209:) school of poetry. More than a love poet, Hàn Mặc Tử was a Modernist, who sought to fuse, in a new poetic language, disparate traditions and experiences. Beginning with poems that refreshed the Classical tradition, he went on to absorb the French influence, which he directed toward the turbulence of his own painful history. His language, increasingly tortured, remained both Classical and innovative throughout; and though a Catholic, he made frequent use of Buddhist ideas and imagery.
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Hàn Mặc Tử's poetry has not appeared in credible
English translations. His complex late style compounds the problems related to translating Vietnamese poetry into English; while the purity of his early style presents another set of challenges. A bilingual Vietnamese–French choice of his poetry was
305:, 2012, p. 135 "... novelists like Hồ Biểu Chánh.84 Probably the most celebrated Vietnamese Catholic literary figure during the colonial era was the poet Nguyễn Trọng Trí, better known as Hàn Mặc Tử. Tử was born in Quảng bình in 1912, but he moved often due ... "
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included Minh Duệ, Phong Trần, Lệ Thanh, and finally Hàn Mặc Tử, by which name is known today. He grew up in a poor family, his father having died when he was young. He showed poetic talent at a young age. When he met
197:—are famous for their purity of diction and form, and show him to be a fluent Classicist with a strong interest in realistic subjects. Subsequently, his poetry showed the influence of
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in 1937, and was finally hospitalized at Quy Hòa
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His many poems addressed to real or fictive women—in the manner of
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Cung Giu Nguyên (1955). "Contemporary
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425:An Anthology of Vietnamese Poems
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358:"Vietnamese Literature"
257:(Here is Vĩ Dạ hamlet).
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237:Ðau Thương
231:Xuân Như Ý
148:Hàn Mặc Tử
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129:Vietnamese
120:Vietnamese
108:Occupation
51:1912-09-22
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167:pen names
103:, Vietnam
88:, Vietnam
399:cite web
389:April 5,
341:40093803
277:See also
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97:Qui Nhơn
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283:Hạc San
219:Gái Quê
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323:(1).
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