330:
56:
383:
22:
129:
the brush. The ink would be thin in some places, rich in others; he would follow the shapes which brush and ink had produced, making these into mountains, rocks, clouds and mists, wash in wind and rain, with the suddenness of
Creation. It was exactly like the cunning of a deity; when one examined the painting after it was finished he could see no traces of the puddles of ink.
128:
Whenever he wanted to paint a picture, Wang Mo would first drink wine, and when he was sufficiently drunk, would splash the ink onto the painting surface. Then, laughing and singing all the while, he would stamp on it with his feet and smear it with his hands, besides swashing and sweeping it with
108:(ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork. The two terms are often confused with each other in ordinary use. Generally,
141:
paintings on the Xiao and Xiang rivers exhibit many of its characteristics, and were highly praised in Japan. It was with Yu Jian (玉澗) in China when we have the first paintings in the style, for example
424:
124:
China with the painter Wang Qia (王洽, fl. 785–805, also known as Wang Mo), but unfortunately none of his paintings remains. According to Zhu
Jingxuan:
367:
143:
458:
189:
417:
184:
230:
448:
360:
453:
410:
443:
353:
120:
utilizes "splashes" of ink, without leaving clear contours or outlines. The style apparently started in the
194:
174:
179:
164:
329:
147:
55:
48:
60:
382:
306:
267:
226:
199:
169:
394:
337:
220:
298:
259:
287:""The Image Made by Chance" in China and the West: Ink Wang Meets Jackson Pollock's Mother"
248:"Of Modes and Manners in Japanese Ink Painting: Sesshū's Splashed Ink Landscape of 1495"
21:
437:
38:
263:
159:
134:
121:
247:
310:
271:
150:. Later, the Kano school of painting also made many paintings in this style.
146:. In Japan, these styles of painting were spread by the Japanese painter
286:
103:
302:
54:
20:
138:
390:
114:
relies on a layered contrast black, gray and white, whereas
336:
This article related to art or architecture in Japan is a
398:
341:
115:
109:
101:
222:
Japanese Ink-Painting: Lessons in
Suiboku Techniques
84:
67:
36:
93:
76:
30:
418:
361:
8:
425:
411:
368:
354:
100:are both painting techniques employed in
211:
16:Japanese ink based painting techniques
7:
379:
377:
326:
324:
397:. You can help Knowledge (XXG) by
340:. You can help Knowledge (XXG) by
14:
190:List of most expensive sculptures
381:
328:
185:List of most expensive paintings
264:10.1080/00043079.2012.10786029
246:Lippit, Yukio (1 March 2012).
1:
219:Ryūkyū Saitō (August 2000).
116:
110:
102:
85:
68:
37:
475:
376:
323:
59:Kupa river in Ladešići by
285:Lachman, Charles (1992).
94:
77:
31:
459:Artistic technique stubs
389:This article related to
195:List of art techniques
175:List of artistic media
131:
64:
52:
26:Splashed-ink Landscape
180:List of art movements
165:Creativity techniques
137:, some landscapes of
126:
58:
24:
449:Painting techniques
61:Alfred Freddy Krupa
454:Japanese art stubs
65:
53:
444:Japanese painting
406:
405:
349:
348:
200:List of sculptors
170:List of art media
466:
427:
420:
413:
385:
378:
370:
363:
356:
332:
325:
315:
314:
291:The Art Bulletin
282:
276:
275:
252:The Art Bulletin
243:
237:
236:
216:
119:
113:
107:
99:
97:
96:
90:
82:
80:
79:
73:
46:
45:
42:
34:
33:
474:
473:
469:
468:
467:
465:
464:
463:
434:
433:
432:
431:
375:
374:
321:
319:
318:
303:10.2307/3045896
284:
283:
279:
245:
244:
240:
233:
218:
217:
213:
208:
156:
91:
74:
43:
28:
17:
12:
11:
5:
472:
470:
462:
461:
456:
451:
446:
436:
435:
430:
429:
422:
415:
407:
404:
403:
391:art techniques
386:
373:
372:
365:
358:
350:
347:
346:
333:
317:
316:
277:
238:
231:
225:. p. 63.
210:
209:
207:
204:
203:
202:
197:
192:
187:
182:
177:
172:
167:
162:
155:
152:
144:Evening Market
15:
13:
10:
9:
6:
4:
3:
2:
471:
460:
457:
455:
452:
450:
447:
445:
442:
441:
439:
428:
423:
421:
416:
414:
409:
408:
402:
400:
396:
392:
387:
384:
380:
371:
366:
364:
359:
357:
352:
351:
345:
343:
339:
334:
331:
327:
322:
312:
308:
304:
300:
296:
292:
288:
281:
278:
273:
269:
265:
261:
257:
253:
249:
242:
239:
234:
228:
224:
223:
215:
212:
205:
201:
198:
196:
193:
191:
188:
186:
183:
181:
178:
176:
173:
171:
168:
166:
163:
161:
158:
157:
153:
151:
149:
145:
140:
136:
130:
125:
123:
118:
112:
106:
105:
89:
88:
72:
71:
62:
57:
50:
41:
40:
39:Haboku sansui
27:
23:
19:
399:expanding it
388:
342:expanding it
335:
320:
294:
290:
280:
255:
251:
241:
221:
214:
160:Art movement
135:Song dynasty
132:
127:
122:Tang dynasty
86:
69:
66:
25:
18:
148:Sesshū Tōyō
133:During the
49:Sesshū Tōyō
438:Categories
297:(3): 503.
232:0804832609
206:References
311:0004-3079
272:0004-3079
258:(1): 56.
117:hatsuboku
87:Hatsuboku
154:See also
139:Mu Qi's
104:suiboku
51:, 1495
309:
270:
229:
111:haboku
70:Haboku
63:, 2019
393:is a
395:stub
338:stub
307:ISSN
268:ISSN
227:ISBN
83:and
32:破墨山水
299:doi
260:doi
47:by
440::
305:.
295:74
293:.
289:.
266:.
256:94
254:.
250:.
95:溌墨
78:破墨
35:,
426:e
419:t
412:v
401:.
369:e
362:t
355:v
344:.
313:.
301::
274:.
262::
235:.
98:)
92:(
81:)
75:(
44:)
29:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
