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113:. Although Corot was producing his renowned grey landscapes by 1851, this painting recalls his earlier style. It is notable for being a finished study that Corot chose to exhibit at the
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50.5 cm Ă 71.8 cm (19.9 in Ă 28.3 in)
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View of Venice: The
Piazzetta Seen from the Riva degli Schiavoni
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This article about a nineteenth-century painting is a
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429:Paintings by Jean-Baptiste-Camille Corot
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16:Painting by Jean-Baptiste-Camille Corot
234:Castel Sant'Angelo and the Tiber, Rome
94:, created in 1851. It is held at the
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377:. You can help Knowledge (XXG) by
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161:"Jean-Baptiste-Camille Corot"
424:19th-century painting stubs
211:Jean-Baptiste-Camille Corot
141:Yale University Art Gallery
137:"The Harbor of La Rochelle"
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92:Jean-Baptiste-Camille Corot
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290:Souvenir de Mortefontaine
274:The Harbor of La Rochelle
242:The Cathedral of Chartres
105:It depicts the harbor of
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250:Hagar in the Wilderness
165:National Gallery of Art
332:Achille Etna Michallon
344:Marie-Françoise Corot
282:Le Concert ChampĂȘtre
439:Landscape paintings
226:The Bridge at Narni
115:Paris Salon of 1852
338:Jean-Victor Bertin
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168:. Retrieved
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144:. Retrieved
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237:(1826-1828)
107:La Rochelle
418:Categories
170:2021-11-15
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121:References
62:Dimensions
317:(c. 1870)
218:Paintings
100:New Haven
78:New Haven
346:(mother)
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70:Location
350:Realism
325:Related
314:Sibylle
109:on the
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36:Artist
98:, in
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49:1851
46:Year
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