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156:, and was one of the most influential exponents of this style in California. He sought out the lighting effects of certain times of day, taking a "special interest in full moonrises, the viewing of which became a family ritual. Venturing up a hill, the family would cheer the appearance of the moon. Piazzoni knew the exact time for each moonrise and kept precise records." He was able to portray the essential qualities of a scene and achieve a strong mood, using only minimal descriptive details.
31:
105:(April 14, 1872 – August 1, 1945) was a Swiss-born American landscape painter, muralist and sculptor of Italian heritage, a key member of the school of Northern California artists in the early 1900s.
178:, ten of them dating from 1932, the other four painted in 1945 and not installed until the 1970s. After public debate and lawsuits in the late 1990s, the ten principal murals can now be seen at the
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766:"Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, vol. One, East Bay Heritage Project, Oakland, 2012; by Robert W. Edwards"
232:, "The Floating Hat," published by the Traditional Fine Art Organization, Inc. The play is also in the collection of the Gallaudet University library.
751:. Oakland, Calif.: East Bay Heritage Project. pp. 46, 94, 188, 196, 200, 207, 217, 252, 306, 372, 443–445, 493, 541, 543, 577–578, 580–582, 690.
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251:. American landscape painter Mireille Piazzoni Wood was Piazzoni's daughter, painter-writer Philip Wood his son-in-law. Artists Thomas Wood and
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Piazzoni died on August 1, 1945, at the
Piazzoni ranch home in Carmel Valley. Services were held in San Francisco. Piazzoni was buried at the
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and introduced the deaf-mute artist to
Charlie Chaplin. The relationship of Redmond, Chaplin and Piazzoni is explored in a play by
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205:, sculptor, printmaker, and at that time Piazzoni's studio assistant. He enthusiastically advanced the career of sculptor
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An online facsimile of the entire text of Vol. 1 is posted on the
Traditional Fine Arts Organization website (
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by
Gottardo F. P. Piazzoni, 1931, oil on canvas, five panels, 12 x 6 2/3 ft. each, De Young Museum
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by
Gottardo F. P. Piazzoni, 1932, oil on canvas, five panels, 12 x 6 2/3 ft. each, De Young Museum
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Twilight and
Reverie: California Tonalist Painting 1890-1930, Harvey L. Jones, 1995, accessed at
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Piazzoni's best-known public work may be his 14 murals for the former headquarters of the
149:. He then returned to California to begin his career and set up his own teaching studio.
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847:"Heritage 50: Asian Art Museum Moves into the Main and the Fight for the Piazzoni murals"
822:"Heritage 50: Asian Art Museum Moves into the Main and the Fight for the Piazzoni murals"
554:"Heritage 50: Asian Art Museum Moves into the Main and the Fight for the Piazzoni murals"
731:"THE NEW DE YOUNG / Controversy over, Piazzoni murals settle into de Young's landscape"
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Specializing in landscapes in a muted palette, most scholars count
Piazzoni among the
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129:, had the Luigi Piazzoni ranch adjacent to his father's ranch. After training with
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Jennie V. Cannon: The Untold
History of the Carmel and Berkeley Art Colonies, Vol. 1
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668:
Sunset, Volume 21 By
Southern Pacific Company. Passenger Dept, 1908, page 738
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121:, Switzerland. He moved at the age of 15 to his father's dairy farm in the
579:"The Piazzoni Legacy, Three Generations Paint the Splendors of California"
217:, and served on the jury and advisory committee of the Art Gallery at the
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213:, exhibited with the Berkeley and Monterey art colonies, taught at the
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in 1912, with Robert B. Harshe, art professor at
Stanford University;
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by Gottardo Fidele Piazzoni, c. 1912, oil on panel, De Young Museum
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By early 1901 Piazzoni was sharing a studio with fellow painter
796:
Ryerson and Burnham Libraries: The Art Institute of Chicago
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On the Edge of America: California Modernist Art, 1900-1950
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Impressions of California: Early currents in art 1850-1930
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Portrait of Gottardo in his San Francisco studio, ca. 1925
141:), Piazzoni trained for three years in Paris at the
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916:Piazzoni's papers at the Archives of American Art
224:Piazzoni was also a good friend of Impressionist
657:The Modern West: American Landscapes, 1890-1950
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318:Landscape with a fisherman in a row boat
113:Piazzoni was born on April 14, 1872, in
638:CS1 maint: location missing publisher (
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719:http://www.tfaoi.com/aa/2aa/2aa594.htm
659:, Yale University Press, 2006, p. 108.
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605:Russell Chatham: One Hundred Paintings
889:. Salinas, California. August 2, 1945
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986:Swiss emigrants to the United States
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378:Bather in a Stream with Hills Beyond
966:San Francisco Art Institute faculty
693:Bockhorst, Paul (1996). "Preface".
680:; by Paul J. Karlstrom, 1996, p. 99
991:San Francisco Art Institute alumni
981:20th-century American male artists
976:19th-century American male artists
911:Web resource on the library murals
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697:. The Irvine Museum. p. 15.
480:Rolling hills and Forest Knolls
209:. He was also a member of the
956:20th-century American painters
946:19th-century American painters
577:Jan Holloway (June 26, 2005).
180:M. H. de Young Memorial Museum
1:
191:California Society of Etchers
135:Mark Hopkins Institute of Art
492:Coastal bluffs along a shore
172:San Francisco Public Library
845:Young, Kerri (2021-09-02).
820:Young, Kerri (2021-09-02).
747:Edwards, Robert W. (2012).
552:Young, Kerri (2021-09-02).
456:Trees in a summer landscape
384:Marin Hills from Exposition
215:San Francisco Art Institute
199:San Francisco Art Institute
139:San Francisco Art Institute
87:San Francisco Art Institute
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300:My Sketch Class at Tiburon
265:Cypress Lawn Memorial Park
883:"G. Piazzoni Passes Away"
602:Chatham, Russell (1990).
366:Spring Hills & Clouds
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872:, 9 February 1927, p. 1.
486:Golden hills and shadows
255:are Piazzoni grandsons.
235:Among his students were
103:Gottardo Fidele Piazzoni
45:Gottardo Fidele Piazzoni
498:Carmel Valley landscape
306:A bit of La Jolla's Bay
961:Académie Julian alumni
951:American male painters
851:San Francisco Heritage
826:San Francisco Heritage
792:"Robert Harshe Papers"
558:San Francisco Heritage
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16:Swiss-American painter
608:. Livingston, Montana
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438:Cloud Over Dark Hills
432:Bridge in a landscape
420:Clear Sky Over a Farm
195:Pedro Joseph de Lemos
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655:Neff, Emily Ballew.
450:House in a landscape
249:Clayton Sumner Price
131:Arthur Frank Mathews
870:The Oakland Tribune
414:Moon over Houseboat
941:American muralists
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288:Homes by the water
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269:Colma, California
226:Granville Redmond
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219:Hotel Del Monte
203:Ralph Stackpole
197:, professor at
187:Xavier MartĂnez
143:Académie Julian
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891:. Retrieved
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800:the original
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125:. His uncle
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76:(1945-08-01)
936:1945 deaths
931:1872 births
629:|work=
348:Mill Valley
336:Marin Hills
237:George Post
137:(later the
925:Categories
893:2023-01-16
856:2024-02-06
831:2024-02-06
806:2011-05-21
776:2016-06-07
612:2023-01-16
588:2023-01-16
563:2024-02-06
539:References
230:Steve Hauk
145:and under
109:Early life
51:1872-04-14
631:ignored (
621:cite book
360:Two trees
154:Tonalists
83:Education
971:Tonalism
521:The Land
468:The Soil
396:The Sea
390:The Land
330:The Oaks
115:Intragna
59:Intragna
532:The Sea
426:Tiburon
408:Tiburon
354:Silence
164:Silence
133:at the
755:
701:
512:Murals
506:(1931)
500:(1930)
494:(1929)
488:(1928)
482:(1927)
476:(1926)
470:(1925)
464:(1924)
458:(1922)
452:(1921)
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320:(1906)
314:(1904)
308:(1903)
302:(1902)
296:(1901)
290:(1901)
284:(1900)
247:, and
201:; and
119:Ticino
93:Spouse
63:Ticino
462:Pines
416:1917)
282:Paris
275:Works
259:Death
753:ISBN
699:ISBN
640:link
633:help
71:Died
41:Born
927::
885:.
849:.
824:.
794:.
781:).
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648:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
