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in Saiko's house, claiming that she is Kadota's former mistress and the child his extramarital daughter Shoko. When Hamako dies in an accident shortly after, Saiko agrees to adopt Shoko, but divorces her husband. Saiko visits Midori, making a great impression on Misugi with her sophistication and education. Misugi falls in love with her, and soon the two start a passionate affair. Saiko feels guilty for her betrayal of her younger cousin, referring to Misugi and herself as "criminals" and vowing that she will kill herself if Midori ever found out. Unknown to her, Midori finds out about the adultery but decides to keep calm about her discovery. She has short affairs with other men while her marriage with Misugi deterioates into coldness and loneliness. Years later, during a visit to the ill Saiko, Midori finally tells her that she knows all about her and Misugi's affair. Saiko, who also learned that her former husband Kadota has married again, asks Shoko to burn her diary for her and commits suicide with poison. Instead of destroying it as told, Shoko reads her mother's diary, shocked about its content, lamenting the "sad and terrible world of adults". The film closes with the prologue's image of Misugi in the snowy landscape.
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Misugi, the hunter of the opening sequence, and a company director and art collector, is newly married to the much younger and inexperienced Midori. Midori's older cousin Saiko has been married for a few years to successful physician Kadota. One day, a woman named Hamako shows up with her young child
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Other than the film, Inoue's book works with a de-linear narrative structure. In a prologue, a nameless poet, after publishing a poem depicting a lonely hunter whose sight impressed him, is contacted by Misugi who recognised himself as the described hunter. Misugi sends him three letters, one by his
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While staying mostly close to the original story, Gosho and his scenarist Toshio Yasumi transferred the events, taking place between the mid 1930s and late 1940s in the book, completely into the post-war era for the film. Also, the character of Shoko, Saiko's natural daughter in Inoue's story, is
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niece Shoko, the second by his wife Midori, and the third by his lover Saiko. These letters take up the major part of the book, with each woman describing the events from a different perspective, a technique similar to
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In a short prologue, a hunter armed with a double-barreled gun, accompanied only by his dog, walks through a snowy landscape, while a narrator describes his appearance. The film then switches to a
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469:"Yasushi Inoue's The Hunting Gun and Life Of A Counterfeiter"
493:. Bloomington: Indiana University Press. pp. 214–225.
515:"Ryôjû (Hunting Rifle). 1961. Directed by Heinosuke Gosho"
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The Cinema of Gosho
Heinosuke: Laughter through Tears
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446:. New York: New York Review Of Books.
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355:. Berkeley: Stone Bridge Press.
724:Films based on Japanese novels
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303:Toshiko Yabuki as Sadayo
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214:) is a 1961 Japanese
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719:Japanese drama films
519:Museum of Modern Art
415:"猟銃 (Hunting Rifle)"
384:"猟銃 (Hunting Rifle)"
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654:Yellow Crow
259:Shin Saburi
101:Shin Saburi
59:Produced by
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709:1961 films
703:Categories
646:Growing Up
474:8 November
396:7 November
367:References
277:Keiji Sada
216:drama film
167:98 minutes
150:1961-01-03
96:Keiji Sada
39:Written by
444:Tun-Huang
261:as Misugi
243:flashback
205:romanized
51:(novella)
420:Kinenote
320:Rashomon
294:as Uncle
196:Japanese
183:Japanese
180:Language
132:Shochiku
118:Music by
76:Starring
524:19 July
427:19 July
224:novella
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172:Country
148: (
689:(1968)
681:(1965)
673:(1961)
665:(1957)
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