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247:. Those of the ground floor belong to another hand and date from the late sixteenth century. On the first floor, the figures supporting the entablatures of the windows seem to be straining under the weight. On the ground floor, the hybrid figures with lion feet or on pilasters show exceptional diversity as well as great anatomical and psychological realism. Imprisoned in the stone, they bear their burden with dignity and solemnity.
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184:. A new house was added to the original building, to separate the courtyard from the garden, and given a staircase tower on either side. The house was extended with two short wings. In the courtyard, on the side adjoining the garden and Rue José Félix, many richly decorated windows were installed. Busts
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Due to the absence of nearby stone quarries, the predominant building material in
Toulouse was brick, so adding a stone window to a house was an effective way of displaying success and social rank, such features attracting the eyes of passers-by. The various owners of the hôtel were consistent in the
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present the owner's arms in a floral wreath (called 'triumphal garland'). Medallions framed with triumphal garlands or supported by hybrid beings, chubby cherubs playing with an imposing garland of fruits and vegetables on the pediment: the iconographic work constitutes a panegyric of fortune,
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From 1547 to 1577 the house was owned by magistrate Jean Burnet. The main courtyard took on an idealized form (square) with the extensions of the wings. The entrance was closed off with a
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Next, Pierre de
Lancrau, a bishop who owned the property between 1580 and 1591, heightened the great staircase tower and installed in the main courtyard several windows featuring
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Focal point for pomp, a sumptuous fireplace displays a classical vocabulary, and thus demonstrates the humanist knowledge of Béringuier
Maynier. At the center of the
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This townhouse is surely one of the most beautiful private mansions of the time. It was built for
Berenger Maynier, professor of law, lord of Canac and Gallice and
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227:. On rue du Languedoc, a sculpted window commissioned by Jean Burnet between 1547 and 1555 took inspiration from an engraving by the architect
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care they took over the decoration of the windows. On rue Ozenne, the windows commissioned by Béringuier
Maynier feature magnificent
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Hôtel du Vieux Raisin is based on a fifteenth-century building, which stood on the huge plot of the neighbouring
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Other sculpted motifs abound in the frames and reference royal buildings, such as the
Francis I Gallery at the
203:(Doric columns, mixture of brick and stone). The coffers continue to show Burnet's arms and those of his wife.
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and was later partially demolished to make way for Rue Ozenne. Dating from this period are the
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in 1515–1516; The style chosen was that of this period, strongly influenced by
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were placed between the openings on the great tower in the courtyard.
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In 1515, lawyer Béringuier
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In the courtyard, some of the telamon windows can be attributed to
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in the upper part of the façade that looks over Rue José Félix.
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Pierre de Nos copied it for the castle on his estate.
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Guy
Ahlsell de Toulza, Louis Peyrusse, Bruno Tollon,
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Hôtels et
Demeures de Toulouse et du Midi Toulousain
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569:, Daniel Briand éditeur, Drémil Lafage, 1997
109:Learn how and when to remove this message
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625:Renaissance architecture in Toulouse
620:Buildings and structures in Toulouse
615:Houses completed in the 16th century
515:Renaissance architecture of Toulouse
47:adding citations to reliable sources
552:exhibition (2018), Colin Debuiche.
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591:43.5972°N 1.4458°E
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41:Please help
36:verification
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167:Hôtel Dahus
139:Renaissance
609:Categories
579:43°35′50″N
521:References
186:medallions
171:embrasures
69:newspapers
582:1°26′45″E
221:pilasters
175:gargoyles
99:July 2024
509:See also
283:Pictures
225:rinceaux
208:telamons
151:capitoul
135:Toulouse
199:of the
193:portico
161:History
83:scholar
272:frieze
197:loggia
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276:putti
90:JSTOR
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258:and
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