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Golu (festival)

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204: 344: 779: 271:' or 'Pattada Gombe', usually made of sandalwood, teak or rosewood or dried coconut and decorated with new clothes each year before being displayed on the golu. In southern India, bride is presented with 'Marapacchi Bommai' during the wedding by her parents as part of wedding trousseau to initiate the yearly tradition of 'Navaratri golu' in her new home with her husband. These dolls come as couples dressed in their wedding attire, depicting husband and wife symbolizing prosperity and fertility and the start of the bride's golu collection. Display figurines are passed on from one generation to another as heirloom, and are often several generations old. In the old 516: 755: 654: 642: 834: 259: 858: 767: 870: 251: 846: 822: 724: 712: 599:) in Karnataka, which are two other localities known for their equally sought-after craftsmanship of wooden figurines and toys to decorate doll courts. It has also been an excellent outlet for many communities of artisans in southern India, who had more difficulty making a living from their expertise, which was less sought after in an industrialised society. Such as in Vilacheri in Tamil Nadu, where local potters, who notably made 696: 743: 622:. Like the Golu, the practice of the Christmas Crib was for a long time limited to the wealthy social strata of South Indian Christians (and to the churches). With urbanisation and the spread of cultural practices and consumption patterns hitherto restricted to the affluent social classes, demand for Christmas crib figures has risen sharply. This demand is also satisfied by the craftsmen who make Golu figurines. 684: 335:, one of the doll from the display is symbolically put to sleep, and the Kalasha is moved a bit towards North to mark the end of that year's Navaratri golu display. Prayers are offered to thank deities for the successful completion of that year's Navaratri festival and with hope of a successful one the next year. Then the steps are dismantled and the dolls are packed up for the next year. 143:(tiers or steps) to tell a story. Goddess-related themes are common, along with developments such as anticipated wedding within the family and of friends. During the golu display season, families and neighbors visit each other with gifts to view and chit-chat over the golu display, share festive foods, and sometimes play music or sing devotional songs together. Major 37: 626: 1472: 669: 487:(a certain number of whose households do not have this practice, which is told to be "absent from their habits"), but real when about the Hindu bourgeoisie of 20th century Madras (composed with a significant proportion of Brahmins). Since then, golu has experienced a continuous and even wider diffusion, particularly in line with logic of 491:
among the urban middle and working classes. Many major temples in the state organize exhibitions of golus, and many public places and communities now install them. However, golu is still far from being a systematic feature in Tamil Nadu households, with the practice yet to become a part of the habits
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Bommala koluvu has become an element of South Indian ethos, especially of the heir states of the Vijayanagara and Nayak era (Karnataka, Andhra Pradesh and Tamil Nadu). The association of Navaratri with the celebration of kingship and power during the Vijayanagara period, resulted in many festivities
400:(సంక్రాంతి బొమ్మల కొలువు) in Telugu. This custom is explained by the fact that Navaratri is a period which occurs four times during the year, one per season, including the Magha Gupta Navaratri (or Winter Navaratri). In present-day Tamil Nadu, there is also a rare tradition of installing the golu at 266:
The dolls are predominantly displayed with depictions from Hindu mythological texts, court life, royal procession, ratha yatra, weddings, baby showers, everyday scenes, miniature kitchen utensils, anything a little girl would have played with. It is a traditional practice to have wooden figurines of
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Golu also has a significant connection with the agricultural and handicrafts professions in India. Besides the economic aspect of the festival, it is an important occasion for socializing. During this season relatives and friends in south India make it a point to visit each other's homes. This is
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With its modern introduction in a context far removed from the monarchy, the practice of Golu took on a purely religious dimension in Tamil Nadu, where Koluvu has no apparent links with royalty, and is rather a miniature reproduction of the world, of the totality, and its consecration to the
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However, it was not until the end of the 19th century that golu spread among the commoner population far from the royal courts and their influence. This diffusion occurred independently of these royal courts and regions, from the
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Each displayed item in a golu display is sometimes called a golu doll or equivalent. These are typically made by rural artisans from clay and wooden materials then brightly painted. They are generally arranged in an odd number of
371:, established its prestige among its subjects and beyond borders, and legitimized the exercise of its power. It is these very opulent celebrations that influenced the practice of golu in the households of the southern 247:) (usually 3, 5, 7, 9, or 11), set up using wooden planks. After the steps have been covered with fabric it is then adorned with various dolls, figurines and toys according to their size, with the deities at the top. 482:
communities of the city. As a result, golu has long been associated with the affluent high and upper middle classes people of urban and upper castes. A socio-cultural marker wrongly presented as exclusive to
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The votive practice of golu among the Hindus of Tamil Nadu is also noteworthy. Many people, who sometimes don't install a golu at home, offer particular figurines or entire sets of golu to temples as
754: 179:. It is a part of the annual Dasara-Vijayadasami Hindu festival where young girls and women display dolls, figurine, court life, everyday scenes along with the divine presence of the goddesses 1278:
Wilson, Nicole A. (2018). "Kolus, caste, and class: Navarātri as a site for ritual and social change in urban South India". In Simmons, Caleb; Sen, Moumita; Rodrigues, Hillary Peter (eds.).
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also a very important occasion that promotes creative expression for women and for the family to work together on an aesthetic aspect. These days, the golu dolls are made from either
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Narayanan, Vasudha (2018). "Royal Darbār and domestic kolus: social order, creation, procreation, and re-creation". In Simmons, Caleb; Sen, Moumita; Rodrigues, Hillary Peter (eds.).
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In relation to the practice of Golu at the Court of Tanjore, there was a royal patronage of arts and crafts, including pottery and clay work, which notably enabled the creation of
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In the evenings, women within the neighborhood invite each other to visit their homes to view the golu displays; they also exchange gifts and sweets. A
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of many, and more common in some communities households. A socio-cultural characteristic of golu practice which is not found in Karnataka.
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Ilkama, Ina Marie Lunde (2022). ""This is not a Home, it is a Temple" : Creative Agency in Navarattitri Kolu". In Hüsken, Ute (ed.).
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The practice of golu appeared in current day Karnataka, where it is closely associated with the royal Navaratri celebrations under the
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is the festive display of dolls and figurines in South India during the autumn festive season, particularly around the multiday
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In some parts of Andhra Pradesh, there is a still followed tradition of displaying a golu also during the celebrations of
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considering the need to cater to the younger audience. Some people use collapsible steps, which are easy to install.
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was finally destroyed by Durga. It is regarded to mark a new and prosperous beginning. Later, on the evening of
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Prasad, Leela (2003). "Goddesses (Hindu)". In Claus, Peter J.; Diamond, Sarah; Mills, Margaret Ann (eds.).
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South Asian Folklore: An Encyclopedia : Afghanistan, Bangladesh, India, Nepal, Pakistan, Sri Lanka
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South Asian folklore: an encyclopedia: Afghanistan, Bangladesh, India, Nepal, Pakistan, Sri Lanka
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to court life, weddings, everyday scenes, and miniature kitchen utensils. They are also known as
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Hüsken, Ute; Narayanan, Vasudha; Zotter, Astrid, eds. (2021). "Limits of Creativity :
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In Tamil Nadu, the exhibition of golu is an attested practice at the court of the kings of
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who migrated to the region from the 18th century, and adopted local cultural aspects.
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which is performed by an elderly male or female of the family at an auspicious time (
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states, who spread it in Andhra Pradesh and Tamil Nadu. The Navaratri, then called
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In Tamil Nadu, the growth of the practice of Golu also accompanied that of the
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Laughter, creativity, and perseverance: female agency in Buddhism and Hinduism
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Trader with mask showing COVID-19 safety in Golu display, Melbourne, Australia
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Traditional bride and groom dolls made from dry coconut at homes, Karnataka.
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golu is said to have featured figurines representing up to 18 different
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A Bommala Koluvu dolls display at a Telugu household in the early 1950s.
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Hindus of Tamil Nadu, Andhra Pradesh, Karnataka and few parts of Kerala
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Navarathri celebrations: Meenakshi temple golu display steals the show
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or dancer lady with bobbling head), which appeared under the reign of
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which are still perpetuated. These related celebrations include the
115:. These displays are typically thematic, narrating a legend from a 624: 524: 514: 448: 384: 342: 325: 295: 257: 249: 224: 202: 188: 58: 1280:
Nine nights of the goddess: the Navarātri festival in South Asia
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Nine nights of the goddess: the Navarātri festival in South Asia
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and a stall for the sale of painted figures. A painting of the
1370:. AAR religion, culture, and history series. New York (N.Y.): 1244:(2nd ed.). Chennai (Madras): Notion Press. p. 199. 948:
Claus, Peter J.; Diamond, Sarah; Mills, Margaret Ann (2003).
1435:"Vilachery dolls: a colourful tradition lives on in Madurai" 175:
means court of toys and Gombe Habba means doll festival in
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Navarathri golu / golu Dolls Showcase and Display - Photos
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monarchy, during which the golu likely appeared, then the
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South Indian wedding set up in Golu, Melbourne, Australia
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Toying with God: The World of Religious Games and Dolls
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Religions in Play: Games, Rituals, and Virtual Worlds
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Narayanan, Vasudha (2015). Jacobsen, Knut A. (ed.).
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Narayanan, Vasudha (2015). Jacobsen, Knut A. (ed.).
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puja, a welcoming ritual is performed for goddesses
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in the Tamil, Kannada, and Telugu households during
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Temple village Golu display in Melbourne, Australia
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Bommala Koluvu in 68:Story telling with dolls, family visiting 1406:Routledge Handbook of Contemporary India 1330:. SUNY series in Hindu studies. Albany: 1242:Contributions of Thanjavur Maratha kings 1041:Routledge Handbook of Contemporary India 647:Golu kalasam in Melbourne Australia 2023 1011:Bornet, Philippe; Burger, Maya (2012). 923: 637: 313:, special pujas are offered to goddess 931:Unique, artistic, creative: Kolu plans 885:) set up in Golu, Melbourne, Australia 267:the bride and groom together, called ' 27:Telugu: Bommala Koluvu (బొమ్మల కొలువు) 1428: 1426: 1361: 1359: 1315: 1313: 1311: 1273: 1271: 1269: 1235: 1233: 1231: 1194: 1192: 1190: 851:Kailasa in Golu, Melbourne, Australia 827:Kalasam in Golu, Melbourne, Australia 7: 1113: 1111: 1109: 1107: 1105: 1103: 1101: 1099: 1097: 298:, then the next 3 days dedicated to 1433:Jayashree, R. (29 September 2022). 394:(in January), which takes the name 1284:State University of New York Press 1124:State University of New York Press 748:A dancing Golu doll from Thanjavur 531:, made by Shiva Dayal Lal in 1870. 500:, from whom protection is sought. 290:are chanted. After performing the 29:Kannada: Bombe Habba (ಗೊಂಬೆ ಹಬ್ಬ) 14: 1067:, The Times of India (6 Oct 2016) 567:(the best known is the Tanjorean 16:Festive display of dolls in India 1470: 868: 856: 844: 832: 820: 777: 765: 753: 741: 722: 710: 694: 682: 667: 662:in Golu Melbourne Australia 2023 652: 640: 25:Tamil: Bommai Golu (பொம்மை கொலு) 1409:. Routledge. pp. 341–342. 111:(Dussehra, Dasara) festival of 1089:Gods and gopurams in full glow 729:Display of Navarathri Golu in 1: 591:series) in Andhra Pradesh or 286:, while devotional hymns and 1508:Religious festivals in India 1091:, The Hindu (1 October 2014) 1079:, The Hindu (6 October 2013) 933:, The Hindu (6 October 2012) 705:in seven steps in Tamil Nadu 550:Indian Independence Movement 587:, known peculiarly for its 396: 1534: 1044:. Routledge. p. 342. 231:by a Hindu ritual called 34: 689:Navarathri Golu display. 397:saṅkrānti bommala koluvu 41:Dasara dolls arrangement 1372:Oxford University Press 408:. 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Index


Hindu
Mahalaya
Vijayadashami
Navaratri
Navaratri
Hinduism
Hindu text
Hindu temples
Meenakshi Temple
Madurai
Navaratri
Tamil
Telugu
Kannada
Saraswati
Parvati
Lakshmi
Navaratri

Navaratri
Ganapati
Saraswati
Durga
Lakshmi


Marapacchi Bommai
Kingdom of Mysore
rangoli

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