177:"The close-ups themselves were simulated by photographing the relevant objects inside a black circular mask fixed in front of the camera lens," according to Brooke, "which also had the effect of creating a circular image that helped them stand out from the rest of the film... Smith would develop these techniques in the more narrative-based
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According to the claim, the film was made by
Melbourne-Cooper in his father's photographic studio in St Albans, the grandmother is played by his youngest sister Bertha, the close up of the eye is that of his mother Catherine, the young boy was played by his neighbour's son Bert Massey and the cat is
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The claim by de Vries is further supported by the lack of any mention of payments to Tom Green at the time of production in Smith's cash book, while the counterclaim by Gray is supported by evidence showing that surviving prints were produced on the same step printer as the undisputed
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Brooke states that, "There is very little narrative to speak of besides the boy looking around for further objects to examine... but at the time it was released, that would in itself have been sufficient novelty to maintain the audience's interest."
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Campaigning by
Wadowska resulted in the film being re-attributed to Melbourne-Cooper by New York's Museum of Modern Art Film Archive, but other archives, including the BFI National Film and Television Archive, have not done the same.
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170:." It was destroyed in a fire at Warwick Trading Company's studio facility in 1912 and was long thought lost. The film was discovered in 1960 in the collection of Danish court photographer and film pioneer
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is one of several films which Dutch journalist Tjitte de Vries claims have been wrongly attributed. This claim is based on the identification of family and friends of film-pioneer
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The counterclaim by film historian Frank Gray is that the film was made by Smith at his studio in St. Anne's Well
Gardens, Hove, the grandmother is played by his wife
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in the film by his daughter Audrey
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Stephen, Bottomore (2002). "Smith Versus
Melbourne-Cooper: An End to the Dispute".
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Gray, Frank (1999). "Smith versus
Melbourne-Cooper: History and Counter-History".
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Tjitte, de Vries (2000). "Letter to the Editor: The Case for
Melbourne-Cooper".
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183:(1900), made the same year."
523:Grandma Threading her Needle
507:As Seen Through a Telescope
397:Grandma's Reading Glass
180:As Seen Through a Telescope
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679:Silent British drama films
674:Rediscovered British films
644:British silent short films
654:British drama short films
595:Tartans of Scottish Clans
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275:"Grandma's Reading Glass"
253:BFI Screenonline Database
249:"Grandma's Reading Glass"
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664:1900s rediscovered films
539:The Old Maid's Valentine
475:The Miller and the Sweep
321:10.2979/FIL.2002.14.1.57
515:Grandma's Reading Glass
386:Grandma's Reading Glass
200:Arthur Melbourne-Cooper
196:Grandma's Reading Glass
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79:Warwick Trading Company
24:Grandma's Reading Glass
611:A Visit to the Seaside
499:The Kiss in the Tunnel
168:point-of-view close-up
571:The Death of Poor Joe
563:The Inexhaustible Cab
483:Photographing a Ghost
639:1900s British films
439:George Albert Smith
156:George Albert Smith
48:George Albert Smith
579:Mary Jane's Mishap
555:Let Me Dream Again
451:The Haunted Castle
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191:Authorship dispute
92:November 1900
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287:. Retrieved
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256:. Retrieved
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108:Running time
85:Release date
57:Harold Smith
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684:Trick films
491:Santa Claus
164:medium shot
44:Directed by
634:1900 films
628:Categories
467:The X-Rays
370:: 330–335.
351:: 246–261.
229:References
152:trick film
70:G.A. Smith
63:Production
315:: 57–73.
289:24 April
258:24 April
160:close-up
125:Language
54:Starring
146:British
117:Country
96:1900-11
94: (
65:company
614:(1908)
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149:silent
129:Silent
141:is a
391:IMDb
291:2011
260:2011
166:and
143:1900
389:at
317:doi
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98:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.