51:(2007–), they approach the sphere of offshore finance, and its production of virtual space through legal code. Looking at strategies of withdrawal and secrecy, they trace an
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is the collaborative duo of artists Simon Goldin and Jakob
Senneby. They have worked together under this name since 2004 and are based in Stockholm.
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in the
Bahamas called Headless Ltd. A ghostwritten detective novel continuously narrates their investigations. This work was exhibited at the 28th
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They are also known for the project AfterMicrosoft, in which they re-photographed the site in Sonoma valley where
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Their collaboration started with The Port (2004–2006); a series of insertions into the online world
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276:"The Office for Parafictional Research Presents Headless: Work by Goldin+Senneby"
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in Berlin. The project is accompanied by the long-form essay
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Fidduccia, Joanna (October 2010). "Paris: Goldin+Senneby".
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31:, exhibited among other places on Artport,
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297:"Putting the capital in decapitation"
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278:. Bard College. 2010. Archived from
152:. Times Higher Education Supplement
150:"Headless maybe, but not mindless"
129:"AfterMicrosoft" by Goldin+Senneby
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119:. Whitney Museum of American Art.
295:Kollak, Ginny (12 March 2010).
63:, Toronto, with an epilogue at
256:"Face au Rennes de la terreur"
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217:Senneby, Goldin (2023-10-19).
117:Artport Gatepage December 2005
33:Whitney Museum of American Art
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148:Jump, Paul (6 January 2011).
258:. Libėration. Archived from
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180:. São Paulo Art Biennial.
74:(2023), was published on
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171:28th Sao Paulo Biennial
327:Collaborative projects
223:canopycanopycanopy.com
57:São Paulo Art Biennial
219:"Regions of Interest"
84:Regions of Interest
192:. The Power Plant.
176:2009-02-12 at the
134:2014-02-20 at the
138:. Goldin+Senneby.
107:. Goldin+Senneby.
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206:: 289–290.
93:References
72:Spot Price
67:in Paris.
299:. Rhizome
35:in 2005.
204:Artforum
174:Archived
132:Archived
105:The Port
49:Headless
303:25 May
286:25 May
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156:25 May
65:Kadist
78:with
41:Bliss
305:2011
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