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244:: âThe credibility that printmaking gained through the establishment of the Federal Art Projectsâs Graphic Arts Division. . . increased interest in viewing and collecting modern fine art prints in the second half of the decade (1930âs). The Graphic Arts Division was part of the Federal Art Project. . .initiated in 1935 to promoted work relief for visual artists. . . enabling them to maintain and improve their professional skills. . . .It represented a visionary attempt to combine economic relief for creative artists with the cultural enrichment of the nationâ.
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their previous endeavor, Creative
Printmakers Group, which they had started with several other artists. Along with the work of numerous artists, Creative Printmakers printed holiday cards for the Metropolitan Museum of Art. A cosmetics manufacturer spotted Warsagerâs and Velonis' work and then visited them at the studio they shared, where he inquired whether the silk-screen process with which they were expert could be used on glass to produce an attractive bottle for a menâs shaving lotion. He persuaded them to decorate cosmetic containers.
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artists and designers and their team of skilled craftsmen. The company employed a hundred and fifty skilled and semiskilled employees, most of whom had been trained on-the-job. By the mid-1960âs the company had outgrown its multiple loft sites in New York City and moved to progressively larger spaces. By 1965 Ceraglass and its affiliated company
Ceragraphic occupied 56,000 square feet of factory and design space in Hackensack, NJ.
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359:(1970) by Mathilda V. and James A. Schwalbach. The authors added that the exhibitions were responsible for a good deal of museum interest in the purchase of original prints as part of museum collections. The organization was described as "a source of inspiration, a clearing house, and temple of artist and print makers everywhere" in
1507:
Army of the United States - Separation
Qualification Record - Discharge: Armed Forces of the United States. Hyman J. Warsager, 32 358 736 Staff Sergeant, 3705th Army Air Forces Base Unit, Honorable Discharge, September 27, 1945, Lowry Field, Colorado (Given at Washington, D.C. on May 15, 1952). W. E.
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for the intelligence, imagination and originality displayed in designing and executing the posters requested by this headquarters for distribution to the various stations of this command. . . . The (Silk Screen) unit. . .has successfully been engaged in producing posters which have been accorded high
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Encouraged by the success of that side venture, Warsager and
Velonis formed their own firm and later decorated containers for cosmetic manufacturers such as Elizabeth Arden, Dorothy Gray and Shulton. Eventually, Ceraglass turned to creating decoration for glassware. By 1962 they led a team of seven
409:
In 1940 Warsager and
Velonis started a commercial company by building on their screen printing skills and experience. They called the company Ceraglass, with âceraâ referring to ceramic. The business had its beginnings in a chance encounter, as noted in various sources. Ceraglass evolved from
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by J.I. Biegeleisen and Max Arthur Cohn, who noted that it was largely responsible for the effective promotion of serigraphy, raising it to the level of a museum art form. The
Society's "active program of traveling exhibits, lectures, and portfolios of prints helped to sustain and broaden interest
354:
in 1940, which held exhibits, operated a gallery, and published a newsletter. The
Society was called a "major force in the development of serigraphy as a fine art. . .(that) set standards of excellence and has sent hundreds of exhibitions of its members' work to countries all over the world" in
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Velonis and
Warsager operated Ceraglass and Ceragraphic until they sold the firms to VCA Corporation in 1969. Warsager stayed for several more years as Chief Executive Officer. He held several U.S. patents on glassware designs. Velonis held patents on innovative processes involved in their
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Warsager was among the âradical illustratorsâ who contributed anti-lynching and antifascism images to leftist political magazines in the 1930s with the aim of increasing awareness of racial terrorism being committed across the country as well as the rise of fascism in Europe. His drawing
923:
Wexham Park
Hospital, Slough, 27 November 1974. Entry No. 281 for Registration district Slough, County of Berkshire; occupation given as 'Managing Director (retired)'. Copy dated 8 August 2024 from a certified copy of a register of deaths. Note: Slough was incorporated into Berkshire
396:
Warsager and fellow artists in the unit designed and created a mural in the map room of the
Operations Building at Lowry Field, at the suggestion of Brig. Gen. Albert L. Sneed, to "make Lowry one of the most talked of stations among pilots on the Chicago to San Francisco airway."
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when they were both in their late twenties in New York City. In June of 1939, Bourgeois visited him at the studio of Creative Printmakers Group in Manhattan. Later that summer, during her trip to Paris, Bourgeois sent him a hand-written letter about organizing an exhibition with
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School. Based on his art training and experience, Warsager was assigned to head a new Silk Screen Unit for the design and production of color posters on various subjects that the Command wished to publicize. The commanding general of the AAFWTTC, Major General
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The early experimentation by Velonis in combination with the instructional booklet he wrote for the WPA and the WPA Federal Art Project team's collective efforts "would ultimately transform silkscreen printing from a commercial process to a fine-art medium".
31:
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Memorandum - Commendation from Major General John F. Curry, Commanding General, Technical School, AAFWTTC, Lowry Field, Colorado, November 1, 1943, #059378; HQ AAFWTTC, Nov. 1, 1943, 201.22, Authorized by Brigadier General A. L.
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Buckinghamshire in the 1 April 1974 local government reorganisation, and hence the confused and vague current references to his place of death. Alternative references to New York or the Bronx as his place of death are so far
294:"The group's shared screen-printing studio introduced the silkscreen process to many serious artists who went there to have editions printed. Vincent Longo worked as a colorist at Creative Printmakers Group, as did
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Anthony Velonis also served in this military Silk Screen Unit after Warsager requested that the Army Air Forces assign Velonis to the unit, based on Velonis' strong technical screen printing skills and expertise.
282:, wrote: "Warsager has long been associated with Velonis; indeed he has shared a studio with him for the last few years and has also engaged in business with him under the name of Creative Printmakers Group".
329:
the French architect, urban planner and painter, at Maison de la Culture in Paris, where Lurçat was also the manager. She wrote: âI have shown him your three prints and some work by Ruth Chaney and some by
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About the original Federal Art Project team focused on silk screen printing, Manga wrote: "The team of six artists at the Graphic Arts Division who pioneered new screen-print technologies included
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praise from many sources. I particularly desire to commend . . .. Staff Sergeant Hyman J. Warsager for setting up the unit and for executing and directing the production of the posters. . .â.
237:. Warsager later recalled that "the establishment of the Graphic division of the WPA/FAP in that memorable fall of 1935 injected new hope in the artists and a new life into the print".
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manufacturing process; in addition to being an artist, Velonis was technically skilled and developed many of the paints and techniques used in their production processes.
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which was aimed at bringing public attention to these âinexpensive but dynamic artworksâ; the effort was reportedly successful. His work was also included in the 1944
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In the late 1930's Warsager was a member of the WPA team in New York City that experimented with silkscreen techniques. The team was led and inspired by
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In 1939, Velonis, Warsager and other artists co-founded the Creative Printmakers Group in New York City. About this group, Sylvie Covey wrote in
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Louise Bourgeois, letter to Hyman Warsager, Summer 1939. 81/4 x 51/4 in. (21x13.3 cm.). LB-2200; © The Easton Foundation/VAGA at ARS, NY
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1564:"Eye Appeal, Buy Appeal Go Together, Trio Knows: Hackensack Manufacturers of Bottles Succeed in Turning Out Attractive Products".
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298:, and the print shop eventually became the most important silkscreen shop of the era. It was at about this time that the word
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The Dallas Museum of Art held several exhibits of the work of the National serigraph Society members in 1944, 1947, and 1951
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314:("to write"), first appeared. It was coined by Carl Zigrosser . . . . to distinguish fine-art from commercial silkscreen"".
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holds numerous glassware items in its collection that were designed and produced by Ceragraphic and Ceraglass.
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Warsager and Velonis were longtime friends, collaborators, and later business partners. In an essay written in 1941,
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109:
1996:
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388:, wrote in a November 1943 commendation: âI wish to commend the Silk Screen Unit of the Reproduction Division at
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1940 Springfield Museum of Art, organized by Elizabeth McCausland for The Silkscreen Group (later re-named the
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in 1934, "exemplified the joining of antiracist and antifascist references to critique. . social failures."
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1069:
Art for the Millions: Essays from the 1930's by Artists and Administrators of the WPA Federal Art Project
636:
632:
482:
796:
514:
Annual Exhibition of Contemporary American Art - Sculpture, Paintings, Watercolors, Drawings and Prints
263:
was also working independently on silkscreen printing with help from several other artists", including
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a 78 RPM 4-pocket album released in the U.S. Robinson was one of the "new folk" artists of the
133:
125:
500:
Annual Exhibition of Contemporary American Art - Sculpture, Paintings, Watercolors, Drawings, Prints
648:
640:
117:
1748:"Far From the City Heat: Berkshire Museum Puts on an Instructive Show Called 'The World of Today'"
1411:(Revised ed.). New York, N.Y.: Free Press (A Division of Simon & Schuster). p. 145.
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University of Michigan Library, Library Digital Collections, University of Michigan Museum of Art
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660:
656:
644:
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2178:"New Deal Exhibit: Federal Art Project - An Online Catalog for the Exhibit at Brooklyn College"
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1937 National Exhibition, International Art Center, New York, Master Institute of United Arts,
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Illinois State Museum Collections Online - The Works Progress Administration (WPA) Collection
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Warsager, Hyman (1973). "Graphic Techniques in Progress". In O'Connor, Francis V. (ed.).
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Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings and Prints
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The Rev-Meter. Published in the Interests of the Personnel of Lowry Field, Denver, CO
968:. Berkeley and Los Angeles, California: University of California Press. p. 157.
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379:(AAFWTTC) in Denver, CO from 1942 to 1945, where he taught aerial photography in the
343:
194:
158:
2182:
A New Deal for Artists: Connecting Brooklyn College to its Past, Present, and Future
1301:
Louise Bourgeois, diary entry, 16 June 1939; © The Easton Foundation/VAGA at ARS, NY
1221:
Zigrosser, Carl (December 1941). Bender, John (ed.). "The Serigraph, A New Medium".
993:"Earl Robinson Songs for Americans, Picture art by Hyman Warsager, Timely Record 78"
878:. Berkeley and Los Angeles, California: University of California Press. p. 36.
580:
A New Deal for Artists: Connecting Brooklyn College to Its Past, Present, and Future
1773:"Box 26, Folder 62: The Berkshire Museum, "The World of Tomorrow" Exhibition, 1939"
1071:(2nd ed.). Boston, Massachusetts: New York Graphic Society, Ltd. p. 139.
186:
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1433:"National Serigraph Exhibition, January 15-February 15, 1947 [Checklist]"
1121:. Berkeley, Los Angeles, London: University of California Press. pp. 21â22.
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1458:"National Serigarph Society Exhibition, April 1-May 2, 1951 [Checklist]"
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331:
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93:
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1802:. Berkeley, Los Angeles, London: University of California Press. p. 221.
1146:. Berkeley, Los Angeles, London: University of California Press. p. 250.
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150:
30:
140:. He died on 27 November 1974 at Slough, Berkshire, England, United Kingdom.
1531:"Map Room of Operations Now Sparkles with Mural Done by Silk Screen Staff".
1325:"Serigraph Society's Annual Show Called International Event of Strong Color"
222:
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124:(WPA) creating prints. His work was included in the 1940 exhibition at the
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1676:
Prints Online - Mary Evans Picture Library - Historic Prints & Wall Art
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The American Perfumer and Aromatics (industry publication), December 1959
941:
Rethinking Social Realism: African American Art and Literature, 1930-1953
173:(P.W.A.), a New Deal government agency (1933â39), and he wrote the songs
1916:"Box 26, Folder 66: New York State Museum, Silk Screen Exhibition, 1940"
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548:
Prints of American Life: WPA Works on Paper from the Webster Collection.
1839:
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2079:
W.P.A. Color Prints: Images from the Federal Art Project, 1996_006-001
1172:
Technical Problems of the Artist: Technique of the Silkscreen Process
1096:. Madison, Wisconsin: The University of Wisconsin Press. p. 97.
202:
2132:
Ashville Art Museum Profile, Volume 63, Number 1, JanuaryâApril 2011
1044:
Progressive Printmakers: Wisconsin Artists and the Print Renaissance
2700:
University of Oregon - Collections - Jordan Schnitzer Museum of Art
1971:
1943:
292:
Modern Printmaking: A Guide to Traditional and Digital Techniques:
1278:"Oral History Interview with Hyman J. Warsager, 1965, October 14"
1198:
Modern Printmaking: A Guide to Traditional and Digital Techniques
943:. Athens, Georgia: The University of Georgia Press. p. 130.
104:
Warsager was born 23 June 1909 in New York City. He attended the
1777:
Smithsonian Institution Collections, Elizabeth McCausland Papers
1630:
Method of forming a raised metallic design on a vitreous surface
1368:
1018:"Performing Arts Databases - Earl Robinson: Songs for Americans"
521:
Artists for Victory - An Exhibition of Contemporary American Art
438:
Federal Art Project - Works Progress Administration, Jan. 4 - 31
2001:
Artists for Victory: An Exhibition of Contemporary American Art
1250:"Oral History Interview with Anthony Velonis, 1965, October 13"
1353:(Revised ed.). New York: Dover Publications. p. 16.
900:"National Serigraph Society Exhibition | Dallas Museum of Art"
1535:. Vol. 4 (14 ed.). August 14, 1944. pp. 1, 3.
1409:
The Complete Printmaker: Techniques, Traditions, Innovations
1386:(2nd ed.). New York: Dover Publications. p. 14.
278:, then curator of prints, drawings, and rare books at the
2403:"V&A - Prints, Drawings & Paintings Collections"
1800:
Radical Art: Printmaking and the Left in 1930's New York
1697:"Prints for the People: A National Exhibition of Prints"
1672:"Prints for the People: A National Exhibition of Prints"
1309:
1307:
1144:
Radical Art: Printmaking and the Left in 1930's New York
1119:
Radical Art: Printmaking and the Left in 1930's New York
966:
Radical Art: Printmaking and the Left in 1930's New York
876:
Radical Art: Printmaking and the Left in 1930's New York
541:
W.P.A. Color Prints: Images from the Federal Art Project
317:
Warsager was acquainted with the French-American artist
242:
Radical Art: Printmaking and the Left in 1930's New York
2104:
Bruce Museum Examines the WPA's Prints of American Life
1349:
Schwalbach, Mathilda V.; Schwalbach, James A. (1970).
826:
Prints: New Deal Art (WPA/PWAP) Krannert Art Museum
157:He illustrated the label of folk singer-songwriter
79:
71:
59:
40:
21:
1550:Meet Mister H.J. Warsager - Artist and Businessman
555:Artists at Work: American Printmakers and the WPA.
2157:Breaking Ground: Printmaking in the US, 1940-1960
1191:
1189:
569:Serigraphy: The Rise of Screenprinting in America
92:(1909â1974) was an American artist known for his
1508:Bergin, Major General, USA, The Adjutant General
1351:Silk-Screen Printing for Artists & Craftsmen
371:Service in U.S. Army Air Forces Silk Screen Unit
357:Silk-Screen Printing for Artists & Craftsmen
2525:KAM - University of Illinois Urbana-Champaign
2075:"The Met: Watson Library Digital Collections"
2054:American Screenprints celebrates the art form
1997:"The Met: Watson Library Digital Collections"
1752:The New York Times (timesmachine.nytimes.com)
1407:Ross, John; Romano, Clare; Ross, Tim (1990).
1094:A Century of American Printmaking - 1880-1980
535:American Screenprints: 1930s-1960s. September
375:Warsager served in the U.S. Army Air Forces'
8:
2646:"Along the Harlem River - Hyman J. Warsager"
1382:Biegeleisen, J.I.; Cohn, Max Arthur (1958).
1046:. University of Wisconsin Press. p. 5.
1042:Colescott, Warrington; Hove, Arthur (1999).
1824:"Elizabeth McCausland, Critic and Idealist"
1651:"Museum of American Glass in West Virginia"
635:at the University of Texas at Austin, the
66:Slough, Berkshire, England, United Kingdom
29:
18:
1590:a brochure of the Ceraglass Company, 1965
1200:. Berkeley: Watson-Guptill. p. 227.
423:Museum of American Glass in West Virginia
582:, New Deal Exhibit: Federal Art Project.
567:2017-2018 Zimmerli Art Museum, Rutgers,
562:Breaking Ground: Printmaking in the U.S.
2425:The University of Arizona Museum of Art
1483:"National Serigraph Society Exhibition"
763:
682:
2650:Wesleyan University Davison Art Center
2029:Santa Barbara Museum of Art (sbma.net)
844:
842:
704:Washington Heights, c.1937, lithograph
350:and several other artists founded the
1966:
1964:
1938:
1936:
1722:"Color Prints by Four W.P.A. Artists"
1559:
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1282:Archives of American Art, Smithsonian
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1254:Archives of American Art, Smithsonian
1244:
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1165:
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987:
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671:at the University of Oregon, and the
539:1996 The Metropolitan Museum of Art,
528:Serigraphs by Sergeant Hyman Warsager
519:1942 The Metropolitan Museum of Art,
512:1942 Whitney Museum of American Art,
505:1941 Whitney Museum of American Art,
498:1940 Whitney Museum of American Art,
185:. His various songs were recorded by
7:
1920:Smithsonian Archives of American Art
1895:Smithsonian Archives of American Art
1568:. Hackensack, NJ. December 24, 1962.
740:Canarsie Meadows, c.1937, lithograph
629:University of Michigan Museum of Art
1548:The Gift and Art Buyer, July 1961,
625:University of Arizona Museum of Art
615:, Philadelphia Museum of Art, the
449:, Hyman Warsager), May 27 - Sept. 5
443:Color Prints by Four W.P.A. Artists
240:Art historian Helen Manga wrote in
2421:"Hyman Warsager - Doctor's Office"
850:"American Color Prints Under $ 10"
526:1944 Santa Barbara Museum of Art,
377:Western Technical Training Command
14:
1323:Devree, Howard (April 20, 1955).
1174:. Federal Art Project, New York.
797:"Hyman Joseph Warsager Biography"
716:Tree Surgeons, c.1939, lithograph
560:2016 Philadelphia Museum of Art,
533:1991 Boston Museum of Fine Arts,
445:(Russell Limbach, Augustus Peck,
130:American Color Prints Under $ 10,
2723:
1944:"Whitney Museum of American Art"
1828:Archives of American Art Journal
1746:Harris, Ruth (August 13, 1939).
745:
733:
721:
709:
697:
685:
493:American Color Prints Under $ 10
2471:"Winter Scene - Hyman Warsager"
2382:Smithsonian American Art Museum
1223:The Print Collector's Quarterly
617:Smithsonian American Art Museum
2100:"Antiques and the Arts Weekly"
673:Whitney Museum of American Art
669:Jordan Schnitzer Museum of Art
302:which combines the Latin word
1:
2550:Weisman Art Museum Collection
1891:"Elizabeth McCausland Papers"
122:Works Progress Administration
2153:"Philadelphia Museum of Art"
728:Shape Up, c.1938, lithograph
651:at Northwestern University,
516:. Nov. 24, 1942-Jan. 6, 1943
405:Decorative Glassware Company
334:. He likes them very muchâ.
63:1974 (aged 64–65)
2675:Yale University Art Gallery
2496:"Shape Up - Hyman Warsager"
2446:"Sea Wall - Hyman Warsager"
1462:The Portal to Texas History
1437:The Portal to Texas History
801:Annex Galleries Fine Prints
665:Yale University Art Gallery
553:2011 Asheville Art Museum,
491:1940 Museum of Modern Art,
476:Silk Screen Process Prints.
171:Public Works Administration
110:Grand Central School of Art
2777:
2756:Artists from New York City
2621:"Gathering Logs, Nocturne"
2407:Victoria and Albert Museum
2357:Philadelphia Museum of Art
2307:Metropolitan Museum of Art
2203:"Art Institute of Chicago"
1976:Hyman Warsager Exhibitions
1948:Hyman Warsager Exhibitions
692:Nocturne, c.1936, etching
659:at University of Florida,
653:Museum of Fine Arts Boston
621:Victoria and Albert Museum
609:Metropolitan Museum of Art
591:Warsager's work is in the
469:National Serigraph Society
429:Selected Group Exhibitions
352:National Serigraph Society
338:National Serigraph Society
310:silk") and the Greek word
286:Creative Printmakers Group
280:Philadelphia Museum of Art
229:Federal Art Project â WPA
138:National Serigraph Society
2282:Detroit Institute of Arts
1170:Velonis, Anthony (1938).
939:Morgan, Stacy I. (2004).
605:Detroit Institute of Arts
35:Hyman J. Warsager at work
28:
2207:Art Institute of Chicago
1858:Brooklyn Museum Bulletin
854:The Museum of Modern Art
663:at Wesleyan University,
593:Art Institute of Chicago
2575:The Block Museum of Art
2332:National Gallery of Art
2232:Baltimore Museum of Art
1972:"Whitney Museum of Art"
1092:Watrous, James (1984).
1022:The Library of Congress
613:National Gallery of Art
597:Baltimore Museum of Art
114:American Artists School
1588:Art, Home, and Design,
1384:Silk Screen Techniques
1196:Covey, Sylvie (2016).
474:1940 Brooklyn Museum,
441:1938 Brooklyn Museum,
436:Prints for the People,
361:Silk Screen Techniques
259:, and Hyman Warsager.
2761:American male artists
2475:Blanton Museum of Art
2125:"kimzdanowick.weebly"
1834:(2): 18. April 1966.
1798:Langa, Helen (2004).
1142:Langa, Helen (2004).
1117:Langa, Helen (2004).
964:Langa, Helen (2004).
874:Langa, Helen (2004).
637:Illinois State Museum
633:Blanton Museum of Art
483:New York State Museum
464:, July 26 - August 16
2732:at Wikimedia Commons
2253:"Along Harlem River"
1854:"Silk Screen Prints"
1487:Dallas Museum of Art
904:Dallas Museum of Art
462:Elizabeth McCausland
454:The Berkshire Museum
381:U.S. Army Air Forces
183:Ballad for Americans
159:Earl Hawley Robinson
134:Dallas Museum of Art
126:Museum of Modern Art
116:. He worked for the
2378:"Hyman J. Warsager"
2328:"Hyman J. Warsager"
2228:"Hyman J. Warsager"
649:Block Museum of Art
641:Krannert Art Museum
546:2001 Bruce Museum,
487:Silk Screen Exhibit
364:in the serigraph".
342:Warsager, Velonis,
167:ongs for Americans,
118:Federal Art Project
83:painter, printmaker
2625:Harn Museum of Art
2022:"Exhibition Title"
1842:– via JSTOR.
1329:The New York Times
661:Davison Art Center
657:Harn Museum of Art
645:Weisman Art Museum
509:. Jan. 15-Feb. 19
502:. Jan. 10-Feb. 18
458:The World of Today
456:, Pittsfield, MA.,
161:âs 1940 recording
148:which appeared in
136:exhibition of the
54:New York, New York
2730:Hyman J. Warsager
2728:Media related to
1207:978-1-60774-759-8
557:April 29-Sept. 25
495:, Nov. 25-Dec. 24
255:, Eugene Morley,
90:Hyman J. Warsager
87:
86:
23:Hyman J. Warsager
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2671:"Gathering Logs"
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2571:"Hyman Warsager"
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571:, Sept. 5-Feb.11
564:, 1940-1960. May
543:. March 5-May 26
485:, Albany, N.Y.,
478:Sept. 20-Oct. 20
319:Louise Bourgeois
181:and the cantata
179:Black and White,
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235:Anthony Velonis
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106:Pratt Institute
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257:Elizabeth Olds
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2006:November 11,
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