760 4675:1759 4661:Arne 4648:1759 4625:1759 4601:1759 4555:1758 4531:1758 4488:1758 4445:1758 4412:1758 4378:1758 4344:Perez 4320:1758 4258:Egle 4246:1758 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