427:
attributed the closure to religious occasions and said the program would continue to work more vigorously from the second month of summer. He even complained about the rumors of his change, saying, "I have heard rumors in recent days and I complain about some media friends who spread these rumors without following up on the issue. "Media people are expected to use knowledge beyond the yellow topics to critique a cinema analytical program and not get caught up in the yellow media topics." But the yellow media issues were real, especially when
Gholamreza Mirhosseini, the then director of IRIB TV3, said in an interview that changes to Haft Program were inevitable: "Changes in Network are inevitable, especially changes in the content of Haft Program, which according to the new approach IRIB TV3, based on recreation, entertainment and competition, will definitely change some of our programs." Speculations began and many letters were raised for the implementation of Haft program, from
456:, the prominent director of cinema, was chosen as the presenter and director of Haft. With the coming to power of Afkhami, the type of work and the method of the Haft programs underwent major changes. New sections Separating sections of dialogue, film review and screening, book introduction, film introduction, panel discussion, report and box office of world cinema, introduction of stage theaters, film competition with prize and photo novel section are the most important items of Haft Afkhami. With the beginning of this series of Haft program, at first, the program met with a positive reaction from viewers and cinema people, but this event soon disappeared and Haft, with Afkhami as the director and producer and Farasati as a regular critic, with reactions from Faced with critics and filmmakers.
377:
Haft
Jeyrani had recently become more successful, more popular, and more responsive by choosing the right journalistic approaches. Another positive point of the Jeyrani period was giving the opportunity to speak to the opposition and the supporters alike, which also increased the number of viewers of Iranian television. This period also faced criticisms such as flaws in the decor and design of the program, as well as the way the art critic of the program, Farasati, expressed and criticized.
372:, but over time, he was able to provide a large audience and provide an acceptable definition of himself. This program was suspended in June 2012 by the directors of IRIB, and Jeyrani was fired. Fazlullah Shariatpanahi, director of the social group of IRIB TV3, increased media criticism of Jeyrani's remarks in programs leading up to that date and repeated remarks by the directors of IRIB and
36:
431:
to the return of
Fereydoun Jeyrani and letters such as Mohammad Reza Shahidifard, Mansour Zabetian and Akbar Nabavi. Of course, these speculations were not limited to the performance of Haft, but the editor of this program was also the subject of many discussions in the media. While the main ideas
367:
to the social group of IRIB TV3 and was welcomed by the then manager. At that time, the host of the program was Hamid
Pendashteh and Fereydoun Jeyrani was in charge of directing, producing and performing. Although the first episodes of this series were met with a lot of criticism due to the unusual
376:
himself, as well as some media outlets to
Jeyrani about his remarks in this program. Effective in this change considered the executor. Fereydoun Jeyrani blamed his resignation on the start of a project to make a television series, and later blamed opposition to government cinema for his removal.
389:
were introduced as presenters. But in the end, Mahmoud
Gaberlou, who has a history of cultural activities, including attending critique sessions at the Fajr Film Festival, took charge of the program and aired the first part of the new series of the Haft program in the program dated 29 June 2012.
426:
Haft program continued for three years, but it did not live up to
Gaberlou. With the change of the management of the IRIB and consequently the different networks, whispers of change and transformation were heard in Haft. The three-week closure of the program fueled rumors, but Mahmoud Gaberlou
401:
after a few months, and criticisms such as that
Gaberlou was not very successful in leading challenging debates or that there was too much conservatism in his remarks were among the accusations leveled against him by some filmmakers and critics that Gaberlou was ousted in late August.
405:
But in this period, we can point to the negative points such as the neutrality of the program and… and the positive points such as accepting the invitation of different strata of directors and critics in this period, which can be referred to the presence of
500:
returned to the program and was a critic with the presence of
Farasati as a presenter-expert and other guest critics such as Saeed Ghotbizadeh and Mohammad Taghi Fahim. The Haft movie program is broadcast every week on IRIB TV3.
144:
463:, due to the expiration of his 2-year contract with the IRIB, after holding a meeting in this regard with the managers of the organization, refused to continue working with this program. He said in this regard:
452:. Finally, Gaberlou's departure from the program was confirmed, and finally, among all the options that were considered for the performance and editing of Haft, a final name was given, and in the end,
467:"I told the directors at that meeting that I wanted to start making my own film. "Because I think I have said everything else and I have achieved what I wanted in Haft."
390:
Also, the production of this series, which was initially entrusted to
Mohammad Khazaei, with his resignation, reached Mohammad Gaberlou, a cinema press critic.
492:
From 30 January 2019, at the same time with the 37th Fajr Film Festival, the fifth series with the performance of Mohammad Hossein Latifi was broadcast on
351:" invites Iranian artists, critics and cultural officials in the field of cinema and television to discuss, critique, analyze and review film and cinema.
741:
631:
736:
731:
53:
119:
347:
that examines the issues of Iranian and world cinema. This program will be broadcast on Friday nights as a recording on IRIB TV3. "
100:
652:
72:
57:
79:
556:
Behind-the-scenes reports of film production, public screenings and interviews with cinema activists and public opinion
476:
From 2 February 2018, at the same time with the 36th Fajr Film Festival, the fourth series, with the performance of
86:
46:
433:
534:
200:
68:
578:
411:
215:
693:
628:
516:
185:
219:
373:
227:
223:
716:
681:
510:
394:
364:
180:
93:
607:
497:
445:
437:
398:
386:
369:
332:
211:
656:
635:
528:
522:
477:
460:
453:
441:
415:
195:
190:
670:
428:
725:
449:
407:
238:
162:
649:
432:
were based on the leadership of this program by one of the cinema people such as
17:
35:
592:
363:
sports program, leading to the field of culture and art, was presented by
359:
The initial idea of making such a program, which should be similar to the
143:
493:
481:
344:
300:
277:
360:
531:
from 2 February 2018 to 12 February 2018 (Special Fajr Festival)
158:
29:
553:
Roundtable with cinema guests, cultural officials and artists
496:. In this series of the program, unlike the previous series,
385:
After ousting Jeyrani, options such as Mohammad Khazaei and
629:محمود گبرلو مجری و محمد خزاعی تهیهکننده جدید برنامه «هفت»
368:
performance of Jeyrani and the unconditional criticism of
562:
Informing the news of Iranian cinema and its margins
306:
296:
291:
283:
273:
265:
260:
252:
244:
234:
207:
176:
168:
153:
134:
60:. Unsourced material may be challenged and removed.
444:, others also mentioned different letters such as
650:مسعود فراستی: «اعتمادم به گبرلو، سادهاندیشی بود»
343:") is an Iranian television program produced by
8:
694:"بهروز افخمی از برنامه هفت کنار گذاشته شد"
671:قسمت اول سری جدید «برنامه هفت» بهروز افخمی
142:
131:
120:Learn how and when to remove this message
559:Roundtable on film critique and analysis
571:
579:متن و حاشیهٔ برنامههای شبکهٔ سه سیما
7:
525:from 2 October 2015 to 10 March 2017
58:adding citations to reliable sources
336:
550:Check box office sales of the week
25:
513:from 30 April 2010 to 11 May 2012
484:, and ended on 11 February 2018.
742:Film criticism television series
148:TV and Cinema Analytical Program
34:
737:2010s Iranian television series
732:2000s Iranian television series
537:from 30 January 2019 to present
45:needs additional citations for
682:وداع افخمی با «هفت» نزدیک است؟
1:
519:from 29 June 2012 to May 2015
436:, Mohammad Hossein Latifi,
758:
593:از هفت جیرانی تا هفت گبرلو
27:Iranian television program
141:
547:Film and cinema analysis
434:Mohammad-Reza Sharifinia
535:Mohammad Hossein Latifi
201:Mohammad Hossein Latifi
157:Review and analysis of
69:"Seven" TV program
655:20 August 2014 at the
469:
582:باشگاه خبرنگاران جوان
465:
634:16 June 2012 at the
54:improve this article
480:, was broadcast on
412:Rakhshān Banietemad
374:Ezzatollah Zarghami
274:Production location
393:After leaving out
511:Fereydoun Jeyrani
395:Fereydoun Jeyrani
365:Fereydoun Jeyrani
324:
323:
253:Original language
245:Country of origin
216:Saeed Ghotbizadeh
181:Fereydoun Jeyrani
130:
129:
122:
104:
18:Haft (TV program)
16:(Redirected from
749:
717:Official website
705:
704:
702:
701:
690:
684:
679:
673:
668:
662:
647:
641:
626:
620:
619:
617:
615:
604:
598:
590:
584:
576:
517:Mahmoud Gaberlou
498:Massoud Farasati
446:Javad Shamaqdari
438:Rasul Sadr Ameli
399:Massoud Farasati
387:Nader Talebzadeh
370:Massoud Farasati
338:
317:
315:
292:Original release
212:Massoud Farasati
186:Mahmoud Gaberlou
146:
132:
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
757:
756:
752:
751:
750:
748:
747:
746:
722:
721:
713:
708:
699:
697:
692:
691:
687:
680:
676:
669:
665:
657:Wayback Machine
648:
644:
636:Wayback Machine
627:
623:
613:
611:
610:. جام جم آنلاین
606:
605:
601:
591:
587:
577:
573:
569:
544:
529:Reza Rashidpour
523:Behrouz Afkhami
507:
490:
478:Reza Rashidpour
474:
461:Behrouz Afkhami
454:Behrouz Afkhami
442:Behrouz Afkhami
424:
416:Shahab Hosseini
383:
357:
319:
313:
311:
226:
222:
218:
214:
199:
196:Reza Rashidpour
194:
191:Behrouz Afkhami
189:
184:
149:
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
755:
753:
745:
744:
739:
734:
724:
723:
720:
719:
712:
711:External links
709:
707:
706:
685:
674:
663:
642:
621:
599:
596:روزنامه اعتماد
585:
570:
568:
565:
564:
563:
560:
557:
554:
551:
548:
543:
540:
539:
538:
532:
526:
520:
514:
506:
503:
489:
486:
473:
470:
429:Farzad Hassani
423:
420:
382:
379:
356:
353:
322:
321:
308:
304:
303:
298:
294:
293:
289:
288:
285:
281:
280:
275:
271:
270:
267:
263:
262:
258:
257:
254:
250:
249:
246:
242:
241:
236:
232:
231:
220:Khosro Naghibi
209:
205:
204:
203:(2019–present)
178:
174:
173:
170:
166:
165:
155:
151:
150:
147:
139:
138:
128:
127:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
754:
743:
740:
738:
735:
733:
730:
729:
727:
718:
715:
714:
710:
695:
689:
686:
683:
678:
675:
672:
667:
664:
661:
658:
654:
651:
646:
643:
640:
637:
633:
630:
625:
622:
609:
603:
600:
597:
594:
589:
586:
583:
580:
575:
572:
566:
561:
558:
555:
552:
549:
546:
545:
541:
536:
533:
530:
527:
524:
521:
518:
515:
512:
509:
508:
504:
502:
499:
495:
487:
485:
483:
479:
472:Fourth series
471:
468:
464:
462:
457:
455:
451:
450:Hassan Abbasi
447:
443:
439:
435:
430:
421:
419:
417:
413:
409:
408:Masoud Kimiai
403:
400:
396:
391:
388:
381:Second series
380:
378:
375:
371:
366:
362:
354:
352:
350:
346:
342:
334:
330:
329:
309:
305:
302:
299:
295:
290:
286:
282:
279:
276:
272:
269:Mojtaba Amini
268:
264:
259:
255:
251:
247:
243:
240:
239:Naser Tahmasb
237:
233:
229:
225:
221:
217:
213:
210:
206:
202:
197:
192:
187:
182:
179:
175:
172:Mojtaba Amini
171:
167:
164:
160:
156:
152:
145:
140:
137:
133:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
698:. Retrieved
696:. 2017-04-14
688:
677:
666:
659:
645:
638:
624:
612:. Retrieved
608:"برنامه هفت"
602:
595:
588:
581:
574:
491:
488:Fifth series
475:
466:
458:
425:
422:Third series
404:
392:
384:
358:
355:First series
348:
340:
327:
326:
325:
284:Running time
228:Amir Ghaderi
177:Presented by
135:
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
287:150 minutes
235:Narrated by
224:Javad Toosi
193:(2015–2017)
188:(2012–2015)
183:(2010–2012)
169:Directed by
726:Categories
700:2017-04-25
567:References
261:Production
230:and others
110:March 2021
80:newspapers
639:سینمای ما
505:Presenter
459:Finally,
660:آزادنگار
653:Archived
632:Archived
542:Sections
494:IRIB TV3
482:IRIB TV3
345:IRIB TV3
301:IRIB TV3
266:Producer
333:Persian
320:present
318: –
312: (
307:Release
297:Network
256:Persian
94:scholar
614:21 May
278:Tehran
208:Judges
198:(2018)
163:cinema
96:
89:
82:
75:
67:
361:Navad
349:Seven
328:Seven
154:Genre
136:Seven
101:JSTOR
87:books
616:2011
448:and
414:and
397:and
341:Haft
314:2010
310:2010
248:Iran
161:and
159:film
73:news
440:or
339:, "
337:هفت
56:by
728::
418:.
410:,
335::
703:.
618:.
331:(
316:)
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
