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The vocally produced note can be the same note (though this is believed to be less effective), a natural third or perfect fifth, or any random note, usually from a different octave than the note the instrument is producing. The latter choice is believed to cause the most interference and yield the
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The most common and effective method of woodwind growling is to hum, sing, or even scream into the mouthpiece of the instrument. This method introduces interference within the instrument itself, breaking up the normal quality of sound waves produced. Furthermore, the vibration of the vocal note in
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A woodwind growl can also be produced by allowing air to escape from around the corners of the mouth, causing a vibration in the lips and mouthpiece. Although this method does not set up patterns of interference, it does produce the characteristic rustle noise of the growl.
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fingering to create a growl-like effects. The performer selects a bizarre or unusual fingering that causes the instrument to attempt to sound on multiple notes. This creates interference, but no beating or rustle noise.
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is a musical technique where the instrumentalist vocalizes into the instrument to alter quality of the sound. Growling is used primarily in rock and blues style playing, it is also frequently used in
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effects produced. The technique of simultaneous playing a note and singing into an instrument is also known as
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is often referred to as "growl trumpeter". A "growl trombone" may be seen in a 1929 film
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A "growl" can be produced by instruments outside of the woodwind family such as the
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Harmonica players have started growling as well by using a technique similar to
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Saxophone Growl effect, how to growl on Sax to get that dirty sax sound
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Other methods include constricting the airway to create a "rasp".
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The growl gives the performer's sound a dark, guttural, gritty
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which causes the reeds to project a raspy guttural sound.
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the mouth and lips creates rustle noise in the instrument.
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998:Category:Musical performance techniques
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178:family of instruments, especially the
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434:Saxophone Tone & Effects – Growl
298:adding citations to reliable sources
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250:Alternately, it is possible to use
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55:"Growling" wind instruments
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31:needs additional citations for
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213:and desirable consonance and
459:Sample of saxophone growling
238:darkest, grittiest timbre.
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700:Piano extended techniques
937:Extended vocal technique
740:Bowed string instruments
464:Introduction to growling
262:Use in other instruments
352:Joe "Tricky Sam" Nanton
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378:Trombone Multiphonics
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347:Black and Tan Fantasy
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894:Snare drum technique
715:Three-hand technique
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963:Sprechgesang
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914:Stevens grip
904:Cymbal choke
853:Third bridge
773:BartĂłk pizz.
725:String piano
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524:Articulation
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292:Please help
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33:verification
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947:Death growl
929:Human voice
899:Burton grip
828:Flatpicking
823:Fingerstyle
818:Downpicking
785:Free bowing
667:Overblowing
579:Multiphonic
539:Double stop
474:Horn chords
252:multiphonic
219:horn chords
196:Earl Bostic
188:Ben Webster
1013:Categories
942:Beatboxing
886:Percussion
730:Tack piano
677:Split tone
647:Embouchure
574:Intonation
402:media help
350:played by
215:dissonance
160:media help
66:newspapers
957:Screaming
909:Drum roll
780:Col legno
768:Pizzicato
763:Bariolage
589:Pizzicato
569:Harmonics
564:Glissando
549:Fingering
281:does not
180:saxophone
800:Two bows
795:Spiccato
682:Tonguing
657:Growling
599:Slapping
594:Position
584:Phrasing
469:Growling
410:See also
338:trombone
176:woodwind
168:Growling
132:Growling
919:Rimshot
848:Tambour
833:Picking
790:Martelé
710:Luthéal
619:Vibrato
614:Tremolo
534:Damping
517:General
416:Wah-wah
336:or the
334:trumpet
302:removed
287:sources
80:scholar
810:Guitar
529:Bowing
229:Method
207:timbre
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692:Piano
422:Notes
87:JSTOR
73:books
868:Harp
285:any
283:cite
194:and
59:news
296:by
221:or
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