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Graciela Bustos

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249:. The versatility of her works is shown in her many solo pieces and in her group efforts with the DIALOGUISTAS. She has had multiple exhibitions showcasing her multi media work and is currently working on photography. A lot of her works create a sense of controlled abstract expressionism and reflect a controlled chaos. Her amazement by the idea of light and the idea of it illuminating and creating shadows is also a theme that is prominent in her works. 22: 266:
This piece uses acrylic on a 47x47 in. canvas to depict what looks like a female figure surrounded by splattered paint. The controlled manner of the painting along with the flow of the paint on the canvas combines to make a harmony between control and freedom. Bustos' common theme of life in her work
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This piece is a mixed media piece that uses a large amount of space to display a layout of ashes on the ground with a sound of mumbles in the background and the smell of charred. It also contains platforms made out of newspaper. It is meant to display the idea of the difference in classes and
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This piece is a structure, 52x45x9 in., made entirely of books stacked in three interwoven vertical rows. It depicts Bustos' versatility in terms of her works while showing the diverse approaches she has. This sense of controlled abstraction is evident in this piece along with others as the
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is portrayed in its purest form through a mother as she is surrounded by color after color. This piece reflects abstract expressionism art through its several layers of pigment and multiple color sequences that are intermingled yet retain its singularity.
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This mixed media piece, which is 75x42x36 in. deals with the theme of a cross as it contains a black vertical post with an electric guitar intersecting it near the top. This piece shows a simple view of the cross while also being reminiscent of
213:. She works with multiple mediums to convey the sense of light and color in its original form. She has had multiple exhibits and is in a group called the DIALOGUISTAS, a group consisting of three members that work in 280:. This sculpture is meant to depict death and blood, the black post representing the dark endless death and the guitar representing blood and how the two remain related one to the other. 573: 583: 50: 30: 588: 245:
While known for her mixed media style, her painting, sculpting are her strong points. Her works contain colors and pigments that are reminiscent of
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Graciela Bustos is a Colombian multi-media artist that moved to the United States to study. She received an Associate in liberal arts in 1998 from
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interweaving of the books shows a complex form of the books and reflects the ability of retaining information.
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Toward the Preservation of a Heritage: Latin American and Latino Art in the Midwestern United States
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manipulation of the media along with the idea that the piece itself can resist that manipulation.
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https://books.google.com/books?id=NSIRAgAAQBAJ&dq=graciela%2Bbustos&pg=PT160
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from the article and its talk page, especially if potentially
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International Invitational Exhibit, Tubingen, Germany. (1992)
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Michigan Commission of Spanish Speaking Affairs Award (1992)
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in 1990 before going to the Center of Creative Studies at
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Kalamazoo Institute of Arts, Kalamazoo, Michigan. (1991)
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Latino Artists Invitational, Frankfurt, Germany. (1992)
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Invitational Sculpture Exhibit, Flint, Michigan. (1992)
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https://www.canton-mi.org/481/Current-Gallery-Exhibit
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United Community Center, Milwaukee, Wisconsin. (1994)
393:. latinostudies.nd.edu/assets/94040/heritageweb.pdf. 229:, Michigan and then went to get a B.F.A degree from 190: 166: 158: 145: 138: 462:Latin American Women Artists of the United States 319:Winder Street Gallery, Detroit, Michigan. (1993) 303:Creative Arts Center, Pontiac, Michigan. (1995) 476:"Radical Women: Latin American Art, 1960–1985" 337:Concordia College, Ann Arbor, Michigan. (1991) 325:Saginaw Art Museum, Saginaw, Michigan. (1993) 209:is a multi-disciplined immigrant artist from 183:Center of Creative Studies, Pontiac, Michigan 8: 386:, 2007, 1995-2015.undo.net/it/mostra/47679. 346:The Scarab Club, Detroit, Michigan. (1989) 313:Stubnitz Gallery, Adrian, Michigan. (1995) 135: 53:about living persons that is unsourced or 487: 124:Learn how and when to remove this message 384:Her-Humanity Casa Frela Gallery New York 413: 356:The Village Theater at Cherry Hill, MI. 455: 453: 451: 449: 447: 445: 443: 441: 439: 437: 7: 574:21st-century Colombian women artists 509: 507: 435: 433: 431: 429: 427: 425: 423: 421: 419: 417: 322:Cobo Hall, Detroit, Michigan. (1993) 584:Eastern Michigan University alumni 340:Central Michigan University (1991) 14: 589:Oakland Community College alumni 20: 285:Building with Knowledge (1994) 1: 310:, Kalamazoo, Michigan. (1995) 31:biography of a living person 542:https://gracielabustos.com/ 369:Recognition of Merit (1990) 231:Eastern Michigan University 179:Eastern Michigan University 58:must be removed immediately 605: 366:National Deans List (1990) 254:Alpha, Omega, Alpha (2004) 227:Oakland Community College 174:Oakland Community College 460:Henkes, Robert (1999). 306:Kalamazoo Institute of 489:10.24926/24716839.1653 45:Please help by adding 579:Artists from Michigan 247:French Impressionism 51:Contentious material 519:Detroit Metro Times 547:2019-05-28 at the 298:Juried exhibitions 361:Honors and awards 235:Pontiac, Michigan 204: 203: 134: 133: 126: 108: 73:"Graciela Bustos" 34:needs additional 596: 529: 528: 526: 525: 511: 502: 501: 491: 472: 466: 465: 457: 389:Errera, Olga U. 382:“Her-Humanity.” 215:Detroit Michigan 200: 197: 136: 129: 122: 118: 115: 109: 107: 66: 47:reliable sources 24: 23: 16: 604: 603: 599: 598: 597: 595: 594: 593: 559: 558: 549:Wayback Machine 538: 533: 532: 523: 521: 513: 512: 505: 474: 473: 469: 459: 458: 415: 410: 379: 363: 353: 300: 295: 243: 223: 211:Neiva, Colombia 207:Graciela Bustos 194: 186: 167:Alma mater 154: 141: 140:Graciela Bustos 130: 119: 113: 110: 67: 65: 44: 25: 21: 12: 11: 5: 602: 600: 592: 591: 586: 581: 576: 571: 561: 560: 557: 556: 551: 537: 536:External links 534: 531: 530: 503: 467: 412: 411: 409: 406: 405: 404: 394: 387: 378: 375: 374: 373: 370: 367: 362: 359: 358: 357: 352: 349: 348: 347: 344: 341: 338: 335: 332: 329: 326: 323: 320: 317: 314: 311: 304: 299: 296: 294: 291: 242: 239: 222: 219: 202: 201: 196:gracielabustos 192: 188: 187: 185: 184: 181: 176: 170: 168: 164: 163: 160: 156: 155: 149: 147: 143: 142: 139: 132: 131: 55:poorly sourced 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 601: 590: 587: 585: 582: 580: 577: 575: 572: 570: 569:Living people 567: 566: 564: 555: 552: 550: 546: 543: 540: 539: 535: 520: 516: 515:"Mixed media" 510: 508: 504: 499: 495: 490: 485: 481: 477: 471: 468: 463: 456: 454: 452: 450: 448: 446: 444: 442: 440: 438: 436: 434: 432: 430: 428: 426: 424: 422: 420: 418: 414: 407: 403: 399: 395: 392: 388: 385: 381: 380: 376: 371: 368: 365: 364: 360: 355: 354: 350: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 309: 305: 302: 301: 297: 292: 290: 287: 286: 281: 279: 274: 273: 268: 265: 264: 263:Mother (1994) 259: 256: 255: 250: 248: 240: 238: 236: 232: 228: 220: 218: 216: 212: 208: 199: 193: 189: 182: 180: 177: 175: 172: 171: 169: 165: 161: 157: 152: 148: 144: 137: 128: 125: 117: 106: 103: 99: 96: 92: 89: 85: 82: 78: 75: –  74: 70: 69:Find sources: 63: 59: 56: 52: 48: 42: 41: 37: 32: 27: 18: 17: 522:. Retrieved 518: 479: 470: 461: 398:Google Books 397: 390: 383: 377:Bibliography 284: 283: 282: 272:Cross (1994) 271: 270: 269: 262: 261: 260: 253: 252: 251: 244: 224: 206: 205: 120: 111: 101: 94: 87: 80: 68: 57: 40:verification 33: 351:Collections 293:Exhibitions 159:Nationality 563:Categories 524:2019-04-28 408:References 278:assemblage 237:in 1992. 153:, Colombia 84:newspapers 498:2471-6839 396:“¡VIVA!” 221:Biography 162:Colombian 114:June 2019 36:citations 545:Archived 482:. 2018. 480:Panorama 241:Artworks 62:libelous 191:Website 98:scholar 496:  100:  93:  86:  79:  71:  151:Neiva 105:JSTOR 91:books 29:This 494:ISSN 308:Arts 198:.com 146:Born 77:news 38:for 484:doi 565:: 517:. 506:^ 492:. 478:. 416:^ 400:, 217:. 49:. 527:. 500:. 486:: 127:) 121:( 116:) 112:( 102:· 95:· 88:· 81:· 64:. 43:.

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Neiva
Oakland Community College
Eastern Michigan University
gracielabustos.com
Neiva, Colombia
Detroit Michigan
Oakland Community College
Eastern Michigan University
Pontiac, Michigan
French Impressionism
assemblage
Arts
https://books.google.com/books?id=NSIRAgAAQBAJ&dq=graciela%2Bbustos&pg=PT160


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