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The work slowly reveals itself to the viewer. Emerging from the undefined forms is the suggestion of misty mountains in the background. In the foreground are cliffs and bushes, and the triangular roofline and a sloping banner for a wine shop with vertical lines forming a fence. Below is indicated the
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The scroll measures 148.6 by 32.7 centimetres (58.5 in × 12.9 in). It bears a dedicatory inscription by the artist, dating it to the middle of the third month in the fourth year of the
220:). As an indication of the artistic heritage passed on to his pupil, Sesshū wrote on the scroll that he had travelled to China where he said he had studied the works of
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197:. In this style, the painter avoids strongly defined outlines, with shapes indicated by colour washes in lighter and darker tones.
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era (that is, April or May 1495), when Sesshū was aged 76. It was presented to Sesshū's pupil
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CLP 120: 1995 “Two Snowy Peaks Viewed from Afar: Some
Chinese Thoughts on Sesshu and Sesson.”
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417:"Of Modes and Manners in Japanese Ink Painting: Sesshū's "Splashed Ink Landscape" of 1495"
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flat surface of a body of water, with two people to the right in a rowing boat.
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to add poems to the scroll. A similar work by Sesshū is currently held by the
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492:, Institute of East Asian Studies, University of California, Berkeley
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161:. In spite of its title, the work is not one of "broken ink"
224:and Zhang Yousheng, and had studied in Japan with
16:1495 painting by the Japanese artist Sesshū Tōyō
315:List of National Treasures of Japan (paintings)
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121:monk and painter. The work is a development of
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466:Landscape. Inscription by the artist et al.
247:, where he asked six Zen Buddhist monks from
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427:(1). Taylor & Francis, Ltd, CAA: 50–77.
388:"Landscape. Inscription by the artist et al"
478:Haboku-Sansui (Landscape with ink broken)
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542:Paintings in the Tokyo National Museum
363:"National Treasure Gallery: Landscape"
79:. It was made by the Japanese artist
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336:"Sesshū – Mature years and works"
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179:but rather one of "splashed ink"
490:Lecture Notes, by James Cahill
484:Haboku, Splashed Ink Landscape
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498:, LACMA lecture, Dec. 3,1995:
537:National Treasures of Japan
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95:and currently held by the
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472:Landscape with broken ink
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243:, Josui Sōen stopped in
75:landscape painting on a
468:, Tokyo National Museum
341:Encyclopedia Britannica
260:Idemitsu Museum of Arts
256:Cleveland Museum of Art
235:On his journey home to
532:Muromachi-period works
415:Lippit, Yukio (2012).
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392:Tokyo National Museum
367:Tokyo National Museum
228:, who was a pupil of
97:Tokyo National Museum
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218:Yamaguchi Prefecture
136:paintings made with
66:Broken Ink Landscape
31:Broken Ink Landscape
547:Zen art and culture
334:Munsterberg, Hugo.
91:is classified as a
527:Japanese paintings
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89:ink wash painting
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480:, theartwolf.com
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83:in 1495, in the
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395:. Retrieved
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370:. Retrieved
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214:Suō Province
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119:Zen Buddhist
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73:splashed-ink
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39:Zen Buddhist
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397:18 February
372:18 February
347:18 February
159:calligraphy
138:Chinese ink
107:Sesshū Tōyō
81:Sesshū Tōyō
35:Sesshū Tōyō
506:Categories
474:, e-Museum
460:References
279:Main image
262:in Tokyo.
210:Josui Sōen
449:192126350
291:Cleveland
237:Engaku-ji
191:hatsuboku
124:suibokuga
25:The full
441:23209211
309:See also
303:Idemitsu
241:Kamakura
216:(now in
103:Overview
266:Gallery
252:temples
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222:Li Zai
173:haboku
117:was a
87:. The
41:monks.
445:S2CID
437:JSTOR
321:Notes
249:Gozan
245:Kyoto
71:is a
54:破墨山水図
399:2022
374:2022
349:2022
206:Meiō
150:sumi
112:雪舟等楊
429:doi
239:in
131:水墨画
33:by
29:of
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144:墨
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