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In 1966, Mogol, overcoming resistance from his record label, convinced
Battisti to perform his own songs. The lyricist's intuition would have one of the most rewarding outcomes of the history of Italian music, as Battisti, after a halting start, would explode as a singer, becoming one of the most
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In addition to writing new lyrics in
Italian for a great many singers, Mogol also took it upon himself, in years in which familiarity with the English language in Italy was still sparse, to translate many hits from overseas, especially film soundtracks, but also works of
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successful artists in the panorama of
Italian music. In the same year, Mogol left the Ricordi label to create his own with Battisti, called Numero Uno, which brought together many celebrated Italian singer-songwriters. The pair wrote songs as well for
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record label, and had been in his own time a successful lyricist of the 1950s. Young Giulio, who was likewise employed by
Ricordi as a public relations expert, began his own career as a lyricist against his father's wishes.
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In 1980, Mogol broke the artistic relationship with
Battisti, and successfully continued his independent career as a lyricist with the noted singer-songwriter
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In 1967, in a reversal of Mogol translating
English hits to Italian, his 1966 song "Piangi con Me" ("Cry with Me"), co-written with David "Shel" Shapiro of
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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region of central Italy. Mogol's lyrics contributed to
Battisti's initial success as an author, in megahits such as "
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Content in this edit is translated from the existing
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in 1964. Another famous song from 1961 was "Uno dei tanti" (English: "One among many") which was rewritten by
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His first successes were "Il cielo in una stanza", set to music by
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Popular Music: An
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a machine-translated version of the
Italian article.
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284:The Rokes
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