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167:, and was one of the most influential exponents of this style in California. He sought out the lighting effects of certain times of day, taking a "special interest in full moonrises, the viewing of which became a family ritual. Venturing up a hill, the family would cheer the appearance of the moon. Piazzoni knew the exact time for each moonrise and kept precise records." He was able to portray the essential qualities of a scene and achieve a strong mood, using only minimal descriptive details.
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116:(April 14, 1872 – August 1, 1945) was a Swiss-born American landscape painter, muralist and sculptor of Italian heritage, a key member of the school of Northern California artists in the early 1900s.
189:, ten of them dating from 1932, the other four painted in 1945 and not installed until the 1970s. After public debate and lawsuits in the late 1990s, the ten principal murals can now be seen at the
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777:"Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, vol. One, East Bay Heritage Project, Oakland, 2012; by Robert W. Edwards"
243:, "The Floating Hat," published by the Traditional Fine Art Organization, Inc. The play is also in the collection of the Gallaudet University library.
762:. Oakland, Calif.: East Bay Heritage Project. pp. 46, 94, 188, 196, 200, 207, 217, 252, 306, 372, 443–445, 493, 541, 543, 577–578, 580–582, 690.
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262:. American landscape painter Mireille Piazzoni Wood was Piazzoni's daughter, painter-writer Philip Wood his son-in-law. Artists Thomas Wood and
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Piazzoni died on August 1, 1945, at the
Piazzoni ranch home in Carmel Valley. Services were held in San Francisco. Piazzoni was buried at the
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and introduced the deaf-mute artist to
Charlie Chaplin. The relationship of Redmond, Chaplin and Piazzoni is explored in a play by
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216:, sculptor, printmaker, and at that time Piazzoni's studio assistant. He enthusiastically advanced the career of sculptor
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An online facsimile of the entire text of Vol. 1 is posted on the
Traditional Fine Arts Organization website (
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by
Gottardo F. P. Piazzoni, 1931, oil on canvas, five panels, 12 x 6 2/3 ft. each, De Young Museum
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by
Gottardo F. P. Piazzoni, 1932, oil on canvas, five panels, 12 x 6 2/3 ft. each, De Young Museum
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Twilight and
Reverie: California Tonalist Painting 1890-1930, Harvey L. Jones, 1995, accessed at
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Piazzoni's best-known public work may be his 14 murals for the former headquarters of the
160:. He then returned to California to begin his career and set up his own teaching studio.
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858:"Heritage 50: Asian Art Museum Moves into the Main and the Fight for the Piazzoni murals"
833:"Heritage 50: Asian Art Museum Moves into the Main and the Fight for the Piazzoni murals"
565:"Heritage 50: Asian Art Museum Moves into the Main and the Fight for the Piazzoni murals"
742:"THE NEW DE YOUNG / Controversy over, Piazzoni murals settle into de Young's landscape"
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Specializing in landscapes in a muted palette, most scholars count
Piazzoni among the
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140:, had the Luigi Piazzoni ranch adjacent to his father's ranch. After training with
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Jennie V. Cannon: The Untold
History of the Carmel and Berkeley Art Colonies, Vol. 1
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17:
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Sunset, Volume 21 By
Southern Pacific Company. Passenger Dept, 1908, page 738
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132:, Switzerland. He moved at the age of 15 to his father's dairy farm in the
590:"The Piazzoni Legacy, Three Generations Paint the Splendors of California"
228:, and served on the jury and advisory committee of the Art Gallery at the
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224:, exhibited with the Berkeley and Monterey art colonies, taught at the
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in 1912, with Robert B. Harshe, art professor at
Stanford University;
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by Gottardo Fidele Piazzoni, c. 1912, oil on panel, De Young Museum
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By early 1901 Piazzoni was sharing a studio with fellow painter
807:
Ryerson and Burnham Libraries: The Art Institute of Chicago
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On the Edge of America: California Modernist Art, 1900-1950
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Impressions of California: Early currents in art 1850-1930
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Portrait of Gottardo in his San Francisco studio, ca. 1925
152:), Piazzoni trained for three years in Paris at the
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927:Piazzoni's papers at the Archives of American Art
235:Piazzoni was also a good friend of Impressionist
668:The Modern West: American Landscapes, 1890-1950
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329:Landscape with a fisherman in a row boat
124:Piazzoni was born on April 14, 1872, in
649:CS1 maint: location missing publisher (
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730:http://www.tfaoi.com/aa/2aa/2aa594.htm
670:, Yale University Press, 2006, p. 108.
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616:Russell Chatham: One Hundred Paintings
900:. Salinas, California. August 2, 1945
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997:Swiss emigrants to the United States
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389:Bather in a Stream with Hills Beyond
977:San Francisco Art Institute faculty
704:Bockhorst, Paul (1996). "Preface".
691:; by Paul J. Karlstrom, 1996, p. 99
1002:San Francisco Art Institute alumni
992:20th-century American male artists
987:19th-century American male artists
922:Web resource on the library murals
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708:. The Irvine Museum. p. 15.
491:Rolling hills and Forest Knolls
220:. He was also a member of the
967:20th-century American painters
957:19th-century American painters
588:Jan Holloway (June 26, 2005).
191:M. H. de Young Memorial Museum
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202:California Society of Etchers
146:Mark Hopkins Institute of Art
503:Coastal bluffs along a shore
183:San Francisco Public Library
856:Young, Kerri (2021-09-02).
831:Young, Kerri (2021-09-02).
758:Edwards, Robert W. (2012).
563:Young, Kerri (2021-09-02).
467:Trees in a summer landscape
395:Marin Hills from Exposition
226:San Francisco Art Institute
210:San Francisco Art Institute
150:San Francisco Art Institute
98:San Francisco Art Institute
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311:My Sketch Class at Tiburon
276:Cypress Lawn Memorial Park
894:"G. Piazzoni Passes Away"
613:Chatham, Russell (1990).
377:Spring Hills & Clouds
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883:, 9 February 1927, p. 1.
497:Golden hills and shadows
266:are Piazzoni grandsons.
246:Among his students were
114:Gottardo Fidele Piazzoni
56:Gottardo Fidele Piazzoni
509:Carmel Valley landscape
317:A bit of La Jolla's Bay
972:Académie Julian alumni
962:American male painters
862:San Francisco Heritage
837:San Francisco Heritage
803:"Robert Harshe Papers"
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27:Swiss-American painter
619:. Livingston, Montana
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449:Cloud Over Dark Hills
443:Bridge in a landscape
431:Clear Sky Over a Farm
206:Pedro Joseph de Lemos
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666:Neff, Emily Ballew.
461:House in a landscape
260:Clayton Sumner Price
142:Arthur Frank Mathews
881:The Oakland Tribune
425:Moon over Houseboat
952:American muralists
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299:Homes by the water
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280:Colma, California
237:Granville Redmond
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335:Ile de la Jatte
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230:Hotel Del Monte
214:Ralph Stackpole
208:, professor at
198:Xavier MartĂnez
154:Académie Julian
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902:. Retrieved
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781:the original
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87:(1945-08-01)
947:1945 deaths
942:1872 births
640:|work=
359:Mill Valley
347:Marin Hills
248:George Post
148:(later the
936:Categories
904:2023-01-16
867:2024-02-06
842:2024-02-06
817:2011-05-21
787:2016-06-07
623:2023-01-16
599:2023-01-16
574:2024-02-06
550:References
241:Steve Hauk
156:and under
120:Early life
62:1872-04-14
642:ignored (
632:cite book
371:Two trees
165:Tonalists
94:Education
982:Tonalism
532:The Land
479:The Soil
407:The Sea
401:The Land
341:The Oaks
126:Intragna
70:Intragna
543:The Sea
437:Tiburon
419:Tiburon
365:Silence
175:Silence
144:at the
766:
712:
523:Murals
517:(1931)
511:(1930)
505:(1929)
499:(1928)
493:(1927)
487:(1926)
481:(1925)
475:(1924)
469:(1922)
463:(1921)
457:(1920)
451:(1919)
445:(1918)
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337:(1907)
331:(1906)
325:(1904)
319:(1903)
313:(1902)
307:(1901)
301:(1901)
295:(1900)
258:, and
212:; and
130:Ticino
104:Spouse
74:Ticino
473:Pines
427:1917)
293:Paris
286:Works
270:Death
764:ISBN
710:ISBN
651:link
644:help
82:Died
52:Born
938::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
