362:
182:
343:
20:
144:(1894, Rome). He also participated in many exhibits outside of Central Europe, including Melbourne (1880) and London (1888), where he painted two still-life arrangements on a bright background and presented them at the
242:
318:
261:
463:
399:
458:
433:
315:
258:
239:
428:
418:
392:
448:
207:
203:
101:(1859). After 1860, his subject matter included patriotic and genre themes, in addition to Neo-Pompeian subjects. These works included
385:
55:
453:
423:
347:
51:
227:
54:, he was arrested for suspected seditious activity. Repatriated, he moved to Naples, where he had studied at the
361:
299:
145:
181:
70:. A year later he returned to Naples, which was in a state of patriotic ferment from the activities of
443:
438:
287:
59:
211:
67:
63:
246:
149:
369:
31:
412:
322:
265:
281:
35:
71:
19:
342:
283:
Dizionario degli
Artisti Italiani Viventi: pittori, scultori, e Architetti
306:. Two still life paintings at the Cheltenham Art Gallery & Museum.
155:
He is, perhaps, best known for his patriotic canvases. In addition to
50:. In 1848, he and a friend left, to study in Rome. Due to the ongoing
303:
111:
Garibaldi Said: What a Sad Fate it is for Men to
Slaughter Each Other
47:
30:(7 July 1832 – 2 February 1903) was an Italian painter, who depicted
368:
This article about an
Italian painter born in the 19th century is a
204:"Risorgimento - Parte seconda by prof. Gianfranco Piemontese"
66:
gave him a letter of introduction to work in the studios of
373:
115:
The
Penitence Procession in the Catacombs of Naples
290:. Tipe dei Successori Le Monnier, 1889, page 329.
93:. In later Neapolitan exhibitions, he displayed
77:Among his first works exhibited in Naples were
62:. He was able to return to Rome in 1859, when
393:
8:
400:
386:
464:Italian painter, 19th-century birth stubs
300:2 artworks by or after Giuseppe De Nigris
180:
18:
249:artwork: Il Campanello della Parrochia.
195:
148:. His still-lifes were influenced by
7:
358:
356:
208:Fondazione Banca del Monte di Foggia
223:
221:
142:The Office of the Phrenologist Gall
178:De Nigris died in Naples in 1903.
38:in a style known as Neo-Pompeian.
14:
459:19th-century Italian male artists
434:20th-century Italian male artists
360:
341:
120:Outside of Naples, he displayed
1:
429:20th-century Italian painters
419:19th-century Italian painters
185:The Impressions of a Painting
169:The Impressions of a Painting
372:. You can help Knowledge by
449:Italian still life painters
327:Les merveilles du Chassepot
16:Italian painter (1832-1903)
480:
355:
173:The Miracles of Chassepot
122:Small Pompeian Gladiators
454:Italian genre painters
186:
140:(1892, Florence), and
126:The Last Day of Pompei
24:
424:Italian male painters
350:at Wikimedia Commons
270:The Hand of the Thief
184:
23:At the Gates of Capua
22:
288:Angelo de Gubernatis
214:on February 3, 2014.
165:The Death of Mentana
161:Garibaldi at Caprera
95:Christ in the Garden
56:Academy of Fine Arts
60:Giuseppe Mancinelli
348:Giuseppe De Nigris
316:Province of Naples
259:Province of Naples
245:2014-02-03 at the
240:Province of Naples
230:, short biography.
228:Istituto Matteucci
187:
146:Cheltenham Gallery
134:The First Portrait
99:Ossian and Malvina
28:Giuseppe De Nigris
25:
381:
380:
346:Media related to
157:Garibaldi Said...
136:(1887, Venice),
87:The Blind Workers
471:
402:
395:
388:
364:
357:
345:
330:
313:
307:
297:
291:
279:
273:
256:
250:
237:
231:
225:
216:
215:
210:. Archived from
200:
128:(1873, Vienna),
107:The Thief's Hand
68:Achille Vertunni
64:Domenico Morelli
479:
478:
474:
473:
472:
470:
469:
468:
409:
408:
407:
406:
353:
339:
334:
333:
314:
310:
298:
294:
280:
276:
257:
253:
247:Wayback Machine
238:
234:
226:
219:
202:
201:
197:
192:
150:Gioacchino Toma
132:(1878, Paris),
124:(1870, Parma),
103:The Parish Bell
46:He was born in
44:
17:
12:
11:
5:
477:
475:
467:
466:
461:
456:
451:
446:
441:
436:
431:
426:
421:
411:
410:
405:
404:
397:
390:
382:
379:
378:
365:
338:
337:External links
335:
332:
331:
321:2014-02-02 at
308:
292:
274:
264:2014-02-02 at
251:
232:
217:
206:(in Italian).
194:
193:
191:
188:
91:Wine and Women
43:
42:Life and works
40:
15:
13:
10:
9:
6:
4:
3:
2:
476:
465:
462:
460:
457:
455:
452:
450:
447:
445:
442:
440:
437:
435:
432:
430:
427:
425:
422:
420:
417:
416:
414:
403:
398:
396:
391:
389:
384:
383:
377:
375:
371:
366:
363:
359:
354:
351:
349:
344:
336:
328:
324:
323:archive.today
320:
317:
312:
309:
305:
301:
296:
293:
289:
285:
284:
278:
275:
271:
267:
266:archive.today
263:
260:
255:
252:
248:
244:
241:
236:
233:
229:
224:
222:
218:
213:
209:
205:
199:
196:
189:
183:
179:
176:
174:
170:
166:
162:
159:, he created
158:
153:
151:
147:
143:
139:
135:
131:
127:
123:
118:
116:
112:
108:
104:
100:
96:
92:
88:
84:
83:The Last Mass
80:
75:
73:
69:
65:
61:
57:
53:
49:
41:
39:
37:
33:
29:
21:
374:expanding it
367:
352:
340:
326:
311:
295:
282:
277:
269:
254:
235:
212:the original
198:
177:
172:
168:
164:
160:
156:
154:
141:
137:
133:
130:A Final Mass
129:
125:
121:
119:
114:
113:(1862), and
110:
106:
102:
98:
94:
90:
86:
82:
78:
76:
45:
27:
26:
444:1903 deaths
439:1832 births
97:(1855) and
36:still-lifes
34:scenes and
413:Categories
190:References
52:revolution
325:artwork
138:Mannequin
117:(1880).
79:Love Song
72:Garibaldi
319:Archived
268:artwork
262:Archived
243:Archived
304:Art UK
89:, and
58:under
48:Foggia
286:, by
32:genre
370:stub
171:and
81:,
415::
302:,
220:^
175:.
167:,
163:,
152:.
109:,
105:,
85:,
74:.
401:e
394:t
387:v
376:.
329:.
272:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.