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customers looking through an aperture and often a magnifying lens. While works in earlier cosmoramas were based on old engravings, Sattler's views were notably accurate and up to date; he went on research expeditions and then worked in his studio from his own detailed studies and from photographs. He traveled widely in
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From 1850 to 1852 the northeastern United States was treated to a cosmoramic exhibition that surpassed in quality and variety the host of panoramic shows deluging the country at this time.…Hubert
Sattler arrived in Manhattan with a collection of some one hundred cosmoramic views, which he exhibited
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He exhibited his cosmorama works in many countries, sometimes traveling with a specially-made portable building. These exhibitions were highly lucrative and also achieved critical success; Sattler was widely praised for his artistry and for his scholarship. In
Hanover in 1848, the provincial court
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Cosmoramas were exhibitions of perspective paintings of various places, often world landmarks; careful use of illumination and lenses gave the images greater realism. Sattler's cosmorama works, characterized by a high degree of detail, were sometimes displayed under lights in a dark room to paying
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When
Sattler brought his cosmorama to Boston, views included "Lake Hallstadt in Austria, a sand storm in the Lybian Desert, Alexandria and a 'heavy storm on the Mediterranean.'" Patrons "enjoyed vicarious travel for twenty-five cents per adult, and only twelve and a half cents per child."
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In addition to the cosmorama works, Sattler also painted smaller, more traditional landscapes, sometimes signing then with his name or initials, or with a number of pseudonyms, including Louis
Ritschard, E. Grossen, and Gottfried Stähly-Rychen. A favorite subject was the
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echoed many witnesses when he asserted that the cosmoramas rose "to the dignity of works of art" and were superior to any "book of travels, panorama, or engraving."…In a testimonial signed by the
President of the
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On her 1842 journey to the Near East, Ida
Pfeiffer of Vienna met him and traveled with him for a while; in her published diary, she recorded how he was stoned by local people while sketching in
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216:, Sattler was singled out as "a real artist, who understands perfectly how to find the best points of view for his paintings, and to execute them with rare skill and power."
132:(1787-1847), was a landscape painter who created the Sattler Panorama of Salzburg in 1825–29. His mother was Anna Maria Kittenberger, foster daughter of the painter
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In 1870, Sattler donated his father's
Sattler Panorama of Salzburg to the city, along with more than 300 of his own works. The panorama is on permanent display in the
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at the age of twelve. Following in his father's footsteps, he became a landscape painter and specialized in researching and painting large canvases for display in
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745:, vol. XXII (1976), pp. 103-147; includes a checklist of Sattler's surviving paintings and an account of their disposition, pp. 112-113, 130-132.
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108:(21 January 1817 – 3 April 1904) was an Austrian painter who also signed works with the pseudonyms Louis Ritschard, E. Grossen, and
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Opinions of
Artists and the Press Respecting Professor Sattler's Cosmoramas, on Exhibition in New York from December 1850 to July 1851
282:("grave of honor") together with his father. The Hubert-Sattler-Gasse in the Neustadt area of Salzburg was named in his honor.
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in five series of twenty-six pictures each, in a small room at
Thirteenth Street and Broadway.…The correspondent of
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275:, together with a rotating exhibit drawn from over 130 Hubert Sattler cosmoramic paintings held by the museum.
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Sixteen of the paintings
Sattler brought to America were destroyed by a fire in Philadelphia in January, 1852.
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As a boy, Sattler traveled with his father and first learned drawing and painting from him, then entered the
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to show his works, Sattler "met several Americans who urged him to take his exhibition to New York."
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In later life, Sattler spent many years in Vienna, where he died. He was buried in Salzburg in an
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Stopfer, Beate. "Hubert Sattler (1817-1904): Materialen zur Monographie eines Reisemalers,"
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Exhibition at the Hermesvilla, Vienna Museum, 11 April – 20 November 2013.
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112:. He traveled widely and was noted for large and minutely detailed
562:, Volume 28, Vienna: L. C. Zamarski, 1874, pp. 271–72,
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paintings of cities, monuments, and landscapes of many countries.
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Frimmel, Theodor von. "Aus dem Leben des malers Hubert Sattler,"
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Plasser, Gerhard. "Hubert Sattler und Ida Pfeiffer (1797–1858)",
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Exhibited: Frederic E. Church's Window on the Equatorial World"
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Gallery: Other landscapes and city views by Hubert Sattler
697:"Pamphlets on Early American Art in the Research Library"
678:, Vol. 18, No. 1 (Winter, 1986), pp. 52-72; quoting from
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Gallery: Hubert Sattler paintings in the Salzburg Museum
602:"Sattlers Kosmorama - Eine Weltreise von Bild zu Bild"
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743:Salzburger Museum Carolino-Augusteum Jahresschrift
560:Biographisches Lexikon des Kaiserthums Oesterreich
738:, 16-page booklet published in New York, undated.
587:, City of Salzburg, retrieved 14 December 2022
485:Rock Church and Castle Ruins in Idar-Oberstein
167:, and painted both natural vistas and cities.
585:"Ehrengrab Johann Michael und Hubert Sattler"
558:Wurzbach, Constantin von. "Sattler, Hubert",
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768:Folder for the 2013 Vienna Museum exhibition
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701:Bulletin of the Detroit Institute of Arts
637:9/10, November 2009, pp. 5–7
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799:Academy of Fine Arts Vienna alumni
682:, January 4, 1851, p. 5, and from
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794:Painters from the Austrian Empire
686:, vol. 11 (January, 1851), p. 37.
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471:Watermill with a Mountain View
253:(1844-1928), became a notable
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809:Austrian Orientalist painters
16:Austrian painter (1817–1904)
732:, vol. V (1920), pp. 87-91.
608:(in German). Archived from
124:Hubert Sattler was born in
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715:, February 16, 1852, p. 5.
499:Tellskapelle, Lake Lucerne
457:Timbering High in the Alps
202:National Academy of Design
635:Salzburger Museumsblätter
237:(William Tell Chapel) on
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762:Hubert Sattler (painter)
676:The American Art Journal
262:Panorama Museum Salzburg
110:Gottfried Stähly-Rychen
670:The Heart of the Andes
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130:Johann Michael Sattler
35:Possible self-portrait
814:Artists from Salzburg
566:at German WikiSource
501:(William Tell Chapel)
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764:at Wikimedia Commons
713:The New York Tribune
680:The New York Tribune
249:His son, also named
197:The New York Tribune
141:Academy of Fine Arts
120:Education and career
684:The Literary World
648:2015-04-02 at the
182:Sattler in America
760:Media related to
530:salzburgmuseum.at
526:"Panorama Museum"
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72:(1904-04-03)
70:3 April 1904
789:1904 deaths
784:1817 births
639:(in German)
589:(in German)
568:(in German)
315:Mexico City
300:Bad Gastein
271:inside the
265: [
778:Categories
507:References
228:Landscapes
149:cosmoramas
98:Cosmoramas
51:1817-01-21
390:Jerusalem
302:, c. 1844
280:Ehrengrab
186:While in
161:Near East
114:cosmorama
80:, Austria
61:, Austria
646:Archived
616:24 April
405:Sarajevo
330:New York
172:Damascus
126:Salzburg
90:Painting
59:Salzburg
564:online
444:, 1876
422:, 1897
407:, 1893
392:, 1869
377:, 1867
362:, 1867
347:, 1866
332:, 1854
317:, 1854
188:Bremen
163:, and
159:, the
157:Europe
145:Vienna
78:Vienna
770:(pdf)
420:Mecca
375:Cadiz
345:Paris
269:]
618:2013
537:2022
212:and
67:Died
41:Born
643:pdf
641:. (
143:in
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
