Knowledge (XXG)

Gran Casino

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216: 203:) travels to Mexico to find out what has become of him, and when she learns that Gerardo has taken over as manager, she is convinced that Gerardo and his pals are to blame. Wanting to know more about Gerardo and his cronies, she takes a job as a singer at "Gran Casino," a rowdy nightclub near the oil fields. In time, she strikes up a romance with the good-hearted roughneck and learns the identity of her brother's real enemy—Don Fabio ( 267:, when demonstrations organized with the cooperation of Duarte resulted in Perón's release from a brief stay in jail, Lamarque's films were banned in Argentina. The next year, after Duarte and Perón had married and Perón had been elected President of Argentina, Lamarque fled Buenos Aires for Mexico City, where her films had been extremely popular for years. 275:
A French national of Russian-Jewish origin, Oscar Dancigers had fled the Nazis in 1940, due to his membership in the Communist Party, and settled in Mexico, where in short order he had founded Ultramar Films and achieved considerable success as a small independent producer. Dancigers specialized in
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singer and she was able to capitalize on that success by combining her singing and acting abilities in pictures that pulled their melodramatic plots straight from the tales told in popular tangos. She often played the part of a tango singer whose romance with a wealthy suitor is thwarted by his
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who is refusing to sell out to evil oil barons who threaten the workers. Gerardo persuades José to give work to him and his friends, and after he and Demetrio recruit more workers, they are able to rejuvenate the struggling operation. Just as their fortunes are on the rise, however, the oilman
29: 255:, who was on his way to becoming President of the country. Tensions on the set ran high, as Duarte flaunted her relationship with Argentina's strongman by turning up late every day, having him pick her up from the studio in his state 179:) and his friend Demetrio (Julio Villarreal) are a pair of footloose cowboys in turn-of-the-century Mexico who are in prison on dubious charges. As Gerardo sings and strums on his 330:"Populism, Melodrama, and the Market", in The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, ed. by Matthew B. Karush and Oscar Chamosa 263:
that delighted Duarte's many enemies. Lamarque added to the intrigue by suggesting that the two had been vying for the attentions of PerĂłn. After October 17, 1945,
183:, Demetrio saws the bars of their cell, enabling them to escape. They come upon a small oil field operated by José Enrique (Francisco Jambrina), an entrepreneur from 259:
and generally behaving as if she were the star of the picture. When Duarte sat in Lamarque's chair one day, Lamarque slapped her across the face, sparking a
941: 743: 215: 926: 898: 447:"The Tango, Peronism, and Astor Piazzolla During the 1940s and '50s", in From Tejano to Tango: Latin American Popular Music, ed. by Walter Aaron Clark 579: 936: 599: 855: 188:
disappears and is feared murdered. Demetrio takes over the operation next, but the night before the oil is to start pumping, he goes to the
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assisting U.S. film companies with on-location production in Mexico. As such, his company was a direct beneficiary of the American
163:) is a 1947 Mexican film. It was written by Mauricio Magdaleno and Edmundo Baez, based on a story by Michel Weber, and directed by 931: 247:, a pot-boiler about a theatrical troupe in nineteenth-century Argentina, which included in the cast as a supporting player, 783: 234:
in 1938, Libertad Lamarque was the most popular artist in Argentine cinema. She had made her name on stage and radio as a
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popular culture with a strong anti-elitist identification. In 1945, Larmarque starred in
204: 28: 588: 358: 164: 45: 915: 791: 671: 663: 252: 176: 79: 196:), the same girl José was last seen with before he vanished, and he too disappears. 890: 711: 248: 537:
Cold War Exiles in Mexico: U.S. Dissidents and the Culture of Critical Resistance
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The Film Industry in Argentina: An Illustrated Cultural History
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Fotomontaje de escena del filme 'Gran Casino' por Luis Buñuel
513:. Tuscaloosa, AL: University of Alabama Press. p. 288. 471:
Rebecca Mina Schreiber «Cold War Exiles in Mexico» (p. 71)
540:. Minneapolis: Univ Of Minnesota Press. p. 73. 882: 613: 239:snobbish family, making her a compelling symbol of 142: 134: 124: 101: 93: 71: 63: 51: 41: 21: 333:. Durham NC: Duke University Press. p. 27. 486:. London: British Film Institute. p. 22. 573: 8: 394:Evita, First Lady: A Biography of Eva PerĂłn 744:The Criminal Life of Archibaldo de la Cruz 580: 566: 558: 27: 18: 386: 384: 352: 350: 322: 320: 303:. Jefferson NC: McFarland. p. 227. 251:, who was being courted by then Colonel 289: 899:Buñuel in the Labyrinth of the Turtles 367:. New York: W. W. Norton. p. 42. 856:The Discreet Charm of the Bourgeoisie 397:. New York: Grove Press. p. 52. 7: 450:. New York: Routledge. p. 28. 14: 942:Revisionist Western (genre) films 364:Evita: The Real Life of Eva Peron 207:), the local front for Big Oil. 510:The Two Worlds of William March 534:Schreiber, Rebecca M. (2008). 1: 937:Mexican black-and-white films 927:Films directed by Luis Buñuel 872:That Obscure Object of Desire 720:Illusion Travels by Streetcar 228:From the release of the film 444:Azzi, Maria Susana (2002). 327:Karush, Matthew B. (2010). 958: 297:Finkielman, Jorge (2004). 595: 482:Polizzotti, Mark (2008). 36:theatrical release poster 26: 784:La Fièvre Monte Ă  El Pao 507:Simmonds, Roy S (2011). 199:JosĂ©'s sister Mercedes ( 808:The Exterminating Angel 760:Cela s'appelle l'aurore 192:and falls for Camelia ( 864:The Phantom of Liberty 816:Diary of a Chambermaid 245:La cabalgata del circo 220: 932:Films about petroleum 391:Barnes, John (1996). 218: 696:A Woman Without Love 600:Filmmaking technique 278:Good Neighbor Policy 824:Simon of the Desert 768:Death in the Garden 752:The River and Death 419:"Libertad Lamarque" 160:En el viejo Tampico 680:Daughter of Deceit 640:Land Without Bread 357:Fraser, Nicholas; 221: 157:(Alternate title: 56:Mauricio Magdaleno 909: 908: 728:Wuthering Heights 224:Libertad Lamarque 201:Libertad Lamarque 150: 149: 88:El trio Calaveras 76:Libertad Lamarque 16:1947 Mexican film 949: 688:Mexican Bus Ride 656:The Great Madcap 624:Un Chien Andalou 582: 575: 568: 559: 552: 551: 531: 525: 524: 504: 498: 497: 479: 473: 468: 462: 461: 441: 435: 434: 432: 430: 415: 409: 408: 388: 379: 378: 354: 345: 344: 324: 315: 314: 294: 117: 115: 31: 19: 957: 956: 952: 951: 950: 948: 947: 946: 912: 911: 910: 905: 878: 736:Robinson Crusoe 615: 609: 591: 586: 556: 555: 548: 533: 532: 528: 521: 506: 505: 501: 494: 481: 480: 476: 469: 465: 458: 443: 442: 438: 428: 426: 417: 416: 412: 405: 390: 389: 382: 375: 359:Navarro, Marysa 356: 355: 348: 341: 326: 325: 318: 311: 296: 295: 291: 286: 273: 271:Oscar Dancigers 226: 213: 173: 127: 120: 113: 111: 104: 86: 82: 78: 67:Oscar Dancigers 58: 37: 17: 12: 11: 5: 955: 953: 945: 944: 939: 934: 929: 924: 914: 913: 907: 906: 904: 903: 895: 886: 884: 880: 879: 877: 876: 868: 860: 852: 844: 836: 828: 820: 812: 804: 796: 788: 780: 772: 764: 756: 748: 740: 732: 724: 716: 708: 700: 692: 684: 676: 668: 660: 652: 644: 636: 628: 619: 617: 611: 610: 608: 607: 602: 596: 593: 592: 587: 585: 584: 577: 570: 562: 554: 553: 547:978-0816643080 546: 526: 520:978-0817356873 519: 499: 493:978-1844571215 492: 474: 463: 457:978-0815336402 456: 436: 410: 403: 380: 374:978-0393315752 373: 346: 340:978-0822347385 339: 316: 310:978-0786416288 309: 288: 287: 285: 282: 272: 269: 225: 222: 212: 209: 194:Mercedes Barba 172: 169: 148: 147: 144: 140: 139: 136: 132: 131: 128: 125: 122: 121: 119: 118: 107: 105: 102: 99: 98: 97:Ultramar Films 95: 94:Distributed by 91: 90: 73: 69: 68: 65: 61: 60: 53: 49: 48: 43: 39: 38: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 954: 943: 940: 938: 935: 933: 930: 928: 925: 923: 920: 919: 917: 901: 900: 896: 893: 892: 888: 887: 885: 881: 874: 873: 869: 866: 865: 861: 858: 857: 853: 850: 849: 845: 842: 841: 840:The Milky Way 837: 834: 833: 832:Belle de Jour 829: 826: 825: 821: 818: 817: 813: 810: 809: 805: 802: 801: 797: 794: 793: 792:The Young One 789: 786: 785: 781: 778: 777: 773: 770: 769: 765: 762: 761: 757: 754: 753: 749: 746: 745: 741: 738: 737: 733: 730: 729: 725: 722: 721: 717: 714: 713: 709: 706: 705: 701: 698: 697: 693: 690: 689: 685: 682: 681: 677: 674: 673: 669: 666: 665: 664:Los Olvidados 661: 658: 657: 653: 650: 649: 645: 642: 641: 637: 634: 633: 629: 626: 625: 621: 620: 618: 612: 606: 603: 601: 598: 597: 594: 590: 583: 578: 576: 571: 569: 564: 563: 560: 549: 543: 539: 538: 530: 527: 522: 516: 512: 511: 503: 500: 495: 489: 485: 484:Los Olvidados 478: 475: 472: 467: 464: 459: 453: 449: 448: 440: 437: 425:. 14 Dec 2000 424: 423:The Telegraph 420: 414: 411: 406: 404:0-8021-3479-3 400: 396: 395: 387: 385: 381: 376: 370: 366: 365: 360: 353: 351: 347: 342: 336: 332: 331: 323: 321: 317: 312: 306: 302: 301: 293: 290: 283: 281: 279: 270: 268: 266: 262: 261:cause cĂ©lèbre 258: 254: 250: 246: 242: 237: 233: 232: 223: 217: 210: 208: 206: 202: 197: 195: 191: 186: 182: 178: 177:Jorge Negrete 170: 168: 166: 162: 161: 156: 155: 145: 141: 137: 133: 129: 123: 109: 108: 106: 100: 96: 92: 89: 85: 81: 80:Jorge Negrete 77: 74: 70: 66: 62: 57: 54: 50: 47: 44: 40: 35: 30: 25: 20: 897: 891:Little Ashes 889: 870: 862: 854: 846: 838: 830: 822: 814: 806: 798: 790: 782: 774: 766: 758: 750: 742: 734: 726: 718: 710: 702: 694: 686: 678: 670: 662: 654: 647: 646: 638: 630: 622: 536: 529: 509: 502: 483: 477: 466: 446: 439: 427:. Retrieved 422: 413: 393: 363: 329: 299: 292: 274: 229: 227: 205:JosĂ© Baviera 198: 174: 159: 158: 153: 152: 151: 126:Running time 103:Release date 59:Edmundo Báez 33: 902:(2018 film) 894:(2008 film) 883:Works about 648:Gran Casino 605:Filmography 589:Luis Buñuel 265:Loyalty Day 231:Honeysuckle 165:Luis Buñuel 154:Gran Casino 84:Meche Barba 64:Produced by 46:Luis Buñuel 42:Directed by 34:Gran Casino 22:Gran Casino 922:1947 films 916:Categories 632:L'Age d'Or 284:References 253:Juan PerĂłn 249:Eva Duarte 211:Background 130:85 minutes 52:Written by 800:Viridiana 429:5 January 257:limousine 185:Argentina 175:Gerardo ( 848:Tristana 704:El Bruto 616:directed 361:(1996). 143:Language 72:Starring 776:NazarĂ­n 241:porteño 146:Spanish 135:Country 112: ( 875:(1977) 867:(1974) 859:(1972) 851:(1970) 843:(1969) 835:(1967) 827:(1965) 819:(1964) 811:(1962) 803:(1961) 795:(1960) 787:(1959) 779:(1959) 771:(1956) 763:(1956) 755:(1955) 747:(1955) 739:(1954) 731:(1954) 723:(1954) 715:(1953) 707:(1953) 699:(1952) 691:(1952) 683:(1951) 675:(1951) 672:Susana 667:(1950) 659:(1949) 651:(1947) 643:(1933) 635:(1930) 627:(1929) 544:  517:  490:  454:  401:  371:  337:  307:  190:casino 181:guitar 138:Mexico 614:Films 236:tango 542:ISBN 515:ISBN 488:ISBN 452:ISBN 431:2013 399:ISBN 369:ISBN 335:ISBN 305:ISBN 171:Plot 114:1947 110:1947 918:: 712:Él 421:. 383:^ 349:^ 319:^ 167:. 581:e 574:t 567:v 550:. 523:. 496:. 460:. 433:. 407:. 377:. 343:. 313:. 116:)

Index


Luis Buñuel
Mauricio Magdaleno
Libertad Lamarque
Jorge Negrete
Meche Barba
El trio Calaveras
Luis Buñuel
Jorge Negrete
guitar
Argentina
casino
Mercedes Barba
Libertad Lamarque
José Baviera

Honeysuckle
tango
porteño
La cabalgata del circo
Eva Duarte
Juan PerĂłn
limousine
cause célèbre
Loyalty Day
Good Neighbor Policy
The Film Industry in Argentina: An Illustrated Cultural History
ISBN
978-0786416288

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