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147:: "hoc cenomannensis res ecclesie pociensis / thomas ditavit cvm sol annvm renovavit" ("Thomas of Poché gave this object to the church of Le Mans when the sun renewed the year"). It is next recorded in a private collection there in 1856. The Candlestick was acquired by the Victoria and Albert Museum at an auction in Paris of the collection of Prince
127:. The one on the stem, above and below the central knop (or knob) refers to the donation of the candlestick and reads: 'The gentle devotion of abbot Peter and his gentle flock gave me to the church of St Peter at Gloucester' ("+ abbatis.petri.gregis / et:devotio.mitis/ + me dedit:ecclesie: / sci:petri:gloecestre"). Peter was
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in an unusual mixture of copper, zinc, tin, lead, nickel, iron, antimony, and arsenic with an unusually large amount of silver—between 22.5% in the base and 5.76% in the pan below the candle. The proportions of this mixture may suggest that the candlestick was made from a hoard of old coins. The
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The decoration has been interpreted as a struggle between the forces of good and evil, and has speech and silence as a theme, with some of the figures placing hands over the mouths of others. An inscription round the outside of the drip pan reads "+ lvcis.on virtvtis opvs doctrina refvlgens /
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predicat vt vicio non tenebretvr homo" ("This flood of light, this work of virtue, bright with holy doctrine instructs us, so that Man shall not be benighted in vice"), and some figures are crawling up through the decoration, towards the light, while others are making away from it downwards.
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composition of human figures, apes and fabulous beasts interspersed between thick intertwined shoots of foliage. Three long-eared dragons with outspread wings form the supporting feet; the symbols of the
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104:, or by a craftsman who travelled to perform commissions. He may not have worked exclusively in metal, and may well have been a layman. It has similarities to a pair of
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are in medallions on the knop. This type of decoration was common to northern
European art of this date but the style here is closely related to contemporary English
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silver added, engraving, and tiny dark glass eyes inset on some of the figures.
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The
Gloucester Candlestick, early 12th century, V&A Museum no. 7649-1861
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285:, Oxford Art Online, Oxford University Press, accessed February 22, 2013,
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between 1104 and 1113, and is one of the outstanding survivals of
English
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Zarnecki, George and others (entry by Noel
Stratford),
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87:The candlestick is densely decorated with an
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345:Collection of the Victoria and Albert Museum
281:Kennedy, Kirstin, "Gloucester Candlestick."
246:. Victoria and Albert Museum. Archived from
219:Noel Stratford in Zarnecki, pp. 232-233, 245
268:Noel Stratford in Zarnecki, p. 245; Kennedy
154:The Gloucester candlestick, as well as the
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244:"The Gloucester Candlestick, decoration"
210:Noel Stratford in Zarnecki, pp. 232, 245
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31:is an elaborately decorated English
365:Medieval European metalwork objects
331:, with many images and bibliography
112:which were commissioned by Bishop
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293:English Romanesque Art, 1066-1200
71:in three sections. The metal is
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123:There are three inscriptions in
69:cast in the "lost wax" technique
16:English Romanesque candlestick
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315:V&A: A Hundred Highlights
313:Jackson, Anna, ed. (2001).
135:monastery of St Peter, now
43:in London. It was made for
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156:Victoria and Albert Museum
76:candlestick was gilded by
41:Victoria and Albert Museum
317:. V&A Publications.
98:illuminated manuscripts
114:Bernward of Hildesheim
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29:Gloucester Candlestick
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137:Gloucester Cathedral
45:Gloucester Cathedral
329:V&A web feature
161:The Children's Book
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63:Detail of the base
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145:Le Mans Cathedral
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307:Further reading
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166:A. S. Byatt
133:Benedictine
55:Description
51:metalwork.
37:candlestick
355:Bronzeware
339:Categories
276:References
164:(2009) by
110:Hildesheim
102:Canterbury
49:Romanesque
33:Romanesque
254:9 October
151:in 1861.
106:Ottonian
89:openwork
360:Candles
233:Kennedy
141:Le Mans
131:of the
82:niellod
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73:bronze
198:Notes
129:Abbot
125:Latin
297:ISBN
256:2010
27:The
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224:^
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