Knowledge (XXG)

Gotham!

Source πŸ“

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felt that the second half was hampered by Anthony Roman's delivery of the more politically heavy songs being delivered with the "verbal subtlety of an eighth grader with an anarchy symbol stitched onto his backpack." He concluded that,
2033: 327:, Gotham! was a critical success but not a strong commercial success. However, with their new angrier and more raw sound, the band escaped from critics that stated that Radio 4 were a carbon copy of 735:
praised the production of Goldsworthy and Murphy for deviating away from the debut album's sound to make it more hook-heavy and body moving, saying that, "Unlike
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The album was met with mixed reviews. While praising the first half of the album for being more nuanced with its sound than its predecessor, Eric Carr of
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found the production tiring and derivative of bands like Gang of Four and The Clash and felt that Roman's performance failed to match that of
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is decent, catchy, and entertaining, but can't keep up the pace it sets from the beginning, which is just too damn bad." Christina Rees of
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New York, concluding that "The right-on politics will definitely appeal to lefty sloganeering students, but Radio 4 never get tedious.
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is an infinitely danceable and certainly insightful record that gets better with each listen, on every frequency." Brad Cohan of
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Released in 2002, Gotham! became mildly famous in underground club and dance scenes through the release of the single
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praised the band for crafting songs that straddle the line between fun dance-punk and political topics surrounding
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praised the album for its production and lyrics, comparing them positively to
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rating out of 100 to reviews from mainstream critics, the album received an
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is a near-perfect hybrid of perpetual rhythm, flow and hooks."
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Albums produced by James Murphy (electronic musician)
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who saw it as an improvement from their debut album
331:. Lyrically, the album has a large amount of strong 1993: 1950: 1126: 1118: 961: 953: 796: 788: 711:is a rock record for a new era." Leslie Gilotti of 249: 228: 212: 196: 173: 165: 157: 144: 130: 53:. Unsourced material may be challenged and removed. 581: 398: 1900: 8: 1432: 1430: 631: 543: 486: 448: 1621: 1619: 1907: 1893: 1885: 350: 335:content, commenting on such things as the 127: 1681:"Recordings: Radio 4, Gotham!, 3.5 stars" 1267:"Dance To The Underground - Bonus Track" 113:Learn how and when to remove this message 1292: 1112: 947: 782: 321:. In a similar way to their 2000 debut, 1640:from the original on September 13, 2015 1426: 1488:from the original on February 25, 2015 379: 356: 7: 1785:Gilotti, Leslie (October 31, 2002). 1762:: 116. November 2003. Archived from 1471: 1469: 51:adding citations to reliable sources 1559:"Radio 4: Gotham! (Gern Blandsten)" 1524:Muirhead, Stuart (June–July 2002). 583: 400: 1716:Gwillim, Keith (January 9, 2003). 1604:from the original on July 10, 2015 688:score of 74, based on 14 reviews. 14: 1832:from the original on May 22, 2015 1592:"Album Review: Radio 4 – Gotham!" 1557:Rogers, Josh (July 18–25, 2002). 1454:from the original on May 12, 2014 780:All tracks are written by Radio 4 633: 545: 488: 450: 1851:Rees, Christina (May 24, 2002). 1590:Dream, Alice (January 4, 2003). 1438:"Reviews for Gotham! by Radio 4" 652: 647: 642: 637: 632: 602: 597: 592: 587: 582: 564: 559: 554: 549: 544: 502: 497: 492: 487: 469: 464: 459: 454: 449: 419: 414: 409: 404: 399: 136: 125:2002 studio album by Radio 4 27: 666:received positive reviews from 38:needs additional citations for 2002:Packing Things Up on the Scene 1818:Cohan, Brad (April 10, 2002). 1119: 954: 789: 1: 1626:Carr, Eric (April 23, 2002). 1718:"Radio 4 – Gotham – Review" 1003:"Dance to the Underground " 301:is the second album by the 2050: 1665:(196): 110. November 2002. 15: 1922: 1307:Dance To The Underground 1274: 1263: 1252: 1241: 1230: 1219: 1208: 1197: 1186: 1179:"Calling All Enthusiasts" 1175: 1164: 1153: 1142: 1131: 1123: 1098: 1087: 1076: 1065: 1054: 1043: 1032: 1025:"Calling All Enthusiasts" 1021: 1010: 999: 988: 977: 966: 958: 933: 922: 911: 900: 889: 878: 867: 856: 849:"Calling All Enthusiasts" 845: 834: 823: 812: 801: 793: 387: 384: 364: 361: 257: 135: 1959:The New Song & Dance 1534:(7): 112. Archived from 1406:(on "Speaking In Codes") 673:The New Song & Dance 324:The New Song & Dance 318:Dance to the Underground 264:The New Song & Dance 2029:Radio 4 (band) albums 1513:(167): 82. June 2002. 691:Peter J. D'Angelo of 1975:Stealing of a Nation 1799:on November 13, 2002 1787:"Gotham! by Radio 4" 1659:"Radio 4: Gotham!". 1507:"Radio 4: Gotham!". 352:Professional ratings 282:Stealing of a Nation 47:improve this article 16:For other uses, see 1766:on October 30, 2007 1750:"Radio 4 – Gotham!" 1478:"Gotham! – Radio 4" 1476:D'Angelo, Peter J. 1201:"Speaking in Codes" 1115: 1047:"Speaking in Codes" 950: 871:"Speaking in Codes" 785: 353: 339:and differences in 1820:"Radio 4: Gotham!" 1679:(April 25, 2002). 1564:The Boston Phoenix 1538:on August 17, 2004 1409:Tim Goldsworthy – 1113: 948: 783: 680:, which assigns a 481:The Boston Phoenix 351: 347:Critical reception 2011: 2010: 1983:Enemies Like This 1863:Voice Media Group 1858:The Village Voice 1853:"Scene Not Heard" 1730:on March 30, 2014 1697:on April 24, 2002 1628:"Radio4: Gotham!" 1526:"Radio 4: Gotham" 1510:Alternative Press 1415:sound engineering 1361:Tommy Willians – 1343: 1342: 1285: 1284: 1234:"End of the Rope" 1212:"Certain Tragedy" 1109: 1108: 1080:"End of the Rope" 1058:"Certain Tragedy" 944: 943: 915:"End of the Rope" 882:"Certain Tragedy" 764:The Village Voice 661: 660: 431:Alternative Press 307:post-punk revival 294: 293: 290: 289: 188:post-punk revival 123: 122: 115: 97: 2041: 1909: 1902: 1895: 1886: 1879: 1878: 1876: 1874: 1865:. 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O'Connor 1934: 1929: 1927:Anthony Roman 1923: 1920: 1919: 1914: 1912: 1911: 1904: 1897: 1889: 1881: 1880: 1843: 1810: 1777: 1741: 1708: 1668: 1651: 1615: 1582: 1549: 1516: 1499: 1465: 1425: 1424: 1422: 1419: 1418: 1417: 1407: 1396: 1390: 1380: 1370: 1359: 1347: 1344: 1341: 1340: 1337: 1334: 1330: 1329: 1326: 1323: 1315: 1314: 1311: 1308: 1304: 1303: 1300: 1297: 1290: 1287: 1283: 1282: 1279: 1276: 1272: 1271: 1268: 1265: 1261: 1260: 1257: 1254: 1250: 1249: 1246: 1243: 1239: 1238: 1235: 1232: 1228: 1227: 1224: 1221: 1217: 1216: 1213: 1210: 1206: 1205: 1202: 1199: 1195: 1194: 1191: 1188: 1184: 1183: 1180: 1177: 1173: 1172: 1169: 1166: 1162: 1161: 1158: 1155: 1151: 1150: 1147: 1146:"Start a Fire" 1144: 1140: 1139: 1136: 1133: 1129: 1128: 1125: 1122: 1111: 1107: 1106: 1103: 1100: 1096: 1095: 1092: 1089: 1085: 1084: 1081: 1078: 1074: 1073: 1070: 1067: 1063: 1062: 1059: 1056: 1052: 1051: 1048: 1045: 1041: 1040: 1037: 1034: 1030: 1029: 1026: 1023: 1019: 1018: 1015: 1012: 1008: 1007: 1004: 1001: 997: 996: 993: 990: 986: 985: 982: 981:"Start a Fire" 979: 975: 974: 971: 968: 964: 963: 960: 957: 946: 942: 941: 938: 935: 931: 930: 927: 924: 920: 919: 916: 913: 909: 908: 905: 902: 898: 897: 894: 891: 887: 886: 883: 880: 876: 875: 872: 869: 865: 864: 861: 858: 854: 853: 850: 847: 843: 842: 839: 836: 832: 831: 828: 825: 821: 820: 817: 816:"Start a Fire" 814: 810: 809: 806: 803: 799: 798: 795: 792: 778: 776: 773: 659: 658: 629: 621: 620: 617: 609: 608: 579: 571: 570: 541: 533: 532: 529: 521: 520: 517: 509: 508: 484: 476: 475: 446: 438: 437: 434: 426: 425: 396: 390: 389: 386: 382: 381: 377: 376: 373: 367: 366: 363: 359: 358: 348: 345: 292: 291: 288: 287: 278: 269: 255: 254: 247: 246: 232: 226: 225: 223:Gern Blandsten 216: 210: 209: 198: 194: 193: 191: 190: 185: 179: 177: 171: 170: 167: 163: 162: 159: 155: 154: 149: 142: 141: 133: 132: 124: 121: 120: 35: 33: 26: 13: 10: 9: 6: 4: 3: 2: 2046: 2035: 2032: 2030: 2027: 2025: 2022: 2021: 2019: 2003: 1999: 1998: 1996: 1992: 1985: 1984: 1980: 1977: 1976: 1972: 1969: 1968: 1964: 1961: 1960: 1956: 1955: 1953: 1951:Studio albums 1949: 1943: 1940: 1938: 1935: 1933: 1932:Greg Collins 1930: 1928: 1925: 1924: 1921: 1917: 1910: 1905: 1903: 1898: 1896: 1891: 1890: 1887: 1868: 1864: 1860: 1859: 1854: 1847: 1844: 1831: 1827: 1826: 1821: 1814: 1811: 1798: 1794: 1793: 1788: 1781: 1778: 1765: 1761: 1757: 1756: 1751: 1745: 1742: 1729: 1725: 1724: 1719: 1712: 1709: 1696: 1692: 1688: 1687: 1686:Rolling Stone 1682: 1678: 1677:Wolk, Douglas 1672: 1669: 1664: 1663: 1655: 1652: 1639: 1635: 1634: 1629: 1622: 1620: 1616: 1603: 1599: 1598: 1593: 1586: 1583: 1570: 1566: 1565: 1560: 1553: 1550: 1537: 1533: 1532: 1527: 1520: 1517: 1512: 1511: 1503: 1500: 1487: 1483: 1479: 1472: 1470: 1466: 1453: 1449: 1445: 1444: 1439: 1433: 1431: 1427: 1420: 1416: 1412: 1408: 1405: 1401: 1397: 1395: 1391: 1389: 1385: 1381: 1379: 1375: 1371: 1368: 1364: 1360: 1358: 1354: 1350: 1349: 1345: 1338: 1335: 1332: 1331: 1327: 1324: 1321: 1317: 1316: 1312: 1309: 1306: 1305: 1301: 1299:Release Date 1298: 1295: 1294: 1288: 1280: 1277: 1273: 1269: 1266: 1262: 1258: 1255: 1251: 1247: 1244: 1240: 1236: 1233: 1229: 1225: 1222: 1218: 1214: 1211: 1207: 1203: 1200: 1196: 1192: 1189: 1185: 1181: 1178: 1174: 1170: 1167: 1163: 1159: 1156: 1152: 1148: 1145: 1141: 1137: 1134: 1130: 1117: 1104: 1101: 1097: 1093: 1090: 1086: 1082: 1079: 1075: 1071: 1068: 1064: 1060: 1057: 1053: 1049: 1046: 1042: 1038: 1035: 1031: 1027: 1024: 1020: 1016: 1013: 1009: 1005: 1002: 998: 994: 991: 987: 983: 980: 976: 972: 969: 965: 952: 939: 936: 932: 928: 925: 921: 917: 914: 910: 906: 903: 899: 895: 892: 888: 884: 881: 877: 873: 870: 866: 862: 859: 855: 851: 848: 844: 840: 837: 833: 829: 826: 822: 818: 815: 811: 807: 804: 800: 787: 784:US/AU version 781: 774: 772: 770: 766: 765: 760: 755: 754: 748: 746: 742: 738: 734: 733: 728: 718: 714: 710: 706: 702: 698: 694: 689: 687: 683: 679: 675: 674: 669: 668:music critics 665: 630: 628: 627: 623: 622: 618: 616: 615: 611: 610: 580: 578: 577: 576:Rolling Stone 573: 572: 542: 540: 539: 535: 534: 530: 528: 527: 523: 522: 518: 516: 515: 511: 510: 485: 483: 482: 478: 477: 447: 445: 444: 440: 439: 435: 433: 432: 428: 427: 397: 395: 392: 391: 383: 380:Review scores 378: 374: 372: 369: 368: 360: 355: 346: 344: 342: 338: 334: 330: 326: 325: 320: 319: 313: 312: 308: 304: 300: 299: 284: 283: 279: 275: 274: 270: 266: 265: 261: 260: 256: 252: 248: 244: 240: 236: 233: 231: 227: 224: 220: 217: 215: 211: 199: 195: 189: 186: 184: 181: 180: 178: 176: 172: 169:July 21, 2001 168: 164: 160: 156: 152: 147: 143: 139: 134: 129: 117: 114: 106: 95: 92: 88: 85: 81: 78: 74: 71: 67: 64: β€“  63: 59: 58:Find sources: 52: 48: 42: 41: 36:This article 34: 30: 25: 24: 19: 1981: 1973: 1966: 1965: 1957: 1942:Dave Milone 1941: 1936: 1931: 1926: 1871:. 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Retrieved 1441: 1296:Single Name 1245:"Pipe Bombs" 1223:"The Movies" 1091:"Pipe Bombs" 1069:"The Movies" 926:"Pipe Bombs" 904:"The Movies" 893:"Red Lights" 779: 762: 758: 751: 749: 744: 730: 720: 708: 705:Gang of Four 690: 671: 663: 662: 624: 612: 574: 536: 524: 512: 479: 441: 429: 341:social class 322: 316: 314: 297: 296: 295: 280: 272: 271: 262: 239:James Murphy 146:Studio album 109: 100: 90: 83: 76: 69: 57: 45:Please help 40:verification 37: 2024:2002 albums 1734:January 25, 1357:lead vocals 1256:"New Disco" 1102:"New Disco" 937:"New Disco" 737:The Rapture 2018:Categories 1825:PopMatters 1792:Playlouder 1443:Metacritic 1421:References 1411:production 1400:production 1384:percussion 1168:"Struggle" 1135:"Our Town" 1014:"Struggle" 970:"Our Town" 949:EU version 838:"Struggle" 805:"Our Town" 775:Track list 769:John Lydon 732:PopMatters 713:Playlouder 682:normalized 678:Metacritic 371:Metacritic 303:dance-punk 253:chronology 219:City Slang 183:Dance-punk 73:newspapers 1633:Pitchfork 1374:keyboards 1346:Personnel 1336:May 2002 1333:Struggle 1325:May 2002 1310:May 2001 753:Pitchfork 717:Post-9/11 697:The Clash 526:Pitchfork 333:political 329:The Clash 103:July 2015 62:"Gotham!" 1830:Archived 1638:Archived 1602:Archived 1575:April 8, 1542:April 8, 1486:Archived 1482:AllMusic 1452:Archived 693:AllMusic 394:AllMusic 230:Producer 166:Recorded 158:Released 148: by 1994:Singles 1967:Gotham! 1916:Radio 4 1873:July 5, 1836:July 5, 1803:July 5, 1701:July 5, 1644:May 17, 1608:July 9, 1531:Blender 1492:May 17, 1458:July 4, 1378:guitars 1363:guitars 1313:UK #31 1289:Singles 759:Gotham! 745:Gotham! 724:Gotham! 709:Gotham! 686:average 664:Gotham! 443:Blender 311:Radio 4 298:Gotham! 286:(2004) 277:(2002) 273:Gotham! 268:(2000) 251:Radio 4 235:The DFA 151:Radio 4 131:Gotham! 87:scholar 1986:(2006) 1978:(2004) 1970:(2002) 1962:(2000) 1758:(78). 1404:vocals 1388:vocals 1367:vocals 1322:only) 1320:Europe 1127:Length 962:Length 797:Length 531:6.1/10 388:Rating 385:Source 375:74/100 365:Rating 362:Source 197:Length 89:  82:  75:  68:  60:  18:Gotham 1755:Uncut 1394:drums 1124:Title 959:Title 794:Title 741:Liars 726:' 722:' 626:Uncut 309:band 214:Label 175:Genre 94:JSTOR 80:books 1875:2015 1838:2015 1805:2015 1772:2020 1736:2016 1703:2015 1646:2012 1610:2015 1577:2018 1544:2018 1494:2012 1460:2015 1353:bass 1339:n/d 1328:n/d 1281:5:17 1270:4:02 1259:2:50 1248:6:25 1237:3:04 1226:4:04 1215:3:30 1204:4:14 1193:3:08 1182:3:06 1171:3:13 1160:3:42 1149:3:33 1138:3:42 1105:2:50 1094:6:25 1083:3:04 1072:4:04 1061:3:30 1050:4:14 1039:3:08 1028:3:06 1017:3:13 1006:4:52 995:3:42 984:3:33 973:3:42 940:2:50 929:6:25 918:3:04 907:4:04 896:3:08 885:3:30 874:4:14 863:3:08 852:3:06 841:3:13 830:3:42 819:3:33 808:3:42 739:and 703:and 519:6/10 436:9/10 337:NYPD 66:news 1275:15. 1264:14. 1253:13. 1242:12. 1231:11. 1220:10. 1120:No. 1099:13. 1088:12. 1077:11. 1066:10. 955:No. 934:13. 923:12. 912:11. 901:10. 790:No. 49:by 2020:: 1861:. 1855:. 1828:. 1822:. 1789:. 1752:. 1720:. 1689:. 1683:. 1636:. 1630:. 1618:^ 1600:. 1594:. 1561:. 1528:. 1484:. 1480:. 1468:^ 1450:. 1446:. 1440:. 1429:^ 1413:, 1402:, 1386:, 1376:, 1365:, 1355:, 1209:9. 1198:8. 1187:7. 1176:6. 1165:5. 1154:3. 1143:2. 1132:1. 1055:9. 1044:8. 1033:7. 1022:6. 1011:5. 1000:4. 989:3. 978:2. 967:1. 890:9. 879:8. 868:7. 857:6. 846:5. 835:4. 824:3. 813:2. 802:1. 699:, 343:. 241:, 221:, 206:26 202:49 2004:" 2000:" 1908:e 1901:t 1894:v 1877:. 1840:. 1807:. 1774:. 1738:. 1705:. 1662:Q 1648:. 1612:. 1579:. 1546:. 1496:. 1462:. 757:" 619:B 538:Q 305:/ 245:) 237:( 204:: 116:) 110:( 105:) 101:( 91:Β· 84:Β· 77:Β· 70:Β· 43:. 20:.

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Gotham

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Studio album
Radio 4
Genre
Dance-punk
post-punk revival
Label
City Slang
Gern Blandsten
Producer
The DFA
James Murphy
Tim Goldsworthy
Radio 4
The New Song & Dance
Stealing of a Nation
dance-punk
post-punk revival

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