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1090:. This music was highly influenced by the hymnody of the spirituals and of Watts and, later, the musical style and vision of Dorsey. Whereas northern Black churches did not at first welcome Dorsey's music (having become accustomed to their own more Eurocentric flavorings), after the Southern migrants' new churches became more popular, so did gospel music, gospel choirs, and the general trend toward exclusive use of this music in Black churches. Dorsey, Whitney Houston, Mahalia Jackson, the
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266:. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century.
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1198:, sometimes referred to as country gospel music, is a subgenre of gospel music with a country flair, is also known as inspirational country. Christian country over the years has progressed into a mainstream country sound with inspirational or positive country lyrics. In the mid–1990s, Christian country hit its highest popularity. This popularity was such that mainstream artists like
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standard which to begin with was not high, resulted." They went on to say, "there is no doubt that a deterioration in taste follows the use of this type of hymn and tune; it fosters an attachment to the trivial and sensational which dulls and often destroys sense of the dignity and beauty which best befit the song that is used in the service of God."
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Gold reviewed the issue in 1958, and collected a number of quotations similar to the complaints of
Patrick and Sydnor. However, he also provided this quotation: "Gospel hymnody has the distinction of being America's most typical contribution to Christian song. As such, it is valid in its inspiration
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in the UK. It is also often referred to as "UK gospel". The distinctive sound is heavily influenced by UK street culture with many artists from the
African and Caribbean majority black churches in the UK. The genre has gained recognition in various awards such as the GEM (Gospel Entertainment Music)
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music comes from the
Southeastern United States and is similar in sound to Christian country music, but it sometimes known as "quartet music" for its traditional "four men and a piano" set up. The genre, while remaining predominantly White, began to integrate Black gospel stylings in the 1960s. It
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Some proponents of "standard" hymns generally dislike gospel music of the late 19th and early 20th centuries, believing that it emphasizes emotion over doctrine. For example, Patrick and Sydnor complain that commercial success led to a proliferation of such music, and "deterioration, even in a
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and those living in the South. Like other forms of music the creation, performance, significance, and even the definition of southern gospel varies according to culture and social context. It is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial
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is the most common form of recorded gospel music today. It relies heavily on rhythms and instrumentation common in the secular music of the contemporary era (often including the use of electronic beats), while still incorporating the themes and heritage of the traditional Black gospel genre.
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turned to gospel music, establishing a publishing house. It has been said that 1930 was the year traditional black gospel music began, as the
National Baptist Convention first publicly endorsed the music at its 1930 meeting. Dorsey was responsible for developing the musical careers of many
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The
Pentecostal movement quickly made inroads with churches not attuned to the Europeanized Black church music that had become popular over the years since Emancipation. These congregations readily adopted and contributed to the gospel music publications of the early 20th century.
445:. Starting out as lyrics only, it took decades for standardized tunes to be added to them. Although not directly connected with African–American gospel music, they were adopted by African–Americans as well as white Americans, and Newton's connection with the
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The popularity of revival singers and the openness of rural churches to this type of music (in spite of its initial use in city revivals) led to the late 19th and early 20th century establishment of gospel music publishing houses such as those of
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Moreover, the genre arose during a time when literacy was not a guarantee, utilizing a great deal of repetition (which, unlike more traditional hymns, allowed those who could not read the opportunity to participate).
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emerged in the late 1960s and early 70s with Walter
Hawkins highly popular "Oh Happy Day" which is still performed worldwide in the 2000. Artists such as James Cleveland, Aretha Franklin, the Clark Sisters,
662:(in 1972). Both of the latter two groups began primarily for Southern gospel performers, but in the late 1970s, began including artists of other subgenres, which brought in many Black artists. Also in 1969,
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making increasingly more bold forays into the secular world with their musical stylings. The current sphere of Black gospel recording artists is almost exclusively of the urban contemporary bent.
1234:, a 2000 supplement to the official denominational hymnal. In the preface, the editors say, "Experience has shown that some older treasures were missed when the current hymnals were compiled."
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620:. In addition to these high–profile quartets, there were many Black gospel musicians performing in the 1920s and 30s, usually playing the guitar and singing in the streets of Southern cities.
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The revival movement employed popular singers and song leaders, the most famous of them being Ira D. Sankey. The original "gospel" songs were written and composed by authors such as
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fashion, heavily influenced by ancestral
African music. Most of the churches relied on hand–clapping and foot–stomping as rhythmic accompaniment. Most of the singing was done
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studied
Vaughan's business model and by the late 1920s were running heavy competition for Vaughan. The 1920s also saw the marketing of gospel records by groups such as the
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New York: George H. Doran Co., 1915, p. 486. Several sources cite the Bliss and Sankey 1875 publication as the first to use the word "gospel" in this sense. For example,
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used radio as an integral part of his business model, which also included traveling quartets to publicize the gospel music books he published several times a year.
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Finding aid to
Camille Taylor collection of Black Music Caucus Gospel Choir Competition recordings at Columbia University. Rare Book & Manuscript Library.
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552:. These publishers were in the market for large quantities of new music, providing an outlet for the creative work of many songwriters and composers.
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369:, sometimes referred to as country gospel music, is a subgenre of gospel music with a country flair. It peaked in popularity in the mid–1990s.
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Today, with historical distance, there is a greater acceptance of such gospel songs into official denominational hymnals. For example, the
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followed crossing over musically and gaining notoriety, and this pattern would repeat itself in subsequent decades, with new artists like
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303:. Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following
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1499:. New York: Fleming H. Revell Company, 1914, provides contemporary information about songwriters, composers and publishers.
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songs, but the gospel hymn was of a different character, and it served the needs of mass revivals in the great cities.
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639:'s 1937 song, "Turn Your Radio On" (which is still being published in gospel song books). (In 1972, a recording of "
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worship even today. It has also come to be used in churches of various other cultural traditions (especially within
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has evolved over the years into a popular form of music across the United States and overseas, especially among
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2191:. Philadelphia, Pennsylvania: University of Pennsylvania Press, 1991. xx,, 268 p., ill. with b&w photos.
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flair, and is quite popular in countries such as
Ireland. British black gospel refers to Gospel music of the
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movement. Prior to the meeting of Moody and Sankey in 1870, there was an American rural/frontier history of
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quartets. Progressive Southern gospel has grown out of Southern gospel over the past couple of decades.
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1430:"From Charles Mackintosh's waterproof to Dolly the sheep: 43 innovations Scotland has given the world"
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Meanwhile, radio continued to develop an audience for gospel music, a fact that was commemorated in
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Perhaps the most famous gospel–based hymns were composed in the 1760s and 1770s by English writers
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1949:
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1989:
Malone, Bill C. (1984). "Music, Religious, of the Protestant South". In Samuel S. Hill (ed.).
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Sung by the Spiritual Four Quartet: Edward Bond, Cleve Parker, James Bond, and Elwood Gaines
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is the foremost (and by far the bestselling) individual in this genre, while Andrae Crouch,
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traditions and have evolved in various ways over the years, continuing to form the basis of
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2276:. Bowling Green, Ohio: Bowling Green State University Popular Press, 1990. iv, 267 p.
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churches, and in entertainment spaces across the country and world. It originates from the
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music is the most well–known form, often seen in Black churches, non–Black Pentecostal and
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Great God A' Mighty!: The Dixie Hummingbirds – Celebrating The Rise of Soul Gospel Music.
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742:, who have seen perhaps the most commercial success of any artists in the gospel genre;
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African–American artists, such as Mahalia Jackson (best known for her rendition of his "
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of gospel music of the American South. Another theory notes foundations in the works of
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1618:"The Gospel Music Association's Dove Awards Nominations for the Gospel Song of 1972",
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The advent of radio in the 1920s greatly increased the audience for gospel music, and
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Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study."
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According to Yale University music professor Willie Ruff, the singing of psalms in
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The first published use of the term "Gospel song" probably appeared in 1874 when
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746:(the label's founder and preeminent artist) has charted in the top 10 of on the
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in 1875. Sankey and Bliss's collection can be found in many libraries today.
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1789:"UKs first Official Christian & Gospel Albums Chart to launch next week"
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Developing out of the fusion of traditional Black gospel with the styles of
585:
528:, Philip Bliss, in collaboration with Ira D. Sankey issued no's. 1 to 6 of
349:, has become a form of musical devotion worldwide. Southern used all–male,
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Sung by Bertha Houston and her congregation (with a few topical verses on
1980:
Christ-Janer, Albert; Hughes, Charles W.; Smith, Carleton Sprague (1980).
402:
358:
180:
2185:
Singing in the Spirit: African-American Sacred Quartets in New York City
2006:. Revised by James Rawlings Sydnor. Richmond, Virginia: John Knox Press.
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1807:
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29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010.
283:
The original gospel songs were written and composed by authors such as
2037:
Selection of gospel music collected by the Library of Congress in 1943
1894:"Barbara Mandrell inducted into the Country Gospel Music Hall of Fame"
1415:
1383:
280:. The first published use of the term "gospel song" appeared in 1874.
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743:
31:
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Festival Lumen – the biggest gospel music festival in central Europe
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external links, and converting useful links where appropriate into
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Mountain Singing: the Story of Gospel Recordings in the Philippines
1399:
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1770:
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music are largely responsible for gospel's continued presence in
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1864:"Larry Gatlin nominated for Christian Country Album of the Year"
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269:
161:
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2606:
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1646:"28 Of The Greatest And Most Famous Gospel Singers Of All Time"
730:, which has gained increasing popularity since the days of the
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purposes, or as an entertainment product for the marketplace.
42:
2526:
1086:("the South"), where most Black Americans lived prior to the
30:"Gospel (genre)" redirects here. For the literary genre, see
2705:
2539:
2521:
2360:
A City Called Heaven: Chicago and the Birth of Gospel Music.
2236:
Too Close to Heaven: The Illustrated History of Gospel Music
2027:
1450:"Isaac Watts – The Center For Church Music, Songs and Hymns"
777:
685:
were also known for their gospel influences and recordings.
612:
The 1930s saw the rise of Black gospel quartets such as the
477:, which came out of the mass revival movement starting with
409:"—where one person sang a solo and others followed—into the
2433:, Center for Black Music Research, Columbia College Chicago
2375:
Homer Rodeheaver and the Rise of the Gospel Music Industry.
2582:
2392:
Roanoke, Virginia: Stone Printing and Manufacturing, 1931.
2211:
The Wings of a Dove: The Story of Gospel Music in America.
1947:
Gold, Charles E. "The Gospel Song: Contemporary Opinion",
1687:
British Black Gospel: Foundations of this vibrant UK sound
1133:, and Yolanda Adams are also very popular and noteworthy.
2189:
Publication of the American Folklore Society: New Series
689:
Contemporary Black gospel and gospel rap (1970s–present)
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2545:
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may not follow Knowledge (XXG)'s policies or guidelines
1466:
1358:"A Change Is Gonna Come: How Gospel Gave Birth To Soul"
2597:
2577:
345:) and, via the gospel choir phenomenon spearheaded by
3196:
2289:
People Get Ready: A New History of Black Gospel Music
1480:
The English Hymn: Its Development and Use in Worship.
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471:
Gospel Songs. A Choice Collection of Hymns and Tunes
3125:
3049:
2975:
2910:
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2757:
2716:
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2320:
The Hymnody and Hymnals of the Restoration Movement
1538:"Godmother of Rock and Roll: Sister Rosetta Tharpe"
1286:. University of Southern California. Archived from
1141:British black gospel refers to gospel music of the
373:gospel music is rooted in American mountain music.
241:
229:
217:
186:
175:
154:
149:
73:. Unsourced material may be challenged and removed.
2518:– Acknowledges all forms of gospel/Christian music
2291:. Continuum International Publishing Group, 2005,
1999:
1730:
1757:"Gospel's Lurine Cato is triumphant at the MOBOs"
2312:The New Grove Dictionary of Music and Musicians
2306:. University of Southern Mississippi, MA, 1963.
2253:. Gospel Songs, 1966, paperback Amazing Grace
34:. For the African–American musical genre, see
2885:
2618:
2274:The Sound of Light: a History of Gospel Music
2218:How Sweet the Sound: The Golden Age of Gospel
1966:(Nashville, Tennessee: Abingdon Press, 2000).
1520:
1518:
1040:
524:. As an extension to his initial publication
8:
2377:Urbana: University of Illinois Press, 2021.
2362:Urbana: University of Illinois Press, 2015.
2015:(3rd ed.). New York: W. W. Norton.
1339:
1337:
1335:
1322:
1320:
1318:
1156:Official Christian & Gospel Albums Chart
2260:. London: Marshall, Morgan and Scott, 1960.
1712:"Freddie Kofi Wins Best Male at GEM Awards"
272:and sacred songs were often performed in a
27:Genre of music emphasizing Christian lyrics
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2878:
2870:
2625:
2611:
2603:
2431:Guide to the Gospel Sheet Music Collection
1047:
1033:
761:
146:
2497:Learn how and when to remove this message
2330:The Gospel Sound: Good News and Bad Times
2206:. Hong Kong: Alliance Press, 1952. 352 p.
1497:Biography of Gospel Song and Hymn Writers
654:was established, which in turn began the
377:gospel music infuses gospel music with a
133:Learn how and when to remove this message
1656:from the original on September 19, 2023.
1606:
1570:"COGIC Women in Gospel Music on Patheos"
643:" by the Lewis Family was nominated for
3203:
2013:The Music of Black Americans: a History
1922:
1910:
1467:Christ-Janer, Hughes & Smith (1980)
1275:
769:
575:Emergence of Black gospel (1920s–1970s)
453:Holiness-Pentecostal era (19th century)
449:movement provided cross–fertilization.
3158:Contemporary Catholic liturgical music
2345:Encyclopedia of American Gospel Music.
2172:
1984:. New York: Columbia University Press.
1962:Hickman, Hoyt L., ed. "Introduction",
1745:from the original on January 11, 2022.
1631:
1594:
1524:
1483:
1343:
1326:
2536:– Primarily urban contemporary gospel
1991:Encyclopedia of Religion in the South
1759:. The Voice Online. October 21, 2013.
765:This article is a part in a series on
592:has been called the "Queen of Gospel"
329:variant. The styles emerged from the
7:
3181:
3062:Christian bands and artists by genre
1670:. BBC. July 11, 2011. Archived from
1356:McGuinness, Paul (August 26, 2022).
673:Late 20th–century musicians such as
71:adding citations to reliable sources
2522:Gospel Viu – Gospel Without Borders
2309:Eskew, Harry. "Gospel Music, I" in
1808:"The Rise of Southern Gospel Music"
934:Australian Gospel Music Association
2173:Problems playing these files? See
2098:Sung by the Middle Georgia Singers
2056:Sung by the Golden Jubilee Quartet
1710:Mackay, Maria (November 4, 2005).
924:National Gospel Singing Convention
25:
3244:African-American cultural history
2546:Southern Gospel Music Association
2105:We are Americans, Praise the Lord
2077:Sung by the Cochran Field Singers
1953:. v. 9, no. 3 (July 1958), p. 70.
1644:Farrant, Dan (October 11, 2023).
1622:(Waco, Texas) CAS-9732-LP Stereo.
1230:made this acceptance explicit in
750:three times, with his 2014 album
728:Christian (or gospel) rap/hip–hop
441:("Rock of Ages"), members of the
3206:
3180:
3171:
3170:
2770:Christian electronic dance music
2540:Pacific Gospel Music Association
2446:
2421:USC Gospel Music History Archive
2390:The Story of Southern Hymnology.
2373:Mungons, Kevin and Douglas Yeo,
2155:
2134:
2109:
2088:
2067:
2046:
1098:are but a few notable examples.
919:Gospel Music Workshop of America
668:Gospel Music Workshop of America
385:produced in the United Kingdom.
47:
3112:Christian worship music artists
2402:Oxford University Press, 2003.
1732:"Mobo Awards 2010: The Winners"
1685:Smith, Steve Alexander (2009).
58:needs additional citations for
2578:Christian Broadcasting Network
2322:. Butler University, BD, 1951.
2002:The Story of the Church's Song
614:Five Blind Boys of Mississippi
1:
2672:Hymnody of continental Europe
2266:Dictionary of Music Education
2251:The Best of Albert E. Brumley
2249:Albert E Brumley & Sons.
469:released a songbook entitled
2729:Contemporary Christian music
2724:Christian adult contemporary
2598:Trinity Broadcasting Network
2332:, Limelight Editions, 1997,
2268:. Maryland: Scarecrow Press.
1388:Black Music Research Journal
1116:popular in the 70s and 80s,
726:Also of note is the rise of
319:contemporary Christian music
2542:– Known for Southern gospel
2220:. Elliott and Clark, 1995.
1214:Comparison to other hymnody
929:National Quartet Convention
852:Progressive Southern Gospel
630:Precious Lord, Take My Hand
3260:
2790:Christian alternative rock
2734:Contemporary worship music
2583:Daystar Television Network
2510:Professional organizations
1993:. Mercer University Press.
1982:American Hymns Old and New
1188:
1165:
1105:
1084:Southeastern United States
1068:
692:
623:In the 1930s, in Chicago,
618:Five Blind Boys of Alabama
578:
258:is a traditional genre of
29:
3166:
3087:Christian hip hop artists
3067:Christian country artists
3057:Anglican church composers
2858:Urban contemporary gospel
2703:
2593:The Inspirational Network
2304:The Gospel Hymn 1875–1930
2264:Collins, Irma H. (2013).
2144:Sung by The Four Brothers
2011:Southern, Eileen (1997).
1729:N.A. (October 20, 2010).
1382:Burnim, Mellonee (1980).
1284:"Gospel History Timeline"
1244:Gospel Music Hall of Fame
1118:Urban Contemporary gospel
1108:Urban contemporary gospel
914:Gospel Music Hall of Fame
859:Urban contemporary gospel
700:Urban contemporary gospel
695:Urban contemporary gospel
670:, a Black gospel outlet.
660:Gospel Music Hall of Fame
246:
234:
222:
3148:Christian music industry
3143:Christian music festival
3072:Christian hardcore bands
2551:Gospel Music Information
2516:Gospel Music Association
2238:. Midnight Books, 1996.
2216:Boyer, Horace Clarence.
2202:Barlow, Sanna Morrison.
1998:Patrick, Millar (1962).
1254:Phillip Paul Bliss House
1249:List of gospel musicians
1223:and in its employment."
1076:Traditional Black gospel
1071:Traditional black gospel
652:Gospel Music Association
3107:Christian vocal artists
3102:Christian record labels
3082:Christian metal artists
2765:Christian country music
2258:Sixty Songs From Sankey
2213:Norfolk: Donning, 1978.
2084:Death is an Awful Thing
1806:Goff, James R. (1998).
1384:"Gospel Music Research"
1310:African American Review
1228:United Methodist Church
1196:Christian country music
1191:Christian country music
1185:Christian country music
908:Associations and groups
842:Christian country music
645:Gospel Song of the Year
367:Christian country music
236:Christian country music
3239:Christian music genres
3234:African-American music
2935:Ethiopian and Eritrean
2744:Neues Geistliches Lied
2710:
2532:July 25, 2021, at the
2032:
1092:Mississippi Mass Choir
782:
593:
462:
331:African-American music
325:by far the best–known
3133:Anglican church music
2836:Latin Christian music
2709:
2388:Stevenson, Arthur L.
2358:Marovich, Robert M.,
2315:(1980), VII, 549–554.
2130:Death Come a-Knockin'
2031:
1900:on February 25, 2015.
1510:Charles Davis Tillman
1290:on September 21, 2010
1162:Southern gospel music
781:
599:Sister Rosetta Tharpe
588:
481:, whose musician was
460:
262:and a cornerstone of
3092:Christian punk bands
3077:Christian rock bands
2901:Christian liturgical
2641:Roots and beginnings
2588:Gospel Music Channel
2568:Black Family Channel
2467:improve this article
1775:Urbanmusicawards.net
1771:"Urban Music Awards"
878:Related music genres
823:Genres and subgenres
790:Roots and beginnings
518:William Howard Doane
297:William Howard Doane
179:Early 17th century,
67:improve this article
3097:Christian ska bands
2479:footnote references
2343:McNeil, W. K., ed.
1934:Stevenson, Robert.
1874:on November 4, 2009
1738:The Daily Telegraph
1674:on August 30, 2012.
1550:on February 8, 2013
1495:Hall, Jacob Henry.
1114:secular Black music
754:debuting at No. 1.
335:American folk music
2846:Black Gospel music
2812:Christian hardcore
2711:
2677:Exclusive psalmody
2573:Bobby Jones Gospel
2151:John the Revelator
2063:My Lord Is Writin'
2033:
1793:Recordoftheday.com
1650:Hello Music Theory
1438:. January 3, 2016.
1152:Urban Music Awards
1102:Urban contemporary
1096:Georgia Mass Choir
783:
736:The Cross Movement
683:Blackwood Brothers
658:(in 1969) and the
641:Turn Your Radio On
594:
581:Black Gospel music
514:Charles H. Gabriel
463:
293:Charles H. Gabriel
36:Black Gospel music
3194:
3193:
3045:
3044:
2780:Christian R&B
2775:Christian hip hop
2507:
2506:
2499:
2347:Routledge, 2005.
2318:Hanson, Kenneth,
2302:Downey, James C.
2256:Cleall, Charles.
2209:Blackwell, Lois.
2160:
2139:
2114:
2093:
2072:
2051:
1964:The Faith We Sing
1938:, Winter, 1950–51
1795:. March 14, 2013.
1689:. Monarch Books.
1478:Benson, Louis F.
1454:Songsandhymns.org
1232:The Faith We Sing
1127:the Clark Sisters
1057:
1056:
864:Christian hip hop
709:Richard Smallwood
637:Albert E. Brumley
485:, as well as the
461:Philip Paul Bliss
411:call and response
274:call and response
253:
252:
155:Stylistic origins
143:
142:
135:
117:
16:(Redirected from
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3117:Gospel musicians
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2287:Darden, Robert.
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1936:Religion in Life
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1896:. Archived from
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1208:Barbara Mandrell
1154:and has its own
1143:African diaspora
1049:
1042:
1035:
1022:
1013:
1006:
838:Bluegrass gospel
801:Negro Spirituals
762:
666:established the
625:Thomas A. Dorsey
561:Virgil O. Stamps
557:James D. Vaughan
538:Homer Rodeheaver
439:Augustus Toplady
401:of the Scottish
383:African diaspora
199:rhythm and blues
187:Derivative forms
176:Cultural origins
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2841:Southern gospel
2795:Christian metal
2753:
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2634:Christian music
2631:
2564:
2534:Wayback Machine
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957:GMA Dove Awards
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829:Southern Gospel
824:
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796:Christian Hymns
791:
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732:Gospel Gangstaz
713:Whitney Houston
697:
691:
679:Jerry Lee Lewis
664:James Cleveland
590:Mahalia Jackson
583:
577:
565:Jesse R. Baxter
550:Charles Tindley
546:Charlie Tillman
479:Dwight L. Moody
455:
443:Anglican Church
427:
395:Scottish Gaelic
391:
315:Southern gospel
264:Christian media
260:Christian music
248:Southern gospel
242:Regional scenes
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162:Christian hymns
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2438:External links
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2356:
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1923:Patrick (1962)
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1820:(4): 722–744.
1813:Church History
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1668:"Gospel music"
1659:
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1620:Canaan Records
1611:
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1486:, p. 520.
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506:George F. Root
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2396:Zolten, Jerry
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2326:Heilbut, Tony
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2194:
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2187:, in series,
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2085:
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2020:
2014:
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2004:
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1925:, p. 172
1924:
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1878:September 11,
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1608:
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1596:
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1530:
1527:, p. 521
1526:
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1345:
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718:
717:Yolanda Adams
714:
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675:Elvis Presley
671:
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601:, pioneer of
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435:Amazing Grace
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56:This article
54:
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33:
19:
18:Gospel artist
3229:Gospel music
3153:Church music
2957:Prostopinije
2826:Gospel blues
2749:Mass (music)
2739:Gospel music
2738:
2493:
2484:
2469:by removing
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2272:Cusic, Don.
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2188:
2184:
2183:Allen, Ray.
2121:World War II
2012:
2001:
1990:
1981:
1974:Bibliography
1963:
1958:
1948:
1943:
1935:
1930:
1918:
1906:
1898:the original
1888:
1876:. Retrieved
1872:the original
1867:
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1672:the original
1662:
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1602:
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1578:. Retrieved
1573:
1564:
1552:. Retrieved
1548:the original
1541:
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1391:
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1367:December 13,
1365:. Retrieved
1361:
1351:
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1304:
1292:. Retrieved
1288:the original
1278:
1231:
1225:
1221:
1217:
1200:Larry Gatlin
1194:
1178:baby boomers
1171:
1140:
1111:
1074:
1060:Black gospel
1000:Christianity
993:
986:
979:
834:Gospel blues
771:Gospel music
770:
725:
698:
672:
649:
634:
622:
611:
595:
554:
542:E. O. Excell
534:
530:Gospel Hymns
529:
526:Gospel Songs
525:
522:Fanny Crosby
510:Philip Bliss
503:
499:camp meeting
470:
467:Philip Bliss
464:
428:
425:18th century
419:
417:and others.
392:
339:Black church
309:
305:World War II
301:Fanny Crosby
289:Philip Bliss
282:
268:
256:Gospel music
255:
254:
224:Black gospel
150:Gospel music
144:
129:
120:
110:
103:
96:
89:
77:
65:Please help
60:verification
57:
40:
2851:Traditional
2687:Sacred Harp
2682:Jesus music
2527:Gospel Wire
1580:February 2,
1574:Patheos.com
1294:January 31,
1148:MOBO Awards
1080:evangelical
1065:Traditional
806:Sacred Harp
656:Dove Awards
491:Pentecostal
431:John Newton
415:Isaac Watts
3223:Categories
3002:Beneventan
2993:(Milanese)
2697:Spirituals
2692:Shape note
2282:0879724986
2175:media help
1270:References
1259:Soul music
1094:, and the
994:See also:
939:GMA Canada
811:Shape note
681:, and the
407:lining out
323:soul music
278:a cappella
167:spirituals
93:newspapers
3032:Old Roman
3027:Mozarabic
3022:Gregorian
2991:Ambrosian
2982:Plainsong
2925:Byzantine
2667:Hymn tune
2652:Polyphony
2648:Homophony
2487:July 2019
2471:excessive
2042:Oh Jonah!
1850:162017997
1834:0009-6407
1554:August 8,
1508:See also
1408:0276-3605
1394:: 63–70.
1131:Mary Mary
988:Musicians
758:Subgenres
752:"Anomaly"
447:abolition
371:Bluegrass
218:Subgenres
123:June 2014
3176:Category
3017:Gelineau
3012:Gallican
2997:Anglican
2967:Znamenny
2940:Galician
2920:Armenian
2530:Archived
1950:The Hymn
1743:Archived
1654:Archived
1238:See also
1146:Awards,
1020:Category
1011:Category
981:Category
616:and the
487:Holiness
403:Hebrides
359:baritone
181:Scotland
3186:Commons
3037:Ravenna
2977:Western
2945:Obikhod
2912:Eastern
2657:Chorale
2465:Please
2457:use of
1842:3169850
1137:British
495:revival
437:") and
389:History
321:, with
194:Country
107:scholar
3199:Portal
3007:Celtic
2962:Syrian
2950:Kievan
2930:Coptic
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1840:
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1693:
1416:779294
1414:
1406:
1004:Portal
951:Awards
744:Lecrae
548:, and
520:, and
379:Celtic
375:Celtic
299:, and
109:
102:
95:
88:
80:
32:Gospel
3213:Music
3050:Lists
2904:chant
2867:Chant
1846:S2CID
1838:JSTOR
1412:JSTOR
475:hymns
351:tenor
311:Black
270:Hymns
114:JSTOR
100:books
2662:Hymn
2650:vs.
2404:ISBN
2379:ISBN
2364:ISBN
2349:ISBN
2334:ISBN
2293:ISBN
2284:pbk.
2278:ISBN
2240:ISBN
2222:ISBN
2199:pbk.
2193:ISBN
1880:2008
1830:ISSN
1691:ISBN
1582:2010
1556:2015
1404:ISSN
1369:2022
1296:2012
1206:and
889:Soul
734:and
719:and
707:and
632:").
563:and
497:and
363:bass
355:lead
333:and
313:and
204:soul
86:news
2473:or
1822:doi
1543:PBS
1396:doi
884:CCM
647:.)
397:by
69:by
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