293:
285:
placing the actors in the middle of their audience. To this day, it remains possible to place the audience on all four sides of the stage, although one side is usually used as backdrop. As the stage isn't raised, visitors in the first row are at the same level as the actors. The theatre has a capacity of 360-400 people. The entrance is adorned with a mosaic of caricatures by Rainer
Hachfeld. As the building is integrated into the U-Bahn station Hansaplatz, theatregoers can easily reach the GRIPS by
17:
330:, then in opposition, labelled the actors as communists who would corrupt children and claimed that the youth play's "unwholesome language" incited young people to acts of violence. In May 1975, the town councillor for youth in Berlin's Steglitz district, Klaus Dieter Friedrich, banned a guest performance of Mensch Mädchen! not because of the play itself but because "members of the GRIPS Theatre moved in the city's communist circles". Journalists of the powerful
435:. She gets stuck in underground line 1 and encounters a kaleidoscope of urban characters and their fates. According to the GRIPS, "it's a show, a drama, a musical about living and surviving in a large city, hope and adaptation, courage and self-deceit, to laugh and cry at, to dream, and to think about oneself." As its other plays, Linie 1 includes sociocritical elements, but it also serves as an amusing portrait of Berlin's society before the fall of the
655:. Due to differences in opinions, Ludwig and Fischer-Fels agreed on a premature termination of the contract in 2015, which saw Fischer-Fels returning to the Düsseldorfer Schauspielhaus. He was succeeded by in-house theatre pedagogue Philipp Harpain. Until the end of the 2016/2017 season, Ludwig remained in his role as the GRIPS' managing director before turning this post over to Harpain, too, on his 80th birthday.
351:. "Starting in 1975, the Christian Democrats ran an anti-GRIPS campaign. For three years, they forced its parliamentary group to vote in favour of withholding funds from Grips and not allowing school classes to visit us. At the time, I was labelled Stalinist, Maoist and child abuser. The Springer press wrote I destroyed children's souls. That continued until in 1981, when a Christian Democrat,
355:, was elected mayor. He was extremely embarrassed by it all. 'Nobody will outshine us in terms of liberality,' he had someone communicate to me. And then the whole spook was over." The attacks had the opposite effect to the intended and helped raise awareness of the GRIPS-Theatre, whose shows were sold out almost every night. In 1981, the GRIPS' youth play "Everything is Plastic" (
620:, became even more successful than the original in Berlin. While the GRIPS put on its 1,800th performance of Linie 1 in October 2017, Seoul Line 1 was performed over 4,000 times during the 13 years the musical belonged to the Hakchon Theatre's repertoire. After learning about this, members of the GRIPS, translated his song
707:(Trommeltanz). In 1986, the year Line 1 premiered, Thomas Keller, Michael Brandt and Richard Wester joined. Together, the six musicians participated in composing and arranging the music of the musical, which they performed as rock band No Ticket. All but Wester are performing at the GRIPS to this day.
693:
and Thomas Ahrens have been with the GRIPS since 1969 and 1975, respectively. Lehmann accomplished the outstanding achievement of participating in every performance of Line 1 since its premiere in 1986. Since 1981, Lehmann also serves as head of the Fritz
Kirchhoff School, the oldest state-recognized
442:
The success of Linie 1 also had its drawbacks. Due to the production's considerable costs, ticket sales no longer covered the theatre's expenses. However, after Volker Ludwig mentioned on a talk show that the theatre would have to close without additional support, the government eventually increased
169:
The then relatively new concept of a modern children's theatre with a sociocritical background wasn't welcomed by everyone, particularly not by conservative circles. The theatre faced significant criticism for its child protagonists who were often barefaced and disrespectful towards adults. However,
44:
district. It is "the first theatre worldwide to deal sociocritically with the lives and living conditions of children and young people and to incorporate this in original humorous and musical plays". It has gained a national and international reputation, not least due to its former artistic director
111:
Gradually, the group performed more and more plays for children to provide an alternative to the fairy tale plays that were a staple of children's theatre at the time. Instead, the group developed plays written expressly for children and dealing with issues faced by children, which fairy tale plays
631:
In the
Namibian version, a German girl arrives in Windhoek searching for a Namibian musician she met while he was playing in Germany. She travels all over Namibia with various typical means of transport, such as minibus taxis and a donkey cart. The Wilmersdorf widows in this version are widows of
284:
in 1957. Before the GRIPS moved in, the venue housed the "Bellevue" cinema. The GRIPS opened first opened at the new location on 30 September 1974. The premises were remodelled in accordance with the vision of the troupe. As it had been at the Forum
Theatre, the stage was surrounded by benches,
238:, a colloquial German term describing one's ability to understand quickly, to symbolise that thinking is fun. Volker Ludwig is quoted as saying, " not to give up, always have faith in that last grain of common sense, and – hardest of all – try and develop some kind of positive outlook." The
342:
wrote that GRIPS' plays were rearing "a load of political psychopaths, poor devils who would one day be their own destruction, having destroyed other things on the way". Ludwig recalled the time in an interview with Berlin daily
325:
Although its first youth play earned the troupe its next
Brother Grimm Award, 1975 also marked the start of a public political debate about its plays and a smear campaign against their theatre. The Berlin chapter of the
178:
was entirely intended by the authors. The children's theatre's ensemble cast frequently interviewed the children and youths attending their performances to learn what issues were on their minds. A recurring topic were
702:
Axel
Kottmann, George Kranz and Matthias Witting, who joined the ensemble between 1978 and 1986, formed the band Zeitgeist from 1980 to 1983. In addition, Kranz is a successful solo musician, best known for his song
150:
is considered the GRIPS-Theatre's first play and became a great success. Theatres across
Germany staged performances of the play, which was also adapted by theatres in other countries. In 1969, it was awarded the
587:
222:, the municipal government recommended it for elementary school classes despite harsh criticism from conservatives, "Bavarian teachers were not allowed to attend the play with their children".
665:
paid tribute to Ludwig. "Berlin has made several contributions to world theatre. Volker Ludwig and the Grips belong into that category. A miracle. What luck to have been able to witness it."
146:", also written by Ludwig and Hachfeld. The play follows a little boy named Maximilian who blackmails his family and surroundings into child-friendly behaviour with an ear-piercing whistle. "
375:), performed at the GRIPS to this day, deals with three students who meet in 1966 at a rally against the American War in Vietnam. The play follows their political development amidst the
651:
When Volker Ludwig left his post as the GRIPS' artistic director at the end of the 2011/2012 season, he appointed Stefan
Fischer-Fels as his successor who had previously worked at the
885:
85:, who would go on to serve as the GRIPS-Theatre's artistic director for nearly four decades, was one of the authors and co-founders of the group, which defined itself as part of the
183:, including the then-typical path of girls becoming housewives instead of pursuing a career, and in the 1970s, the troupe developed more and more plays dealing with that subject.
640:
Since 1992, the GRIPS owns a so-called 'studio and rehearsal stage' in addition to the theatre at
Altonaer Straße. Until 2009, smaller productions were staged at the
359:) reignited the debate about the theatre as the play, which dealt with the apathy and no-future mentality of teenagers, included references to the struggle of the
1014:
424:, Axel Kottmann, Michael Brandt, Richard Wester, Matthias Witting). The musical premiered on 30 April 1986 and became the biggest success of the GRIPS-Theatre.
1132:
447:
successfully ran the musical, other theatres followed suit. Linie 1 became known nationwide after several of its songs were performed on satirical TV show
428:
383:, a set of terror events in West Germany in late 1977. The play was continuously updated to incorporate more recent historic events, including the
1090:"Interview with Dietrich Lehmann: "Children are such a great audience" (Interview mit Dietrich Lehmann: "Kinder sind so ein tolles Publikum")"
868:
816:
791:
327:
105:
597:
32:(official name: GRIPS Theater) is a well-known and well-respected emancipatory children's and youth theatre, located at Altonaer Straße at
292:
86:
313:), a children's play about gender roles, the GRIPS premiered its first youth play in the autumn of 1975. Titled "That's incredible!" (
157:
1064:
490:
To this day, the musical has been performed at over 150 German-language theatres and adapted by theatres in 15 countries, including
645:
678:
Several of the GRIPS-Theatre's cast have gone on to successful careers in TV and film, including Dieter
Landuris, Petra Zieser,
578:("Mak Nazl"), the original play was adapted to the respective cities and retained the original music (expect for Hong Kong).
858:
652:
101:. In the summer of 1966, the group began performing plays for children on weekends, starting with the satirically reworked
281:
257:
designed the matching logo: a black face with a big nose, peeking out from inside a cardboard box bearing the word GRIPS.
484:
1171:
1039:
33:
621:
475:
For years, Linie 1 was the most-played German production and it remains the second-most successful musical after
352:
305:
While the troupe had rather focused on children's plays at first, it subsequently aimed to include problems that
243:
427:
The story follows a young woman who runs away from her provincial hometown and ends up at Berlin's notorious
265:
In 1974, the theatre moved to its current location at Hansaplatz in the southern part of the Hansaviertel, a
444:
376:
270:
98:
192:
152:
16:
683:
112:
addressed only insufficiently or not at all. In 1968, Volker Ludwig and his brother, the caricaturist
480:
384:
175:
113:
833:
725:
462:
410:
339:
75:
582:
247:
74:, "a student group that created programs and satirical sketches interspersed with topical songs".
961:
458:
406:
935:
662:
682:, Axel Prahl, Julia Blankenburg, Nadine Warmuth, and Mathias Schlung. Veteran ensemble members
206:
play for children. The premiere of "You don't talk about that!!! A play for sexual education" (
1097:
910:
864:
812:
787:
605:
231:
648:. Usually, the GRIPS releases at least four new plays and stages 300 performances per year.
641:
593:
346:
331:
286:
239:
215:
163:
139:
57:. GRIPS' plays have been re-staged over 1,500 times in some 40 languages around the world.
449:
432:
138:
In 1969, the group agreed to develop children's plays that would include more elements of
54:
750:
688:
97:
during the latter half of the 1960s and early 1970s, which formed a central part of the
659:
476:
118:
387:. Since autumn 2007, however, the repertoire reverted to the play's original version.
252:
1165:
985:
624:
into German, visited South Korea in 2004, and gave it to him as a gift. The title is
601:
467:
415:
380:
203:
50:
197:
191:
In 1971, some of the actors split from the troupe and formed the children's theatre
679:
487:(English: dramatist award of Mülheim), considered Germany's leading theatre award.
421:
273:
211:
171:
94:
80:
37:
962:"With Sungnyemun gone, the play should enter into a new era (사라진 숭례문… 새 시대 담아야죠)"
266:
992:［Full interview video］ Kim Min-ki, CEO of Theater Company 'Hakjeon' (2018.09.13)
783:
776:
704:
535:
527:
436:
306:
296:
Mosaic of caricatures by Rainer Hachfeld above the entrance of the GRIPS Theatre
219:
180:
132:
128:
617:
443:
its subsidies. Initially, Germany's main stages ignored Linie 1, but when the
102:
1147:
1134:
1101:
555:
551:
519:
360:
335:
1015:"Take the underground again! – Germany's export hit, the musical 'Linie 1'"
420:, a longtime friend of Ludwig, and the rock band No Ticket (Thomas Keller,
613:
571:
277:
123:, wrote the first of these plays, titled "The Journey to Pitschepatsch" (
809:
Learning how to feel: children's literature and emotional socialization
567:
559:
523:
503:
499:
396:
214:
words and taught "children not to be ashamed of their bodies and their
90:
46:
609:
543:
531:
507:
495:
491:
454:
371:
In 1980, the GRIPS presented a play for adults. A Story of the Left (
29:
142:. This resulted in the first sociocritical children's play, titled
563:
547:
539:
515:
511:
291:
41:
782:. Bloomington, Indiana, U.S.: Indiana University Press. pp.
230:
In 1972, the children's theatre's move into the Forum Theatre at
811:. Oxford, United Kingdom: Oxford University Press. p. 239.
575:
309:
face into its concept. Following the success of "Gosh, Girl!" (
135:'s tree, which wilts away after being neglected by the adults.
1124:
1089:
483:. In 1987, the musical's author Volker Ludwig was awarded the
131:, named Millipilli, who travels to a far-away island to save
334:, which controls the largest share of the German market for
317:), it dealt with problems faced by general school students.
644:
Werkstatt (workshop), but since then, the GRIPS Podewil at
234:
triggered a name change, with the troupe choosing the name
45:
Volker Ludwig's musicals for adults, such as its evergreen
632:
former Boers still dreaming of white supremacy in Africa.
431:, searching for a rock musician who got her pregnant on a
208:
Darüber spricht man nicht!!! Ein Spiel zur Sexualerziehung
886:""Sie nannten mich Stalinist, Maoist und Kinderschänder""
89:(German for extra-parliamentary opposition), a political
461:, later had a cameo appearance in the 1988 film version
409:. The music was written by German musician and composer
1065:"The Miracle at Hansaplatz (Das Wunder vom Hansaplatz)"
70:
In 1966, a children's theatre was formed at the Berlin
600:
comes to Seoul, travelling back and forth between the
860:
O Jugend, o West-Berlin: Reportagen, Essays, Kolumnen
570:("Rule No. 1: It is forbidden to dream of Vilnius"),
612:
widows of the original play become widows of former
775:
210:) in 1973 created public uproar. The actors used
401:In 1985, Volker Ludwig wrote the musical Line 1 (
453:(windshield wipers). The show's creator, German
994:] (in Korean). JTBC News. 13 September 2018
8:
884:Prosinger, Julia and Wolfgang (2017-06-13).
344:
616:big shots. This Korean version, adapted by
280:housing development, constructed for the
20:The Grips-Theater at Hansaplatz in Berlin
15:
936:"Pressemappe Linie 1 Spielzeit 2016/17"
716:
267:post-war modernist housing development
987:［인터뷰 풀영상］ 김민기 극단 '학전' 대표 (2018.09.13)
282:International Architecture Exhibition
106:The Devil with the Three Golden Hairs
7:
1040:"The bold gang (Die Mutmacherbande)"
276:and Hansrudi Plarre as part of the
1038:Wildermann, Patrick (2015-03-24).
807:Frevert, Ute; et al. (2014).
49:, Café Mitte or the adaptation of
14:
1125:Official website (German/English)
1013:Alumniportal Deutschland (2011).
338:, also attacked the theatre. The
694:private drama school in Berlin.
315:Das hältste ja im Kopf nicht aus
87:Außerparlamentarische Opposition
1088:Prößer, Claudius (2016-01-14).
1063:Schaper, Rüdiger (2017-06-12).
960:Kim, Seung-hyeon (2008-03-13).
269:. The building was designed by
1:
658:At his departure, author and
125:Die Reise nach Pitschepatsch
653:Düsseldorfer Schauspielhaus
1188:
911:"Line 1 (English Summary)"
774:Van Erven, Eugène (1988).
394:
170:an emphasis on children's
148:Stokkerlok und Millipilli"
144:"Stokkerlok und Millipilli
857:Meinhold, Philip (2013).
485:Mülheimer Dramatikerpreis
332:Springer publishing house
1019:Alumniportal Deutschland
778:Radical People's Theatre
608:red light district. The
328:Christian Democrat Party
863:. epubli. p. 239.
445:Stuttgart State Theatre
407:Berlin's subway line U1
405:). The title refers to
377:German student movement
99:German student movement
934:GRIPS Theater (2016).
345:
297:
21:
1148:52.51861°N 13.34194°E
1094:Die Tageszeitung: taz
574:("Friends 4Eva") and
373:Eine linke Geschichte
301:First plays for youth
295:
19:
838:www.grips-theater.de
385:German reunification
261:Move to Hansaviertel
1144: /
834:"A Short Chronicle"
566:("Seoul Linie 1"),
457:, actor and author
361:squatters in Berlin
340:Berliner Morgenpost
321:Anti-GRIPS campaign
193:Theater Rote Grütze
162:, conferred by the
153:Brother Grimm Award
1172:Theatres in Berlin
1153:52.51861; 13.34194
459:Dieter Hildebrandt
298:
22:
870:978-3-8442-6027-4
818:978-0-19-968499-1
793:978-0-253-34788-6
749:Goethe-Institut.
606:Cheongnyangni 588
558:("Island Line"),
271:German architects
164:Berlin government
127:). It features a
1179:
1159:
1158:
1156:
1155:
1154:
1149:
1145:
1142:
1141:
1140:
1137:
1112:
1111:
1109:
1108:
1085:
1079:
1078:
1076:
1075:
1069:Der Tagesspiegel
1060:
1054:
1053:
1051:
1050:
1044:Der Tagesspiegel
1035:
1029:
1028:
1026:
1025:
1010:
1004:
1003:
1001:
999:
982:
976:
975:
973:
972:
957:
951:
950:
948:
947:
931:
925:
924:
922:
921:
906:
900:
899:
897:
896:
890:Der Tagesspiegel
881:
875:
874:
854:
848:
847:
845:
844:
829:
823:
822:
804:
798:
797:
781:
771:
765:
764:
762:
761:
746:
740:
739:
737:
736:
721:
692:
684:Dietrich Lehmann
642:Schiller-Theater
591:
562:("Chord Line"),
554:("Linea Roja"),
481:Threepenny Opera
472:of the musical.
471:
419:
367:Plays for adults
350:
347:Der Tagesspiegel
336:daily newspapers
287:public transport
256:
240:graphic designer
216:bodily functions
201:
161:
129:girl protagonist
122:
84:
1187:
1186:
1182:
1181:
1180:
1178:
1177:
1176:
1162:
1161:
1152:
1150:
1146:
1143:
1138:
1135:
1133:
1131:
1130:
1121:
1116:
1115:
1106:
1104:
1087:
1086:
1082:
1073:
1071:
1062:
1061:
1057:
1048:
1046:
1037:
1036:
1032:
1023:
1021:
1012:
1011:
1007:
997:
995:
984:
983:
979:
970:
968:
959:
958:
954:
945:
943:
933:
932:
928:
919:
917:
909:GRIPS Theater.
908:
907:
903:
894:
892:
883:
882:
878:
871:
856:
855:
851:
842:
840:
832:GRIPS Theater.
831:
830:
826:
819:
806:
805:
801:
794:
773:
772:
768:
759:
757:
755:Goethe-Institut
751:"GRIPS Theater"
748:
747:
743:
734:
732:
724:GRIPS Theater.
723:
722:
718:
713:
700:
686:
676:
671:
663:Rüdiger Schaper
638:
585:
528:the Netherlands
465:
450:Scheibenwischer
433:one-night stand
413:
399:
393:
369:
323:
311:Mensch Mädchen!
303:
263:
250:
244:children's book
228:
195:
189:
155:
140:social critique
116:
114:Rainer Hachfeld
78:
68:
63:
55:Brave New World
12:
11:
5:
1185:
1183:
1175:
1174:
1164:
1163:
1128:
1127:
1120:
1119:External links
1117:
1114:
1113:
1080:
1055:
1030:
1005:
977:
952:
926:
901:
876:
869:
849:
824:
817:
799:
792:
766:
741:
715:
714:
712:
709:
699:
696:
675:
672:
670:
667:
660:theatre critic
637:
634:
594:Chinese Korean
477:Bertolt Brecht
411:Birger Heymann
395:Main article:
392:
389:
368:
365:
322:
319:
302:
299:
262:
259:
232:Kurfürstendamm
227:
226:The name GRIPS
224:
218:." Whereas in
188:
185:
72:Reichskabarett
67:
64:
62:
59:
13:
10:
9:
6:
4:
3:
2:
1184:
1173:
1170:
1169:
1167:
1160:
1157:
1126:
1123:
1122:
1118:
1103:
1099:
1096:(in German).
1095:
1091:
1084:
1081:
1070:
1066:
1059:
1056:
1045:
1041:
1034:
1031:
1020:
1016:
1009:
1006:
993:
989:
988:
981:
978:
967:
963:
956:
953:
941:
940:GRIPS Theater
937:
930:
927:
916:
915:GRIPS Theater
912:
905:
902:
891:
887:
880:
877:
872:
866:
862:
861:
853:
850:
839:
835:
828:
825:
820:
814:
810:
803:
800:
795:
789:
785:
780:
779:
770:
767:
756:
752:
745:
742:
731:
730:GRIPS Theater
727:
726:"About GRIPS"
720:
717:
710:
708:
706:
697:
695:
690:
685:
681:
673:
668:
666:
664:
661:
656:
654:
649:
647:
646:Klosterstraße
643:
635:
633:
629:
627:
623:
619:
615:
611:
607:
603:
602:Seoul Station
599:
595:
589:
584:
579:
577:
573:
569:
565:
561:
557:
553:
549:
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
505:
501:
497:
493:
488:
486:
482:
478:
473:
469:
464:
460:
456:
452:
451:
446:
440:
438:
434:
430:
425:
423:
417:
412:
408:
404:
398:
390:
388:
386:
382:
381:German Autumn
378:
374:
366:
364:
362:
358:
357:Alles Plastik
354:
349:
348:
341:
337:
333:
329:
320:
318:
316:
312:
308:
300:
294:
290:
288:
283:
279:
275:
274:Ernst Zinsser
272:
268:
260:
258:
254:
249:
245:
241:
237:
233:
225:
223:
221:
217:
213:
209:
205:
204:sex education
202:to develop a
199:
194:
186:
184:
182:
177:
173:
167:
165:
159:
154:
149:
145:
141:
136:
134:
130:
126:
120:
115:
109:
107:
104:
100:
96:
92:
88:
82:
77:
76:Volker Ludwig
73:
65:
60:
58:
56:
52:
51:Aldous Huxley
48:
43:
39:
35:
31:
27:
26:Grips-Theatre
18:
1129:
1105:. Retrieved
1093:
1083:
1072:. Retrieved
1068:
1058:
1047:. Retrieved
1043:
1033:
1022:. Retrieved
1018:
1008:
996:. Retrieved
991:
986:
980:
969:. Retrieved
965:
955:
944:. Retrieved
939:
929:
918:. Retrieved
914:
904:
893:. Retrieved
889:
879:
859:
852:
841:. Retrieved
837:
827:
808:
802:
777:
769:
758:. Retrieved
754:
744:
733:. Retrieved
729:
719:
701:
680:Heinz Hoenig
677:
657:
650:
639:
630:
625:
583:Seoul Line 1
580:
489:
474:
463:film version
448:
441:
426:
422:George Kranz
402:
400:
372:
370:
356:
324:
314:
310:
304:
264:
248:Jürgen Spohn
235:
229:
212:sexual taboo
207:
190:
181:gender roles
176:child rights
172:emancipation
168:
147:
143:
137:
124:
110:
95:West Germany
93:movement in
71:
69:
40:in Berlin's
38:Hansaviertel
25:
23:
1151: /
966:Munhwa Ilbo
942:(in German)
705:Din Daa Daa
687: [
636:GRIPS today
622:Morning Dew
596:woman from
586: [
536:South Korea
466: [
437:Berlin Wall
429:Zoo station
414: [
251: [
220:West Berlin
196: [
156: [
133:Santa Claus
117: [
79: [
1139:13°20′31″E
1107:2017-11-08
1074:2017-11-08
1049:2017-11-08
1024:2017-11-08
971:2017-11-08
946:2017-11-08
920:2017-11-08
895:2017-11-08
843:2017-11-08
760:2017-11-08
735:2017-11-08
711:References
618:Kim Min-ki
592:, a young
353:Weizsäcker
103:fairy tale
34:Hansaplatz
1136:52°31′7″N
1102:0931-9085
626:Morgentau
556:Hong Kong
552:Barcelona
520:Lithuania
363:in 1981.
307:teenagers
1166:Category
698:Musician
669:Ensemble
614:military
604:and the
572:Windhoek
455:satirist
379:and the
278:Interbau
998:23 July
598:Yanbian
568:Vilnius
560:Kolkata
524:Namibia
504:Finland
500:Denmark
403:Linie 1
397:Linie 1
391:Linie 1
246:author
91:protest
66:Origins
61:History
47:Linie 1
36:in the
1100:
867:
815:
790:
674:Actors
544:Sweden
532:Russia
508:Greece
496:Canada
492:Brazil
30:Berlin
990:[
691:]
590:]
564:Seoul
550:. In
548:Yemen
540:Spain
516:India
512:Italy
470:]
418:]
255:]
236:Grips
200:]
187:Split
160:]
121:]
83:]
42:Mitte
1098:ISSN
1000:2023
865:ISBN
813:ISBN
788:ISBN
610:Nazi
576:Aden
546:and
242:and
174:and
24:The
784:111
581:In
479:'s
53:'s
28:in
1168::
1092:.
1067:.
1042:.
1017:.
964:.
938:.
913:.
888:.
836:.
786:.
753:.
728:.
689:de
628:.
588:kr
542:,
538:,
534:,
530:,
526:,
522:,
518:,
514:,
510:,
506:,
502:,
498:,
494:,
468:de
439:.
416:de
289:.
253:de
198:de
166:.
158:de
119:de
108:.
81:de
1110:.
1077:.
1052:.
1027:.
1002:.
974:.
949:.
923:.
898:.
873:.
846:.
821:.
796:.
763:.
738:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
