216:
203:) travels to Mexico to find out what has become of him, and when she learns that Gerardo has taken over as manager, she is convinced that Gerardo and his pals are to blame. Wanting to know more about Gerardo and his cronies, she takes a job as a singer at "Gran Casino," a rowdy nightclub near the oil fields. In time, she strikes up a romance with the good-hearted roughneck and learns the identity of her brother's real enemy—Don Fabio (
267:, when demonstrations organized with the cooperation of Duarte resulted in PerĂłn's release from a brief stay in jail, Lamarque's films were banned in Argentina. The next year, after Duarte and PerĂłn had married and PerĂłn had been elected President of Argentina, Lamarque fled Buenos Aires for Mexico City, where her films had been extremely popular for years.
275:
A French national of
Russian-Jewish origin, Oscar Dancigers had fled the Nazis in 1940, due to his membership in the Communist Party, and settled in Mexico, where in short order he had founded Ultramar Films and achieved considerable success as a small independent producer. Dancigers specialized in
238:
singer and she was able to capitalize on that success by combining her singing and acting abilities in pictures that pulled their melodramatic plots straight from the tales told in popular tangos. She often played the part of a tango singer whose romance with a wealthy suitor is thwarted by his
187:
who is refusing to sell out to evil oil barons who threaten the workers. Gerardo persuades José to give work to him and his friends, and after he and
Demetrio recruit more workers, they are able to rejuvenate the struggling operation. Just as their fortunes are on the rise, however, the oilman
29:
255:, who was on his way to becoming President of the country. Tensions on the set ran high, as Duarte flaunted her relationship with Argentina's strongman by turning up late every day, having him pick her up from the studio in his state
179:) and his friend Demetrio (Julio Villarreal) are a pair of footloose cowboys in turn-of-the-century Mexico who are in prison on dubious charges. As Gerardo sings and strums on his
330:"Populism, Melodrama, and the Market", in The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, ed. by Matthew B. Karush and Oscar Chamosa
263:
that delighted Duarte's many enemies. Lamarque added to the intrigue by suggesting that the two had been vying for the attentions of PerĂłn. After
October 17, 1945,
183:, Demetrio saws the bars of their cell, enabling them to escape. They come upon a small oil field operated by José Enrique (Francisco Jambrina), an entrepreneur from
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and generally behaving as if she were the star of the picture. When Duarte sat in
Lamarque's chair one day, Lamarque slapped her across the face, sparking a
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447:"The Tango, Peronism, and Astor Piazzolla During the 1940s and '50s", in From Tejano to Tango: Latin American Popular Music, ed. by Walter Aaron Clark
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disappears and is feared murdered. Demetrio takes over the operation next, but the night before the oil is to start pumping, he goes to the
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assisting U.S. film companies with on-location production in Mexico. As such, his company was a direct beneficiary of the
American
163:) is a 1947 Mexican film. It was written by Mauricio Magdaleno and Edmundo Baez, based on a story by Michel Weber, and directed by
931:
247:, a pot-boiler about a theatrical troupe in nineteenth-century Argentina, which included in the cast as a supporting player,
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in 1938, Libertad
Lamarque was the most popular artist in Argentine cinema. She had made her name on stage and radio as a
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popular culture with a strong anti-elitist identification. In 1945, Larmarque starred in
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196:), the same girl José was last seen with before he vanished, and he too disappears.
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Cold War Exiles in Mexico: U.S. Dissidents and the
Culture of Critical Resistance
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The Film
Industry in Argentina: An Illustrated Cultural History
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Fotomontaje de escena del filme 'Gran Casino' por Luis Buñuel
513:. Tuscaloosa, AL: University of Alabama Press. p. 288.
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Rebecca Mina
Schreiber «Cold War Exiles in Mexico» (p. 71)
540:. Minneapolis: Univ Of Minnesota Press. p. 73.
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239:snobbish family, making her a compelling symbol of
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333:. Durham NC: Duke University Press. p. 27.
486:. London: British Film Institute. p. 22.
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394:Evita, First Lady: A Biography of Eva PerĂłn
744:The Criminal Life of Archibaldo de la Cruz
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27:
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303:. Jefferson NC: McFarland. p. 227.
251:, who was being courted by then Colonel
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899:Buñuel in the Labyrinth of the Turtles
367:. New York: W. W. Norton. p. 42.
856:The Discreet Charm of the Bourgeoisie
397:. New York: Grove Press. p. 52.
7:
450:. New York: Routledge. p. 28.
14:
942:Revisionist Western (genre) films
364:Evita: The Real Life of Eva Peron
207:), the local front for Big Oil.
510:The Two Worlds of William March
534:Schreiber, Rebecca M. (2008).
1:
937:Mexican black-and-white films
927:Films directed by Luis Buñuel
872:That Obscure Object of Desire
720:Illusion Travels by Streetcar
228:From the release of the film
444:Azzi, Maria Susana (2002).
327:Karush, Matthew B. (2010).
958:
297:Finkielman, Jorge (2004).
595:
482:Polizzotti, Mark (2008).
36:theatrical release poster
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784:La Fièvre Monte à El Pao
507:Simmonds, Roy S (2011).
199:José's sister Mercedes (
808:The Exterminating Angel
760:Cela s'appelle l'aurore
192:and falls for Camelia (
864:The Phantom of Liberty
816:Diary of a Chambermaid
245:La cabalgata del circo
220:
932:Films about petroleum
391:Barnes, John (1996).
218:
696:A Woman Without Love
600:Filmmaking technique
278:Good Neighbor Policy
824:Simon of the Desert
768:Death in the Garden
752:The River and Death
419:"Libertad Lamarque"
160:En el viejo Tampico
680:Daughter of Deceit
640:Land Without Bread
357:Fraser, Nicholas;
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157:(Alternate title:
56:Mauricio Magdaleno
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728:Wuthering Heights
224:Libertad Lamarque
201:Libertad Lamarque
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88:El trio Calaveras
76:Libertad Lamarque
16:1947 Mexican film
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664:Los Olvidados
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425:. 14 Dec 2000
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423:The Telegraph
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177:Jorge Negrete
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205:José Baviera
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126:Running time
103:Release date
59:Edmundo Báez
33:
902:(2018 film)
894:(2008 film)
883:Works about
648:Gran Casino
605:Filmography
589:Luis Buñuel
265:Loyalty Day
231:Honeysuckle
165:Luis Buñuel
154:Gran Casino
84:Meche Barba
64:Produced by
46:Luis Buñuel
42:Directed by
34:Gran Casino
22:Gran Casino
922:1947 films
916:Categories
632:L'Age d'Or
284:References
253:Juan PerĂłn
249:Eva Duarte
211:Background
130:85 minutes
52:Written by
800:Viridiana
429:5 January
257:limousine
185:Argentina
175:Gerardo (
848:Tristana
704:El Bruto
616:directed
361:(1996).
143:Language
72:Starring
776:NazarĂn
241:porteño
146:Spanish
135:Country
112: (
875:(1977)
867:(1974)
859:(1972)
851:(1970)
843:(1969)
835:(1967)
827:(1965)
819:(1964)
811:(1962)
803:(1961)
795:(1960)
787:(1959)
779:(1959)
771:(1956)
763:(1956)
755:(1955)
747:(1955)
739:(1954)
731:(1954)
723:(1954)
715:(1953)
707:(1953)
699:(1952)
691:(1952)
683:(1951)
675:(1951)
672:Susana
667:(1950)
659:(1949)
651:(1947)
643:(1933)
635:(1930)
627:(1929)
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371:
337:
307:
190:casino
181:guitar
138:Mexico
614:Films
236:tango
542:ISBN
515:ISBN
488:ISBN
452:ISBN
431:2013
399:ISBN
369:ISBN
335:ISBN
305:ISBN
171:Plot
114:1947
110:1947
918::
712:Él
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319:^
167:.
581:e
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567:v
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407:.
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313:.
116:)
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