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Bugiardini has long been criticized as a mediocre talent incapable of understanding the formal principles of
Michelangelo, Raphael, Leonardo and Fra Bartolomeo, all major influences on his work. Michelangelo himself wrote that Bugiardini was a "good person but a simple man," and Vasari claimed that
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Michelangelo was envious of
Bugiardini since he was happy with what little skill he had, in contrast to Michelangelo was never satisfied with his works. Other scholars have commended Bugiardini's color and light and the stark simplicity in many of his works. The
186:) and a handful of other works now in Bologna's picture gallery. Most of these works are signed. By 1530 Bugiardini was back in Florence. His activity seems to have dwindled in the following decades, and in 1555 he died in his native Florence.
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ceiling, but their services were quickly rejected and the team was sent back to
Florence. Bugiardini's friendship with Michelangelo was, however, enduring. Aaccording to Vasari, Michelangelo designed most of the figures in Bugiardini's large
111:, where they were trained in the art of painting. Bugiardini was an independent artist by 1503, the year in which the joined the Florentine painters' confraternity the Compagnia di San Luca and formed a business partnership with
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259:"Bugiardini, Giuliano." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 1 June 2016,
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for the
Albergati family chapel in San Francesco (now Bologna, Pinacoteca); the so-called
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This article is about the painter. For other people with the same surname, see
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Wilk , Sarah. "Bugiardini's Holy Family with the Young St. John the
Baptist,"
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Most of the drawings once given to
Bugiardini are now attributed to others.
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Fahy, Everett (1988). "Review of Laura
Pagnotta's Bugiardini monograph".
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in
Florence. Bugiardini also painted Michelangelo's portrait (Florence,
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in the second half of the 1520s. There he painted an altarpiece of the
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346:"Giuliano di Piero di Simone Bugiardini - Madonna and Child Enthroned"
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Virgin and Child with Saints Mary
Magdalene and John the Baptist
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Virgin and Child with Saints Mary
Magdalene and John the Baptist
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Land, Norman. "Michelangelo's Shadow: Giuliano Bugiardini,"
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Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
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The portrait of Leonardo de'Ginori by Giuliano Bugiardini
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223:vol. 31, no. 1 (Summer 2005): pp. 1–18.
39:(29 January 1475 – 17 February 1555) was an
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78:The story of Tobit by Giuliano Bugiardini
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284:Federico Zeri and Elizabeth E Gardner,
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43:. He was born and was mainly active in
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286:Italian Paintings: Florentine School
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151:(1530–40) in the Rucellai chapel at
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230:Turin: Umberto Allemandi, 1987.
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132:Agnolo di Domenico del Mazziere
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403:16th-century Italian painters
393:15th-century Italian painters
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213:Painting in Italy, 1500-1600
149:Martyrdom of Saint Catherine
41:Italian Renaissance painter
32:Portrait in Le Vite (1791).
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418:Italian Mannerist painters
196:Metropolitan Museum of Art
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162:Bugiardini was active in
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125:Kunsthistorisches Museum
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408:Painters from Florence
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228:Giuliano Bugiardini.
194:(circa 1523) at the
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