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be selected, analyzed in depth by the expert, Richard Rest, and then illustrated by Stern through photomontage. Stern created about 150 of these photomontages, of which only 46 survive in negatives. Stern's photomontages are surreal interpretations of the readers' dreams that often subtly pushed back on the traditional values and concepts in
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and its column "El psicoanálisis te ayudará" (Psychoanalysis Will Help You). Readers were encouraged to submit their dreams to be analyzed by the 'experts' as an aid for its readers to find "self-knowledge and self-aid that would help them succeed in love, family and work". Each week, one dream would
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190:, a critically acclaimed, prize-winning Berlin based photography and design studio. They used equipment purchased from Peterhans and became well known for innovative work in advertising. The name
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Lavin, Maud. “Ringl + Pit: The
Representation of Women in German Advertising, 1929–33 in The Print Collector's Newsletter, Vol 16, No. 3 (July – August 1985), pp. 89–93
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magazine by inserting feminist critique of
Argentinian gender roles and the psychoanalytic project in her images. The Idilio series has often been compared to
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In 2005 her work was the subject of an exhibition at New York's Museum of Modern Art called "From
Bauhaus to Buenos Aires: Grete Stern and Horatio Coppola."
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James Crump. "Stern, Grete." Grove Art Online. Oxford Art Online. Oxford
University Press. Updated and revised 27 September 1999. Retrieved October 3, 2015.
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at Sur magazine, which according to the magazine, was the first modern photography exhibition in
Argentina. In 1958, she became a citizen of Argentina.
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231:, an illustrated women's magazine, targeted specifically at lower/lower-middle class women. In the late 1940s and early 1950s, Stern created
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led her to emigrate with her brother to
England, where Stern set up a new studio, soon to resume her collaboration there with Auerbach.
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In 1985, she retired from photography, but lived another 14 years until 1999, dying in Buenos Aires on 24 December at the age of 95.
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Stern first traveled to
Argentina in the company of her new husband, Horacio Coppola in 1935. The newlyweds mounted an exhibition in
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579:"Photographer Against the Grain: Through the Lens of Grete Stern" in From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola
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142:. She often visited family in England and attended primary school there. After reaching adulthood, from 1923 to 1925 she studied
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122:(9 May 1904 – 24 December 1999) was a German-Argentine photographer. Between April 1930 and March 1933, she studied at the
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Stern, Grete; Coppola, Horacio; Marcoci, Roxana; Meister, Sarah
Hermanson; Roberts, Jodi; Kaplan, Rachel (2015).
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In 1995 documentarian Juan
Mandelbaum made a documentary about Studio Ringl + Pit, which was reviewed in the
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Foster, David
William. “Dreaming in Feminine: Grete Stern’s Photomontages and the Parody of Psychoanalysis”
445:. Mandelbaum, Juan, and Clara Sandler. Jewish Women: A Comprehensive Historical Encyclopedia. 1 March 2009
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Intermittently between April 1930 and March 1933, Stern continued her studies with Peterhans at the
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Stern provided photographs for the magazine and served for a stint as a photography teacher in
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Grete Stern. Articulos eléctricos para el hogar (Electrical appliances for the home) 1950
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to change her focus to photography. Relocating to Berlin, she took private lessons from
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The daughter of Frida Hochberger and Louis Stern, Grete Stern was born on 9 May 1904 in
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509:"Tell Me Your Dreams: Psychoanalysis and Popular Culture in Buenos Aires, 1930-1950"
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622:"From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola | MoMA"
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photography workshop in Dessau, where she met the Argentinian photographer
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drawings, a series of preliminary drawings for his later body of work,
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is from their childhood nicknames (Ringl for Grete, Pit for Ellen).
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Thurman, Judith (19–26 December 2016). "Grete Stern". Visionaries.
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10. 2004 http://www.lehman.cuny.edu/ciberletras/v10/foster.htm
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From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola
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Stern's work is held in the following permanent collections:
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Jewish emigrants from Nazi Germany to the United Kingdom
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581:. New York: Museum of Modern Art. pp. 21–36.
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795:State Academy of Fine Arts Stuttgart alumni
657:Hopkinson, Amanda. "Grete Stern" obituary.
281:in 1959 and continued to teach until 1985.
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235:as illustrations for the woman's magazine
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790:Photographers from North Rhine-Westphalia
643:. Vol. 92, no. 42. p. 100.
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685:Grete Stern works in MoMA's collection
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604:"Two Proto-Feminists Remember Weimar"
602:O'Connor, John J. (6 February 1997).
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473:O'Connor, John J. (6 February 1997).
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740:20th-century Argentine women artists
279:National University of the Northeast
507:Plotkin, Mariano Ben (April 1999).
205:. In 1933 the political climate of
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406:. New York: Museum of Modern Art.
16:Argentine photographer (1904–1999)
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780:Naturalized citizens of Argentina
750:20th-century women photographers
227:In 1948 Stern began working for
178:Grete Stern, Self-Portrait, 1943
562:"El psicoanálisis le ayudará".
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770:German emigrants to Argentina
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37:Stern in 1956 (Self-portrait)
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577:Marcoci, Roxana (2015).
374:"Grete Stern. Biography"
184:Ellen Rosenberg Auerbach
755:Argentine photographers
785:Artists from Wuppertal
443:Jewish Women's Archive
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566:: 2. 16 August 1949.
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333:J. Paul Getty Museum
321:Museum of Modern Art
327:Metropolitan Museum
126:. With her husband
608:The New York Times
479:The New York Times
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182:In 1930 Stern and
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148:Kunstgewerbeschule
140:Elberfeld, Germany
661:January 18, 2000.
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77:(1999-12-24)
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735:1999 deaths
730:1904 births
649:Ciberletras
305:Collections
275:Resistencia
120:Grete Stern
112:Photography
94:Nationality
25:Grete Stern
724:Categories
709:19 January
449:7 February
384:7 February
351:References
233:Los Sueños
134:Early life
108:Occupation
53:9 May 1904
49:1904-05-09
533:0003-1615
487:0362-4331
192:ringl+pit
188:ringl+pit
152:Stuttgart
102:Argentine
87:Argentina
61:Elberfeld
57:Wuppertal
675:magazine
549:19743564
492:11 March
339:See also
186:founded
673:Almacen
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277:at the
199:Bauhaus
146:at the
124:Bauhaus
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564:Idilio
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293:Legacy
250:Sueños
242:Idilio
237:Idilio
229:Idilio
170:Career
98:German
537:JSTOR
285:Death
711:2023
583:ISBN
545:PMID
529:ISSN
494:2018
483:ISSN
451:2011
408:ISBN
386:2011
331:The
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319:The
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158:and
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43:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
