31:
405:
tightrope between approval and disapproval by the powers-that-be. His views on political events were still constantly sought after the fall of communism. In the last year of his life, he wrote: "I'm not a politician. It's not my responsibility to take a side and have a prepared position on every issue. I'm a playwright. I'm interested in both the voice of the angel and the voice of the devil. I sympathise both with the darkest on the Right and the brightest on the Left".
214:(Диво месо), which has had fifteen productions to date all over Europe, including London, and is on the secondary school curriculum in his homeland. The play is based on the experiences of his father and uncles during World War II. It brought him the October Prize of the Republic of Macedonia for exceptional artistic achievement, the highest award of the Republic, as well as the 1980 Award for Best Yugoslav Play of the Year at the
130:
full-length plays for the theatre in all. The most widely performed internationally are "Wild Flesh" (Диво месо), "Hi-Fi", "Flying on the Spot" (Лет во место), "Tattooed Souls" (Тетовирани души), "The Black Hole" (Црна дупка), "Chernodrinski Comes Back Home" (Чернодрински се враќа дома), "Sarajevo, an oratorio for the theatre", "Hotel Europa", and "The Demon of Debar Maalo" (Демонот од Дебар маало).
272:), each episode teaching one of the 31 letters of the Macedonian alphabet through a combination of animation and sketches. Stefanovski's son, Igor, had been born in 1980 and his daughter, Jana, was to be born in 1986. That year he founded the playwriting department at the Faculty of Dramatic Arts in Skopje, where he was a full professor until 1998.
422:
of the
Playwriting Department, teaching Creative Playwriting, Theory of Drama and History of Drama – Shakespeare course. In the Spring semester of 1990, he was Fulbright Outstanding Artist Scholar at Brown University, Providence, Rhode Island, USA, and taught an Introduction to Dramatic Writing in the Department of Theatre, Speech and Dance there.
425:
He was promoted to Full
Professor in his post in Skopje in 1995 and remained at the Faculty of Dramatic Arts until 1998. From 1998 to 2000 he was Visiting Professor at the Dramatic Institute, Stockholm, Sweden. Stefanovski then taught screenwriting and playwriting classes in the Departments of Film
421:
He taught a survey of
English Literature with a strong emphasis on Shakespeare and Drama from 1978 to 1986 in the Department of English Language and Literature at the University of Skopje. From 1986 to 1995 he was an assistant professor at the Faculty of Dramatic Arts, University of Skopje, and Head
133:
Born into a theatre family in Bitola, then in
Yugoslavia, on 27 April 1952, Stefanovski had his first play performed at the age of 22. After the fall of Yugoslavia, he spent eight years commuting between what had become the Republic of Macedonia, the UK and Sweden, before settling in the UK in 2000.
417:
For the 1979–1980 academic year he did research on contemporary
British drama and Edward Bond at the University of Manchester, UK, with a 10-month scholarship from The British Council. This was to have led to a doctoral degree, but Stefanovski never completed it as creative writing came to hold a
404:
Goran
Stefanovski was born and brought up under the communist regime in Yugoslavia. While doing his military service in 1977-78 he was made a member of the Yugoslav Communist Party and assigned to teach classes in Marxism to his fellow conscripts. Particularly during communist times, he walked a
145:
Goran
Stefanovski was born on 27 April 1952 in Bitola, a town then in Yugoslavia, near the border with Greece on the Balkan Peninsula in Eastern Europe. His father, Mirko, was a theatre director and his mother, Nada, a leading actress. Much of Goran's childhood was spent in theatres. His younger
413:
Goran
Stefanovski also had a long academic career in his homeland and in the UK. From 1975 to 1977 he did postgraduate studies at the Faculty of Philology, specialising in Literature Studies, and was awarded an MA in 1979 after presentation of his dissertation entitled "Stage Directions as the
129:
Stefanovski is best known for his second play "Wild Flesh" (Диво месо), which won the 1980 Sterijino
Pozorje Theatre Festival Award for Best Yugoslav Play of the Year and the same year earned him the 11th October Prize, the highest award of what was then the Republic of Macedonia. He wrote 23
393:. Both had clear references to the Yugoslav wars and their aftermath. Several of his post-war plays "approach from different angles themes like alienation, wandering and home-longing, experimenting, at the same time, with the itinerant performance, aimed to explore a labyrinthine space".
2263:
126:; 27 April 1952 – 27 November 2018) was a leading Macedonian dramatist, screenwriter, essayist, lecturer and public intellectual. He wrote for the theatre, television and film, as well as pursuing a long academic career in teaching creative writing for the theatre and film.
465:(Goran Stefanovski Foundation) protects and promotes his work internationally, as well as sponsoring aspiring young writers for the theatre and film and arts events. Applications to perform or publish his work in the Republic of North Macedonia should be made to
426:
and Drama at the
University of Kent at Canterbury, UK, between 2000 and 2002, before taking up the post he held until his death in 2018 as Senior Lecturer in Scriptwriting in the Department of Media and Art at Canterbury Christ Church University in 2002.
440:
Stefanovski contributed papers to a large number of conferences and held workshops all over Europe. He reported on his practice-based research of scriptwriting and also on his research into issues of identity and cultural history, politics and policies.
1646:
1987, 2001 and 2011 (To the Hilt/Wild Wild East). Feature film script, optioned by Watershed Productions, London. Finally produced by Jordančo Čevrevski (Јорданчо Чевревски) and Vladimir Anastasov (Владимир Анастасов) and directed by Stolé Popov (Столе
305:
In 1992, Dragan Klaić, one of Goran's former teachers at the Belgrade Faculty of Dramatic Arts and a close friend, put him in touch with Chris Torch of the Jordcirkus theatre group in Stockholm, who commissioned a play, in cooperation with the Antwerp
165:. However, he could not get the theatre out of his system and spent his third year of studies at the Faculty of Dramatic Arts (FDU) in Belgrade. He graduated as the best student of his generation in Skopje and took a job in the Drama Department of
330:
was published in London, New York, and Illinois. This successful venture was followed by performance scripts for the festivals of European Capitals of Culture in Copenhagen, Stockholm, Avignon, and Bologna, all in collaboration with Chris Torch.
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2022 "Eloge du Contraire" ("In Praise of Opposites"), 11 essays selected and with a preface by Ivan Dodovski, translated from Macedonian into French by Maria Béjanovska, éditions L'Espace d'un Instant, Maison d'Europe et d'Orient, ISBN
1205:(a collection of four plays "Proud Flesh", "Tattooed Souls", "Hotel Europa" and "The Demon of Debarmaalo"), translated into Slovenian by Aleš Mustar. Afterword by Lidija Dimkovska), pp. 299–307, Cankarjeva Založba, Ljubljana, 2008
958:(Spanish translations of "Wild Flesh" and "The False Bottom" by Marija Pendeva and Jose Gabriel Santander Serrano), Publicaciones de la Asociación de Directores de Escena de España, Serie: Literatura Dramatica, No. 92, Madrid, 2015
209:
A radio play about Shakespeare, two TV plays with a contemporary setting, and a six-part TV series set in the 1940s followed Goran Stefanovski's early success in the second half of the 1970s. In 1979 he wrote his best-known play,
1621:– 1998 (Our Neighbourhood). Story bible for children's TV series commissioned by CTW, Children's Television Network, New York, the makers of Sesame Street. Produced by Search For Common Ground. First series broadcast 2001.
238:
Almost every year for the next thirty-three years was to see a new and successful play by Goran Stefanovski. In the 1980s he continually pushed the boundaries of Yugoslav theatre, both in an artistic and political sense.
997:(Italian translations of "Wild Flesh", "Tattooed Souls", "The Black Hole", "Euralien", "Hotel Europa", "The Demon of Debar Maalo" and "Odysseus" by Ana Stefanovska), preface by Paolo Magelli, CUEPRESS, Imalo, Italy, 2022
1594:– 1985 (The Crazy Alphabet). TV series for children in 31 instalments, produced by Macedonian National Broadcasting Service - now available as a large hardback and paperback in an edition by Чудна шума, 2023 hardback:
1278:, Book of selected plays translated into Romanian by Ioana Ieronim, foreword by Ioana Ieronim, Fundaţia Culturală "Camil Petrescu", Revista Teatrul azi (supplement), prin Editura Cheiron, București, pp. 209, 2010
444:
His last public lecture was as keynote speaker at the International Federation for Theatre Research World Congress in Belgrade in July 2018. His last public appearance was to receive an honorary doctorate from the
2311:
2008 and “Teaching the Unteachable”, paper at the colloquium Virtuous Circle?, organised by the Practice-Based Research Centre, School of Media, Arts and Design, Canterbury Christ Church University, 30 June 2015
2013:
1996 "Англиската драма без Шекспир во Македонија од 1915 до 1985" ("English drama in Macedonia between 1915 and 1985 (without Shakespeare)"), Книжевен контекст, Faculty of Philology, Skopje, pp. 222–233,
275:
In 1987, Stefanovski wrote the first version of a screenplay for film director, Stolé Popov (Столе Попов), dealing with the aftermath of the catastrophic 1903 Ilinden Uprising against Ottoman rule. This film,
346:
in 2002. It has been translated and published in five languages, including Chinese. By this time, Stefanovski had become used to writing in English and only later translating his work into his mother tongue.
176:
In October 1974 he met Pat Marsh, an English linguist who came to teach English at Skopje University. They married in March 14, 1976. When they met, he was writing a play based on Macedonian folklore for
1320:(a selection of four Yugoslav plays), pp. 109–139, including a critical essay by Ivana Dorovska "Letmy pohled na soucasnou jihoslovansku dramatickou tvorbu" pp. 5–16, Boskovice, Brno, 2008
752:
457:
Goran Stefanovski's folders on each of his works with background material used and reviews, as well as much of his library of books, are held at the Macedonian Academy of Arts and Sciences (
446:
30:
1340:(collection of plays translated into Slovakian by Jan Janković: "Flying on the Spot", "Tattooed Souls", "Wild Flesh", "Everyman", "The Black Hole" and "Hi-Fi"), Juga, Bratislava, 2009
975:, translated by Marija Pendeva and Jose Gabriel Santander Serrano, Publicaciones de la Asociación de Directores de Escena de España, Serie: Literatura Dramatica, No. 89, Madrid, 2015
284:), was not to be made until 2014, after it had been through two revisions, but it was the first of six screenplays Stefanovski was to write and began his involvement with film.
2400:
298:
In 1991, Yugoslavia began to fall apart and descended into civil war. The constantly deteriorating situation led his wife Pat to decide to make a new life for the family in
1462:– 1999. Adaptation of the novel of the same name by Güneli Gün, commissioned and produced by the Green Candle Dance Company, London. Performed at Sadler's Wells, London
437:
in Stockholm in 2002, encapsulates his approach to playwriting and screenwriting as a craft which can be taught. He was to develop this in various papers and essays.
2395:
181:(Слободан Унковски), one of the directors of a theatre group he had become involved with as a student; Unkovski was to become a lifetime collaborator and friend.
2390:
2385:
2303:, Central European Initiative, Round Table at Vilenica, The Author between Text and Context, Essays, pp. 41–52, Društvo slovenskih pisateljev, Ljubljana.
1891:, Central European Initiative, Round Table at Vilenica, The Author between Text and Context, Essays, pp. 41–52, Drustvo slovenskih pisateljev, Ljubljana.
259:) received its first productions; with its unique structure and stunning theatricality, it was considered to be an important contribution to European theatre.
920:"Ex-Yougoslavie, le théâtre dans la guerre, textes réunis, traduits et présentés par Mireille Robin" (an excerpt from "Sarajevo" translated into French),
319:
235:) had its first production, a play which dealt with the fraught Macedonian Question of the late nineteenth century and the identity of the nation.
941:, translated by Marija Pendeva and Jose Gabriel Santander Serrano, Publicaciones de la Asociación de Directores de Escena de España, Madrid, 2016
219:
186:
1634:– 1988 (Hi-Fi). Feature film script produced by The Vardar Film Company, Skopje, Macedonia, directed by Vladimir Blaževski (Владимир Блажевски)
2355:
373:
in Hammersmith and on tour with Theatre Mélange. Perhaps the most notable of his later plays were his two adaptations of Ancient Greek texts,
365:
Stefanovski continued writing successful plays which were translated and produced all over the world throughout the rest of his life. In 2004
302:, from September 1992. For the next six years, Stefanovski was to commute between his homeland and the UK, continuing his teaching in Skopje.
2308:
2191:
2175:
2159:
1896:
1882:
1839:
1831:
1817:
1772:
1759:
1705:
1607:
1599:
1529:– 1998. Commissioned by HMR, Sweden for the 50th anniversary of The Declaration of Human Rights, performed in 1998, directed by Suzanne Osten
1468:– 2003 (The Spirit of Freedom). Variations on a play by Chernodrinski produced by the National Theatre Bitola, Republic of Macedonia, in 2005
1345:
1297:
1283:
1258:
1210:
1197:
1051:
980:
963:
946:
902:
889:
765:
734:
720:
698:
686:
418:
central position in his life and claimed the bulk of his time outside university teaching, which was his full-time career from 1978 onwards.
828:
2045:
1978 "Сценските ремарки како основа на театарот на Самјуел Бекет", ("The stage directions as the foundation of Samuel Beckett's theatre"),
1456:– 1995. Part-time collaborator on this devised piece for the theatre, produced and performed by the Moving Theatre at Bridge Lane, London
1444:- 1990 (Zodiac) Libretto for a rock ballet produced by the Macedonian National Theatre Ballet with music by V. Stefanovski and B.Arsovski
1542:– 1974 (The Clinch). Produced and broadcast by The Macedonian National Television in 1975. Also produced two more times as a stage play.
359:
1826:, edited by Elka Agoston-Nikolova, Rodopi, Amsterdam/New York, NY 2010, (Studies in Slavic Literature and Poetics 55), pp. 21–26,
1504:– 1994. Commissioned and produced by the Green Candle Company, London, premiered at the Lilian Baylis Theatre at Sadler's Wells, London
1219:, translated by Mateja Dermelj, edited and with a foreword by Vladimir Osolnik, Univerza v Ljubljani, Ljubljana, pp. 88–115, 2003
2252:
915:
848:
2031:
1986 "Англиската драма без Шекспир во Македонија од 1915 до 1985" ("English drama (excluding Shakespeare) in Macedonia 1915-1985"),
2019:
1785:
1697:
1407:
1325:
1238:
1224:
1166:
1105:
814:
800:
674:
662:
335:
281:
137:
Stefanovski's work dealt with issues of migration, post-communist transition and identity, as well as what it means to be human.
1066:Серия: Библиотека югославской литературы, edited and translated by Natalija Vagapova, pp. 583–622, Iskustvo, Moscow, 1982
2405:
1272:("Everyman"), translated by Nikola Vangeli, Contact International, Vol.23, 109, 110, 111, pp. 555–567, București, 2013
469:
in Skopje, or to Igor Stefanovski at the Goran Stefanovski Foundation to perform or publish his work elsewhere in the world.
334:
Through this connection, Stefanovski had become known in Sweden and between 1998 and 2000 he was a visiting professor at the
2288:
2247:(The Translation Series), translated by Patricia Marsh-Stefanovska, BkMk Press of the University of Missouri – Kansas, 1986
843:(The Translation Series), translated by Patricia Marsh-Stefanovska, BkMk Press of the University of Missouri – Kansas, 1986
1965:
2001 "Za kaj Balkan ni seksi", ("Tales from the Wild East", Slovenian translation of essay), Air Beletrina 12–13, Ljubljana
715:("Диво месо", "Лет во место", "Хај-фај", "Дупло дно", "Баханлии", и "Демонот од Дебар Маало") Polica, Трето издание, 2022
2170:
Taken from "Some biographical notes on Goran Stefanovski", "Goran Stefanovski : Five Plays", The Conrad Press, 2019
2154:
Taken from "Some biographical notes on Goran Stefanovski", "Goran Stefanovski : Five Plays", The Conrad Press, 2019
1863:
2009 Monologue from the essay "Heart of the Matter" translated into Romanian by Ioana Ieronim, published in the weekly
1588:– 1979 (The Years of Our Lives). TV drama serial in 6 instalments, produced by Macedonian National Broadcasting Service
1450:– 1991 (I love Chernodrinski). A multi-media performance produced by the Bitola National Theatre, Republic of Macedonia
2415:
2410:
307:
2219:"CHRONOLOGICAL LIST OF PRODUCTIONS OF PLAYS AND SCREENPLAYS BY GORAN STEFANOVSKI(TITLE BY TITLE) – Goran Stefanovski"
2142:"CHRONOLOGICAL LIST OF PRODUCTIONS OF PLAYS AND SCREENPLAYS BY GORAN STEFANOVSKI(TITLE BY TITLE) – Goran Stefanovski"
1996:
1999 "Priče s divljeg istoka" ("Tales from the Wild East"), Croatian translation of essay, Radio Zagreb III, Zagreb
1916:
2007 "Dlaczego Balkany nie sa sexy" (Polish translation of "Tales from the Wild East" by Dorota Jovanka Ćirlić) in
88:
2420:
823:, No. 6, pp. 210–268, edited by Joanna Labon, published in association with Carcanet Press, London, 1994,
288:
1913:, edited by Dennis Barnett and Arthur Skelton, The Scarecrow Press, Lanham, Maryland, U.S.A, pp. 147–155
1161:("Wild Flesh", "The Black Hole", "The Demon of Debar Maalo", "Odysseus"), Hrvatska sveučilišna naklada, 2018
1873:
2009 "Geschichten aus dem Wilden Osten", (German translation of "Tales from the Wild East" by Eva Bonne) in
1640:– 1991 PARIGI-ISTRA Script for part of an omnibus feature film, produced in Croatia, directed by Rajko Grlić
2341:
1665:- 2007. Script for short film based on etching by and interview with Nick Burton, edited by Andy Birtwistle
1653:– 2005. First draft of a feature film script commissioned by Get Film, Stockholm, directed by Suzanne Osten
1615:– 1996 (Long Live Transition) in six instalments.Commissioned by USAID and produced by Mala Stanica, Skopje
169:, although he was soon to return to the University to teach English literature, with a particular focus on
1801:
2012 "Cearta dintre mine si Kafka" ("A Quarrel with Kafka"), translated into Romanian by Ioana Ieronim,
1436:- 1989. Libretto for a rock opera produced by Omladinski Kulturni Centar, Zagreb, Croatia, ex-Yugoslavia
691:Гоце, Екс-ју, Евроалиен, Хотел Eвропа, Жив чоек, Духот на слободата, Демонот од Дебар Mаало, Остави тоа!
1857:
645:
Most of Goran Stefanovski's plays for the theatre were published in Macedonian in the four volumes of
2380:
2375:
1517:
1510:– 1995 (It's Now or Never). Produced by an informal group and presented at the Dramski Teatar, Skopje
162:
2329:
2204:
1989:
2000 "Geschichten aus dem Wilden Osten" ("Tales from the Wild East"), German translation of essay,
1975:
2000 "Fables du monde sauvage de l'Est" ("Tales from the Wild East"), French translation of essay,
1306:, ed. Andreea Dumitru, preface by Ioana Ieronim, Fundatia Culturala Camil Petrescu, București, 2008
299:
119:
2356:"Research into issues of Identity and Cultural History, Politics and Policies – Goran Stefanovski"
1100:("Tattooed Souls", "Flying on the Spot", "Hi-Fi" and "Wild Flesh"), Narodna Knjiga, Beograd, 1987
679:Црна дупка, Лонг плеј, Кула вавилонска, Чернодрински се враќа дома, Сараево, Баханалии, Kaзaбaлкан
434:
355:
158:
147:
106:
1371:"Demon z przdemieścia" ("The Demon of Debarmaalo"), translated by Danuta Ćirlić-Straczyńska, in
153:
Having fallen in love with all things English during his teenage years through the influence of
809:, ed. Joanna Labon, pp. 211–268, Northwestern University Press, Evanston, Illinois, 1995,
2304:
2248:
2187:
2171:
2155:
2015:
1892:
1878:
1835:
1827:
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1781:
1768:
1755:
1701:
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1603:
1595:
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1341:
1321:
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1279:
1254:
1234:
1220:
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1193:
1162:
1101:
1047:
976:
959:
942:
911:
898:
885:
844:
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810:
796:
761:
730:
716:
694:
682:
670:
658:
370:
215:
178:
1852:
2009 "Tales from the Wild East", translated into Romanian by Ioana Ieronimin, in the weekly
292:
1999:
1999 "Zasto Balkan nije seksi" ("Tales from the Wild East"), Serbian translation of essay,
1982:
2000 "Priče s divljeg istoka" ("Tales from the Wild East"), Croatian translation of essay,
1175:, pp. 213–260, edited by Branko Hećimović and Borislav Pavlovski, Znanje, Zagreb, 1982
1932:
Quando la Cultura fa la differenza (Patrimonio, arti e media nella societa multiculturale)
1868:
1076:"Чернодринсҡи се враҕa дoma" ("Chernodrinski comes back home"), translated by the author,
788:
edited by Bonnie Marranca and Malgorzata Semil, PAJ Publications, New York, New York, 2009
458:
2289:
https://goranstefanovski.co.uk/research-into-the-methodology-and-theory-of-scriptwriting/
1925:
The Heart of the Matter (The Role of the Arts and Culture in Balkan European Integration)
2232:
1148:("Wild Flesh"), translated by Gojko Janušević, Sterijino Pozorje, Novi Sad, Serbia, 1980
1423:
magazine no. XLIX, 7–8, pp. 950–971 & in 9, pp. 1128–1156, Novi Sad, 1985
1128:, Vol.2, pp. 325–403, edited by Ognjen Lakićević, Svetozar Marković, Beograd, 1984
992:
2369:
1253:, translated by Mihaela Cernăuţi-Gorodeţchi with Nikola Vangeli, Editura Artes, 2018
76:
1927:, ed. Chris Keulemans, pp. 68–73, European Cultural Foundation, Amsterdam, 2006
853:"Flying on the Spot", translated by Patricia Marsh-Stefanovska, in theatre magazine
2276:
2127:
1521:
1402:("Tattooed Souls"), translated by Zekir Sipahi, Seyirlik Yayınları, Istanbul, 1994
58:
1948:, translated into French by Séverine Magois, éditions L'Espace d'un Instant, Paris
1937:
2005 "O našoj priči" ("On Our Story"), an essay, translated by Nenad Vujadinović,
462:
1659:– 2007. Doctoring of feature film script for Hammer Productions, Novi Sad, Serbia
1135:, Vol. 3, pp. 1–63, (Afterword by Dževad Karahasan), Tribina, Beograd, 1983
864:, Vol.2, No.1, pp. 59–93, State University of New York at Stony Brook, 1983
795:, edited and with a foreword by Jelena Lužina, Matica Makedonska, Skopje, 2000,
379:
170:
154:
1389:, edited by Ognjen Lakićević, pp. 321–378, Wydawnictwo Łódzkie, Łódź, 1988
1114:, Vol. 3, pp. 5–36, edited by Dragana Bošković, Nova Knjiga, Beograd, 1987
396:
Goran Stefanovski died of an inoperable brain tumour in 2018 at the age of 66.
2325:
2313:
2218:
2141:
2083:
2075:
2067:
2059:
1575:– 1994 (Mira's Oasis). New Year's Eve TV show produced by TV Skopje, Macedonia
1192:), translated by Branka Nikl Klampfer, Maribor, Hisa Knjig, Založba KMS, 2012
758:
The Black Hole, Shades of Babel, Sarajevo, Odysseus, Figurae Veneris Historiae
351:
2038:
1980 "Разумен театар - Едвард Бонд" ("The Rational Тheatre of Edward Bond"),
1934:, ed. Simona Bodo and Maria Rita Cifarelli, pp 149–155, Meltemi Editore, Roma
318:
went on an extensive tour across Europe in the summer of 1993, including the
1549:
781:
Volume 99, St Clement of Ohrid National and University Library, Skopje, 2011
339:
323:
291:, USA, where he spent six months as Outstanding Artist Fulbright Scholar at
198:
166:
2099:
1292:, pp. 237–259 (in the original English pp. 534–556), Sibiu, 2009
667:Јане Задрогаз, Диво месо, Лет во место, Хај-Фај, Дупло дно, Тетовирани души
1138:"Let u mestu" ("Flying on the Spot"), translated by Dušan Gorenčevski, in
867:"Proud Flesh", translated by Alan McConnell Duff, in the theatre magazine
185:(Јане Задрогаз) achieved great success and went on to be presented at the
1266:, Book of plays translated by Ioana Ieronim, Tracus Arte, București, 2016
860:"Proud Flesh", translated and with a foreword by Prof. Ralph Bogert, in
311:
262:
1985 marked a departure for the dramatist into a TV serial for children,
2006:
1999 "Приказни од дивиот исток" ("Tales from the Wild East"), an essay,
2275:
The details of his academic career cited here are contained in his cv:
1955:("Tales from the Wild East"), essays and interviews, Табернакул, Скопје
1715:"A Little Book of Traps, a scriptwriting tool", translated by Li Lina,
1385:"Dzikie mięso" ("Wild Flesh"), translated by Jolanta Klaszninowska, in
389:
194:
1000:"Anime Tatuate" ("Tattooed Souls"), translated by Nicoletta Gaida, in
897:, translated by Maria Béjanovska, L'Espace d'un Instant, Paris, 2010
884:, translated by Maria Béjanovska, L'Espace d'un Instant, Paris, 2013
54:
1858:
http://www.revistaluceafarul.ro/index.html?id=1792&editie=812009
1557:– 1978 (Tom from the Petrol Station). TV film, produced by TV Skopje
1046:
translated by Olga Pankina, ed. Olga Pankina, Okojom, Moscow, 2010
910:, translated by Séverine Magois, L'Espace d'un Instant, Paris, 2005
1548:– 1977 (The Interrogation of the Railwayman). TV film, produced by
1171:"Divlje meso" ("Wild Flesh"), translated by Borislav Pavlovski, in
1117:"Teтoвиранe душе" ("Tattooed Souls"), translated by the author, in
760:) translated by Patricia Marsh-Stefanovska, The Conrad Press, 2019
249:) was particularly bold in its challenge to state censors. In 1988
98:
Dramatist, screenwriter, essayist, lecturer and public intellectual
1812:, (Quarrel with Kafka and Other Essays), Табернакул, Скопје, 2010
1110:"Duplo dno" ("The False Bottom"), translated by Risto Vasilevski,
1059:("Yané Zadrogaz", "Wild Flesh", "Flying on the Spot") Радуга, 1987
190:
16:
Macedonian dramatist, screenwriter, essayist, lecturer (1952–2018)
1767:("Canned Impressions"), Табернакул, Скопје, 2014 (Второ издание)
1302:"Hotel Europa", translated by Ioana Ieronim, pp. 145–182 in
1090:"Crna rupa" ("The Black Hole") translated by Gojko Janušević, in
1083:"Bahanalije" ("Bacchanalia"), translated by Gojko Janušević, in
2330:
https://goranstefanovski.co.uk/guest-lectures-and-presentations/
1350:"Tetovane Duše" ("Tattooed Souls"), translated by Jan Janković,
1124:"Divlje meso" ("Wild Flesh"), translated by Gojko Janušević, in
1032:, National Theatre of Subotica, pp. 170–205, Subotica, 1988
924:, Revue Trimestrielle de Théàtre, Comédie-Française, No.9, Paris
161:, Goran went on to study English language and literature at the
1960:
Alter Ego – Twenty Confronting Views on the European Experience
1094:
theatre magazine, 1, no. XXIV, pp. 199–208, Novi Sad, 1988
466:
362:
in 2002, teaching screenwriting there until his death in 2018.
2342:"Practice-Based Research of Scriptwriting – Goran Stefanovski"
2186:"Goran Stefanovski : Five Plays", The Conrad Press, 2019
1849:(Transdisciplinary European Arts Magazine), pp. 44–492009
1780:("Canned Impressions"), Магма книга 13, Темплум, Скопје, 2004
871:, (English Issue 4), pp. 170–186, Novi Sad, Serbia, 1981
1419:"Vadhus" ("Wild Flesh") translated by Marietta Vujicsics, in
1229:"Bakanalije" ("Bacchanalia"), translated by Zdravko Duša, in
491:– 1979 ("Wild Flesh", originally translated as "Proud Flesh")
1498:
by the Canadian-Macedonian Federation, Toronto, Canada, 1991
1142:
theatre magazine, XVIII, 2, pp. 109–128, Novi Sad, 1982
1824:
Shoreless Bridges (South East European Writing in Diaspora)
354:
and taught classes in screenwriting and playwriting at the
295:
and began a lifelong friendship with Professor John Emigh.
1962:, edited by Guido Snel, Amsterdam University Press, Salome
1357:"Žive maso" ("Wild Flesh"), translated by Jan Janković in
447:
Krastyo Sarafov National Academy for Theatre and Film Arts
1316:"Kdokoli" ("Everyman"), translated by Ivana Dorovska, in
1290:
Antologia, Festivalul International de Teatru de la Sibiu
2205:"What's on & Tickets | Almeida Theatre, London"
1875:
Wespennest – Zeitschrift für brauchbare Texte und Bilder
1700:
out of print; republished by Издавачки центар Три, 2003
1378:"Sarajewo", translated by Danuta Ćirlić-Straczyńska, in
1361:
theatre magazine, no.1, pp. 17–33, Bratislava, 1989
1004:, 9, pp. 61–100, Sestante, Mira (Ve), Venezia, 1997
1869:
http://www.romlit.ro/goran_stefanovski-fondul_problemei
908:
Hôtel Europa : Scénario pour un événement théâtral
150:(Влатко Стефановски), a well-known virtuoso guitarist.
1080:, (Часопис за пҏеводну ҝњижевност), 111, Беогҏад, 1997
2233:
https://www.ceeol.com/search/article-detail?id=705238
1018:, translated by Elena Krüskemper, Bonn, Germany, 2000
1563:– 1980 (Tumba, tumba, divina). Produced by TV Skopje
857:, English issue 8, pp. 170–188, Novi Sad, 1985
314:, the Bosnian city then undergoing a brutal siege.
102:
94:
84:
65:
40:
21:
1845:2010 "Trans Artists and Cis Artists" published in
1690:Мала книга на стапици (помагало за пишување драми)
1387:Antologia wspöłczesnego dramatu jugosłowiańskiego
2277:https://goranstefanovski.co.uk/curriculum-vitae/
1856:, 45–46, 30.12.2009, Bucuresti. Online version:
1741:, Divadelný ústav v Bratislave, Bratislava, 2010
1678:– 2002. Dramatiska Institutet, Stockholm, Sweden
1439:
1057:Полет на месте и другие пьесы Горан Стефановский
775:Flying on the Spot, The False Bottom, Wild Flesh
703:Одисеј, Огнени јазици, Figurae Veneris Historiae
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1906:, No 18, 2008, Sarajevo, Bosnia and Herzegovina
1233:, Beletrina, Ljubljana, pp. 217–252, 2000
1131:"Hi-Fi", translated by Biljana Biljanovska, in
1028:"Long Play", translated by Simona Erlitzer, in
2028:(European Theatre Quarterly), No. 3, Ljubljana
1754:("Canned Impressions"), Темплум, Скопје, 2020
1288:"Everyman", translated by Ioana Ireonimin, in
461:) in Skopje, Republic of North Macedonia. The
414:Foundation of the Theatre of Samuel Beckett".
431:A Little Book of Traps (a scriptwriting tool)
344:A Little Book of Traps (a scriptwriting tool)
8:
1739:Malá kniha nástrah (príručka napísanie hier)
1676:A Little Book of Traps, a scriptwriting tool
1569:– 1981 (Wild Flesh). Produced by TV Belgrade
1520:, London, produced in May 1996, directed by
1481:– 1975 Produced for Macedonian Radio in 1975
2326:https://goranstefanovski.co.uk/conferences/
2314:https://www.youtube.com/watch?v=xdX9YLBjy-E
2401:Macedonian emigrants to the United Kingdom
1930:2006 "Stammi a sentire, Gran Bretagna" in
1021:"Sarajevo", translated by Sabine Zolchow,
784:"Hotel Europa" published in the anthology
218:Theatre Festival and was performed at the
29:
18:
1944:2005 "Tales from the Wild East" essay in
1911:Theatre and Performance in Eastern Europe
1887:2008 "Playwright as a maker of Plays" in
2049:, III, 5–6, pp. 12–13, Skopje, 1978
1354:theatre magazine, no.6, Bratislava, 1994
1126:Antologija savremene jugoslovenske drame
1121:, 700–701, pp. 29–32, Београд, 1985
807:Balkan Blues (Writing out of Yugoslavia)
705:). These editions are now out of print.
555:– 1991 ("Chernodrinski comes back home")
320:London International Festival of Theatre
2243:Prof.James McKinley in the Foreword to
2119:
1728:Mala knjiga zamki (kako napisati dramu)
324:Kampnagel International Summer Festival
220:Belgrade International Theatre Festival
187:Belgrade International Theatre Festival
134:He had dual Macedonian/UK citizenship.
2264:Заветот на писателот Горан Стефановски
2128:"CURRICULUM VITAE – Goran Stefanovski"
1867:, Number 51–52, 2009. Online version:
713:Горан Стефановски : Избрани драми
2396:Macedonian dramatists and playwrights
1375:, pp. 104–130, Warsawa, May 2007
1087:theatre magazine, 1–2, Novi Sad, 1997
786:New Europe (Plays from the Continent)
729:, Издавачки центар Три, Skopje, 2023
559:Sarajevo, an oratorio for the theatre
316:Sarajevo, an oratorio for the theatre
7:
2391:International Writing Program alumni
2386:British people of Macedonian descent
2299:"Playwright as a maker of Plays" in
1958:2004 "A Tale from the Wild East" in
1920:, pp. 94–103, Warsawa, May 2007
1304:Dramaturgie contemporana din Balcani
1251:Goran Stefanovski: 7 piese de teatru
1042:"Chernodrinski comes back home", in
1909:2008 "Tales from the Wild East" in
1730:, Sterijino pozorje, Novi Sad, 2009
1062:"Яне-баламут" ("Yané Zadrogaz") in
613:– 2006 ("The Demon of Debar Maalo")
360:Canterbury Christ Church University
2035:, 28, pp. 23–28, Skopje, 1986
1923:2006 "The Heart of the Matter" in
1711:Into Chinese (Standard Mandarin):
837:, New York, Vol l. XVI, No.2, 1994
463:Здружение Горан Стефановски Скопјe
14:
350:In September 2000, he settled in
336:Swedish Institute of Dramatic Art
1717:Journal of Beijing Film Academy,
882:Černodrinski revient à la maison
779:Macedonian Literature in English
2042:, 13–14, pp. 10–14, Skopje
453:Archive and rights to the works
287:In 1990, he took his family to
2100:"Res Artis: Goran Stefanovski"
2085:From First Idea to First Night
1902:2008 "After Dinner Speech" in
1382:4, Kwiecen 1994, Warsawa, 1994
741:Plays available in translation
409:Academic research and teaching
342:. The Institute published his
1:
1792:Published articles and essays
1546:Сослушувањето на железничарот
1494:– 1991 (Gotsé). Produced for
1098:Teтoвиранe душе и друге драме
1044:Современная македонская пьеса
1025:, No. 1, Essen, Mai/Juni 1993
862:Slavic and East European Arts
708:Now available in Macedonian:
499:– 1981 ("Flying on the Spot")
358:before taking up his post at
2266:(28 October 2019) Кица Колбе
1822:2010 "Chinese Whispers", in
1941:, pp. 129–130, Beograd
1810:Кавга со Кафка и други есеи
1692:, Табернакул, Скопје, 2003
1318:Ctyri Jihoslovanska Dramata
1217:Makedonska dramska besedila
793:Ten Modern Macedonian Plays
515:– 1984 ("The False Bottom")
308:European Capital of Culture
2437:
1904:Best of Sarajevo Notebooks
1877:, Nummer 154, Marz; Wien,
1682:Available in translation:
1479:Shakespeare the Apprentice
1276:Poveşti din Estul Sălbatic
1173:Suvremene makedonske drame
635:– 2013 ("Tongues of Fire")
552:Чернодрински се враќа дома
547:– 1989 ("Shades of Babel")
2061:Hamlet: Live, Die, Repeat
2024:1991 "Pearls of Wisdom",
1805:, 9, annul XLIV, 2.3.2012
1555:Томе од бензинската пумпа
1440:
939:Figurae Veneris Historiae
821:Storm (Out of Yugoslavia)
653:
647:
639:Figurae Veneris Historiae
631:
617:
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565:
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531:– 1987 ("The Black Hole")
527:
523:– 1985 ("Tattooed Souls")
519:
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479:
473:Full-length theatre plays
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2077:Teaching the Unteachable
1953:Приказни од дивиот исток
1719:No.78, Issue 5 2007/2010
1516:– 1996. Commissioned by
1338:Vybrane dramatické práce
777:) – Translation Project
483:– 1974 ("Yané Zadrogaz")
289:Providence, Rhode Island
2054:Practice-based research
1977:Alternatives théâtrales
1502:Old Man Carrying Stones
835:Performing Arts Journal
701:(Книга четврта – 2015:
2245:Hi-Fi/The False Bottom
1972:, Beletrina, Ljubljana
1847:TEAM Network Year Book
1460:On the Road to Baghdad
1016:Neue Stücke aus Europa
895:Le démon de Debarmaalo
841:Hi-Fi/The False Bottom
610:Демонот од Дебар маало
569:– 1996 ("Bacchanalia")
2406:Macedonian literature
2069:Tintin in the Balkans
1968:2001 "Bakanalije" in
1778:Конзервирани импресии
1765:Конзервирани импресии
1752:Конзервирани импресии
1448:Го сакам Чернодрински
1064:Драматургия Югославии
689:(Книга трета – 2010:
677:(Книга втора – 2002:
1670:Screenwriting manual
1518:The Tricycle Theatre
1203:Demon iz Debar Maala
1159:Odisej i druge drame
973:Everyman (El Hombre)
665:(Книга прва – 2002:
621:– 2010 ("Let it go")
539:– 1988 ("Long Play")
197:Theatre Festival in
163:University of Skopje
2301:Literary Landscapes
2080:, 15 September 2015
1889:Literary Landscapes
1651:Walter and Virginia
1561:Тумба, тумба дивина
1454:Brecht in Hollywood
1428:Scripts/adaptations
725:Горан Стефановски,
627:– 2012 ("Odysseus")
300:Canterbury, England
193:and finally at the
35:Stefanovski in 2006
2416:People from Bitola
2411:Macedonian writers
1993:, No. 6, June 2000
1613:Аирлија транзиција
1466:Духот на слободата
1014:"Hotel Europa" in
1002:Il Gallo Silvestre
435:Dramatic Institute
356:University of Kent
264:The Crazy Alphabet
227:Flying on the Spot
159:the Rolling Stones
148:Vlatko Stefanovski
107:Vlatko Stefanovski
2309:978-961-6547-30-7
2192:978-1-911546-62-7
2176:978-1-911546-62-7
2160:978-1-911546-62-7
2072:, 22 October 2015
2064:, 20 October 2017
2047:Театарски гласник
2040:Театарски гласник
2033:Театарски гласник
1897:978-961-6547-30-7
1883:978-3-85458-154-3
1840:978-90-420-3021-3
1832:978-90-420-3020-6
1818:978-608-210-148-4
1798:978-2-37572-041-7
1773:978-608-210-391-4
1760:978-608-4871-29-3
1706:978-608-2308-93-7
1685:Into Macedonian:
1663:What do you want?
1608:978-608-4938-48-4
1600:978-608-4938-47-7
1508:Сега му е мајката
1346:978-80-89030-42-2
1298:978-606-8073-02-6
1284:978-606-8220-02-4
1259:978-606-547-410-9
1211:978-961-231-677-8
1198:978-961-6744-55-3
1052:978-5-904531-04-1
981:978-84-92639-69-4
964:978-84-92639-77-9
947:978-84-92639-87-8
903:978-2-915037-55-5
890:978-2-915037-79-1
791:"Proud Flesh" in
766:978-1-911546-62-7
735:978-608-2309-24-8
721:978-608-4850-99-1
699:978-608-210-416-4
687:978-608-210-149-1
377:after Euripides'
371:Riverside Studios
225:Two years later,
216:Sterijino Pozorje
189:(BITEF), then in
179:Slobodan Unkovski
124:Горан Стефановски
116:Goran Stefanovski
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2421:Yugoslav writers
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1979:, 64, Bruxelles
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585:Tales of a City
544:Кула вавилонска
520:Тетовирани души
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833:"Sarajevo" in
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1513:
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1215:"Hi-Fi", in
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496:Лет во место
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71:(2018-11-27)
59:SR Macedonia
2381:2018 deaths
2376:1952 births
1746:Prose poems
1626:Screenplays
1602:paperback:
1586:Наши години
1473:Radio plays
1270:Viata lumii
1264:Europeretta
1245:In Romanian
1153:In Croatian
1146:Divlje meso
956:Doble fondo
922:Les Cahiers
380:The Bacchae
375:Bacchanalia
278:To the Hilt
171:Shakespeare
155:the Beatles
146:brother is
141:Early years
85:Nationality
2370:Categories
2093:References
1854:Luceafarul
1619:Наше маало
1580:TV serials
1567:Дивље месо
1527:Only Human
1394:In Turkish
1071:In Serbian
1037:In Russian
987:In Italian
929:In Spanish
753:Five Plays
746:In English
654:Табернакул
573:Casabalkan
528:Црна дупка
449:in Sofia.
352:Canterbury
256:Црна дупка
212:Wild Flesh
120:Macedonian
89:Macedonian
47:1952-04-27
2026:EuroMaske
2003:, Beograd
1644:До балчак
1550:TV Skopje
1366:In Polish
1332:In Slovak
1009:In German
876:In French
727:Диво месо
657:, Skopje
597:The Hague
566:Баханалии
536:Лонг плеј
512:Дупло дно
488:Диво месо
340:Stockholm
282:До балчак
246:Дупло дно
199:Venezuela
167:TV Skopje
109:(brother)
103:Relatives
79:, England
2010:, Skopje
1986:, 6/2000
1534:TV plays
1434:Traviata
1311:In Czech
1190:Odysseus
935:Sarajevo
618:Пусти то
603:Everyman
579:Euralien
385:Odysseus
367:Everyman
328:Sarajevo
322:and the
312:Sarajevo
310:, about
243:(1983) (
1984:15 Dana
1939:Mostovi
1632:Хај-фај
1441:Зодијак
1359:Javisko
1352:Javisko
1078:Мостови
504:Хај-Фај
390:Odyssey
195:Caracas
2328:&
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2109:4 July
2018:
1918:Dialog
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1881:
1842:E-Book
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1647:Попов)
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1380:Dialog
1373:Dialog
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994:Teatro
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641:– 2014
625:Odisej
605:– 2002
599:– 2000
593:– 2000
587:– 1998
581:– 1998
575:– 1997
561:– 1993
55:Bitola
2194:p.13.
2008:Forum
1951:2005
1808:2010
1540:Клинч
1514:Ex-Yu
1140:Scena
1092:Scena
1085:Scena
869:Scena
855:Scena
191:Paris
2305:ISBN
2287:See
2249:ISBN
2188:ISBN
2172:ISBN
2156:ISBN
2111:2010
2016:ISBN
1899:2008
1893:ISBN
1879:ISBN
1836:ISBN
1828:ISBN
1814:ISBN
1782:ISBN
1769:ISBN
1756:ISBN
1702:ISBN
1694:ISBN
1604:ISBN
1596:ISBN
1492:Гоце
1404:ISBN
1342:ISBN
1322:ISBN
1294:ISBN
1280:ISBN
1255:ISBN
1235:ISBN
1221:ISBN
1207:ISBN
1194:ISBN
1163:ISBN
1102:ISBN
1048:ISBN
977:ISBN
960:ISBN
943:ISBN
912:ISBN
899:ISBN
886:ISBN
845:ISBN
825:ISBN
811:ISBN
797:ISBN
762:ISBN
731:ISBN
717:ISBN
695:ISBN
683:ISBN
671:ISBN
659:ISBN
459:МАНУ
429:His
383:and
157:and
66:Died
41:Born
2001:NIN
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