618:". While travelling with Karel down a forest road Masek kills a German soldier he meets, forcing Karel to kill another soldier to silence a witness. Koslowski decides to execute 20 Czechs selected at random in retaliation, leading August to bribe him with his family's expensive jewelry to stop the executions. Koslowski breaks his word, and executes 9 Czechs he had chosen at random while sending Jana and her daughter to a concentration camp. Hartel, the collaborating Mayor of Eglau tells Koslowski that Jana's father was Jewish. August is broken in spirit, and he ignores Karel's advi ce to flee the Sudetenland, saying that this is his home where his family has lived for centuries and he is already spiritually dead as he believes that his wife and daughter are dead.
747:
oily opportunists see gain in every shift in political fortunes, every triumph or setback on the battlefield. Being “neutral” and above it all isn’t an option, hoping people will know and sympathize with the coercion you were under is naïve. But Herz mutes the effect of his bigger messages and themes with all he leaves out. The horrific dilemmas
Habermann faces, the accidents and rash behavior of others that he cannot cover for in the eyes of the black-uniformed Germans with machine guns all seems engineered to paper over his moral ambiguity in all this. Thus does a movie about a fence-sitter become a frustrating exercise in fence-sitting itself".
529:
events that led up to it. The story of
Habermann ends after the "expulsion" of the Germans from the Sudetenland area bordering Germany and Czechoslovakia in 1945, and remains today one of the darkest chapters in the relationship between Germans and Czechs. The atrocities perpetrated in the course of the expulsion are a taboo to this date. Many Czechs do not want to be reminded of it, many Germans insist that they have been wronged bitterly at the time and that nobody has ever had to pay for this. There is now a new young generation that wants information about the past.
730:, the critic Cate Marquis praised the film as a "thought-provoking" film that was well acted with "polished production values, lush period costumes and lovely location shots". Marquis wrote: "There was a real Habermann caught up in the insanity of war, and that basis in reality makes this tale all the more disturbing and gripping...But the visual beauty is deceptive, as this is no simple, uplifting morality tale. Rather, it challenges assumptions and explores moral dilemmas...
175:
73:
32:
638:, Karel hands her a piece of jewelry that was given to her by August on their wedding day, saying that this is a way to keep his memory alive. The film's epilogue states in reality the forester Karel Březina accused the mayor of leading the mob that lynched the real Hubert Habermann, the owner of a mill in the Sudetenland, but none were ever prosecuted for this crime.
634:
such, he is now the owner of the
Habermann mill, leading to Hartel and the others to lynch him as a traitor. August is killed by the same lynch mob led by Hartel who tie him to the water wheel of his mill. Jana together with her daughter are expelled from the Sudetenland. As she is forced onto a train that will take her and her daughter to
767:, Mike Hale described the film as: "As directed by the Czech veteran Juraj Herz in prestige-television style, the bulk of the film is a classically proportioned and tasteful wartime soap opera...The depictions of cosmopolitan Germans and mostly avaricious, bestial Czechs are likely to stir strong emotions among some viewers, but over all
614:. In 1943, pamphlets appear predicting Germany's defeat, leading Koslowski to kill Hora, the Czech bookkeeper at the mill. Hans is badly wounded in 1944, and Jana takes him off a train, making him into a deserter. Hans wants to return to the war, but Jana and August both tell him that he has suffered enough for "that
746:
is laudable for being that rare film to grapple with the nuances of collaboration. Other films have touched upon it, the women of France getting their heads shaved for fraternizing and falling in love with the occupiers and the like. Here’s a film that points its camera at baser motives, the way some
602:
Kurt
Koslowski, who mistreats the local Czechs. Koslowski takes a bullying tone toward August, forcing him to sell flour from the mill to a local hospital/spa that treats wounded German soldiers at cost. August is shocked by the way Koslowski beats his Czech employees. August is especially protective
633:
soldiers who are advancing into the
Sudetenland. Eliška loots the Habermann family safe and tells Masek that his father was Wilhelm Habermann, making this not theft, but rather giving him his rightful inheritance. Masek boasts to a vengeful Czech mob led by mayor Hartel that he is a Habermann and as
528:
These events happened more than sixty years ago, but their effects can be felt even today. If we want to understand the present, we have to know what happened in the past. The film starts with the expulsion: we know from the start how this story will end - there is no escape. Then we are shown the
759:
mold, but it falls within the upper-mid bracket of WWII movies because it doesn’t attempt to understand or define the tragedy it approaches. Its storytelling is often clunky, rushed, and sappy, but it’s never overreaching or didactic, a sense of scope that allows its ultimately small tragedies to
737:
In a mixed review, the critic Roger Moore wrote: "Co-adapter and director Juraj Herz skips through history with this story, passing over the beginning of the war, popping us in 1940, ’43, ’44 and ’45. In a region that wasn’t bombed and only touched directly by the war in its closing days, that’s
750:
In a review, the critic Jesse
Cataldo wrote that the film offers: "... a portrait of a town that never feels completely real, devoid of normality or everyday activity, a depiction which undercuts the eventual emotional escalation...The majority of these characters are concerned solely with
593:, the Sudetenland is transferred to Germany. Habermann welcomes the change as it gives his firm access to the German market, but Karel warns him that he and all the other Czechs in the Sudetenland are now second-class citizens. Karel's warning is soon confirmed by the arrival of the brutal
782:, German) instead of the Jewish star. Habermann appears as a second Schindler who sacrifices his property in order to save as many Czechs as possible. In the end, the nationalist mob braids him on a mill wheel and tortures him, and one inevitably thinks of the Savior on the Cross."
751:
themselves, desperate opportunists for whom other people are barriers or distractions. In this context the resolutely moral
Habermann comes off as nearly saint-like, but his ethical purity achieves absolutely nothing, a stand that leaves him stranded on the ash heap of history.
545:) by Urban was published, being the first novel in Czech literature about the expulsion of the Sudeten Germans, concerning the murder of the miller Habermann in 1945 who was known to be friendly towards Czechs. Herz gave his interest in adopting the novel
301:
778:, Hanns-Georg Rodek wrote: "Juraj Herz goes further in the victim iconography than German directors have dared to do so far. The station scene is clearly reminiscent of the deportation of Jews, and the Germans wear an equally stigmatizing "N" (for
738:
understandable. The
Holocaust is introduced directly in a single heart-rending scene, the cries of children overheard in crammed railway cars that pass by". Moore felt that many of the film's characters were either thinly written or too cliched.
588:
and Czechs and believes that the two peoples should co-exist peacefully. Habermann is apolitical and marries a Czech woman, Jana, whom he later learns is half-Jewish. Habermann's best friend, Karel Březina, is Czech. In
October 1938, after the
741:
Moore concluded: "It’s all rather murky, with the skipping through time, the cartoonish Nazis and the many characters who see “the future” and start to plan for who and what they’ll smash or flee from when “The
Russians” get there.
219:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
567:
were all expelled into Germany as traitors to Czechoslovakia while the Hlinka Guardsmen who had deported him to Auschwitz simply changed their uniforms, joining the Czechoslovak security forces and the
771:
is more potboiler than political or historical statement. A subplot involving Habermann’s half-Jewish wife sits awkwardly athwart the central story, supplying pathos and dangerously facile analogies."
205:
1036:
621:
After Czechoslovakia is liberated in May 1945, a lynch mob atmosphere prevails as the Czechs attack the Sudeten Germans; the Sudeten Germans are forced onto a train bound for
830:
1086:
1041:
887:
1096:
603:
of one of his Czech employees, Masek, the son of his housekeeper Eliška, who is later revealed to be his half-brother as Eliška was his father's mistress.
506:
222:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
580:
In 1937, August Habermann is a wealthy ethnic German owner of a local mill that serves as both a sawmill and gristmill in the town of Eglau in the
230:
933:
1026:
1081:
1021:
1016:
959:
859:
1101:
1076:
1061:
1071:
1056:
569:
278:
156:
90:
59:
45:
1066:
550:
137:
94:
109:
534:
502:
20:
243:
Content in this edit is translated from the existing Czech Knowledge (XXG) article at ]; see its history for attribution.
659:
344:
1091:
490:
116:
83:
1046:
123:
1051:
1031:
238:
259:
622:
105:
708:
629:. Jana together with her daughter escape from the concentration camp and are helped on their way home by
252:
51:
1011:
693:
364:
187:
324:
598:
990:
714:
699:
653:
626:
340:
234:
995:
799:
590:
533:
The script was created on the basis of a book by Josef Urban, based on the fate of the real
130:
671:
585:
352:
510:
479:
1005:
594:
559:
647:
615:
611:
554:
336:
300:
888:"Movie Review: Sudetenland Czechs endure occupation, plot revenge in "Habermann""
831:"Juraj Herz dokonÄŤuje HabermannĹŻv mlĂ˝n, snĂmek o odsunu NÄ›mcĹŻ po válce | Kultura"
910:
687:
665:
606:
Over the opposition of August, his ardently Nazi younger brother Hans joins the
581:
524:
has made this statement in describing his film and his reasons for creating it:
498:
360:
348:
72:
677:
521:
494:
356:
314:
607:
563:(ethnic Germans) were kind and friendly. Herz complained that in 1945, the
501:
are changed dramatically as Europe heats up in 1938. The movie is based on
19:"Habermann's mill" redirects here. For the mill in the Olomouc Region, see
630:
505:
and is the first major motion picture to dramatize the post-World War II
487:
984:
549:
into a film as based on his own Jewish background growing up in wartime
635:
497:. In the story, the lives of a German mill owner and his family in the
241:
to the source of your translation. A model attribution edit summary is
216:
168:
66:
25:
537:, a miller from Bludov in North Moravia. In 2001, the novel
557:
were brutal towards Jews like himself, but that the local
860:"Fact-based 'Habermann' is complex tale of ethnic hatred"
212:
463:
453:
441:
406:
398:
378:
370:
332:
320:
310:
293:
97:. Unsourced material may be challenged and removed.
960:"Ein Tscheche sieht die Vertreibung der Deutschen"
208:a machine-translated version of the Czech article.
526:
237:accompanying your translation by providing an
199:Click for important translation instructions.
186:expand this article with text translated from
734:is not an easy film but it is a worthy one".
8:
825:
823:
821:
819:
1037:Czech resistance to Nazi occupation in film
60:Learn how and when to remove these messages
299:
290:
1087:World War II films based on actual events
853:
851:
279:Learn how and when to remove this message
157:Learn how and when to remove this message
958:Rodek, Hanns-Georg (25 November 2010).
881:
879:
877:
791:
755:may not be a pragmatic classic of the
16:2010 Czech-German-Austrian drama film
7:
423: (German-Language Film Festival)
95:adding citations to reliable sources
1097:Czech films based on actual events
1042:Czech Film Critics' Awards winners
610:in 1941 after graduating from the
486:) is a 2010 Czech-German-Austrian
249:{{Translated|cs|Habermannův mlýn}}
14:
509:of 3 million ethnic Germans from
41:This article has multiple issues.
909:Cataldo, Jesse (1 August 2011).
173:
71:
30:
886:Moore, Roger (2 January 2021).
391:Entertainment Value Associates
82:needs additional citations for
49:or discuss these issues on the
247:You may also add the template
1:
858:Marquis, Cate (8 June 2011).
1027:Films directed by Juraj Herz
932:Hale, Mike (5 August 2011).
660:Wilson Gonzalez Ochsenknecht
345:Wilson Gonzalez Ochsenknecht
1082:German-language Czech films
1022:2010s German-language films
690:as BĂĽrgermeister Jan Hartel
260:Knowledge (XXG):Translation
1118:
1017:2010s Czech-language films
211:Machine translation, like
21:Habermann's Mill and Villa
18:
1102:German-language war films
1077:German multilingual films
1062:German World War II films
584:. Habermann employs both
553:. Herz recalled that the
426:4 November 2010
298:
188:the corresponding article
1072:Czech multilingual films
1057:Czech World War II films
862:. St. Louis Jewish Light
415:6 October 2010
1067:2010 multilingual films
800:"Habermann (2010/2011)"
258:For more guidance, see
728:St. Louis Jewish Light
531:
483:
934:"Review of Habermann"
911:"Review of Habermann"
760:stand on their own".
434: (Czech Republic)
231:copyright attribution
106:"Habermann" film
705:Radek Holub as Masek
91:improve this article
726:In a review in the
711:as Vaclav Pospichal
650:as August Habermann
642:Cast and characters
1092:2010s German films
765:The New York Times
717:as Buchhalter Hora
239:interlanguage link
998:on Covering Media
674:as Martha Březina
662:as Hans Habermann
656:as Jana Habermann
654:Hannah Herzsprung
627:Czechoslovak Army
471:
470:
374:Alexander Surkala
341:Hannah Herzsprung
289:
288:
281:
271:
270:
200:
196:
167:
166:
159:
141:
64:
1109:
1047:German war films
972:
971:
969:
967:
955:
949:
948:
946:
944:
929:
923:
922:
920:
918:
906:
900:
899:
897:
895:
883:
872:
871:
869:
867:
855:
846:
845:
843:
842:
827:
814:
813:
811:
810:
796:
694:Zuzana Kronerová
668:as Karel Březina
623:occupied Germany
591:Munich Agreement
547:Habermannův mlýn
543:Habermann's Mill
539:Habermannův mlýn
535:Hubert Habermann
484:Habermannův mlýn
433:
431:
422:
420:
402:Farbfilm-Verleih
365:Zuzana Kronerová
303:
291:
284:
277:
250:
244:
217:Google Translate
198:
194:
177:
176:
169:
162:
155:
151:
148:
142:
140:
99:
75:
67:
56:
34:
33:
26:
1117:
1116:
1112:
1111:
1110:
1108:
1107:
1106:
1052:2010s war films
1032:Czech war films
1002:
1001:
981:
976:
975:
965:
963:
957:
956:
952:
942:
940:
931:
930:
926:
916:
914:
908:
907:
903:
893:
891:
885:
884:
875:
865:
863:
857:
856:
849:
840:
838:
829:
828:
817:
808:
806:
798:
797:
793:
788:
774:In a review in
763:In a review in
757:Army of Shadows
724:
682:SturmbannfĂĽhrer
672:Franziska Weisz
644:
599:SturmbannfĂĽhrer
586:Sudeten Germans
578:
570:Communist Party
519:
458:
448:
446:
445:Czech Republic
437:
429:
427:
418:
416:
409:
394:
392:
390:
389:KN Filmcompany
388:
383:
381:
363:
359:
355:
353:Franziska Weisz
351:
347:
343:
339:
327:
306:
285:
274:
273:
272:
267:
266:
265:
248:
242:
201:
178:
174:
163:
152:
146:
143:
100:
98:
88:
76:
35:
31:
24:
17:
12:
11:
5:
1115:
1113:
1105:
1104:
1099:
1094:
1089:
1084:
1079:
1074:
1069:
1064:
1059:
1054:
1049:
1044:
1039:
1034:
1029:
1024:
1019:
1014:
1004:
1003:
1000:
999:
993:
980:
979:External links
977:
974:
973:
950:
938:New York Times
924:
901:
873:
847:
815:
804:Covering Media
790:
789:
787:
784:
723:
720:
719:
718:
715:JaromĂr Dulava
712:
706:
703:
700:Oldřich Kaiser
697:
691:
685:
684:Kurt Koslowski
675:
669:
663:
657:
651:
643:
640:
577:
574:
518:
515:
511:Czechoslovakia
469:
468:
465:
461:
460:
455:
451:
450:
443:
439:
438:
436:
435:
424:
412:
410:
407:
404:
403:
400:
399:Distributed by
396:
395:
386:
384:
379:
376:
375:
372:
371:Cinematography
368:
367:
334:
330:
329:
322:
318:
317:
312:
308:
307:
304:
296:
295:
287:
286:
269:
268:
264:
263:
256:
245:
223:
220:
209:
202:
183:
182:
181:
179:
172:
165:
164:
79:
77:
70:
65:
39:
38:
36:
29:
15:
13:
10:
9:
6:
4:
3:
2:
1114:
1103:
1100:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1080:
1078:
1075:
1073:
1070:
1068:
1065:
1063:
1060:
1058:
1055:
1053:
1050:
1048:
1045:
1043:
1040:
1038:
1035:
1033:
1030:
1028:
1025:
1023:
1020:
1018:
1015:
1013:
1010:
1009:
1007:
997:
994:
992:
988:
987:
983:
982:
978:
961:
954:
951:
939:
935:
928:
925:
912:
905:
902:
890:. MovieNation
889:
882:
880:
878:
874:
861:
854:
852:
848:
836:
832:
826:
824:
822:
820:
816:
805:
801:
795:
792:
785:
783:
781:
777:
772:
770:
766:
761:
758:
754:
748:
745:
739:
735:
733:
729:
721:
716:
713:
710:
709:Jan HrušĂnskĂ˝
707:
704:
701:
698:
695:
692:
689:
686:
683:
679:
676:
673:
670:
667:
664:
661:
658:
655:
652:
649:
646:
645:
641:
639:
637:
632:
628:
624:
619:
617:
613:
609:
604:
601:
600:
596:
592:
587:
583:
575:
573:
571:
566:
565:volksdeutsche
562:
561:
560:volksdeutsche
556:
552:
548:
544:
540:
536:
530:
525:
523:
516:
514:
512:
508:
504:
500:
496:
492:
489:
485:
481:
477:
476:
466:
462:
456:
452:
444:
440:
425:
414:
413:
411:
408:Release dates
405:
401:
397:
387:Art Oko Film
385:
377:
373:
369:
366:
362:
358:
354:
350:
346:
342:
338:
335:
331:
326:
323:
319:
316:
313:
309:
305:German poster
302:
297:
292:
283:
280:
261:
257:
254:
246:
240:
236:
232:
228:
224:
221:
218:
214:
210:
207:
204:
203:
197:
191:
189:
184:You can help
180:
171:
170:
161:
158:
150:
147:February 2018
139:
136:
132:
129:
125:
122:
118:
115:
111:
108: –
107:
103:
102:Find sources:
96:
92:
86:
85:
80:This article
78:
74:
69:
68:
63:
61:
54:
53:
48:
47:
42:
37:
28:
27:
22:
985:
964:. Retrieved
953:
941:. Retrieved
937:
927:
915:. Retrieved
904:
892:. Retrieved
864:. Retrieved
839:. Retrieved
837:. 2009-09-06
834:
807:. Retrieved
803:
794:
779:
775:
773:
768:
764:
762:
756:
752:
749:
743:
740:
736:
731:
727:
725:
681:
648:Mark Waschke
620:
612:Hitler Youth
605:
597:
579:
564:
558:
555:Hlinka Guard
546:
542:
538:
532:
527:
520:
493:directed by
474:
473:
472:
337:Mark Waschke
325:Jan Drbohlav
275:
235:edit summary
226:
193:
185:
153:
144:
134:
127:
120:
113:
101:
89:Please help
84:verification
81:
57:
50:
44:
43:Please help
40:
688:Andrej Hryc
666:Karel Roden
582:Sudetenland
503:true events
499:Sudetenland
467:$ 3,200,000
361:Andrej Hryc
349:Karel Roden
311:Directed by
195:(July 2010)
1012:2010 films
1006:Categories
966:9 December
962:. Die Welt
943:9 December
917:9 December
894:6 December
866:6 December
841:2017-10-07
835:Lidovky.cz
809:2017-10-07
786:References
702:as Brichta
678:Ben Becker
522:Juraj Herz
517:Production
495:Juraj Herz
491:drama film
430:2010-11-04
419:2010-10-06
380:Production
357:Ben Becker
328:Juraj Herz
321:Written by
315:Juraj Herz
117:newspapers
46:improve it
996:Habermann
986:Habermann
769:Habermann
753:Habermann
744:Habermann
732:Habermann
722:Reception
696:as Eliška
608:Wehrmacht
507:expulsion
475:Habermann
454:Languages
442:Countries
393:Wega Film
382:companies
294:Habermann
253:talk page
52:talk page
776:Die Welt
631:Red Army
551:Slovakia
447:Germany
333:Starring
229:provide
190:in Czech
913:. Slant
636:Bavaria
625:by the
449:Austria
428: (
417: (
251:to the
233:in the
192:.
131:scholar
680:as SS
616:madman
464:Budget
459:German
133:
126:
119:
112:
104:
780:nemec
480:Czech
457:Czech
213:DeepL
138:JSTOR
124:books
991:IMDb
968:2021
945:2021
919:2021
896:2021
868:2021
576:Plot
227:must
225:You
206:View
110:news
989:at
488:war
215:or
93:by
1008::
936:.
876:^
850:^
833:.
818:^
802:.
595:SS
572:.
513:.
482::
55:.
970:.
947:.
921:.
898:.
870:.
844:.
812:.
541:(
478:(
432:)
421:)
282:)
276:(
262:.
255:.
160:)
154:(
149:)
145:(
135:·
128:·
121:·
114:·
87:.
62:)
58:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.