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experience divine salvation, seen via Corot's inclusion of an angel in the back center of the painting. Much of the landscape seen in the work is derived from Corot's earlier nature studies.
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126:. Specifically, the painting renders the moment in which Hagar and her newborn son
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180.3 cm Ă 270.5 cm (71.0 in Ă 106.5 in)
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View of Venice: The
Piazzetta Seen from the Riva degli Schiavoni
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This article about a nineteenth-century painting is a
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16:Painting by Jean-Baptiste-Camille Corot
225:Castel Sant'Angelo and the Tiber, Rome
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425:. You can help Knowledge (XXG) by
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472:19th-century painting stubs
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104:Metropolitan Museum of Art
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281:Souvenir de Mortefontaine
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151:"Hagar in the Wilderness"
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241:Hagar in the Wilderness
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323:Achille Etna Michallon
335:Marie-Françoise Corot
273:Le Concert ChampĂȘtre
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329:Jean-Victor Bertin
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158:. Retrieved
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228:(1826-1828)
114:Description
466:Categories
160:2020-05-02
134:References
62:Dimensions
308:(c. 1870)
209:Paintings
124:Beersheba
84:Accession
337:(mother)
331:(master)
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108:New York
78:New York
70:Location
341:Realism
316:Related
305:Sibylle
128:Ishmael
300:(1869)
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54:Medium
36:Artist
497:Hagar
417:This
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49:1835
46:Year
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