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Glove puppetry

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245:, are divided into a first half and a second half show. During the first half, known as the "show platform" (戲台), the audience is shown a demonstration by a master puppeteer on the stage. The second half consists of the puppet master, the orchestra, and the spoken parts. Several key points of a show to be appreciated include: the dexterity of the master puppeteer's manipulation of the puppet, the accompaniment of the orchestra, and the poetic spoken parts of the 234: 140: 258: 43: 224:
and limbs consist entirely of cloth costumes. At the time of the performance, a gloved hand enters the puppet's costume and makes it perform. In previous years the puppets used in this type of performance strongly resembled "cloth sacks," hence the name, which literally means "cloth bag opera."
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In Indonesia, glove puppetry was popular within Chinese communities around Sumatra and Java. In Java, the interaction between Chinese and Javanese culture gave birth to new style of puppetry, called
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The puppet's head uses wood carved into the shape of a hollow human head, but aside from the head, palms, and feet, which are made of wood, the puppet's
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has been adding computer animations to their glove puppetry TV shows. Their shows continue to be popular, with the
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Potehi" (Wayang means "puppet" in Javanese). The Wayang Potehi tradition is mainly preserved in
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is the center of glove puppetry with most major studios having a presence in the county.
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Lists of intangible cultural heritage and Register of best safeguarding practices
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Strategy for training coming generations of Fujian puppetry practitioners
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Seni Wayang Potehi Berpusat di Gudo (Center of Wayang Potehi in Gudo)
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Glove puppetry (pò͘-tē-hì) performances, similar to some types of
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Lee, Ya-chu; Her, Kelly (Translation) (November 11, 2016).
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Glove puppet
hand puppet

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Sun Wukong
Chinese
pinyin
Pe̍h-ōe-jī
puppets
Quanzhou
Zhangzhou
China
Fujian
Min Nan
Chaoshan
Guangdong
Taiwan
torso

Chinese opera

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