1116:
1683:
2027:
1694:. He also designed the stage set. The score was modified and augmented by the musician J. G. Linike: he added orchestral accompaniments in some of the recitatives and introduced six ballet scenes, with one for Cleopatra's attendants during the Parnassus scene and a grand ballet before the final chorus. Unlike the Braunschweig performance and perhaps because Linike had recently been to London, not all the male roles were sung by tenors and basses: Cesare was sung by a castrato and Sesto by a soprano. The opera remained in the Hamburg repertoire until 1737, shortly before the demise of the failing company, although one performance in 1726 had an audience of only three and one performance in 1735 was cancelled for lack of an audience.
1737:
1849:
1401:
1390:
143:
945:
1804:("When by storms"). Chrysander's faithful rendition of Handel's original score was accompanied in 1878 by a seven volume compendium of opera and oratorio songs prepared for Breitkopf & HÄrtel by Victorie Gervinus, widow of the Handel scholar Georg Gottfried Gervinus. The possible voice typesâsoprano, mezzo-soprano, alto, tenor, bassâare given for each aria or recitative. All the texts were in German with no reference to Italian or English; and in all the seven volumes there are only six numbers from
2591:
153:
1841:
2392:
681:). As Tolomeo tries to seduce Cornelia, Sesto rushes in to kill Tolomeo, but is stopped by Achilla. Achilla announces that Cesare (in the attempt to run from soldiers) has jumped from the palace window and died. Achilla asks again for Cornelia's hand in marriage but is turned down by Tolomeo. Furious, Achilla leaves. Sesto feels devastated and attempts to kill himself but is prevented from doing so by his mother; he repeats his vow to kill Tolomeo. (Aria:
1530:
5495:
1421:
aria "Piangero"; divided strings for Cesare's arioso-aria "Aure de per pieta". The final chorus for full orchestra with divided horns has a central interlude in the minor key with a duet for Cesare and
Cleopatra accompanied only by oboes and continuo. It is preceded by another duet for Cesare and Cleopatra and an orchestral march with obbligato trumpet (not in the autograph manuscript and not always performed).
569:). Pompeo's second wife, Cornelia, begs for mercy for her husband's life. Cesare agrees, but on the condition that Pompeo must see him in person. Achilla, the leader of the Egyptian army, presents Cesare with a casket containing Pompeo's head. It is a token of support from Tolomeo, the co-ruler of Egypt (together with Cleopatra, his sister). Cornelia faints, and Cesare is furious about Tolomeo's cruelty. (Aria:
40:
1281:
750:
5516:
1625:" constructed from the original opera and other operas by Handel. In the accompanying libretto Arnold stated, "The original, however, offering a great number of incongruities, both in the language and the conduct, several material alterations have been thought absolutely necessary, to give the piece a dramatic consistency, and to suit it to the refinement of a modern audience."
653:). Thinking that there is no hope, Cornelia tries to take her own life, but is stopped by Sesto, who is escorted by Nireno. Nireno reveals the bad news that Tolomeo has given orders for Cornelia to be sent to his harem. However, Nireno also comes up with a plan to sneak Sesto into the harem together with Cornelia, so Sesto can kill Tolomeo when he is alone and unarmed. (Aria:
542:
1473:
score in July 1724. In May 1724, however, an unauthorised edition had appeared printed by Daniel Wright, advertised as being available in "Musick Shops": Wright, probably acting on behalf of Walsh, had printed the score using a quicker but inferior stamping process on pewter: as a softer metal than copper, pewter could be stamped without raising its temperature.
5542:
5506:
1573:
singers are partial to songs in which melody and importance are so equally divided; but this air was chosen to do honour to the abilities of Handel, on a day when they were to shine in great splendor. And Signor
Pacchierotti, by his judicious choice and excellent performance, at once contributed to the blaze of this great composer's reputation, and his own.
665:). Still smitten with her, Cesare arrives in Cleopatra's palace. However, Curio suddenly bursts in and warns Cesare that he has been betrayed, and enemies are approaching Cesare's chambers and chanting "Death to Cesare". Cleopatra reveals her identity and after hearing the enemies heading for them, asks Cesare to flee, but he decides to fight. (Aria:
4258:
1412:. The basic orchestra consists of oboes, strings and continuo. The horns, divided into four parts, are used in the opening and closing choruses. Other obbligato instruments are used to add orchestral colour to individual arias: a hunting horn for Cesare's aria "Va tacito"; divided alto recorders for the central
1589:
performed separately in concerts, including in London in 1729 and
Manchester in 1745. There were also a few concerts in the 1720s where some of the more popular arias were performed. In 1789, following the culmination of Handel Commemoration concerts, a further volume of songs was published in London entitled
1588:
for domestic music-making continued when one of Handel's two arrangements of the overture for harpsichordâthe less ornamented and polished of the twoâwas included in Walsh's second collection of Handel overtures published in 1727; the chorus with horns was included as a dance. The overture itself was
227:
as "short and squat". The set is architectural and generic, not a specific locale, and the costumes for the men are also generic, with some inspiration from ancient Roman military attire; breastplates, armoured skirts and leg armour, combined with plumes on the headdresses. Such costumes were worn by
1315:
each, make full use of the vocal capabilities of the singers. Cornelia and Sesto are more static characters because they are completely taken by their primary emotions, she with pain because of her husband's death and constantly constrained to defend herself from the advances of
Achilla and Tolomeo,
532:
desires to depose her brother in order to become the sole ruler of Egypt. She joins
Cornelia and Sesto in their plans for vengeance and entreats Cesare to aid her. Following her overtures, Cesare falls in love with Cleopatra. Her brother attempts to assassinate Cesare, but he escapes. It is reported
1572:
Whoever is able to read a score, and knows the difficulty of writing in five real parts, must admire the resources which Handel has manifested in this. The French-horn part, which is almost a perpetual echo to the voice, has never been equalled in any air, so accompanied, that I remember. Few great
1476:
Later in 1724, several arias or "favourite songs" from the opera were included in the second of two pocket songbooks, "A Pocket
Companion for Gentlemen and Ladies", printed by Cluer and Creake and edited by Richard Neale. The texts were provided in Italian mostly with English translations by Carey,
1420:
violin and divided bassoons in Cesare's aria "Se in fierto"; alto recorders in unison for
Cornelia's aria "Cesa omai"; a solo violin for Cleopatra's aria "Venere bella"; sustained bassoons in unison for Cleopatra's aria "Se pieta"; transverse flute, first violins and obbligato cello for Cleopatra's
1701:
which was repeated three times; the king unfortunately died two weeks after the event. The spectacle, entitled "The Joy and
Happiness of the British Nation," involved a lengthy sung prologue with illuminations and an epilogue with fireworks ignited within the opera theatre. The entertainments were
1888:
and silent film. Hagen's performing edition was significantly altered from Handel's score: it was translated into German, heavily edited and reorchestrated, with the male castrato roles transposed down for baritone, tenor or bass. As well as local singers for the chorus, the cast included
Wilhelm
1472:
following the positive public response to the performances, Handel decided to use the printers Cluer and Creake in order to produce pocket-sized vocal scores and songbooks in high quality copper engravings, a time-consuming process. Cluer and Creake produced a first official edition of the vocal
1424:
The most elaborate and ravishing orchestration occurs at the beginning of act 2 in
Cleopatra's aria "V'adoro, pupille" sung in the guise of Lidia to seduce Cesare. On stage there is a tableau of the Temple of Virtue, below Mount Parnassus with a second orchestra or "symphony" of nine instruments
533:
to Cleopatra that Cesare has drowned while in flight. She is taken captive by her brother. Cesare, who has escaped drowning, enters to free his beloved. Tolomeo is slain by Sesto, because he forced himself upon Cornelia against her will. Cesare makes Cleopatra Queen of Egypt and returns to Rome.
208:
for each singer, thus making full use of their vocal capabilities. Curio and Nireno were not allotted any arias in the original version, only singing in recitatives, although they take part in the first and final choruses. However, Handel composed an aria for Nireno for a later revival in 1730.
1706:
with trumpets, horns and drums played from the galleries which contrasted with the flutes and violins that accompanied the Roman gods and nymphs on stage for the prologue. At the base of a large sculpture of George I, suitably attired singers portrayed Britain, Ireland, France, America and the
212:
Although a caricature, the contemporary engraving of Senesino on the left, Francesca Cuzzoni and castrato Gaetano Berenstadt on the right, provides valuable information about the visual aspect of the original performances of Handel operas. The illustration is probably of a scene from Handel's
1449:
1577:
Burney described the audience in the Pantheon as restless during the recitative (sung in Italian), remarking that the original opera house audience had been captivated by the dramatic music. He described it as "the finest piece of accompanied recitative, without symphonies, with which I am
1678:
it was first performed in 1725 with revivals in 1727 and 1733. The opera was sung wholly in Italian using the 1724 London edition, but with some of Cornelia's arias altered. Ballets were also inserted for Egyptians at the end of act 1 and for eunuchs and concubines at the end of act 2.
732:). Cesare then proclaims Egypt's liberation from tyranny, and wishes for the glory of Rome to spread far and wide. For the final chorus, the entire cast (including the dead Achilla and Tolomeo) gathers on stage to celebrate the power of love and the triumph of good over evil (Chorus:
1647:
had reported that Italians in the audience in London had rated the opera as a masterpiece. The trip, which lasted from July to September, had initially been planned for the previous year when, following similar favourable newspaper reports, fully staged performances of
709:). While looking for Tolomeo, Sesto finds the wounded, nearly dead Achilla, who hands Sesto a seal authorizing him to command his armies. Cesare appears and demands the seal, promising that he will either save both Cornelia and Cleopatra or die (Aria:
1772:
in the 19th century; opera seria had been supplanted by oratorios in the English language with large scale choral writing. By the early nineteenth century operas with librettos by Bussani or music by Handel had become obsolete; the opera
1429:
behind the scene in what Cesare takes to be the "music of the spheres", before the tableau is revealed on-stage as the music burgeons, with rich arpeggios in the harp, double stopping on the viola da gamba and strumming on the theorbo.
1984:
The work is considered by many to be one of Handel's finest Italian operas, possibly even the best in the history of opera seria. It is admired for its superb vocal writing, its dramatic impact, and its deft orchestral arrangements.
1954:, starring as Cleopatra, was widely praised and would later marry Gus Christie, the owner of Glyndebourne. The production has been repeated at Glyndebourne in 2006, 2009, 2018 and 2024. The 2005 production was received negatively by
1525:
and a sequel in 1724. Some of these songs in the Pocket Companion reappeared in Peter Prelleur's "The Modern Musick-Master", an instructional manual published in 1730 for those learning singing, harpsichord, oboe, flute or violin.
178:...the opera is in full swing also, since Hendell's new one, called Jules CĂ©sar â in which Cenesino and Cozzuna shine beyond all criticism â has been put on. The house was just as full at the seventh performance as at the first.
500:
As with most of his other operas, Handel made several revisions to the score of Giulio Cesare for revivals, adding new arias and cutting others. The listing of arias in this synopsis applies to the original 1724 version.
1380:
Curio and Nireno do not get any arias in the original version, only singing recitatives, though they take part in the first and final choruses. However, Handel composed an aria for Nireno for a later revival in 1730.
1727:
with ships on the river. A "Martial Symphony" ended with the firing of 45 cannons heralding the firework display, after which all the windows and skylights in the theatre had to be opened to release the smoke.
728:). The victorious Cesare and Cleopatra enter Alexandria, and Cesare proclaims Cleopatra to be queen of Egypt and promises his support to her and her country. They declare their love for each other (Duet:
573:). Cesare's assistant, Curio, offers to avenge Cornelia, hoping that she will fall for him and marry him. Cornelia rejects the offer in grief, saying that another death would not relieve her pain. (Aria:
3236:
603:). Cornelia prepares to kill Tolomeo to avenge Pompeo's death, but is stopped by Sesto, who promises to do it instead. Cesare, Cornelia and Sesto go to the Egyptian palace to meet Tolomeo. (Aria:
1464:. These had proven to be popular and were an extra source of income. Even when printed copies of Handel's works were unavailable, Handelâthrough the offices of his assistant Christopher Smith on
1901:
both conducted it in Munich in 1923; and it was also performed in neighbouring countries such as Austria (Vienna), Switzerland (Basel, ZĂŒrich, Bern), Denmark (Copenhagen) and Poland (PoznaĆ).
1556:, the second of five concerts, held on 27 May in the Pantheon, contained two numbers for Cesare sung by the castrato Pacchierottiâthe hunting aria "Va tacito" and the accompanied recitative
1115:
228:
the leading men in Handel operas whether the setting was ancient Rome or Gothic Europe. Cuzzoni, in contrast, wears a contemporary gown such as might have been suitable for presentation at
1578:
acquainted. The modulation is learned, and so uncommon, that there is hardly a chord that the ear expects; and yet the words are well expressed, and the phrases pathetic and pleasing."
127:(1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas.
1904:
The first American performance took place at the Smith College of Music in Northampton, Massachusetts, on 14 May 1927. The first British revival of a Handel opera was the staging of
5519:
4894:
1682:
1666:
could not participate because of the complications in her private life, so a new female singer was brought in to fill the gaps they created, with Durastanti doubling some parts.
3989:"Les enjeux de la traduction dans la réception de Haendel en Grande-Bretagne entre 1945 et 1970 [The Role of Translation in the British Reception of Handel (1945-1970)]"
2031:
1690:
In Hamburg, where Handel had himself been a violinist in the opera orchestra, the arias were sung in Italian but the recitatives were translated into German by the Englishman
1889:
Guttmann as Cesare, Thyra Hagen-Leisner as Cleopatra, Bruno Bergmann as Tolomeo, Eleanor Reynolds as Cornelia and G. A. Walter as Sesto. Hagen's vocal score was published by
3564:
4124:
2026:
1425:
played by the muses, with muted strings in the pit. The celestial instrumentsâoboes, bassoons, viola da gamba, harp, theorbo and stringsâare first heard off-stage in a
697:), but Tolomeo stabs him before he does. As battle rings out between Tolomeo's and Cleopatra's armies, Tolomeo celebrates his apparent victory against Cleopatra (Aria:
4171:
3114:
724:
In the palace, Sesto finds Tolomeo trying to rape Cornelia and kills him. Having successfully avenged Pompeo, Cornelia and Sesto celebrate Tolomeo's death. (Aria:
5449:
4196:
637:). She sings praises of Cupid's darts and Cesare is delighted. Cesare is smitten with Cleopatra, and Nireno tells Cesare that "Lidia" is waiting for him. (Aria:
587:) Achilla brings the news to Tolomeo that Cesare was furious over the murder of Pompeo. Tolomeo swears to kill Cesare to protect his rule of the kingdom. (Aria:
5592:
3244:
1936:
in Birmingham, England. It has subsequently proven to be by far the most popular of Handel's operas, with more than two hundred productions in many countries.
5226:
3648:
1962:, who described as the "slaughter of a masterpiece", but in 2024, Richard Bratby praised the production in The Spectator, claiming it had aged "like wine".
4051:
Hunter, David (2002), "Handel as victim: composer-publisher relations and the discourse of musicology", in David Crawford; George Grayson Wagstaff (eds.),
591:). Cleopatra (in disguise) goes to meet Cesare in his camp hoping that he will support her as the queen of Egypt. Cesare is amazed by her beauty. (Aria:
116:
5418:
1981:. The roles of Tolomeo and Nireno are normally sung by countertenors. The role of Sesto, written for a soprano, is now usually sung by a mezzo-soprano.
5597:
5562:
4697:
4130:
607:). Cleopatra now believes that as she has turned Cesare, Cornelia and Sesto against Tolomeo successfully, the scales are tipped in her favour. (Aria:
4191:
1844:
Oskar Hagen, the German art historian whose programme of Handel operas in Göttingen led to an international revival in performances of Handel operas
1736:
611:). Cesare meets Tolomeo, who offers him a room in the royal apartments, though Cesare tells Curio that he expects Tolomeo to betray him. (Aria:
3866:
400:
1848:
1408:
The opera is scored for transverse flute, two alto recorders, two oboes, two bassoons, four horns, viola da gamba, harp, theorbo, strings and
5236:
4876:
3682:
2868:
2295:
1662:. In the event, these plans were abandoned, and Ottone was also performed as a private concert. Senesino had fallen out with the company and
557:
After the overture, the entire cast, except Giulio Cesare, gathers on stage for the opening chorus, a victory song which compares Cesare to
5587:
5251:
5201:
5191:
4164:
4064:
621:). Sesto attempts to challenge Tolomeo, but is unsuccessful. When Cornelia rejects Achilla, he orders the soldiers to arrest Sesto. (Duet:
3754:
3478:
5444:
5371:
5221:
5216:
5181:
5160:
1400:
1319:
Cleopatra, on the other hand, is a multifaceted character: she uses at first her womanly wiles to seduce Cesare and gain the throne of
5509:
5271:
5266:
5261:
5256:
5246:
5241:
5211:
5196:
5186:
4862:
4086:
3966:
3944:
3798:
3547:
3463:
3275:
3183:
3155:
1460:
For Handel's previous London operas, the scores and selected arias had been made available to the public by the printer and publisher
5296:
5291:
5286:
5281:
5276:
5206:
5027:
4042:
4033:
3820:
2007:
1923:
as Cleopatra. Sills' performance in the production, and on the cast recording that followed, made her an international opera star.
1468:âwould authorise copies to be made in answer to requests from musical societies that wished to mount performances. In the case of
5567:
5231:
5048:
4710:
3875:
1852:
Thyra Leisner-Hagen, wife of Oskar Hagen and sister of the celebrated contralto Emmi Leisner, sang Cleopatra in Göttingen in 1922
104:
5498:
5327:
5322:
5317:
5312:
4830:
4212:
4157:
5454:
3892:
3857:
31:
1760:
as editor. He produced a comprehensive full score in 1875, using all the available sources in London including those in the
1389:
4135:
5469:
5142:
4869:
4632:
3143:
3118:
2594:
2395:
1933:
521:
307:
5532:
565:). Giulio Cesare and his victorious troops arrive on the banks of the River Nile after defeating Pompeo's forces. (Aria:
5121:
5116:
5111:
5073:
4957:
3747:
3038:
2659:
2445:
2329:
2139:
693:
Furious at Tolomeo for being ungrateful to him despite his loyalty, Achilla plans to defect to Cleopatra's side (Aria:
5169:
5156:
4908:
2863:
2654:
2134:
1939:
5402:
5392:
1893:
and the version became popular throughout Germany, with performances in over 38 different localities within 5 years:
1323:, and then becomes totally engaged in the love affair with Cesare. She has great arias of immense dramatic intensity
174:, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724:
78:
5013:
4901:
3958:
3790:
2480:
1593:. Printed by H. Wright in Catherine Street off the Strand and without English translations, it contained the arias
1932:
The first uncut performance of modern times with the voices at correct pitch did not take place until 1977 at the
1393:
End of sinfonia and beginning of Cleopatra's aria "V'adoro, pupille", act 2, scene 2, autograph manuscript, 1723,
142:
5387:
5365:
5055:
4943:
4788:
4292:
3622:
1698:
520:
pleads with Cesare to spare her husband. He is about to grant her plea, when the Egyptians led by their boy king
120:
4115:
2960:
944:
4655:
2569:
2539:
1998:
The discography below lists separately recordings with the title role of Cesare sung at the original pitch (as
1614:
2470:
1747:
705:). However, Cesare is not dead: he survived his leap and is roaming the desert in search of his troops (Aria:
167:
219:, presented by the Royal Academy of Music in 1723, although it has sometimes been identified as a scene from
4936:
4855:
4760:
4264:
3845:
3812:
3206:
2714:
2252:
1591:
Handel's songs selected from his most celebrated operas: for the harpsichord, voice, hoboy, or German flute
5428:
5423:
5397:
5087:
5034:
4981:
4601:
4562:
4180:
2853:
2684:
2679:
2159:
1752:
1703:
1581:
This commemoration, mounted on a giant scale, proved so popular that it was repeated in succeeding years.
182:
Handel revived the opera (with various changes) three times during his lifetime: in 1725, 1730, and 1732.
146:
100:
2224:
4996:
4991:
4915:
2727:
2669:
2149:
2011:
1764:; Chrysander's volume gave all the variants in the different revivals. Like Handel's other works in the
717:). Cesare continues on to Cleopatra's camp, where a lamenting Cleopatra is overjoyed to see him. (Aria:
546:
393:
369:
112:
4964:
4929:
3777:
An Account of the Musical Performances in Westminster-Abbey and the Pantheon in Commemoration of Handel
131:
2590:
617:). Tolomeo is fascinated by Cornelia's beauty but has promised Achilla that he could have her. (Aria:
5577:
5572:
5152:
4922:
4583:
4576:
4143:
3171:
3013:
2995:
2910:
2564:
2334:
2307:
2239:
1757:
1740:
1461:
913:
822:
758:
613:
579:
5175:
4781:
4774:
4257:
4078:
3936:
3084:
2858:
2524:
2455:
2234:
2079:
1912:
1894:
1840:
1785:
1545:
2391:
1908:
at the Scala Theatre in London in 1930, by the London Festival Opera Company, singing in English.
1448:
657:). Sesto enters the garden of the palace, wishing to fight Tolomeo for killing his father. (Aria:
633:
In Cleopatra's palace, while in disguise as "Lidia", she uses her charms to seduce Cesare. (Aria:
5344:
4362:
4299:
3920:
3833:
3355:
3068:
3000:
2810:
1663:
1285:
1119:
343:
319:
5479:
3884:
3849:
3837:
2955:
1788:
in 1880, with English translations of the Italian texts by Maria X. Hayes, only three came from
1404:
Part of final chorus and duet in minor key for Cesare and Cleopatra, act 3, autograph manuscript
152:
3723:
1477:
so that the arias could be sung, played on the harpsichord or, in a transposed version, on the
5459:
5080:
4823:
4767:
4516:
4495:
4453:
4348:
4245:
4082:
4060:
4038:
3962:
3940:
3888:
3853:
3816:
3794:
3678:
3572:
3543:
3512:
3482:
3459:
3271:
3179:
3151:
3048:
3008:
2846:
2841:
2741:
2674:
2649:
2510:
2475:
2154:
2129:
2036:
1951:
1881:
1866:
1643:
1637:
had finished, the London cast gave a private concert performance in Paris at the residence of
1308:
388:
300:
201:
171:
90:
3539:
3532:
5094:
5020:
4837:
4816:
4809:
4725:
4704:
4676:
4669:
4615:
4544:
4502:
4481:
4446:
4397:
4285:
4000:
3912:
2818:
2774:
2544:
2465:
2403:
2340:
2204:
2174:
1761:
1708:
1553:
1537:
1478:
1348:
1122:, Countess of Peterborough, who created the role of Cornelia shortly before her retirement,
713:). With Cesare alive and Achilla dead, Sesto's spirits lift, and he vows to fight on (Aria:
577:). Sesto, son of Cornelia and Pompeo, swears to take revenge for his father's death. (Aria:
517:
453:
326:
124:
57:
1613:. Despite the popularity and dissemination of Handel's music, changes in taste resulted in
5582:
5358:
5041:
4986:
4802:
4795:
4753:
4746:
4738:
4720:
4690:
4662:
4648:
4439:
4432:
4252:
4238:
4223:
4056:
3903:
3565:"The week in classical: Giulio Cesare; CosĂŹ fan tutte; Siegfried/GötterdĂ€mmerung â review"
2988:
2902:
2720:
2598:
2399:
2372:
2360:
2356:
2352:
2184:
2179:
2106:
2084:
1778:
1394:
749:
382:
5474:
4014:
3649:"An ensemble achievement that dances and sparkles: Glyndebourne's Giulio Cesare reviewed"
5351:
4715:
4608:
4376:
3870:
3771:
3043:
2983:
2947:
2938:
2933:
2891:
2836:
2769:
2559:
2495:
2460:
2368:
2247:
2210:
2199:
1955:
1916:
1711:. In the epilogue gods of water and wind were joined by personifications of the rivers
1697:
On 9 June 1727 Lediard devised a special performance in honour of the 68th birthday of
1691:
1565:
1533:
1374:
1123:
481:
469:
224:
17:
4110:
1529:
5556:
4950:
4683:
4530:
4418:
4306:
4278:
4028:
4024:
3504:
3074:
2965:
2873:
2800:
2732:
2500:
2376:
2364:
2312:
2286:
2189:
2015:
2003:
1999:
1974:
1959:
1943:
1920:
1638:
1541:
1293:
525:
509:
445:
350:
263:
229:
186:
4016:
Handel's Opera Songs: a collection of fifty-two songs with english and italian words
3901:
Hunter, David (1989), "The Printing of Opera and Song Books in England, 1703-1726",
1946:
has been described as "the audience's touchstone" for the work, in part through its
1784:
Of the fifty two songs from operas and oratorios in the "Royal Edition" selected by
673:). Cleopatra, having fallen in love with Cesare, begs the gods to bless him. (Aria:
5546:
5464:
4569:
4411:
3880:
3063:
2755:
2704:
2554:
2520:
2317:
2278:
2089:
1978:
1947:
1890:
1716:
1675:
1552:
In 1784, during the centenary commemoration of Handel in Westminster Abbey and the
1409:
1352:
541:
39:
1898:
1861:
1280:
3775:
1335:, in which Cleopatra, in the guise of Lidia, appears to Cesare surrounded by the
5137:
4731:
3829:
3055:
2664:
2644:
2549:
2505:
2229:
2144:
2124:
1857:
1765:
1655:
1465:
550:
437:
363:
223:. The elongated bodies of the castrati tower over Cuzzoni, who was described by
95:
3933:
Songs Without Words: Keyboard Arrangements of Vocal Music in England, 1560â1760
3807:
Christensen, Thomas (2014), "Soundings Offstage", in Helen M. Greenwald (ed.),
1641:, retired royal treasurer and patron of the arts. Prior to the performance the
4313:
3597:
3026:
2450:
2101:
2096:
1686:
Plan by Lediard for on-stage firework display in the epilogue to the spectacle
1561:
1417:
649:) When he leaves, Tolomeo also tries to win her, but is also rejected. (Aria:
251:
3698:
3576:
4509:
4467:
4404:
4341:
1970:
1622:
1344:
1340:
1297:
599:). Meanwhile, Cornelia continues to mourn the loss of her husband. (Arioso:
529:
338:
286:
190:
645:). Achilla pleads with Cornelia to accept him, but she rejects him. (Aria:
3785:
Burrows, Donald; Coffey, Helen; Greenacombe, John; Hicks, Anthony (2014),
3456:
The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age
4355:
4217:
4149:
3079:
1966:
1659:
1521:("Oh what a fool was I"). Again the rival publisher and printer produced
1304:
1301:
959:
765:
757:
The listing of musical numbers follows the nineteenth century edition of
661:). Meanwhile, Cleopatra waits for Cesare to arrive in her palace. (Aria:
558:
376:
278:
272:
197:
194:
108:
5515:
4488:
4425:
4390:
1885:
1370:
1362:
1331:(III, 3). Her sensual character is described magnificently in the aria
477:
449:
406:
356:
295:
5541:
4005:
3924:
1674:
Within Handel's lifetime, the opera was also performed in Germany. In
677:). In Tolomeo's palace, Tolomeo prepares to enter his harem. (Arioso:
4537:
4474:
4460:
4369:
4327:
4320:
4231:
3268:
Great Operas: A Guide to 25 of the World's Finest Musical Experiences
2380:
2258:
1872:
1724:
1720:
1712:
1650:
513:
457:
332:
215:
3916:
4523:
4383:
4271:
1847:
1839:
1735:
1528:
1447:
1320:
1311:
respectively, and which encompass eight arias and two recitatives
1279:
1114:
943:
748:
540:
465:
461:
436:
For the first performances in 1724 Giulio Cesare was scored for 4
151:
141:
130:
The opera's plot is loosely based on historical events during the
38:
3214:
3787:
George Frideric Handel: Volume 1, 1609â1725: Collected Documents
1366:
1358:
1336:
473:
441:
269:
4153:
3516:
583:). Cleopatra decides to use her charm to seduce Cesare. (Aria:
3988:
701:). Cleopatra laments losing both the battle and Cesare (Aria:
204:
respectively. Handel composed eight arias and two recitatives
3328:
641:). In Tolomeo's palace, Cornelia laments her fate. (Arioso:
2048:
discography, audio recordings with Cesare at original pitch
156:
Senesino, Cuzzoni and Berenstadt, probably in a scene from
3677:(reprint ed.). Dover Books on Music. pp. 181ff.
595:). Nireno notes that the seduction was successful. (Aria:
1856:
Handel's operas were revived in the twentieth century by
1777:
performed in the Teatro Argentina in Rome in 1821 was by
1719:, with the backdrop changing from the dreaming spires of
524:
bring him the head of Pompeo. Cornelia and Pompeo's son
3623:"Opera » 16 Jul 2005 » The Spectator Archive"
43:
First edition of July 1724 printed by Cluer and Creake
5530:
1965:
In modern productions, the title role, written for a
1768:
genre, however, there were no public performances of
1347:: one is a small group to play behind the scene with
1316:
and he consumed by vengeance for his father's death.
3507:(1953). "Giulio Cesare". In Biancolli, Louis (ed.).
2414:
discography, audio recordings with Cesare transposed
2375:
conducting the New Symphonic Orchestra of London on
1915:
revived the then virtually unknown opera seria with
948:
Francesca Cuzzoni, who created the role of Cleopatra
5437:
5411:
5380:
5336:
5305:
5151:
5130:
5104:
5065:
5005:
4974:
4895:
Agrippina condotta a morire or Dunque sarĂ pur vero
4886:
4847:
4625:
4593:
4554:
4205:
4053:
Encomium Musicae: Essays in Honor of Robert J. Snow
4013:Handel, George Frideric (1880), Best, W. T. (ed.),
3531:
3509:The Opera Reader: A Guide to the Best Loved Operas
3138:
3136:
2351:There is also a 1963 recording of highlights with
1485:("With thee is ev'ry pleasure beyond expressing");
1560:. In his account of the performance, attended by
1523:The favourite songs in the opera of Julius Caesar
1880:was on 5 July 1922, with designs reminiscent of
1658:had been envisaged, with financial support from
1416:section of Sesto's "Svegliativi nel core"; solo
3511:. New York: Grosset & Dunlap. p. 188.
3441:
1570:
753:Senesino, who created the role of Giulio Cesare
3390:
3388:
1746:The nineteenth century saw the publication by
1633:In the summer of 1724, after the first run of
1177:36. Recitativo accompagnato e Aria (Cesare) â
4165:
4077:, Music in Britain, 1600-2000, vol. 13,
4019:, translated by M. X. Hayes, Boosey & Co.
894:Cara speme, questo core tu cominci a lusingar
232:, with a dwarf to serve as her train-bearer.
82:
58:[ËdÊuËljoËtÊeËzareineËdÊitto,-ËtÊÉË-]
8:
823:Svegliatevi nel core, furie d'un alma offesa
3935:, Eastman Studies in Music, vol. 133,
3316:
3289:
3287:
3201:
3199:
3197:
3195:
2595:The Triumphs of Caesar: the Picture Bearers
2032:Caesar giving Cleopatra the throne of Egypt
528:vows to avenge his death. Tolomeo's sister
62:
4172:
4158:
4150:
1220:39. Recitativo accompagnato (Cleopatra) â
1071:28. Recitativo accompagnato (Cleopatra) â
4131:International Music Score Library Project
4004:
3911:(2), Music Library Association: 328â351,
3429:
3417:
3405:
3379:
3293:
2111:Philharmonisches Staatsorchester Hamburg
1977:, or, more frequently in recent years, a
1796:("Hope, no more this heart sustaining");
1584:The dissemination of Handel's music from
3109:
3107:
2604:
2589:
2408:
2396:The Triumphs of Caesar: the Vase Bearers
2390:
2379:(coupled with a complete performance of
2042:
2025:
1750:of the complete works of Handel for the
1681:
1501:("Hopes beguiling, pleasures smiling");
1399:
1388:
239:
5537:
3458:, Oxford University Press, p. 41,
3339:
3103:
1942:'s 2005 production of Giulio Cesare by
869:Non Ăš sĂŹ vago e bello il fior nel prato
4698:L'Allegro, il Penseroso ed il Moderato
3394:
3367:
3351:
3304:
861:8. Recitativo accompagnato (Cesare) â
816:Priva son d'ogni conforto, e pur speme
516:, follows him to Egypt. Pompeo's wife
4634:Il trionfo del Tempo e del Disinganno
3178:. Yale University Press. p. 43.
3117:. Handel House Museum. Archived from
2869:Orchestra of the Age of Enlightenment
2601:, fifteenth century, Royal Collection
1513:("Welcome death, oh end my sorrow");
972:18. Sinfonia e recitativo (Cesare) â
242:Roles, voice types, and premiere cast
56:
7:
5593:Depictions of Julius Caesar in opera
5505:
27:1724 opera by George Frideric Handel
5372:Keyboard suite in D minor (HWV 437)
4638:Il trionfo del Tempo e della VeritĂ
4075:The Lives of George Frideric Handel
3972:, "Towards an understanding of the
1343:(II, 2). This number calls for two
256:First performance, 20 February 1724
4863:Ode for the Birthday of Queen Anne
3955:Essays on Handel and Italian Opera
3479:"HÀndel Festspiele Göttingen 2015"
3213:. Handel Institute. Archived from
1876:in 1921. The first performance of
1452:The King's Theatre, London, where
1257:Caro! â Bella! â PiĂč amabile beltĂ
1018:SĂŹ spietata, il tuo rigore sveglia
25:
5028:Funeral Anthem for Queen Caroline
4120:arias and operatic roles database
4034:The New Grove Dictionary of Opera
2008:historically informed performance
1434:Performance history and reception
1288:, who created the role of Tolomeo
1255:43. Duetto (Cleopatra, Cesare) â
1196:Quel torrente, che cade dal monte
837:Non disperar; chi sa? se al regno
711:Quel torrente, che cade dal monte
423:Cleopatra's and Tolomeo's servant
123:, which had been set to music by
5598:Depictions of Cleopatra in opera
5563:Operas by George Frideric Handel
5540:
5514:
5504:
5494:
5493:
5049:Wedding anthem for Princess Anne
4256:
3563:Maddocks, Fiona (29 June 2024).
1860:and other Handel enthusiasts in
1800:("Ye dear eyes so tender"); and
1798:V'adoro, pupille, saette d'amore
1517:("Lamenting, complaining"); and
1241:Non ha piĂč che temere quest'alma
1105:L'aure che spira tiranno e fiero
962:e recitativo (Cesare, Nireno) â
3647:Bratby, Richard (3 July 2024).
932:16. Duetto (Cornelia, Sesto) â
5470:Handel & Hendrix in London
1611:Caro, bella, piu amabile belta
1489:("My life my only treasure");
730:Caro! Bella! PiĂč amabile beltĂ
32:Giulio Cesare (disambiguation)
1:
5143:Music for the Royal Fireworks
4642:The Triumph of Time and Truth
3780:. T. Payne & G. Robinson.
3724:"Recordings of Giulio Cesare"
2610:discography, video recordings
2006:) and those adopting the pre-
1934:Barber Institute of Fine Arts
1228:Da tempeste il legno infranto
1209:La giustizia ha giĂ sull'arco
1050:Venere bella, per un instante
719:Da tempeste il legno infranto
715:La giustizia ha giĂ sull'arco
5074:Utrecht Te Deum and Jubilate
4958:Tra le fiamme (Il consiglio)
4213:Handel's lost Hamburg operas
4027:(1992), "Giulio Cesare", in
3809:The Oxford Handbook of Opera
1929:is now regularly performed.
1263:Ritorni omai nel nostro core
1183:Aure, deh, per pietĂ spirate
928:Tu sei il cor di questo core
803:Empio, dirĂČ, tu sei, togliti
734:Ritorni omai nel nostro core
619:Tu sei il cor di questo core
193:were originally sung by the
99:) in three acts composed by
5588:Operas set in ancient Egypt
4095:Loewenberg, Alfred (1943),
3442:Harewood & Peattie 1997
3150:. Oxford University Press.
2014:the part down an octave to
1505:("While Celia is flying");
1481:. The arias included were:
1061:27. Aria e Coro (Cesare) â
999:Deh piangete, oh mesti lumi
643:Deh piangete, oh mesti lumi
563:Viva, viva il nostro Alcide
549:seated at the harpsichord,
166:was first performed at the
5614:
4097:Annals of Opera, 1597â1940
3959:Cambridge University Press
3876:The New Kobbé's Opera Book
3791:Cambridge University Press
3751:, Met Opera, 27 April 2013
3534:The Rough Guide to Opera 4
1137:Dal fulgor di questa spada
790:Presti omai l'egizia terra
695:Dal fulgor di questa spada
651:SĂŹ spietata, il tuo rigore
575:Priva, son d'ogni conforto
567:Presti omai l'Egizia terra
512:, in pursuit of his enemy
456:, first, second and third
312:her brother, King of Egypt
29:
5488:
5388:Handel Reference Database
5366:The Harmonious Blacksmith
5056:Foundling Hospital Anthem
4944:O lucenti, o sereni occhi
4877:Ode For St. Cecilia's Day
4187:
3953:Strohm, Reinhard (2008),
3842:Handel's Operas 1704â1726
3699:"Giulio Cesare in Egitto"
3673:Lang, Paul Henry (2011).
3454:Howard, Patricia (2014),
3237:"Giulio Cesare in Egitto"
3176:First Nights at the Opera
3148:Handel (Master Musicians)
1826:Nel tuo seno, amico sasso
1814:Priva son d'ogni conforta
1456:had its first performance
1276:Characterisation of roles
1222:Voi, che mie fide ancelle
1037:L'angue offeso mai riposa
986:Se in fiorito ameno prato
888:Nel tuo seno, amico sasso
659:L'angue offeso mai riposa
639:Se in fiorito ameno prato
601:Nel tuo seno, amico sasso
121:Giacomo Francesco Bussani
5403:Hallische HĂ€ndel-Ausgabe
5393:HĂ€ndel-Werke-Verzeichnis
5381:Catalogs and collections
3931:Mangsen, Sandra (2016),
3538:. Rough Guides. p.
3530:Boyden, Matthew (2007).
3207:"List of Handel's works"
2574:MĂŒnchner Bach-Orchester
2540:Dietrich Fischer-Dieskau
2022:Cesare at original pitch
1950:-inspired choreography.
1511:Se pieta di me non senti
1499:La speranza all alma mia
1325:Se pietĂ di me non senti
1252:42. Sinfonia / La Marche
1092:Belle dee di questo core
1079:Se pietĂ di me non senti
1031:Cessa omai di sospirare!
997:21. Arioso (Cornelia) â
886:11. Arioso (Cornelia) â
850:L'empio, sleale, indegno
679:Belle dee di questo core
675:Se pietĂ di me non senti
589:L'empio, sleale, indegno
5568:Italian-language operas
4902:Allor ch'io dissi addio
4856:Aci, Galatea e Polifemo
4761:Joseph and his Brethren
4126:Giulio Cesare in Egitto
3987:Degott, Pierre (2014),
3846:Oxford University Press
3813:Oxford University Press
3753:, Met Opera on Demand;
3266:Steen, Michael (2014).
3030:cat.: EAN 044007438565
2828:cat.: EAN 824121001407
2715:Lorraine Hunt Lieberson
2577:LP: Deutsche Grammophon
2481:MĂŒnchner Philharmoniker
2345:cat.: EAN 709861305360
2253:Les Musiciens du Louvre
1830:Tutto puĂČ donna vezzosa
1775:Giulio Cesare in Egitto
1509:("Gazing on my idol");
1226:40. Aria (Cleopatra) â
1164:35. Aria (Cleopatra) â
1090:30. Arioso (Tolomeo) â
1077:29. Aria (Cleopatra) â
1048:26. Aria (Cleopatra) â
1012:Se a me non sei crudele
978:19. Aria (Cleopatra) â
898:13. Aria (Cleopatra) â
875:Tutto puĂČ donna vezzosa
873:10. Aria (Cleopatra) â
655:Cessa omai di sospirare
647:Se a me non sei crudele
605:Cara speme, questo core
597:Tutto puĂČ donna vezzosa
200:and the famous soprano
164:Giulio Cesare in Egitto
81:17), commonly known as
49:Giulio Cesare in Egitto
18:Giulio Cesare in Egitto
5328:Concerti grossi, Op. 6
5323:Concerti grossi, Op. 3
5318:Organ concertos, Op. 7
5313:Organ concertos, Op. 4
5088:Queen Caroline Te Deum
4831:The Choice of Hercules
4181:George Frideric Handel
4073:Hunter, David (2015),
3675:George Frideric Handel
2854:Angelika Kirchschlager
2815:Gran Teatro del Liceo
2680:English National Opera
2602:
2406:
2160:English National Opera
2040:
1853:
1845:
1748:Breitkopf & HĂ€rtel
1743:
1723:to the night sky over
1704:Georg Philipp Telemann
1687:
1575:
1549:
1457:
1405:
1397:
1289:
1239:41. Aria (Cornelia) â
1153:DomerĂČ la tua fierezza
1126:
1029:24. Aria (Cornelia) â
949:
835:6. Aria (Cleopatra) â
754:
699:DomerĂČ la tua fierezza
554:
180:
160:
149:
147:George Frideric Handel
105:Royal Academy of Music
101:George Frideric Handel
83:
72:Julius Caesar in Egypt
44:
4916:Clori, Tirsi e Fileno
3867:Harewood, The Earl of
3757:, Met Opera Database.
3627:The Spectator Archive
3430:Dean & Knapp 1995
3418:Dean & Knapp 1995
3406:Dean & Knapp 1995
3380:Dean & Knapp 1995
3294:Dean & Knapp 1995
3172:Kelly, Thomas Forrest
3071:Orchestra and Chorus
2925:cat.: HMD 9909008/09
2728:Staatskapelle Dresden
2593:
2402:, Fifteenth century,
2394:
2299:cat.: MDG 609 1604-2
2283:Tassis Christoyannis
2270:Kristina Hammarström,
2029:
1851:
1843:
1794:PiangerĂČ la sorte mia
1792:, all for Cleopatra:
1739:
1685:
1617:staging a revival of
1532:
1487:Non ha piu che temere
1483:Non e si bello e vago
1451:
1403:
1392:
1329:PiangerĂČ la sorte mia
1283:
1166:PiangerĂČ la sorte mia
1151:34. Aria (Tolomeo) â
1135:32. Aria (Achilla) â
1118:
1016:23. Aria (Tolomeo) â
1010:22. Aria (Achilla) â
947:
926:15. Aria (Achilla) â
814:4. Aria (Cornelia) â
784:Viva il nostro Alcide
752:
726:Non ha piĂč che temere
703:PiangerĂČ la sorte mia
593:Non Ăš si vago e bello
585:Non disperar, chi sĂ ?
547:Nicola Francesco Haym
544:
394:Giuseppe Maria Boschi
370:Margherita Durastanti
277:Francesco Bernardi ("
176:
155:
145:
113:Nicola Francesco Haym
42:
5450:Letters and writings
4923:Dalla guerra amorosa
4584:Va tacito e nascosto
4577:Svegliatevi nel core
4197:List of compositions
4144:Friedrich Chrysander
4079:Boydell & Brewer
3937:Boydell & Brewer
3844:(Revised ed.),
3382:, pp. 504, 507.
3014:Il Giardino Armonico
2996:Anne Sofie von Otter
2915:Concerto Copenhagen
2911:Lars Ulrik Mortensen
2711:Mary Westbrook-Geha,
2565:Ernst Gerold Schramm
2335:Il Complesso Barocco
2308:Marie-Nicole Lemieux
2291:Orchestra of Patras
2240:Anne Sofie von Otter
2214:cat.: HMC 901385/87
1822:Svegliatevi nel core
1810:Alma del gran Pompeo
1758:Friedrich Chrysander
1741:Friedrich Chrysander
1609:as well as the duet
1558:Alma del gran Pompeo
1503:Chi perde un momento
1493:("Cruel creature");
1269:Chi Perde un Momento
1267:45. Aria (Nireno) -
1194:37. Aria (Cesare) â
1179:Dall'ondoso periglio
1067:MorrĂ , Cesare, morrĂ
984:20. Aria (Cesare) â
914:Va tacito e nascosto
911:14. Aria (Cesare) â
900:Tu la mia stella sei
863:Alma del gran Pompeo
848:7. Aria (Tolomeo) â
759:Friedrich Chrysander
707:Aure, deh, per pietĂ
614:Va tacito e nascosto
609:Tu la mia stella sei
580:Svegliatevi nel core
30:For other uses, see
5445:British citizenship
5398:HĂ€ndel-Gesellschaft
5122:Oboe Concerto No. 2
5117:Oboe Concerto No. 1
5112:Oboe Concerto No. 3
4782:Occasional Oratorio
4563:Lascia ch'io pianga
4037:, Macmillan Press,
3961:, pp. 93â105,
3834:Knapp, John Merrill
3329:Burrows et al. 2014
3085:Met Opera on Demand
2961:Le Concert d'Astrée
2945:Varduhi Abrahamyan,
2923:DVD: Harmonia Mundi
2898:Christopher Robson,
2883:cat.: OA BD 7024 D
2859:Christopher Maltman
2796:Elena de la Merced,
2764:Elizabeth Campbell,
2612:
2525:New York City Opera
2456:Karl-Christian Kohn
2416:
2235:Charlotte Hellekant
2222:Marijana Mijanovic,
2080:Huguette Tourangeau
2050:
1913:New York City Opera
1895:Hans Knappertsbusch
1786:William Thomas Best
1753:HĂ€ndel-Gesellschaft
1568:wrote of the aria:
1307:and famous soprano
1207:38. Aria (Sesto) â
1103:31. Aria (Sesto) â
1035:25. Aria (Sesto) â
934:Son nata a lagrimar
892:12. Aria (Sesto) â
867:9. Aria (Cesare) â
801:3. Aria (Cesare) â
788:2. Aria (Cesare) â
740:Musical description
623:Son nata a lagrimar
571:Empio, dirĂČ, tu sei
244:
138:Composition history
4975:Latin church music
4965:Un'alma innamorata
4930:Del bell'idolo mio
4909:Aure soavi e lieti
3485:on 9 February 2017
3408:, pp. 505â507
3121:on 6 February 2015
3069:Metropolitan Opera
3001:Philippe Jaroussky
2993:Christophe Dumaux,
2943:Christophe Dumaux,
2811:Michael Hofstetter
2692:DVD: Arthaus Musik
2621:Cesare, Cleopatra,
2605:
2603:
2487:cat.: C 351 943 D
2471:Hans GĂŒnter Nöcker
2427:Tolomeo, Cornelia,
2425:Cesare, Cleopatra,
2409:
2407:
2059:Cesare, Cleopatra,
2043:
2041:
1854:
1846:
1744:
1732:Nineteenth century
1688:
1664:Anastasia Robinson
1550:
1458:
1439:Eighteenth century
1406:
1398:
1290:
1286:Gaetano Berenstadt
1271:. (act 2 appendix)
1127:
1120:Anastasia Robinson
1073:Che sento? Oh Dio!
1063:Al lampo dell'armi
950:
820:5. Aria (Sesto) â
755:
667:Al lampo dell'armi
555:
409:, Caesar's General
344:Anastasia Robinson
320:Gaetano Berenstadt
240:
161:
150:
45:
5528:
5527:
5460:Handel at Cannons
5131:Orchestral suites
5081:Dettingen Te Deum
5014:As Pants the Hart
4870:Alexander's Feast
4517:Alessandro Severo
4454:Parnasso in festa
4006:10.4000/lisa.6364
3684:978-0-486-29227-4
3247:on 4 October 2018
3090:
3089:
3049:Christophe Dumaux
3009:Giovanni Antonini
2918:Francisco Negrin,
2896:Inger Dam-Jensen,
2847:Christophe Dumaux
2842:Danielle de Niese
2779:Francisco Negrin,
2675:Charles Mackerras
2650:Valerie Masterson
2623:Tolomeo, Cornelia
2583:
2582:
2511:Maureen Forrester
2476:Ferdinand Leitner
2387:Cesare transposed
2349:
2348:
2326:Johannes Weisser
2324:Filippo Mineccia,
2194:Marianne RĂžrholm,
2155:Charles Mackerras
2130:Valerie Masterson
2116:cat.: OD 10123-2
2061:Tolomeo, Cornelia
2037:Pietro da Cortona
1952:Danielle de Niese
1882:expressionist art
1836:Twentieth century
1644:Mercure de France
1495:Spera ne ingannai
1309:Francesca Cuzzoni
671:MorĂ , Cesare morĂ
434:
433:
430:Giuseppe Bigonzi
301:Francesca Cuzzoni
202:Francesca Cuzzoni
91:dramma per musica
16:(Redirected from
5605:
5545:
5544:
5536:
5518:
5508:
5507:
5497:
5496:
5438:Related articles
5095:Chandos Jubilate
5021:Zadok the Priest
4848:Odes and masques
4789:Judas Maccabaeus
4594:Incidental music
4447:Arianna in Creta
4398:Lotario (Handel)
4293:Acis and Galatea
4286:Amadigi di Gaula
4260:
4174:
4167:
4160:
4151:
4129:: Scores at the
4116:Aria Database â
4111:Italian libretto
4100:
4091:
4069:
4066:978-0-94519383-8
4047:
4020:
4009:
4008:
3971:
3949:
3927:
3897:
3862:
3825:
3803:
3781:
3758:
3745:
3739:
3738:
3736:
3734:
3720:
3714:
3713:
3711:
3709:
3695:
3689:
3688:
3670:
3664:
3663:
3661:
3659:
3644:
3638:
3637:
3635:
3633:
3619:
3613:
3612:
3610:
3608:
3594:
3588:
3587:
3585:
3583:
3560:
3554:
3553:
3537:
3527:
3521:
3520:
3501:
3495:
3494:
3492:
3490:
3481:. Archived from
3475:
3469:
3468:
3451:
3445:
3439:
3433:
3427:
3421:
3415:
3409:
3403:
3397:
3392:
3383:
3377:
3371:
3365:
3359:
3349:
3343:
3337:
3331:
3326:
3320:
3317:Christensen 2014
3314:
3308:
3302:
3296:
3291:
3282:
3281:
3263:
3257:
3256:
3254:
3252:
3243:. Archived from
3233:
3227:
3226:
3224:
3222:
3203:
3190:
3189:
3168:
3162:
3161:
3140:
3131:
3130:
3128:
3126:
3111:
3060:Guido Loconsolo
3053:Patricia Bardon,
3020:Patrice Caurier,
2864:William Christie
2851:Patricia Bardon,
2819:Herbert Wernicke
2775:Australian Opera
2766:Stephen Bennett
2717:
2613:
2611:
2586:Video recordings
2545:Tatiana Troyanos
2466:Fritz Wunderlich
2417:
2415:
2404:Royal Collection
2276:Mary-Ellen Nesi,
2274:Irini Karaianni,
2262:cat.: 474 210-2
2225:Magdalena KoĆŸenĂĄ
2175:Jennifer Larmore
2166:cat.: CHAN 3019
2051:
2049:
1994:Audio recordings
1864:, starting with
1762:Royal Collection
1709:House of Hanover
1702:set to music by
1479:transverse flute
1333:V'adoro, pupille
974:Giulio, che miri
683:L'aure che spira
635:V'adoro, pupille
496:Time: 48â47 B.C.
454:transverse flute
245:
243:
125:Antonio Sartorio
117:earlier libretto
88:
76:
73:
70:
67:
64:
60:
55:
21:
5613:
5612:
5608:
5607:
5606:
5604:
5603:
5602:
5553:
5552:
5551:
5539:
5531:
5529:
5524:
5484:
5480:HĂ€ndel-Jahrbuch
5433:
5407:
5376:
5332:
5301:
5147:
5126:
5100:
5061:
5042:Chandos Anthems
5001:
4970:
4882:
4843:
4803:Alexander Balus
4739:Scratch Messiah
4691:Israel in Egypt
4656:Brockes Passion
4649:La resurrezione
4621:
4589:
4550:
4201:
4183:
4178:
4146:, Leipzig 1875)
4107:
4094:
4089:
4072:
4067:
4057:Pendragon Press
4050:
4045:
4023:
4012:
3986:
3983:
3981:Further reading
3969:
3952:
3947:
3930:
3900:
3895:
3871:Peattie, Antony
3865:
3860:
3838:"Giulio Cesare"
3828:
3823:
3806:
3801:
3784:
3772:Burney, Charles
3770:
3762:
3761:
3746:
3742:
3732:
3730:
3722:
3721:
3717:
3707:
3705:
3697:
3696:
3692:
3685:
3672:
3671:
3667:
3657:
3655:
3646:
3645:
3641:
3631:
3629:
3621:
3620:
3616:
3606:
3604:
3598:"Opera Archive"
3596:
3595:
3591:
3581:
3579:
3562:
3561:
3557:
3550:
3529:
3528:
3524:
3503:
3502:
3498:
3488:
3486:
3477:
3476:
3472:
3466:
3453:
3452:
3448:
3440:
3436:
3428:
3424:
3416:
3412:
3404:
3400:
3393:
3386:
3378:
3374:
3366:
3362:
3350:
3346:
3338:
3334:
3327:
3323:
3315:
3311:
3303:
3299:
3292:
3285:
3278:
3265:
3264:
3260:
3250:
3248:
3235:
3234:
3230:
3220:
3218:
3217:on 14 July 2014
3205:
3204:
3193:
3186:
3170:
3169:
3165:
3158:
3144:Burrows, Donald
3142:
3141:
3134:
3124:
3122:
3115:"Giulio Cesare"
3113:
3112:
3105:
3095:
3083:
3067:
3059:
3054:
3052:
3047:
3042:
3029:
3021:
3019:
3012:
3004:
2999:
2994:
2992:
2989:Cecilia Bartoli
2987:
2974:
2969:
2959:
2956:Emmanuelle HaĂŻm
2951:
2946:
2944:
2942:
2937:
2924:
2919:
2914:
2906:
2903:Tuva Semmingsen
2901:
2899:
2897:
2895:
2882:
2877:
2867:
2857:
2852:
2850:
2845:
2840:
2827:
2822:
2814:
2806:
2805:Maite Beaumont,
2804:
2799:
2798:Jordi DomĂšnech,
2797:
2795:
2785:
2780:
2773:
2765:
2763:
2761:
2759:
2754:
2744:
2736:
2726:
2721:James Maddalena
2719:
2713:
2712:
2710:
2708:
2703:
2693:
2688:
2678:
2668:
2663:
2658:
2653:
2648:
2633:Stage director
2629:
2625:Sesto, Achilla
2624:
2622:
2620:
2606:
2599:Andrea Mantegna
2588:
2579:cat.: 2711 009
2578:
2573:
2563:
2558:
2553:
2548:
2543:
2530:
2523:
2516:
2514:
2509:
2504:
2499:
2486:
2479:
2469:
2464:
2459:
2454:
2449:
2433:
2429:Sesto, Achilla
2428:
2426:
2424:
2410:
2400:Andrea Mantegna
2389:
2373:Richard Bonynge
2361:Monica Sinclair
2357:Joan Sutherland
2353:Margreta Elkins
2344:
2333:
2325:
2323:
2321:
2316:
2311:
2298:
2290:
2282:
2277:
2275:
2273:
2272:Emanuela Galli,
2271:
2261:
2251:
2243:
2238:
2233:
2228:
2223:
2213:
2203:
2195:
2193:
2188:
2185:Derek Lee Ragin
2183:
2180:Barbara Schlick
2178:
2165:
2158:
2148:
2143:
2138:
2133:
2128:
2115:
2114:CD: Opera Depot
2110:
2107:Richard Bonynge
2100:
2095:
2093:
2088:
2085:Joan Sutherland
2083:
2067:
2063:Sesto, Achilla
2062:
2060:
2058:
2044:
2024:
1996:
1991:
1969:, is sung by a
1838:
1818:V'adoro pupille
1779:Giovanni Pacini
1734:
1672:
1631:
1554:London Pantheon
1515:V'adoro pupille
1446:
1441:
1436:
1395:British Library
1387:
1385:Instrumentation
1278:
1249:
1236:
1217:
1204:
1191:
1174:
1161:
1145:
1132:
1113:
1100:
1087:
1058:
1045:
1026:
1007:
994:
980:V'adoro pupille
955:
942:
923:
908:
883:
881:Scene 8, Part 1
858:
845:
832:
811:
798:
779:
774:
747:
742:
691:
631:
545:The librettist
539:
507:
490:
262:Giulio Cesare (
257:
241:
238:
140:
132:Roman Civil War
111:was written by
74:
71:
68:
65:
53:
35:
28:
23:
22:
15:
12:
11:
5:
5611:
5609:
5601:
5600:
5595:
5590:
5585:
5580:
5575:
5570:
5565:
5555:
5554:
5550:
5549:
5526:
5525:
5523:
5522:
5512:
5502:
5489:
5486:
5485:
5483:
5482:
5477:
5472:
5467:
5462:
5457:
5452:
5447:
5441:
5439:
5435:
5434:
5432:
5431:
5426:
5421:
5415:
5413:
5409:
5408:
5406:
5405:
5400:
5395:
5390:
5384:
5382:
5378:
5377:
5375:
5374:
5369:
5362:
5355:
5348:
5340:
5338:
5334:
5333:
5331:
5330:
5325:
5320:
5315:
5309:
5307:
5303:
5302:
5300:
5299:
5294:
5289:
5284:
5279:
5274:
5269:
5264:
5259:
5254:
5249:
5244:
5239:
5234:
5229:
5224:
5219:
5214:
5209:
5204:
5199:
5194:
5189:
5184:
5179:
5172:
5166:
5164:
5149:
5148:
5146:
5145:
5140:
5134:
5132:
5128:
5127:
5125:
5124:
5119:
5114:
5108:
5106:
5105:Oboe concertos
5102:
5101:
5099:
5098:
5091:
5084:
5077:
5069:
5067:
5063:
5062:
5060:
5059:
5052:
5045:
5038:
5031:
5024:
5017:
5009:
5007:
5003:
5002:
5000:
4999:
4994:
4989:
4984:
4978:
4976:
4972:
4971:
4969:
4968:
4961:
4954:
4947:
4940:
4937:Apollo e Dafne
4933:
4926:
4919:
4912:
4905:
4898:
4890:
4888:
4884:
4883:
4881:
4880:
4873:
4866:
4859:
4851:
4849:
4845:
4844:
4842:
4841:
4834:
4827:
4820:
4813:
4806:
4799:
4792:
4785:
4778:
4771:
4764:
4757:
4750:
4743:
4742:
4741:
4736:
4728:
4723:
4718:
4713:
4701:
4694:
4687:
4680:
4673:
4666:
4659:
4652:
4645:
4629:
4627:
4623:
4622:
4620:
4619:
4612:
4605:
4597:
4595:
4591:
4590:
4588:
4587:
4580:
4573:
4566:
4558:
4556:
4555:Opera excerpts
4552:
4551:
4549:
4548:
4541:
4534:
4527:
4520:
4513:
4506:
4499:
4492:
4485:
4478:
4471:
4464:
4457:
4450:
4443:
4436:
4429:
4422:
4415:
4408:
4401:
4394:
4387:
4380:
4377:Riccardo Primo
4373:
4366:
4359:
4352:
4345:
4338:
4331:
4324:
4317:
4310:
4303:
4296:
4289:
4282:
4275:
4268:
4265:Il pastor fido
4261:
4249:
4242:
4235:
4228:
4209:
4207:
4203:
4202:
4200:
4199:
4194:
4192:List of operas
4188:
4185:
4184:
4179:
4177:
4176:
4169:
4162:
4154:
4148:
4147:
4133:
4122:
4113:
4106:
4105:External links
4103:
4102:
4101:
4092:
4088:978-1783270613
4087:
4070:
4065:
4048:
4043:
4025:Hicks, Anthony
4021:
4010:
3982:
3979:
3978:
3977:
3968:978-0521088350
3967:
3950:
3946:978-1580465496
3945:
3928:
3917:10.2307/941073
3898:
3893:
3863:
3858:
3826:
3821:
3804:
3800:978-1107470118
3799:
3782:
3760:
3759:
3740:
3715:
3690:
3683:
3665:
3639:
3614:
3589:
3555:
3549:978-1843535386
3548:
3522:
3505:Flower, Newman
3496:
3470:
3465:978-0199365203
3464:
3446:
3434:
3422:
3410:
3398:
3384:
3372:
3360:
3344:
3332:
3321:
3309:
3297:
3283:
3277:978-1848316119
3276:
3258:
3228:
3191:
3185:978-0300115260
3184:
3163:
3157:978-0199737369
3156:
3132:
3102:
3101:
3094:
3091:
3088:
3087:
3077:
3072:
3061:
3044:Natalie Dessay
3036:
3032:
3031:
3023:
3016:
3006:
2984:Andreas Scholl
2981:
2977:
2976:
2975:cat.: 0709399
2971:
2963:
2953:
2948:Isabel Leonard
2939:Natalie Dessay
2934:Lawrence Zazzo
2931:
2927:
2926:
2921:
2916:
2908:
2907:Palle Knudsen
2892:Andreas Scholl
2889:
2885:
2884:
2881:DVD: Opus Arte
2879:
2871:
2861:
2837:Sarah Connolly
2834:
2830:
2829:
2824:
2816:
2808:
2794:Flavio Oliver,
2792:
2788:
2787:
2786:cat.: 2053599
2782:
2777:
2770:Richard Hickox
2767:
2762:Rosemary Gunn,
2760:Andrew Dalton,
2753:Graham Pushee,
2751:
2747:
2746:
2745:cat.: 0714089
2738:
2730:
2723:
2700:
2696:
2695:
2690:
2682:
2672:
2670:John Tomlinson
2642:
2638:
2637:
2634:
2631:
2626:
2617:
2587:
2584:
2581:
2580:
2575:
2567:
2560:Peter Schreier
2537:
2533:
2532:
2527:
2518:
2517:Dominic Cossa
2515:Beverly Wolff,
2496:Norman Treigle
2493:
2489:
2488:
2485:CD: Orfeo d'Or
2483:
2473:
2461:Christa Ludwig
2443:
2439:
2438:
2435:
2430:
2421:
2388:
2385:
2369:Richard Conrad
2347:
2346:
2337:
2327:
2305:
2301:
2300:
2292:
2284:
2268:
2264:
2263:
2255:
2248:Marc Minkowski
2245:
2220:
2216:
2215:
2211:Harmonia Mundi
2207:
2197:
2172:
2168:
2167:
2162:
2152:
2150:John Tomlinson
2122:
2118:
2117:
2112:
2104:
2077:
2073:
2072:
2069:
2064:
2055:
2023:
2020:
1995:
1992:
1990:
1987:
1956:Michael Tanner
1919:as Cesare and
1917:Norman Treigle
1837:
1834:
1733:
1730:
1692:Thomas Lediard
1671:
1668:
1630:
1627:
1621:in 1787 as a "
1566:Charles Burney
1544:, designed by
1534:William Hodges
1470:Giulio Cesare,
1445:
1442:
1440:
1437:
1435:
1432:
1386:
1383:
1375:viola da gamba
1300:, sung by the
1284:Caricature of
1277:
1274:
1273:
1272:
1265:
1259:
1253:
1248:
1245:
1244:
1243:
1235:
1232:
1231:
1230:
1224:
1216:
1213:
1212:
1211:
1203:
1200:
1199:
1198:
1190:
1187:
1186:
1185:
1173:
1170:
1169:
1168:
1160:
1157:
1156:
1155:
1149:
1144:
1141:
1140:
1139:
1131:
1128:
1124:British Museum
1112:
1109:
1108:
1107:
1099:
1096:
1095:
1094:
1086:
1083:
1082:
1081:
1075:
1069:
1057:
1054:
1053:
1052:
1044:
1041:
1040:
1039:
1033:
1025:
1022:
1021:
1020:
1014:
1006:
1003:
1002:
1001:
993:
990:
989:
988:
982:
976:
970:
954:
951:
941:
938:
937:
936:
930:
922:
919:
918:
917:
907:
904:
903:
902:
896:
890:
882:
879:
878:
877:
871:
865:
857:
854:
853:
852:
844:
841:
840:
839:
831:
828:
827:
826:
818:
810:
807:
806:
805:
797:
794:
793:
792:
786:
778:
775:
773:
770:
769:
768:
746:
743:
741:
738:
690:
687:
630:
627:
538:
535:
506:
503:
498:
497:
494:
489:
486:
482:basso continuo
470:viola da gamba
446:alto recorders
432:
431:
428:
427:alto castrato
425:
418:
417:
414:
411:
397:
396:
391:
386:
373:
372:
367:
360:
347:
346:
341:
336:
323:
322:
317:
316:alto castrato
314:
304:
303:
298:
293:
291:Queen of Egypt
283:
282:
275:
267:
259:
258:
254:
249:
237:
234:
225:Horace Walpole
168:King's Theatre
139:
136:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5610:
5599:
5596:
5594:
5591:
5589:
5586:
5584:
5581:
5579:
5576:
5574:
5571:
5569:
5566:
5564:
5561:
5560:
5558:
5548:
5543:
5538:
5534:
5521:
5517:
5513:
5511:
5503:
5501:
5500:
5491:
5490:
5487:
5481:
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5456:
5453:
5451:
5448:
5446:
5443:
5442:
5440:
5436:
5430:
5427:
5425:
5422:
5420:
5417:
5416:
5414:
5410:
5404:
5401:
5399:
5396:
5394:
5391:
5389:
5386:
5385:
5383:
5379:
5373:
5370:
5368:
5367:
5363:
5361:
5360:
5356:
5354:
5353:
5349:
5347:
5346:
5342:
5341:
5339:
5335:
5329:
5326:
5324:
5321:
5319:
5316:
5314:
5311:
5310:
5308:
5304:
5298:
5295:
5293:
5290:
5288:
5285:
5283:
5280:
5278:
5275:
5273:
5270:
5268:
5265:
5263:
5260:
5258:
5255:
5253:
5250:
5248:
5245:
5243:
5240:
5238:
5235:
5233:
5230:
5228:
5225:
5223:
5220:
5218:
5215:
5213:
5210:
5208:
5205:
5203:
5200:
5198:
5195:
5193:
5190:
5188:
5185:
5183:
5180:
5177:
5173:
5171:
5168:
5167:
5165:
5162:
5158:
5154:
5150:
5144:
5141:
5139:
5136:
5135:
5133:
5129:
5123:
5120:
5118:
5115:
5113:
5110:
5109:
5107:
5103:
5097:
5096:
5092:
5090:
5089:
5085:
5083:
5082:
5078:
5076:
5075:
5071:
5070:
5068:
5064:
5058:
5057:
5053:
5051:
5050:
5046:
5044:
5043:
5039:
5037:
5036:
5035:Sing Unto God
5032:
5030:
5029:
5025:
5023:
5022:
5018:
5016:
5015:
5011:
5010:
5008:
5004:
4998:
4995:
4993:
4990:
4988:
4985:
4983:
4982:Dixit Dominus
4980:
4979:
4977:
4973:
4967:
4966:
4962:
4960:
4959:
4955:
4953:
4952:
4951:Ero e Leandro
4948:
4946:
4945:
4941:
4939:
4938:
4934:
4932:
4931:
4927:
4925:
4924:
4920:
4918:
4917:
4913:
4911:
4910:
4906:
4904:
4903:
4899:
4897:
4896:
4892:
4891:
4889:
4885:
4879:
4878:
4874:
4872:
4871:
4867:
4865:
4864:
4860:
4858:
4857:
4853:
4852:
4850:
4846:
4840:
4839:
4835:
4833:
4832:
4828:
4826:
4825:
4821:
4819:
4818:
4814:
4812:
4811:
4807:
4805:
4804:
4800:
4798:
4797:
4793:
4791:
4790:
4786:
4784:
4783:
4779:
4777:
4776:
4772:
4770:
4769:
4765:
4763:
4762:
4758:
4756:
4755:
4751:
4749:
4748:
4744:
4740:
4737:
4735:(Mozart arr.)
4734:
4733:
4729:
4727:
4724:
4722:
4719:
4717:
4714:
4712:
4709:
4708:
4707:
4706:
4702:
4700:
4699:
4695:
4693:
4692:
4688:
4686:
4685:
4681:
4679:
4678:
4674:
4672:
4671:
4667:
4665:
4664:
4660:
4658:
4657:
4653:
4651:
4650:
4646:
4644:
4643:
4639:
4635:
4631:
4630:
4628:
4624:
4618:
4617:
4613:
4611:
4610:
4606:
4604:
4603:
4602:The Alchemist
4599:
4598:
4596:
4592:
4585:
4581:
4578:
4574:
4571:
4567:
4564:
4560:
4559:
4557:
4553:
4547:
4546:
4542:
4540:
4539:
4535:
4533:
4532:
4531:Giove in Argo
4528:
4526:
4525:
4521:
4519:
4518:
4514:
4512:
4511:
4507:
4505:
4504:
4500:
4498:
4497:
4493:
4491:
4490:
4486:
4484:
4483:
4479:
4477:
4476:
4472:
4470:
4469:
4465:
4463:
4462:
4458:
4456:
4455:
4451:
4449:
4448:
4444:
4442:
4441:
4437:
4435:
4434:
4430:
4428:
4427:
4423:
4421:
4420:
4416:
4414:
4413:
4409:
4407:
4406:
4402:
4400:
4399:
4395:
4393:
4392:
4388:
4386:
4385:
4381:
4379:
4378:
4374:
4372:
4371:
4367:
4365:
4364:
4360:
4358:
4357:
4353:
4351:
4350:
4346:
4344:
4343:
4339:
4337:
4336:
4335:Giulio Cesare
4332:
4330:
4329:
4325:
4323:
4322:
4318:
4316:
4315:
4311:
4309:
4308:
4307:Muzio Scevola
4304:
4302:
4301:
4297:
4295:
4294:
4290:
4288:
4287:
4283:
4281:
4280:
4276:
4274:
4273:
4269:
4267:
4266:
4262:
4259:
4255:
4254:
4250:
4248:
4247:
4243:
4241:
4240:
4236:
4234:
4233:
4229:
4226:
4225:
4220:
4219:
4214:
4211:
4210:
4208:
4204:
4198:
4195:
4193:
4190:
4189:
4186:
4182:
4175:
4170:
4168:
4163:
4161:
4156:
4155:
4152:
4145:
4141:
4140:Giulio Cesare
4137:
4134:
4132:
4128:
4127:
4123:
4121:
4119:
4118:Giulio Cesare
4114:
4112:
4109:
4108:
4104:
4098:
4093:
4090:
4084:
4080:
4076:
4071:
4068:
4062:
4058:
4054:
4049:
4046:
4044:0-333-73432-7
4040:
4036:
4035:
4030:
4029:Stanley Sadie
4026:
4022:
4018:
4017:
4011:
4007:
4002:
3998:
3994:
3990:
3985:
3984:
3980:
3975:
3970:
3964:
3960:
3956:
3951:
3948:
3942:
3938:
3934:
3929:
3926:
3922:
3918:
3914:
3910:
3906:
3905:
3899:
3896:
3890:
3886:
3882:
3878:
3877:
3872:
3868:
3864:
3861:
3855:
3851:
3847:
3843:
3839:
3835:
3831:
3827:
3824:
3822:9780195335538
3818:
3814:
3810:
3805:
3802:
3796:
3792:
3788:
3783:
3779:
3778:
3773:
3769:
3768:
3767:
3766:
3756:
3752:
3750:
3749:Giulio Cesare
3744:
3741:
3729:
3725:
3719:
3716:
3704:
3700:
3694:
3691:
3686:
3680:
3676:
3669:
3666:
3654:
3653:The Spectator
3650:
3643:
3640:
3628:
3624:
3618:
3615:
3603:
3599:
3593:
3590:
3578:
3574:
3570:
3566:
3559:
3556:
3551:
3545:
3541:
3536:
3535:
3526:
3523:
3518:
3514:
3510:
3506:
3500:
3497:
3484:
3480:
3474:
3471:
3467:
3461:
3457:
3450:
3447:
3444:, p. 306
3443:
3438:
3435:
3432:, p. 507
3431:
3426:
3423:
3420:, p. 507
3419:
3414:
3411:
3407:
3402:
3399:
3396:
3391:
3389:
3385:
3381:
3376:
3373:
3370:, p. 63.
3369:
3364:
3361:
3357:
3353:
3348:
3345:
3341:
3336:
3333:
3330:
3325:
3322:
3318:
3313:
3310:
3306:
3301:
3298:
3295:
3290:
3288:
3284:
3279:
3273:
3269:
3262:
3259:
3246:
3242:
3238:
3232:
3229:
3216:
3212:
3208:
3202:
3200:
3198:
3196:
3192:
3187:
3181:
3177:
3173:
3167:
3164:
3159:
3153:
3149:
3145:
3139:
3137:
3133:
3120:
3116:
3110:
3108:
3104:
3100:
3099:
3092:
3086:
3081:
3078:
3076:
3075:David McVicar
3073:
3070:
3065:
3062:
3057:
3050:
3045:
3040:
3039:David Daniels
3037:
3034:
3033:
3028:
3024:
3018:Moshe Leiser,
3017:
3015:
3010:
3007:
3002:
2997:
2990:
2985:
2982:
2979:
2978:
2972:
2967:
2966:Laurent Pelly
2964:
2962:
2957:
2954:
2949:
2940:
2935:
2932:
2929:
2928:
2922:
2917:
2912:
2909:
2904:
2900:Randi Steene,
2893:
2890:
2887:
2886:
2880:
2878:Glyndebourne
2875:
2874:David McVicar
2872:
2870:
2865:
2862:
2860:
2855:
2848:
2843:
2838:
2835:
2832:
2831:
2825:
2820:
2817:
2812:
2809:
2807:Oliver Zwarg
2802:
2793:
2790:
2789:
2784:DVD: EuroArts
2783:
2778:
2776:
2771:
2768:
2757:
2752:
2749:
2748:
2743:
2739:
2734:
2733:Peter Sellars
2731:
2729:
2724:
2722:
2716:
2706:
2702:Jeffrey Gall,
2701:
2698:
2697:
2694:cat.: 100308
2691:
2686:
2683:
2681:
2676:
2673:
2671:
2666:
2661:
2656:
2651:
2646:
2643:
2640:
2639:
2635:
2632:
2627:
2618:
2615:
2614:
2609:
2608:Giulio Cesare
2600:
2596:
2592:
2585:
2576:
2571:
2568:
2566:
2561:
2556:
2551:
2546:
2541:
2538:
2535:
2534:
2528:
2526:
2522:
2519:
2512:
2507:
2502:
2501:Beverly Sills
2497:
2494:
2491:
2490:
2484:
2482:
2477:
2474:
2472:
2467:
2462:
2457:
2452:
2447:
2444:
2441:
2440:
2436:
2431:
2422:
2419:
2418:
2413:
2412:Giulio Cesare
2405:
2401:
2397:
2393:
2386:
2384:
2382:
2378:
2374:
2370:
2366:
2365:Marilyn Horne
2362:
2359:(Cleopatra),
2358:
2354:
2342:
2338:
2336:
2331:
2328:
2322:EmĆke BarĂĄth,
2319:
2314:
2313:Karina Gauvin
2309:
2306:
2303:
2302:
2297:
2293:
2288:
2287:George Petrou
2285:
2280:
2269:
2266:
2265:
2260:
2256:
2254:
2249:
2246:
2241:
2236:
2231:
2226:
2221:
2218:
2217:
2212:
2208:
2206:
2205:Concerto Köln
2201:
2198:
2196:Furio Zanasi
2191:
2190:Bernarda Fink
2186:
2181:
2176:
2173:
2170:
2169:
2163:
2161:
2156:
2153:
2151:
2146:
2141:
2136:
2131:
2126:
2123:
2120:
2119:
2113:
2108:
2105:
2103:
2098:
2094:Ursula Boese,
2091:
2086:
2081:
2078:
2075:
2074:
2070:
2065:
2056:
2053:
2052:
2047:
2046:Giulio Cesare
2038:
2034:
2033:
2028:
2021:
2019:
2017:
2016:bass-baritone
2013:
2009:
2005:
2004:counter-tenor
2001:
2000:mezzo-soprano
1993:
1988:
1986:
1982:
1980:
1976:
1975:mezzo-soprano
1972:
1968:
1963:
1961:
1960:The Spectator
1957:
1953:
1949:
1945:
1944:David McVicar
1941:
1937:
1935:
1930:
1928:
1927:Giulio Cesare
1924:
1922:
1921:Beverly Sills
1918:
1914:
1911:In 1966, the
1909:
1907:
1906:Giulio Cesare
1902:
1900:
1896:
1892:
1887:
1883:
1879:
1875:
1874:
1869:
1868:
1863:
1859:
1850:
1842:
1835:
1833:
1831:
1827:
1823:
1819:
1815:
1811:
1807:
1806:Giulio Cesare
1803:
1799:
1795:
1791:
1790:Giulio Cesare
1787:
1782:
1780:
1776:
1771:
1770:Giulio Cesare
1767:
1763:
1759:
1755:
1754:
1749:
1742:
1738:
1731:
1729:
1726:
1722:
1718:
1714:
1710:
1705:
1700:
1695:
1693:
1684:
1680:
1677:
1669:
1667:
1665:
1661:
1657:
1653:
1652:
1646:
1645:
1640:
1639:Pierre Crozat
1636:
1635:Giulio Cesare
1628:
1626:
1624:
1620:
1619:Giulio Cesare
1616:
1615:Samuel Arnold
1612:
1608:
1604:
1600:
1596:
1592:
1587:
1586:Giulio Cesare
1582:
1579:
1574:
1569:
1567:
1563:
1559:
1555:
1547:
1546:Richard Wyatt
1543:
1542:Oxford Street
1539:
1535:
1531:
1527:
1524:
1520:
1516:
1512:
1508:
1504:
1500:
1496:
1492:
1488:
1484:
1480:
1474:
1471:
1467:
1463:
1455:
1454:Giulio Cesare
1450:
1443:
1438:
1433:
1431:
1428:
1422:
1419:
1415:
1411:
1402:
1396:
1391:
1384:
1382:
1378:
1377:concertante.
1376:
1372:
1368:
1364:
1360:
1356:
1355:
1350:
1346:
1342:
1338:
1334:
1330:
1326:
1322:
1317:
1314:
1310:
1306:
1303:
1299:
1295:
1292:The roles of
1287:
1282:
1275:
1270:
1266:
1264:
1260:
1258:
1254:
1251:
1250:
1246:
1242:
1238:
1237:
1233:
1229:
1225:
1223:
1219:
1218:
1214:
1210:
1206:
1205:
1201:
1197:
1193:
1192:
1188:
1184:
1180:
1176:
1175:
1171:
1167:
1163:
1162:
1158:
1154:
1150:
1147:
1146:
1142:
1138:
1134:
1133:
1129:
1125:
1121:
1117:
1110:
1106:
1102:
1101:
1097:
1093:
1089:
1088:
1084:
1080:
1076:
1074:
1070:
1068:
1064:
1060:
1059:
1055:
1051:
1047:
1046:
1042:
1038:
1034:
1032:
1028:
1027:
1023:
1019:
1015:
1013:
1009:
1008:
1004:
1000:
996:
995:
991:
987:
983:
981:
977:
975:
971:
969:
965:
961:
957:
956:
952:
946:
939:
935:
931:
929:
925:
924:
920:
916:
915:
910:
909:
905:
901:
897:
895:
891:
889:
885:
884:
880:
876:
872:
870:
866:
864:
860:
859:
855:
851:
847:
846:
842:
838:
834:
833:
829:
825:
824:
819:
817:
813:
812:
808:
804:
800:
799:
795:
791:
787:
785:
781:
780:
776:
771:
767:
764:
763:
762:
760:
751:
744:
739:
737:
735:
731:
727:
722:
720:
716:
712:
708:
704:
700:
696:
688:
686:
684:
680:
676:
672:
668:
664:
660:
656:
652:
648:
644:
640:
636:
628:
626:
624:
620:
616:
615:
610:
606:
602:
598:
594:
590:
586:
582:
581:
576:
572:
568:
564:
560:
552:
548:
543:
536:
534:
531:
527:
523:
519:
515:
511:
505:Abridged plot
504:
502:
495:
492:
491:
487:
485:
483:
479:
475:
471:
467:
463:
459:
455:
451:
447:
443:
439:
429:
426:
424:
420:
419:
416:John Lagarde
415:
412:
410:
408:
402:
399:
398:
395:
392:
390:
387:
385:
384:
378:
375:
374:
371:
368:
365:
361:
359:
358:
352:
349:
348:
345:
342:
340:
337:
335:
334:
328:
325:
324:
321:
318:
315:
313:
309:
306:
305:
302:
299:
297:
294:
292:
288:
285:
284:
280:
276:
274:
271:
268:
265:
264:Julius Caesar
261:
260:
255:
253:
250:
247:
246:
235:
233:
231:
226:
222:
221:Giulio Cesare
218:
217:
210:
207:
203:
199:
196:
192:
188:
185:The roles of
183:
179:
175:
173:
169:
165:
159:
154:
148:
144:
137:
135:
134:of 49â45 BC.
133:
128:
126:
122:
118:
114:
110:
107:in 1724. The
106:
102:
98:
97:
92:
87:
86:
85:Giulio Cesare
80:
59:
51:
50:
41:
37:
33:
19:
5492:
5475:Georg HĂ€ndel
5465:Handel House
5364:
5357:
5350:
5343:
5093:
5086:
5079:
5072:
5054:
5047:
5040:
5033:
5026:
5019:
5012:
4997:Salve Regina
4992:Nisi Dominus
4963:
4956:
4949:
4942:
4935:
4928:
4921:
4914:
4907:
4900:
4893:
4875:
4868:
4861:
4854:
4836:
4829:
4822:
4815:
4808:
4801:
4794:
4787:
4780:
4773:
4766:
4759:
4752:
4745:
4730:
4703:
4696:
4689:
4682:
4675:
4668:
4661:
4654:
4647:
4641:
4640: /
4637:
4636: /
4633:
4614:
4607:
4600:
4570:Ombra mai fu
4543:
4536:
4529:
4522:
4515:
4508:
4501:
4494:
4487:
4480:
4473:
4466:
4459:
4452:
4445:
4438:
4431:
4424:
4417:
4410:
4403:
4396:
4389:
4382:
4375:
4368:
4361:
4354:
4347:
4340:
4334:
4333:
4326:
4319:
4312:
4305:
4298:
4291:
4284:
4277:
4270:
4263:
4251:
4244:
4237:
4230:
4222:
4216:
4139:
4125:
4117:
4096:
4074:
4052:
4032:
4015:
3996:
3992:
3973:
3954:
3932:
3908:
3902:
3881:Random House
3874:
3841:
3830:Dean, Winton
3808:
3786:
3776:
3764:
3763:
3748:
3743:
3731:. Retrieved
3728:Operadis.com
3727:
3718:
3706:. Retrieved
3703:Presto.co.uk
3702:
3693:
3674:
3668:
3656:. Retrieved
3652:
3642:
3630:. Retrieved
3626:
3617:
3605:. Retrieved
3602:Glyndebourne
3601:
3592:
3580:. Retrieved
3569:The Observer
3568:
3558:
3533:
3525:
3508:
3499:
3487:. Retrieved
3483:the original
3473:
3455:
3449:
3437:
3425:
3413:
3401:
3375:
3363:
3347:
3340:Mangsen 2016
3335:
3324:
3312:
3300:
3267:
3261:
3249:. Retrieved
3245:the original
3240:
3231:
3219:. Retrieved
3215:the original
3211:Gfhandel.org
3210:
3175:
3166:
3147:
3123:. Retrieved
3119:the original
3097:
3096:
3064:Harry Bicket
3005:Ruben Drole
2952:Nathan Berg
2756:Yvonne Kenny
2725:Craig Smith,
2709:Drew Minter,
2705:Susan Larson
2660:Sarah Walker
2655:James Bowman
2607:
2570:Karl Richter
2555:Julia Hamari
2521:Julius Rudel
2446:Walter Berry
2411:
2371:(Sesto) and
2367:(Cornelia),
2350:
2318:Romina Basso
2279:Romina Basso
2140:Sarah Walker
2135:James Bowman
2090:Cvetka Ahlin
2045:
2030:
2010:practice of
1997:
1983:
1979:countertenor
1964:
1940:Glyndebourne
1938:
1931:
1926:
1925:
1910:
1905:
1903:
1891:C. F. Peters
1878:Giulo Cesare
1877:
1871:
1870:in 1920 and
1865:
1855:
1829:
1825:
1821:
1817:
1813:
1809:
1805:
1801:
1797:
1793:
1789:
1783:
1774:
1769:
1751:
1745:
1696:
1689:
1676:Braunschweig
1673:
1649:
1642:
1634:
1632:
1618:
1610:
1607:Venere bella
1606:
1603:Non desperar
1602:
1598:
1594:
1590:
1585:
1583:
1580:
1576:
1571:
1557:
1551:
1538:The Pantheon
1522:
1519:Non disperar
1518:
1514:
1510:
1507:Venere bella
1506:
1502:
1498:
1494:
1490:
1486:
1482:
1475:
1469:
1459:
1453:
1426:
1423:
1413:
1407:
1379:
1353:
1332:
1328:
1327:(II, 8) and
1324:
1318:
1313:accompagnati
1312:
1291:
1268:
1262:
1256:
1240:
1227:
1221:
1208:
1195:
1182:
1178:
1165:
1152:
1148:33. Sinfonia
1136:
1104:
1091:
1078:
1072:
1066:
1062:
1049:
1036:
1030:
1017:
1011:
998:
985:
979:
973:
967:
963:
933:
927:
912:
899:
893:
887:
874:
868:
862:
849:
836:
821:
815:
802:
789:
783:
756:
733:
729:
725:
723:
718:
714:
710:
706:
702:
698:
694:
692:
682:
678:
674:
670:
669:). (Chorus:
666:
663:Venere bella
662:
658:
654:
650:
646:
642:
638:
634:
632:
622:
618:
612:
608:
604:
600:
596:
592:
588:
584:
578:
574:
570:
566:
562:
556:
508:
499:
493:Place: Egypt
435:
422:
404:
380:
354:
330:
311:
290:
220:
214:
211:
206:accompagnati
205:
184:
181:
177:
163:
162:
157:
129:
115:who used an
94:
84:
48:
47:
46:
36:
5578:1724 operas
5573:Opera seria
5176:Fitzwilliam
5138:Water Music
4732:Der Messias
4099:, W. Heffer
3974:opera seria
3883:, pp.
3848:, pp.
3755:CID: 354987
3395:Strohm 2008
3368:Burney 1785
3354:, pp.
3352:Burney 1785
3305:Hunter 1989
3056:Alice Coote
2973:DVD: Virgin
2920:Copenhagen
2685:John Copley
2665:Della Jones
2645:Janet Baker
2550:Franz Crass
2531:cat.: 6182
2506:Spiro Malas
2363:(Tolomeo),
2330:Alan Curtis
2244:Alan Ewing
2230:Bejun Mehta
2200:René Jacobs
2164:CD: Chandos
2145:Della Jones
2125:Janet Baker
2012:transposing
1858:Oskar Hagen
1802:Da tempeste
1766:opera seria
1656:Paris Opera
1599:Da tempeste
1466:Dean Street
1261:44. Coro â
561:. (Chorus:
551:Marco Ricci
364:en travesti
96:opera seria
5557:Categories
4775:Belshazzar
4363:Alessandro
4314:Floridante
3993:Revue LISA
3894:0091814103
3859:0198164416
3125:6 February
3093:References
2823:Barcelona
2801:Ewa PodleĆ
2630:orchestra
2628:Conductor,
2451:Lucia Popp
2434:orchestra
2432:Conductor,
2355:(Cesare),
2102:Tom Krause
2097:Lucia Popp
2068:orchestra
2066:Conductor,
1989:Recordings
1832:(Vol. 5).
1824:(Vol. 4),
1820:(Vol. 3),
1812:(Vol. 1),
1562:George III
1491:Cara speme
1462:John Walsh
1418:concertato
1345:orchestras
782:1. Coro â
381:Tolomeo's
252:Voice type
5419:Göttingen
5412:Festivals
5345:Germanico
5066:Canticles
4711:Structure
4626:Oratorios
4510:Faramondo
4468:Ariodante
4405:Partenope
4349:Rodelinda
4342:Tamerlano
4300:Radamisto
4246:Agrippina
3577:0029-7712
3489:4 October
3241:Naxos.com
3022:Salzburg
1971:contralto
1948:Bollywood
1899:Karl Böhm
1867:Rodelinda
1862:Göttingen
1816:(Vol.2),
1623:pasticcio
1595:Va tacito
1341:Parnassus
1298:Cleopatra
745:Structure
530:Cleopatra
362:soprano (
339:contralto
331:widow of
287:Cleopatra
191:Cleopatra
172:Haymarket
5499:Category
4887:Cantatas
4824:Theodora
4768:Hercules
4726:Part III
4545:Deidamia
4503:Berenice
4496:Giustino
4482:Atalanta
4356:Scipione
4218:Florindo
3873:(1997),
3836:(1995),
3774:(1785).
3658:2 August
3632:2 August
3607:2 August
3582:2 August
3270:. Icon.
3174:(2006).
3146:(2012).
3080:HD video
2826:DVD: TDK
1967:castrato
1699:George I
1660:Louis XV
1427:sinfonia
1410:continuo
1371:bassoons
1305:Senesino
1302:castrato
1247:Scene 10
1098:Scene 11
960:Sinfonia
921:Scene 11
766:Overture
559:Hercules
553:, c 1709
518:Cornelia
488:Synopsis
450:bassoons
421:Nireno,
327:Cornelia
279:Senesino
273:castrato
198:Senesino
195:castrato
109:libretto
103:for the
54:Italian:
5510:Commons
5163:sonatas
5161:XV solo
5006:Anthems
4838:Jephtha
4817:Solomon
4810:Susanna
4721:Part II
4705:Messiah
4677:Athalia
4670:Deborah
4616:Alceste
4489:Arminio
4440:Orlando
4426:Sosarme
4391:Tolomeo
4253:Rinaldo
4239:Rodrigo
4031:(ed.),
3885:305â308
3850:483â526
3765:Sources
3733:22 June
3708:22 June
3517:53-9008
3251:22 June
3221:22 June
2781:Sydney
2737:Berlin
2689:London
2529:CD: RCA
1886:Bauhaus
1670:Germany
1654:at the
1548:in 1772
1444:England
1354:sordino
1349:strings
1234:Scene 9
1215:Scene 7
1202:Scene 6
1189:Scene 5
1172:Scene 4
1159:Scene 3
1143:Scene 2
1130:Scene 1
1085:Scene 9
1056:Scene 8
1043:Scene 7
1024:Scene 6
1005:Scene 4
992:Scene 3
953:Scene 2
906:Scene 9
856:Scene 7
843:Scene 6
830:Scene 5
809:Scene 4
796:Scene 3
777:Scene 1
522:Tolomeo
478:theorbo
458:violins
407:praetor
383:General
377:Achilla
357:stepson
308:Tolomeo
296:soprano
170:in the
89:, is a
66:
5583:Operas
5533:Portal
5429:London
5359:Gideon
4987:Gloria
4796:Joshua
4754:Semele
4747:Samson
4716:Part I
4663:Esther
4538:Imeneo
4475:Alcina
4461:Oreste
4433:Catone
4370:Admeto
4328:Flavio
4321:Ottone
4232:Almira
4224:Daphne
4206:Operas
4085:
4063:
4041:
3965:
3943:
3925:941073
3923:
3891:
3856:
3819:
3797:
3681:
3575:
3546:
3515:
3462:
3274:
3182:
3154:
2970:Paris
2636:Label
2437:Label
2381:Alcina
2259:Archiv
2071:Label
2039:, 1637
1873:Ottone
1725:London
1721:Oxford
1713:Thames
1651:Ottone
1629:France
1363:tiorba
1294:Cesare
514:Pompeo
510:Cesare
462:violas
333:Pompey
216:Flavio
187:Cesare
158:Flavio
5547:Opera
5520:Audio
5424:Halle
5352:Nabal
5337:Other
5153:Flute
4609:Comus
4524:Serse
4384:Siroe
4279:Silla
4272:Teseo
4142:(ed.
4136:Score
3921:JSTOR
3904:Notes
3356:53â54
3098:Notes
3035:2013
3027:Decca
3025:DVD:
2980:2012
2930:2011
2888:2005
2833:2005
2791:2004
2750:1994
2742:Decca
2740:DVD:
2699:1990
2641:1984
2619:Cast:
2616:Year
2536:1969
2492:1967
2442:1965
2423:Cast:
2420:Year
2377:Decca
2341:naĂŻve
2304:2011
2267:2008
2219:2002
2171:1991
2121:1984
2076:1969
2057:Cast:
2054:Year
1756:with
1414:largo
1351:with
1337:Muses
1321:Egypt
1111:Act 3
968:Cieli
940:Act 2
772:Act 1
689:Act 3
629:Act 2
537:Act 1
526:Sesto
466:cello
442:oboes
438:horns
413:bass
401:Curio
351:Sesto
248:Role
236:Roles
230:court
5455:Will
5306:Opus
5242:367b
5237:367a
5222:364b
5217:364a
5212:363b
5207:363a
5187:359b
5182:359a
5159:and
5157:solo
4684:Saul
4419:Ezio
4412:Poro
4083:ISBN
4061:ISBN
4039:ISBN
3963:ISBN
3941:ISBN
3889:ISBN
3854:ISBN
3817:ISBN
3795:ISBN
3735:2014
3710:2014
3679:ISBN
3660:2024
3634:2024
3609:2024
3584:2024
3573:ISSN
3544:ISBN
3513:LCCN
3491:2016
3460:ISBN
3272:ISBN
3253:2014
3223:2014
3180:ISBN
3152:ISBN
3127:2015
2339:CD:
2294:CD:
2257:CD:
2209:CD:
1897:and
1828:and
1717:Isis
1715:and
1605:and
1373:and
1367:harp
1359:oboe
1296:and
964:Taci
958:17.
480:and
474:harp
448:, 2
444:, 2
440:, 2
389:bass
355:her
270:alto
189:and
63:lit.
5297:379
5292:378
5287:376
5282:375
5277:374
5272:373
5267:372
5262:371
5257:370
5252:369
5247:368
5232:366
5227:365
5202:362
5197:361
5192:360
5170:358
4138:of
4001:doi
3913:doi
2597:by
2383:).
2296:MDG
2002:or
1958:in
1339:of
736:).
721:).
685:).
625:).
281:")
119:by
79:HWV
5559::
5155:,
4221:,
4081:,
4059:,
4055:,
3999:,
3997:12
3995:,
3991:,
3957:,
3939:,
3919:,
3909:46
3907:,
3887:,
3879:,
3869:;
3852:,
3840:,
3832:;
3815:,
3811:,
3793:,
3789:,
3726:.
3701:.
3651:.
3625:.
3600:.
3571:.
3567:.
3542:.
3540:60
3387:^
3286:^
3239:.
3209:.
3194:^
3135:^
3106:^
2687:,
2398:,
2092:,
2035:,
2018:.
1973:,
1884:,
1808::
1781:.
1601:,
1597:,
1564:,
1540:,
1536::
1497:;
1369:,
1365:,
1361:,
1357:,
1181:/
1065:/
966:/
761:.
484:.
476:,
472:,
468:,
464:,
460:,
452:,
405:a
403:,
379:,
366:)
353:,
329:,
310:,
289:,
266:)
77:;
61:;
5535::
5178:"
5174:"
4586:"
4582:"
4579:"
4575:"
4572:"
4568:"
4565:"
4561:"
4227:)
4215:(
4173:e
4166:t
4159:v
4003::
3976:"
3915::
3737:.
3712:.
3687:.
3662:.
3636:.
3611:.
3586:.
3552:.
3519:.
3493:.
3358:.
3342:.
3319:.
3307:.
3280:.
3255:.
3225:.
3188:.
3160:.
3129:.
3082::
3066:,
3058:,
3051:,
3046:,
3041:,
3011:,
3003:,
2998:,
2991:,
2986:,
2968:,
2958:,
2950:,
2941:,
2936:,
2913:,
2905:,
2894:,
2876:,
2866:,
2856:,
2849:,
2844:,
2839:,
2821:,
2813:,
2803:,
2772:,
2758:,
2735:,
2718:,
2707:,
2677:,
2667:,
2662:,
2657:,
2652:,
2647:,
2572:,
2562:,
2557:,
2552:,
2547:,
2542:,
2513:,
2508:,
2503:,
2498:,
2478:,
2468:,
2463:,
2458:,
2453:,
2448:,
2343:,
2332:,
2320:,
2315:,
2310:,
2289:,
2281:,
2250:,
2242:,
2237:,
2232:,
2227:,
2202:,
2192:,
2187:,
2182:,
2177:,
2157:,
2147:,
2142:,
2137:,
2132:,
2127:,
2109:,
2099:,
2087:,
2082:,
93:(
75:'
69:'
52:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
