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1090:. This music was highly influenced by the hymnody of the spirituals and of Watts and, later, the musical style and vision of Dorsey. Whereas northern Black churches did not at first welcome Dorsey's music (having become accustomed to their own more Eurocentric flavorings), after the Southern migrants' new churches became more popular, so did gospel music, gospel choirs, and the general trend toward exclusive use of this music in Black churches. Dorsey, Whitney Houston, Mahalia Jackson, the
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266:. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century.
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1194:, sometimes referred to as country gospel music, is a subgenre of gospel music with a country flair, is also known as inspirational country. Christian country over the years has progressed into a mainstream country sound with inspirational or positive country lyrics. In the mid–1990s, Christian country hit its highest popularity. This popularity was such that mainstream artists like
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standard which to begin with was not high, resulted." They went on to say, "there is no doubt that a deterioration in taste follows the use of this type of hymn and tune; it fosters an attachment to the trivial and sensational which dulls and often destroys sense of the dignity and beauty which best befit the song that is used in the service of God."
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Gold reviewed the issue in 1958, and collected a number of quotations similar to the complaints of
Patrick and Sydnor. However, he also provided this quotation: "Gospel hymnody has the distinction of being America's most typical contribution to Christian song. As such, it is valid in its inspiration
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in the UK. It is also often referred to as "UK gospel". The distinctive sound is heavily influenced by UK street culture with many artists from the
African and Caribbean majority black churches in the UK. The genre has gained recognition in various awards such as the GEM (Gospel Entertainment Music)
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music comes from the
Southeastern United States and is similar in sound to Christian country music, but it sometimes known as "quartet music" for its traditional "four men and a piano" set up. The genre, while remaining predominantly White, began to integrate Black gospel stylings in the 1960s. It
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Some proponents of "standard" hymns generally dislike gospel music of the late 19th and early 20th centuries, believing that it emphasizes emotion over doctrine. For example, Patrick and Sydnor complain that commercial success led to a proliferation of such music, and "deterioration, even in a
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and those living in the South. Like other forms of music the creation, performance, significance, and even the definition of southern gospel varies according to culture and social context. It is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial
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is the most common form of recorded gospel music today. It relies heavily on rhythms and instrumentation common in the secular music of the contemporary era (often including the use of electronic beats), while still incorporating the themes and heritage of the traditional Black gospel genre.
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turned to gospel music, establishing a publishing house. It has been said that 1930 was the year traditional black gospel music began, as the
National Baptist Convention first publicly endorsed the music at its 1930 meeting. Dorsey was responsible for developing the musical careers of many
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The
Pentecostal movement quickly made inroads with churches not attuned to the Europeanized Black church music that had become popular over the years since Emancipation. These congregations readily adopted and contributed to the gospel music publications of the early 20th century.
445:. Starting out as lyrics only, it took decades for standardized tunes to be added to them. Although not directly connected with African–American gospel music, they were adopted by African–Americans as well as white Americans, and Newton's connection with the
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The popularity of revival singers and the openness of rural churches to this type of music (in spite of its initial use in city revivals) led to the late 19th and early 20th century establishment of gospel music publishing houses such as those of
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Moreover, the genre arose during a time when literacy was not a guarantee, utilizing a great deal of repetition (which, unlike more traditional hymns, allowed those who could not read the opportunity to participate).
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emerged in the late 1960s and early 70s with Walter
Hawkins highly popular "Oh Happy Day" which is still performed worldwide in the 2000. Artists such as James Cleveland, Aretha Franklin, the Clark Sisters,
662:(in 1972). Both of the latter two groups began primarily for Southern gospel performers, but in the late 1970s, began including artists of other subgenres, which brought in many Black artists. Also in 1969,
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making increasingly more bold forays into the secular world with their musical stylings. The current sphere of Black gospel recording artists is almost exclusively of the urban contemporary bent.
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620:. In addition to these high–profile quartets, there were many Black gospel musicians performing in the 1920s and 30s, usually playing the guitar and singing in the streets of Southern cities.
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The revival movement employed popular singers and song leaders, the most famous of them being Ira D. Sankey. The original "gospel" songs were written and composed by authors such as
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fashion, heavily influenced by ancestral
African music. Most of the churches relied on hand–clapping and foot–stomping as rhythmic accompaniment. Most of the singing was done
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studied
Vaughan's business model and by the late 1920s were running heavy competition for Vaughan. The 1920s also saw the marketing of gospel records by groups such as the
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New York: George H. Doran Co., 1915, p. 486. Several sources cite the Bliss and Sankey 1875 publication as the first to use the word "gospel" in this sense. For example,
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used radio as an integral part of his business model, which also included traveling quartets to publicize the gospel music books he published several times a year.
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Finding aid to
Camille Taylor collection of Black Music Caucus Gospel Choir Competition recordings at Columbia University. Rare Book & Manuscript Library.
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552:. These publishers were in the market for large quantities of new music, providing an outlet for the creative work of many songwriters and composers.
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369:, sometimes referred to as country gospel music, is a subgenre of gospel music with a country flair. It peaked in popularity in the mid–1990s.
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Today, with historical distance, there is a greater acceptance of such gospel songs into official denominational hymnals. For example, the
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followed crossing over musically and gaining notoriety, and this pattern would repeat itself in subsequent decades, with new artists like
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303:. Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following
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1495:. New York: Fleming H. Revell Company, 1914, provides contemporary information about songwriters, composers and publishers.
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songs, but the gospel hymn was of a different character, and it served the needs of mass revivals in the great cities.
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639:'s 1937 song, "Turn Your Radio On" (which is still being published in gospel song books). (In 1972, a recording of "
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worship even today. It has also come to be used in churches of various other cultural traditions (especially within
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has evolved over the years into a popular form of music across the United States and overseas, especially among
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is the foremost (and by far the bestselling) individual in this genre, while Andrae Crouch, the Clark
Sisters,
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2187:. Philadelphia, Pennsylvania: University of Pennsylvania Press, 1991. xx,, 268 p., ill. with b&w photos.
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flair, and is quite popular in countries such as Ireland. British black gospel refers to Gospel music of the
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movement. Prior to the meeting of Moody and Sankey in 1870, there was an American rural/frontier history of
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quartets. Progressive Southern gospel has grown out of Southern gospel over the past couple of decades.
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1426:"From Charles Mackintosh's waterproof to Dolly the sheep: 43 innovations Scotland has given the world"
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Meanwhile, radio continued to develop an audience for gospel music, a fact that was commemorated in
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Perhaps the most famous gospel–based hymns were composed in the 1760s and 1770s by English writers
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1985:
Malone, Bill C. (1984). "Music, Religious, of the Protestant South". In Samuel S. Hill (ed.).
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Sung by the Spiritual Four Quartet: Edward Bond, Cleve Parker, James Bond, and Elwood Gaines
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traditions and have evolved in various ways over the years, continuing to form the basis of
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2272:. Bowling Green, Ohio: Bowling Green State University Popular Press, 1990. iv, 267 p.
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churches, and in entertainment spaces across the country and world. It originates from the
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music is the most well–known form, often seen in Black churches, non–Black Pentecostal and
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Great God A' Mighty!: The Dixie Hummingbirds – Celebrating The Rise of Soul Gospel Music.
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778:
742:, who have seen perhaps the most commercial success of any artists in the gospel genre;
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African–American artists, such as Mahalia Jackson (best known for her rendition of his "
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of gospel music of the American South. Another theory notes foundations in the works of
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1614:"The Gospel Music Association's Dove Awards Nominations for the Gospel Song of 1972",
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The advent of radio in the 1920s greatly increased the audience for gospel music, and
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Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study."
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According to Yale University music professor Willie Ruff, the singing of psalms in
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The first published use of the term "Gospel song" probably appeared in 1874 when
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746:(the label's founder and preeminent artist) has charted in the top 10 of on the
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in 1875. Sankey and Bliss's collection can be found in many libraries today.
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1785:"UKs first Official Christian & Gospel Albums Chart to launch next week"
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Developing out of the fusion of traditional Black gospel with the styles of
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528:, Philip Bliss, in collaboration with Ira D. Sankey issued no's. 1 to 6 of
349:, has become a form of musical devotion worldwide. Southern used all–male,
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Sung by Bertha Houston and her congregation (with a few topical verses on
1976:
Christ-Janer, Albert; Hughes, Charles W.; Smith, Carleton Sprague (1980).
402:
358:
180:
2181:
Singing in the Spirit: African-American Sacred Quartets in New York City
2002:. Revised by James Rawlings Sydnor. Richmond, Virginia: John Knox Press.
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1837:
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1308:
29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010.
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The original gospel songs were written and composed by authors such as
2033:
Selection of gospel music collected by the Library of Congress in 1943
1890:"Barbara Mandrell inducted into the Country Gospel Music Hall of Fame"
1411:
1379:
280:. The first published use of the term "gospel song" appeared in 1874.
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743:
31:
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Festival Lumen – the biggest gospel music festival in central Europe
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external links, and converting useful links where appropriate into
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Mountain Singing: the Story of Gospel Recordings in the Philippines
1395:
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music are largely responsible for gospel's continued presence in
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1860:"Larry Gatlin nominated for Christian Country Album of the Year"
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269:
161:
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2602:
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1642:"28 Of The Greatest And Most Famous Gospel Singers Of All Time"
730:, which has gained increasing popularity since the days of the
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purposes, or as an entertainment product for the marketplace.
42:
2522:
1086:("the South"), where most Black Americans lived prior to the
30:"Gospel (genre)" redirects here. For the literary genre, see
2701:
2535:
2517:
2356:
A City Called Heaven: Chicago and the Birth of Gospel Music.
2232:
Too Close to Heaven: The Illustrated History of Gospel Music
2023:
1446:"Isaac Watts – The Center For Church Music, Songs and Hymns"
777:
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were also known for their gospel influences and recordings.
612:
The 1930s saw the rise of Black gospel quartets such as the
477:, which came out of the mass revival movement starting with
409:"—where one person sang a solo and others followed—into the
2429:, Center for Black Music Research, Columbia College Chicago
2371:
Homer Rodeheaver and the Rise of the Gospel Music Industry.
2578:
2388:
Roanoke, Virginia: Stone Printing and Manufacturing, 1931.
2207:
The Wings of a Dove: The Story of Gospel Music in America.
1943:
Gold, Charles E. "The Gospel Song: Contemporary Opinion",
1683:
British Black Gospel: Foundations of this vibrant UK sound
1129:, and Yolanda Adams are also very popular and noteworthy.
2185:
Publication of the American Folklore Society: New Series
689:
Contemporary Black gospel and gospel rap (1970s–present)
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may not follow Knowledge (XXG)'s policies or guidelines
1462:
1354:"A Change Is Gonna Come: How Gospel Gave Birth To Soul"
2593:
2573:
345:) and, via the gospel choir phenomenon spearheaded by
3192:
2285:
People Get Ready: A New History of Black Gospel Music
1476:
The English Hymn: Its Development and Use in Worship.
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471:
Gospel Songs. A Choice Collection of Hymns and Tunes
3121:
3045:
2971:
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2753:
2712:
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2316:
The Hymnody and Hymnals of the Restoration Movement
1534:"Godmother of Rock and Roll: Sister Rosetta Tharpe"
1282:. University of Southern California. Archived from
1137:British black gospel refers to gospel music of the
373:gospel music is rooted in American mountain music.
241:
229:
217:
186:
175:
154:
149:
73:. Unsourced material may be challenged and removed.
2514:– Acknowledges all forms of gospel/Christian music
2287:. Continuum International Publishing Group, 2005,
1995:
1726:
1753:"Gospel's Lurine Cato is triumphant at the MOBOs"
2308:The New Grove Dictionary of Music and Musicians
2302:. University of Southern Mississippi, MA, 1963.
2249:. Gospel Songs, 1966, paperback Amazing Grace
34:. For the African–American musical genre, see
2881:
2614:
2270:The Sound of Light: a History of Gospel Music
2214:How Sweet the Sound: The Golden Age of Gospel
1962:(Nashville, Tennessee: Abingdon Press, 2000).
1516:
1514:
1040:
524:. As an extension to his initial publication
8:
2373:Urbana: University of Illinois Press, 2021.
2358:Urbana: University of Illinois Press, 2015.
2011:(3rd ed.). New York: W. W. Norton.
1335:
1333:
1331:
1318:
1316:
1314:
1152:Official Christian & Gospel Albums Chart
2256:. London: Marshall, Morgan and Scott, 1960.
1708:"Freddie Kofi Wins Best Male at GEM Awards"
272:and sacred songs were often performed in a
27:Genre of music emphasizing Christian lyrics
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2874:
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2621:
2607:
2599:
2427:Guide to the Gospel Sheet Music Collection
1047:
1033:
761:
146:
2493:Learn how and when to remove this message
2326:The Gospel Sound: Good News and Bad Times
2202:. Hong Kong: Alliance Press, 1952. 352 p.
1493:Biography of Gospel Song and Hymn Writers
654:was established, which in turn began the
377:gospel music infuses gospel music with a
133:Learn how and when to remove this message
1652:from the original on September 19, 2023.
1602:
1566:"COGIC Women in Gospel Music on Patheos"
643:" by the Lewis Family was nominated for
3199:
2009:The Music of Black Americans: a History
1918:
1906:
1463:Christ-Janer, Hughes & Smith (1980)
1271:
769:
575:Emergence of Black gospel (1920s–1970s)
453:Holiness-Pentecostal era (19th century)
449:movement provided cross–fertilization.
3154:Contemporary Catholic liturgical music
2341:Encyclopedia of American Gospel Music.
2168:
1980:. New York: Columbia University Press.
1958:Hickman, Hoyt L., ed. "Introduction",
1741:from the original on January 11, 2022.
1627:
1590:
1520:
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1339:
1322:
2532:– Primarily urban contemporary gospel
1987:Encyclopedia of Religion in the South
1755:. The Voice Online. October 21, 2013.
765:This article is a part in a series on
592:has been called the "Queen of Gospel"
329:variant. The styles emerged from the
7:
3177:
3058:Christian bands and artists by genre
1666:. BBC. July 11, 2011. Archived from
1352:McGuinness, Paul (August 26, 2022).
673:Late 20th–century musicians such as
71:adding citations to reliable sources
2518:Gospel Viu – Gospel Without Borders
2305:Eskew, Harry. "Gospel Music, I" in
1804:"The Rise of Southern Gospel Music"
934:Australian Gospel Music Association
2169:Problems playing these files? See
2094:Sung by the Middle Georgia Singers
2052:Sung by the Golden Jubilee Quartet
1706:Mackay, Maria (November 4, 2005).
924:National Gospel Singing Convention
25:
3240:African-American cultural history
2542:Southern Gospel Music Association
2101:We are Americans, Praise the Lord
2073:Sung by the Cochran Field Singers
1949:. v. 9, no. 3 (July 1958), p. 70.
1640:Farrant, Dan (October 11, 2023).
1618:(Waco, Texas) CAS-9732-LP Stereo.
1226:made this acceptance explicit in
750:three times, with his 2014 album
728:Christian (or gospel) rap/hip–hop
441:("Rock of Ages"), members of the
3202:
3176:
3167:
3166:
2766:Christian electronic dance music
2536:Pacific Gospel Music Association
2442:
2417:USC Gospel Music History Archive
2386:The Story of Southern Hymnology.
2369:Mungons, Kevin and Douglas Yeo,
2151:
2130:
2105:
2084:
2063:
2042:
1098:are but a few notable examples.
919:Gospel Music Workshop of America
668:Gospel Music Workshop of America
385:produced in the United Kingdom.
47:
3108:Christian worship music artists
2398:Oxford University Press, 2003.
1728:"Mobo Awards 2010: The Winners"
1681:Smith, Steve Alexander (2009).
58:needs additional citations for
2574:Christian Broadcasting Network
2318:. Butler University, BD, 1951.
1998:The Story of the Church's Song
614:Five Blind Boys of Mississippi
1:
2668:Hymnody of continental Europe
2262:Dictionary of Music Education
2247:The Best of Albert E. Brumley
2245:Albert E Brumley & Sons.
469:released a songbook entitled
2725:Contemporary Christian music
2720:Christian adult contemporary
2594:Trinity Broadcasting Network
2328:, Limelight Editions, 1997,
2264:. Maryland: Scarecrow Press.
1384:Black Music Research Journal
1116:popular in the 70s and 80s,
726:Also of note is the rise of
319:contemporary Christian music
2538:– Known for Southern gospel
2216:. Elliott and Clark, 1995.
1210:Comparison to other hymnody
929:National Quartet Convention
852:Progressive Southern Gospel
630:Precious Lord, Take My Hand
3256:
2786:Christian alternative rock
2730:Contemporary worship music
2579:Daystar Television Network
2506:Professional organizations
1989:. Mercer University Press.
1978:American Hymns Old and New
1184:
1161:
1105:
1084:Southeastern United States
1068:
692:
623:In the 1930s, in Chicago,
618:Five Blind Boys of Alabama
578:
258:is a traditional genre of
29:
3162:
3083:Christian hip hop artists
3063:Christian country artists
3053:Anglican church composers
2854:Urban contemporary gospel
2699:
2589:The Inspirational Network
2300:The Gospel Hymn 1875–1930
2260:Collins, Irma H. (2013).
2140:Sung by The Four Brothers
2007:Southern, Eileen (1997).
1725:N.A. (October 20, 2010).
1378:Burnim, Mellonee (1980).
1280:"Gospel History Timeline"
1240:Gospel Music Hall of Fame
1118:Urban Contemporary gospel
1108:Urban contemporary gospel
914:Gospel Music Hall of Fame
859:Urban contemporary gospel
700:Urban contemporary gospel
695:Urban contemporary gospel
670:, a Black gospel outlet.
660:Gospel Music Hall of Fame
246:
234:
222:
3144:Christian music industry
3139:Christian music festival
3068:Christian hardcore bands
2547:Gospel Music Information
2512:Gospel Music Association
2234:. Midnight Books, 1996.
2212:Boyer, Horace Clarence.
2198:Barlow, Sanna Morrison.
1994:Patrick, Millar (1962).
1250:Phillip Paul Bliss House
1245:List of gospel musicians
1219:and in its employment."
1076:Traditional Black gospel
1071:Traditional black gospel
652:Gospel Music Association
3103:Christian vocal artists
3098:Christian record labels
3078:Christian metal artists
2761:Christian country music
2254:Sixty Songs From Sankey
2209:Norfolk: Donning, 1978.
2080:Death is an Awful Thing
1802:Goff, James R. (1998).
1380:"Gospel Music Research"
1306:African American Review
1224:United Methodist Church
1192:Christian country music
1187:Christian country music
1181:Christian country music
908:Associations and groups
842:Christian country music
645:Gospel Song of the Year
367:Christian country music
236:Christian country music
3235:Christian music genres
3230:African-American music
2931:Ethiopian and Eritrean
2740:Neues Geistliches Lied
2706:
2528:July 25, 2021, at the
2028:
1092:Mississippi Mass Choir
782:
593:
462:
331:African-American music
325:by far the best–known
3129:Anglican church music
2832:Latin Christian music
2705:
2384:Stevenson, Arthur L.
2354:Marovich, Robert M.,
2311:(1980), VII, 549–554.
2126:Death Come a-Knockin'
2027:
1896:on February 25, 2015.
1506:Charles Davis Tillman
1286:on September 21, 2010
1158:Southern gospel music
781:
599:Sister Rosetta Tharpe
588:
481:, whose musician was
460:
262:and a cornerstone of
3088:Christian punk bands
3073:Christian rock bands
2897:Christian liturgical
2637:Roots and beginnings
2584:Gospel Music Channel
2564:Black Family Channel
2463:improve this article
1771:Urbanmusicawards.net
1767:"Urban Music Awards"
878:Related music genres
823:Genres and subgenres
790:Roots and beginnings
518:William Howard Doane
297:William Howard Doane
179:Early 17th century,
67:improve this article
3093:Christian ska bands
2475:footnote references
2339:McNeil, W. K., ed.
1930:Stevenson, Robert.
1870:on November 4, 2009
1734:The Daily Telegraph
1670:on August 30, 2012.
1546:on February 8, 2013
1491:Hall, Jacob Henry.
1114:secular Black music
754:debuting at No. 1.
335:American folk music
2842:Black Gospel music
2808:Christian hardcore
2707:
2673:Exclusive psalmody
2569:Bobby Jones Gospel
2147:John the Revelator
2059:My Lord Is Writin'
2029:
1789:Recordoftheday.com
1646:Hello Music Theory
1434:. January 3, 2016.
1148:Urban Music Awards
1102:Urban contemporary
1096:Georgia Mass Choir
783:
736:The Cross Movement
683:Blackwood Brothers
658:(in 1969) and the
641:Turn Your Radio On
594:
581:Black Gospel music
514:Charles H. Gabriel
463:
293:Charles H. Gabriel
36:Black Gospel music
3190:
3189:
3041:
3040:
2776:Christian R&B
2771:Christian hip hop
2503:
2502:
2495:
2343:Routledge, 2005.
2314:Hanson, Kenneth,
2298:Downey, James C.
2252:Cleall, Charles.
2205:Blackwell, Lois.
2156:
2135:
2110:
2089:
2068:
2047:
1960:The Faith We Sing
1934:, Winter, 1950–51
1791:. March 14, 2013.
1685:. Monarch Books.
1474:Benson, Louis F.
1450:Songsandhymns.org
1228:The Faith We Sing
1057:
1056:
864:Christian hip hop
709:Richard Smallwood
637:Albert E. Brumley
485:, as well as the
461:Philip Paul Bliss
411:call and response
274:call and response
253:
252:
155:Stylistic origins
143:
142:
135:
117:
16:(Redirected from
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3113:Gospel musicians
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2411:Archival sources
2283:Darden, Robert.
2265:
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1932:Religion in Life
1928:
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1898:
1897:
1892:. Archived from
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1866:. Archived from
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1204:Barbara Mandrell
1150:and has its own
1139:African diaspora
1049:
1042:
1035:
1022:
1013:
1006:
838:Bluegrass gospel
801:Negro Spirituals
762:
666:established the
625:Thomas A. Dorsey
561:Virgil O. Stamps
557:James D. Vaughan
538:Homer Rodeheaver
439:Augustus Toplady
401:of the Scottish
383:African diaspora
199:rhythm and blues
187:Derivative forms
176:Cultural origins
147:
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3134:Christian media
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2894:
2858:
2837:Southern gospel
2791:Christian metal
2749:
2708:
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2630:Christian music
2627:
2560:
2530:Wayback Machine
2508:
2499:
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2451:This section's
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1572:. June 10, 2009
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1200:Charlie Daniels
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967:Covenant Awards
957:GMA Dove Awards
952:
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829:Southern Gospel
824:
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796:Christian Hymns
791:
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732:Gospel Gangstaz
713:Whitney Houston
697:
691:
679:Jerry Lee Lewis
664:James Cleveland
590:Mahalia Jackson
583:
577:
565:Jesse R. Baxter
550:Charles Tindley
546:Charlie Tillman
479:Dwight L. Moody
455:
443:Anglican Church
427:
395:Scottish Gaelic
391:
315:Southern gospel
264:Christian media
260:Christian music
248:Southern gospel
242:Regional scenes
213:
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162:Christian hymns
139:
128:
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2434:External links
2432:
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2409:
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2379:978-0252085833
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2352:
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1919:Patrick (1962)
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1907:Patrick (1962)
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1816:(4): 722–744.
1809:Church History
1794:
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1664:"Gospel music"
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1616:Canaan Records
1607:
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1482:, p. 520.
1467:
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579:Main article:
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506:George F. Root
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2392:Zolten, Jerry
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2322:Heilbut, Tony
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2193:0-8122-1331-9
2190:
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2183:, in series,
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2127:
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2081:
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2016:
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1927:
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1921:, p. 172
1920:
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1874:September 11,
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1604:
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1523:, p. 521
1522:
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718:
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714:
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675:Elvis Presley
671:
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435:Amazing Grace
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56:This article
54:
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3225:Gospel music
3149:Church music
2953:Prostopinije
2822:Gospel blues
2745:Mass (music)
2735:Gospel music
2734:
2489:
2480:
2465:by removing
2452:
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2268:Cusic, Don.
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2179:Allen, Ray.
2117:World War II
2008:
1997:
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1977:
1970:Bibliography
1959:
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1939:
1931:
1926:
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1902:
1894:the original
1884:
1872:. Retrieved
1868:the original
1863:
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1668:the original
1658:
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1574:. Retrieved
1569:
1560:
1548:. Retrieved
1544:the original
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1363:December 13,
1361:. Retrieved
1357:
1347:
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1300:
1288:. Retrieved
1284:the original
1274:
1227:
1221:
1217:
1213:
1196:Larry Gatlin
1190:
1174:baby boomers
1167:
1136:
1111:
1074:
1060:Black gospel
1000:Christianity
993:
986:
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834:Gospel blues
771:Gospel music
770:
725:
698:
672:
649:
634:
622:
611:
595:
554:
542:E. O. Excell
534:
530:Gospel Hymns
529:
526:Gospel Songs
525:
522:Fanny Crosby
510:Philip Bliss
503:
499:camp meeting
470:
467:Philip Bliss
464:
428:
425:18th century
419:
417:and others.
392:
339:Black church
309:
305:World War II
301:Fanny Crosby
289:Philip Bliss
282:
268:
256:Gospel music
255:
254:
224:Black gospel
150:Gospel music
144:
129:
120:
110:
103:
96:
89:
77:
65:Please help
60:verification
57:
40:
2847:Traditional
2683:Sacred Harp
2678:Jesus music
2523:Gospel Wire
1576:February 2,
1570:Patheos.com
1290:January 31,
1144:MOBO Awards
1080:evangelical
1065:Traditional
806:Sacred Harp
656:Dove Awards
491:Pentecostal
431:John Newton
415:Isaac Watts
3219:Categories
2998:Beneventan
2989:(Milanese)
2693:Spirituals
2688:Shape note
2278:0879724986
2171:media help
1266:References
1255:Soul music
1094:, and the
994:See also:
939:GMA Canada
811:Shape note
681:, and the
407:lining out
323:soul music
278:a cappella
167:spirituals
93:newspapers
3028:Old Roman
3023:Mozarabic
3018:Gregorian
2987:Ambrosian
2978:Plainsong
2921:Byzantine
2663:Hymn tune
2648:Polyphony
2644:Homophony
2483:July 2019
2467:excessive
2038:Oh Jonah!
1846:162017997
1830:0009-6407
1550:August 8,
1504:See also
1404:0276-3605
1390:: 63–70.
1127:Mary Mary
988:Musicians
758:Subgenres
752:"Anomaly"
447:abolition
371:Bluegrass
218:Subgenres
123:June 2014
3172:Category
3013:Gelineau
3008:Gallican
2993:Anglican
2963:Znamenny
2936:Galician
2916:Armenian
2526:Archived
1946:The Hymn
1739:Archived
1650:Archived
1234:See also
1142:Awards,
1020:Category
1011:Category
981:Category
616:and the
487:Holiness
403:Hebrides
359:baritone
181:Scotland
3182:Commons
3033:Ravenna
2973:Western
2941:Obikhod
2908:Eastern
2653:Chorale
2461:Please
2453:use of
1838:3169850
1133:British
495:revival
437:") and
389:History
321:, with
194:Country
107:scholar
3195:Portal
3003:Celtic
2958:Syrian
2946:Kievan
2926:Coptic
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1836:
1828:
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1412:779294
1410:
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1004:Portal
951:Awards
744:Lecrae
548:, and
520:, and
379:Celtic
375:Celtic
299:, and
109:
102:
95:
88:
80:
32:Gospel
3209:Music
3046:Lists
2900:chant
2863:Chant
1842:S2CID
1834:JSTOR
1408:JSTOR
475:hymns
351:tenor
311:Black
270:Hymns
114:JSTOR
100:books
2658:Hymn
2646:vs.
2400:ISBN
2375:ISBN
2360:ISBN
2345:ISBN
2330:ISBN
2289:ISBN
2280:pbk.
2274:ISBN
2236:ISBN
2218:ISBN
2195:pbk.
2189:ISBN
1876:2008
1826:ISSN
1687:ISBN
1578:2010
1552:2015
1400:ISSN
1365:2022
1292:2012
1202:and
889:Soul
734:and
719:and
707:and
632:").
563:and
497:and
363:bass
355:lead
333:and
313:and
204:soul
86:news
2469:or
1818:doi
1539:PBS
1392:doi
884:CCM
647:.)
397:by
69:by
3221::
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1840:.
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1814:67
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1710:.
1648:.
1644:.
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1356:.
1330:^
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