Knowledge (XXG)

Handel Hendrix House

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promote and support Handel studies with the aim of increasing public knowledge of Handel’s life and music. Hicks further explained that although their concept of a Handel Institute wasn’t dependent on a specific location, they were interested to hear about the proposal to turn the upper floors of 25 Brook Street into a Handel Museum, whilst hoping to explore with the developers the possibility of the Institute administering or making use of the premises. In Sparey's reply he informed Hicks that the Cooperative Insurance Society Ltd were appealing against the rejection of their development plan for the area, but with the assurance that if they won their case they would be interested in the idea of creating a Handel Museum. Hicks responded by sharing the Provisional Council’s plans, pointing out that should a Handel Museum materialise at 25 Brook Street, it should incorporate articles of musical and personal interest connected to the life and times of Handel; he also mentioned that if it were to be a centre for Handel studies it would need equipment out of keeping with an elegant Georgian interior, such as microfilm readers, filing cabinets, a xerox machine and tape and disc playing facilities. A compromise, he added, would be use of the first floor as a public exhibition and the upper floors for study and administration. Finally, Hicks stated that in view of the uncertainty concerning plans for the area and that the Handel house would not be available before 1989 at the earliest, the Provisional Council would focus on their own plans without associating with a particular location.  
624: 205:, written on 18 April 1972 in response to a letter he had received from Sparey on 11 April. Sir Keith apologised for not being able to meet during Sparey’s recent visit to London, commented that no one appeared to be willing to take action, and further apologised for having no time to take on the project himself. In January 1983 Sparey drew up a detailed memorandum on the subject of Handel’s house in which he mentioned that despite being a Grade 1 listed building, planning permission had been sought in 1982 for the demolition of five Grade 2 listed buildings, substantially affecting several listed buildings including Handel’s house. Sparey noted that although planning permission had been refused, he understood that the Co-operative Insurance Society, who had acquired 25 Brook Street 292: 700: 22: 560: 4408: 3492: 2132: 471:, gives a clear guide as to how the house was decorated and used. Apart from the conversion of the garrets into a fourth storey in the 1830s, the house remained largely unchanged until 1905, when C. J. Charles converted the house into a shop, removing the original façade and the internal dividing walls. It was subsequently occupied by interior decorators and antiques dealers. In 1971 it was acquired by the 89: 346:, between 1717 and 1726. Originally, as a foreign national, Handel was not eligible to buy or take long-term leases on property in London; and even when he acquired British nationality in 1727, Handel continued renting the property on short-term leases. The fact that he remained there for the rest of his life, almost 40 years, is remarkable, since opera composers at the time were 3513: 503: 3503: 320: 2255: 927:, pp. 138, 215–216: A handwritten label on the inside lid of Handel's clavichord reads: "This Clavichord belonged to Handel, who used it for composition, when travelling; it subsequently came into possession of my Father, George James Cholomondeley, Esqre, who died in 1830 ... Frances Buchanan Riddell, Harrietsham Rectory, Maidstone." 419:, an instrument Handel used when composing, portable enough to be taken on journeys and which, according to an anecdote oft-repeated by his biographers, he secretly played as a child in the garret of his house, in defiance of his father. Handel's clavichord was built in 1726 by the Italian instrument maker Annibale Traeri from 258:
Sparey's response to Hicks in June 1984 stressed his sense of urgency in exploring the matter as thoroughly as possible despite the uncertainty regarding plans and the length of time before Handel’s house would become available, and having expressed surprise that nothing had been attempted before, he
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Careful research revealed samples of the original 1720s paint on woodwork on the staircase and surviving second floor door, which in its history had been painted 28 times. The original colour was lead grey throughout the house and No. 27/29; the door had been subsequently painted chocolate brown, a
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When the Handel House Trust leased 25 Brook Street in 2000, it had already been decided that Handel's rooms on the first and second floors would be restored to their prior eighteenth century state as far as possible. This was justified by the fact that it was only Handel's occupancy that had led to
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and interested others; having noted that the project had been shelved, Sparey finished his memorandum by pointing out the urgent need in ensuring the permanent preservation of Handel's House. When he mailed the memorandum to a number of prominent musicians and personalities, the following responded
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The museum comprises a carefully restored set of period rooms on the first and second floors of 25 Brook Street together with exhibition rooms in number 23, the adjacent house on the terrace. In 2016 the museum expanded to incorporate the upper floors of 23 Brook Street, home of Jimi Hendrix in the
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and by the presence of an internal period staircase in near perfect condition. Later partition walls were removed to restore the original Georgian room plans. The refurbishment of the interior, including panelling, shutters, window seats and cornices, was based primarily on period details from the
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The house has been restored to look as it did during Handel's 36 year occupancy from 1723 to 1759. A typical early 18th century London terrace house, it comprises a basement, three main storeys and an attic, and Handel was the first occupant. The attic was later converted into a fourth full floor.
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The detailed two page inventory from August 1759, made after more valuable items had been removed, gave a guide to the furnishings of the house. The paired curtains mentioned in the inventory, although in vogue in the 1720s, had fallen out of fashion by the 1750s. On the first floor the curtains
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a bedstead with whole teaster Crimson haritten furniture a feather bed bolster 2 pillows a White Mattress three blanketts & a Quilt 3 pr of Red Window Curtains & Rods a Stove Tongs & Poker. 6 Old Matted Chairs a Round Close Stool & white pann a Wicker Fire Screen a Glass in Wall'd
350:; prior to that, Handel had been lodged in the homes of friends and patrons. At the age of 38, Handel had become accepted within the higher echelons of British society, with whom he freely mixed. His immediate neighbours on either side were from the upper middle classes and initially included the 254:
In April 1984 Sparey received a letter from Handel scholar Anthony Hicks, secretary of the Provisional Council for a Handel Institute. In his letter Hicks explained that the Institute consisted of a group of musical  scholars, one of them Stanley Sadie, who wished to form a group in order to
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a draft statement was issued in January 1984, setting out the objects and aims which involved creating a Handel museum in which articles of musical and personal interest from the period would be available for public display, organising events including exhibitions, seminars and concerts, creating
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in 1968–1969. These rooms were used for temporary exhibitions and events, but after fundraising, these and the rest of the rooms from the Hendrix apartment were opened to the public in February 2016 as "Handel and Hendrix in London". One exhibit permanently on display here is a collection of
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grant they were able to purchase the lease of 25 Brook Street from the Co-operative Insurance Society, who had held the freehold since 1971. Following a long period of extensive renovation work, 25 Brook Street finally opened its doors as the Handel House Museum on 8 November 2001.
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and assistant when Handel's blindness prevented him from writing and conducting in his later years. The tenancy of the house and Handel's clothing passed to his servant John Du Burk. The detailed inventory, a transcript of which is now stored in the
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Most of the furniture was in walnut with a few tables in oak. Although none of Handel's original furniture has been found, pieces have been placed in the rooms which adhere as closely as possible to the inventory. The large
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The museum was opened in 2001 by the Handel House Trust following four decades of tireless and dedicated hard work. The idea first sparked in 1958 when Leslie Sparey, a dentist from the Lake District, made arrangements with
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The house is open to the public five days a week, Wednesday-Sunday. The museum has a lively events programme including live music, changing exhibitions, lectures and children's educational events. Several performances of
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n 1971, intended to appeal. His memorandum also mentioned that a few years earlier he had helped set up a committee specifically for promoting a Handel museum, with representatives from the Royal College of Music, the
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The interiors have been restored to the somewhat spartan style of the Georgian era, using mostly architectural elements from elsewhere, since, apart from the staircase, few of the original interior features survived.
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On the second floor at the front of the house, this is probably the room where Handel died. A complete inventory was made within months of his death. Amongst the furniture, it describes a large canopied
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On the first floor at the front of the house, this was used as a rehearsal room by Handel from the 1730s onwards. It contains portraits of contemporary singers and a reproduction of a two manual
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with it crimson harateen hangings has been reconstructed, using a period bed; the woven wool fabric and silk braid for the upholstery and curtains were prepared based on a full tester bed at
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The ground floor is a shop not associated with the Museum, and the upper floors are leased to a charity called the Handel House Trust, and have been open to the public since 8 November 2001.
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In the early 1990s Stanley Sadie and his wife Anne set up the Handel House Trust, the charity which eventually oversaw the conversion of the house into a museum.Having raised funds through a
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colour popular in Georgian times for concealing grime. These are the colours that have been used to redecorate the house, with more grey on the first floor to indicate its importance.
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townhouse: the basement contained the kitchens; on each of the three floors above, there was a front room and a smaller back room with an adjacent closet; under the roof were
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From the 1730s onwards there are many references to rehearsals of operas and oratorios at Brook Street by Handel's friends and fellow musicians. Listening to a rehearsal of
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Sparey’s quest for a Handel Museum started when he began writing letters to a few eminent musicians, most of this early correspondence now lost apart from a letter from Sir
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The Handel House Collection Trust has assembled a collection of Handel memorabilia, including the Byrne Collection of several hundred items, which was acquired in 1998.
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dressed in crimson harateen, connected to a dressing room and closet in the back. The servants, three or more in number, occupied the garret rooms on the floor above.
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An Inventory of the Household Goods of George Frederick Handel, Esqr, Deceased taken at his Late Dwelling House on Upper Brook Street, St. George's, Hanover Square
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In 2022 it was reported that Handel & Hendrix in London had embarked on a ÂŁ3 million project to open all of Handel's house to the public for the first time.
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In 1998 the Handel House Collections Trust acquired the Byrne Collection, a large collection of several hundred objects connected with Handel. These include:
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would have been of green silk, but are listed only for the back room; possibly there were none in the rehearsal room in the front for acoustic reasons.
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On the first floor at the back of the house, this is believed to be the room in which Handel composed some of his most celebrated works, including
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On the second floor at the rear of the house, this served as Handel's dressing room and was originally connected to a small closet.
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Handel used his house not only for entertainment, composition and rehearsal, but also for business: in the late 1730s the scores of
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The museum incorporates the upper floors of its neighbour at 23 Brook Street, which was the home of American rock singer-guitarist
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are staged each month, recitals are sometimes during opening hours, but more usually in the early evening for a separate charge.
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George Frideric Handel: A Music Lover's Guide to His Life, His Faith & the Development of Messiah and His Other Oratorios
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Handel made his home in London in 1712 and eventually became a British citizen in 1727. Handel was the first occupant of 25
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a copy of one of the first biographies of Handel by John Mainwaring, with marginal comments by his friend and librettist
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By 1983 the idea of forming The Handel Museum Trust Fund had been mooted, and as a result of a meeting with the
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The adjacent room at the rear of the house was Handel's composing room and probably contained Handel's
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emphasized the need for a few eminent Handel experts to meet and consider the whole concept in depth.
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scholarships, bursaries and fellowships, and raising funds for making all these aims possible.  
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had the same idea when he attended a commemoration held there for the bicentenary of Handel's death.
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adjacent house at 27/29 Brook Street. Three marble Georgian fireplaces, formerly in Russell Street,
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Handel acquired 25 Brook Street in the summer of 1723, shortly after having been appointed by
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was also rehearsed there; the lead violinist Abraham Wilson recounted to the musicologist
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and other works could be purchased directly there. His home also contained an extensive
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and the Handel House Trust has leased the upper storeys of the property since 2000.
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The remaining rooms on the second floor comprised a main bedroom containing a full
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The larger front first room was used for rehearsal and probably contained a
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Historic Performances Recorded at the Monterey International Pop Festival
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Around the same time the trust also bought two paintings of Jennens (by
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in 1727. The layout of the rooms followed the conventions for a modest
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carried out the paint analysis and advised on the paint colours.
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After Handel's death in 1759, his musical instruments passed to
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Handel exhibition suggests his poison was the lead in his wine
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Songs for Groovy Children: The Fillmore East Concerts
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Grade I listed buildings in the City of Westminster
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Agrippina condotta a morire or Dunque sarĂ  pur vero
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It contains portraits of Handel and 590:early editions of operas and oratorios 389:, round the corner from Brook Street. 4190:Stone Free: A Tribute to Jimi Hendrix 3961:Live & Unreleased: The Radio Show 3940:The Essential Jimi Hendrix Volume Two 2631:Il trionfo del Tempo e del Disinganno 1521:Petrie Museum of Egyptian Archaeology 841: 839: 837: 835: 833: 7: 4468:Houses completed in the 18th century 3502: 691:similar to the one now in the room. 666:, Handel's friend and librettist of 111:adding citations to reliable sources 3369:Keyboard suite in D minor (HWV 437) 2635:Il trionfo del Tempo e della VeritĂ  2105:Ranger's House (Wernher Collection) 1696:Museum of Immigration and Diversity 860:. goetzegwynn.co.uk. Archived from 29:. 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2766: 2762: 2760: 2759: 2755: 2753: 2752: 2748: 2746: 2745: 2741: 2737: 2734: 2732:(Mozart arr.) 2731: 2730: 2726: 2724: 2721: 2719: 2716: 2714: 2711: 2709: 2706: 2705: 2704: 2703: 2699: 2697: 2696: 2692: 2690: 2689: 2685: 2683: 2682: 2678: 2676: 2675: 2671: 2669: 2668: 2664: 2662: 2661: 2657: 2655: 2654: 2650: 2648: 2647: 2643: 2641: 2640: 2636: 2632: 2628: 2627: 2625: 2621: 2615: 2614: 2610: 2608: 2607: 2603: 2601: 2600: 2599:The Alchemist 2596: 2595: 2593: 2589: 2582: 2578: 2575: 2571: 2568: 2564: 2561: 2557: 2556: 2554: 2550: 2544: 2543: 2539: 2537: 2536: 2532: 2530: 2529: 2528:Giove in Argo 2525: 2523: 2522: 2518: 2516: 2515: 2511: 2509: 2508: 2504: 2502: 2501: 2497: 2495: 2494: 2490: 2488: 2487: 2483: 2481: 2480: 2476: 2474: 2473: 2469: 2467: 2466: 2462: 2460: 2459: 2455: 2453: 2452: 2448: 2446: 2445: 2441: 2439: 2438: 2434: 2432: 2431: 2427: 2425: 2424: 2420: 2418: 2417: 2413: 2411: 2410: 2406: 2404: 2403: 2399: 2397: 2396: 2392: 2390: 2389: 2385: 2383: 2382: 2378: 2376: 2375: 2371: 2369: 2368: 2364: 2362: 2361: 2357: 2355: 2354: 2350: 2348: 2347: 2343: 2341: 2340: 2336: 2334: 2333: 2332:Giulio Cesare 2329: 2327: 2326: 2322: 2320: 2319: 2315: 2313: 2312: 2308: 2306: 2305: 2304:Muzio Scevola 2301: 2299: 2298: 2294: 2292: 2291: 2287: 2285: 2284: 2280: 2278: 2277: 2273: 2271: 2270: 2266: 2264: 2263: 2259: 2256: 2252: 2251: 2247: 2245: 2244: 2240: 2238: 2237: 2233: 2231: 2230: 2226: 2223: 2222: 2217: 2216: 2211: 2208: 2207: 2205: 2201: 2195: 2192: 2190: 2187: 2186: 2183: 2179: 2172: 2167: 2165: 2160: 2158: 2153: 2152: 2149: 2137: 2129: 2128: 2125: 2111: 2108: 2106: 2103: 2101: 2098: 2096: 2093: 2091: 2088: 2086: 2083: 2081: 2080:Eltham Palace 2078: 2076: 2073: 2071: 2068: 2066: 2063: 2062: 2060: 2058: 2054: 2048: 2045: 2043: 2040: 2038: 2035: 2033: 2030: 2028: 2027:Osterley Park 2025: 2023: 2020: 2015: 2014: 2013: 2012:Lindsey House 2010: 2008: 2005: 2003: 2000: 1998: 1995: 1993: 1990: 1988: 1985: 1983: 1980: 1978: 1977:2 Willow Road 1975: 1974: 1972: 1970: 1966: 1960: 1957: 1955: 1952: 1950: 1947: 1945: 1942: 1940: 1937: 1936: 1934: 1932: 1928: 1922: 1919: 1917: 1914: 1913: 1911: 1909: 1905: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1844: 1841: 1839: 1836: 1834: 1831: 1829: 1826: 1824: 1821: 1819: 1818:Cuming Museum 1816: 1814: 1811: 1809: 1806: 1804: 1803:Barnet Museum 1801: 1800: 1798: 1794: 1788: 1785: 1783: 1780: 1778: 1775: 1773: 1770: 1768: 1765: 1763: 1760: 1759: 1757: 1754: 1748: 1742: 1739: 1737: 1734: 1732: 1729: 1727: 1724: 1722: 1719: 1717: 1714: 1712: 1709: 1707: 1706:Postal Museum 1704: 1702: 1699: 1697: 1694: 1692: 1689: 1687: 1684: 1682: 1679: 1677: 1674: 1672: 1669: 1667: 1664: 1662: 1659: 1657: 1654: 1652: 1649: 1647: 1644: 1642: 1639: 1637: 1636:Garden Museum 1634: 1632: 1629: 1627: 1624: 1622: 1619: 1617: 1616:Design Museum 1614: 1612: 1609: 1607: 1604: 1602: 1599: 1597: 1594: 1592: 1589: 1587: 1584: 1582: 1579: 1577: 1574: 1573: 1570: 1563: 1559: 1545: 1542: 1541: 1539: 1537: 1533: 1527: 1524: 1522: 1519: 1517: 1514: 1512: 1509: 1507: 1504: 1502: 1501:Jewish Museum 1499: 1497: 1494: 1492: 1489: 1487: 1484: 1483: 1480: 1476: 1471: 1467: 1453: 1452:Young V&A 1450: 1449: 1447: 1445: 1441: 1435: 1432: 1430: 1427: 1426: 1424: 1422: 1418: 1412: 1409: 1408: 1406: 1404: 1400: 1394: 1391: 1389: 1388:Queen's House 1386: 1384: 1381: 1379: 1376: 1375: 1373: 1371: 1367: 1361: 1358: 1356: 1355: 1350: 1348: 1345: 1344: 1342: 1340: 1336: 1330: 1327: 1325: 1322: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1302: 1300: 1297: 1295: 1292: 1290: 1287: 1285: 1282: 1280: 1277: 1276: 1273: 1269: 1264: 1260: 1256: 1249: 1244: 1242: 1237: 1235: 1230: 1229: 1226: 1222: 1219: 1188: 1184: 1181: 1179: 1175: 1172: 1168: 1163: 1162: 1158: 1149: 1145: 1138: 1133: 1129: 1123: 1119: 1118: 1112: 1108: 1106:0-521-63067-3 1102: 1098: 1094: 1093: 1087: 1083: 1081:1-904799-38-8 1077: 1073: 1069: 1068: 1063: 1059: 1055: 1053:0-9541670-0-7 1049: 1044: 1043: 1037: 1032: 1031: 1027: 1021: 1017: 1013: 1012: 1008: 999: 993: 990: 987:, p. 32. 986: 981: 978: 974: 969: 966: 962: 957: 954: 950: 945: 942: 938: 933: 930: 926: 925:Brauchli 1998 921: 918: 905: 901: 897: 891: 888: 884: 879: 876: 863: 859: 853: 850: 847: 842: 840: 838: 836: 834: 830: 826: 821: 818: 815: 810: 807: 803: 798: 795: 788: 780: 775: 772: 768: 762: 759: 752: 748: 745: 743: 740: 739: 735: 733: 731: 730:baroque music 722: 720: 717: 715: 710: 701: 694: 692: 690: 681: 679: 673: 671: 669: 665: 661: 653: 651: 649: 645: 637: 635: 632: 625: 618: 616: 614: 610: 606: 605:Thomas Hudson 598: 595: 592: 589: 586: 582: 579: 576: 575: 574: 569: 565: 561: 554: 552: 550: 546: 542: 538: 532: 528: 524: 522: 521:Covent Garden 517: 508: 504: 496: 490: 486: 478: 476: 474: 470: 465: 461: 457: 452: 450: 446: 445: 439: 437: 432: 430: 426: 422: 418: 413: 411: 407: 406: 401: 397: 396: 390: 388: 384: 380: 379:chamber organ 376: 371: 369: 365: 361: 357: 356:John Monckton 353: 349: 345: 341: 337: 333: 325: 321: 314: 310: 306: 302: 298: 293: 286: 284: 281: 277: 270: 268: 265: 260: 256: 252: 249: 244: 242: 238: 237:Richard Baker 234: 230: 226: 222: 217: 213: 208: 204: 200: 195: 193: 192:Stanley Sadie 189: 177: 174: 166: 155: 152: 148: 145: 141: 138: 134: 131: 127: 124: â€“  123: 119: 118:Find sources: 112: 108: 102: 101: 96:This section 94: 90: 85: 84: 78: 76: 72: 70: 69:chamber organ 66: 62: 58: 53: 51: 47: 43: 39: 35: 28: 23: 19: 4478:Jimi Hendrix 4381: 4316:Leon Hendrix 4311:Alan Douglas 4286:Eddie Kramer 4271:Noel Redding 4230: 4223: 4216: 4209: 4202: 4195: 4188: 4183:Jimi Hendrix 4181: 4174: 4168:and tributes 4138: 4131: 4124: 4117: 4110: 4103: 4096: 4089: 4082: 4075: 4068: 4061: 4043: 4036: 4029: 4022: 4015: 4008: 4001: 3994: 3987: 3980: 3973: 3966: 3959: 3954:Kiss the Sky 3952: 3945: 3938: 3931: 3924: 3917: 3895: 3890:Live in Maui 3888: 3881: 3874: 3867: 3860: 3853: 3846: 3839: 3832: 3825: 3818: 3813:BBC Sessions 3811: 3804: 3797: 3790: 3783: 3776: 3769: 3762: 3755: 3748: 3741: 3734: 3727: 3720: 3713: 3706: 3688: 3681: 3674: 3667: 3660: 3653: 3646: 3639: 3632: 3625: 3618: 3611: 3604: 3586: 3579: 3572: 3559:Jimi Hendrix 3489: 3472:Georg Händel 3462:Handel House 3361: 3354: 3347: 3340: 3090: 3083: 3076: 3069: 3051: 3044: 3037: 3030: 3023: 3016: 3009: 2994:Salve Regina 2989:Nisi Dominus 2960: 2953: 2946: 2939: 2932: 2925: 2918: 2911: 2904: 2897: 2890: 2872: 2865: 2858: 2851: 2833: 2826: 2819: 2812: 2805: 2798: 2791: 2784: 2777: 2770: 2763: 2756: 2749: 2742: 2727: 2700: 2693: 2686: 2679: 2672: 2665: 2658: 2651: 2644: 2638: 2637: / 2634: 2633: / 2630: 2611: 2604: 2597: 2567:Ombra mai fu 2540: 2533: 2526: 2519: 2512: 2505: 2498: 2491: 2484: 2477: 2470: 2463: 2456: 2449: 2442: 2435: 2428: 2421: 2414: 2407: 2400: 2393: 2386: 2379: 2372: 2365: 2358: 2351: 2344: 2337: 2330: 2323: 2316: 2309: 2302: 2295: 2288: 2281: 2274: 2267: 2260: 2248: 2241: 2234: 2227: 2219: 2213: 2065:Apsley House 2047:Sutton House 2032:Rainham Hall 2002:Fenton House 1808:Bruce Castle 1772:Freud Museum 1429:Tate Britain 1353: 1191: 1148:the original 1143: 1116: 1091: 1066: 1041: 1028:Bibliography 1020:the original 992: 980: 968: 956: 944: 937:Van Til 2007 932: 920: 908:. Retrieved 904:the original 890: 878: 866:. Retrieved 862:the original 852: 820: 814:Vickers 2001 809: 797: 779:Patrick Baty 774: 761: 726: 718: 714:blue plaques 709:Jimi Hendrix 706: 685: 677: 667: 659: 657: 641: 633: 630: 602: 572: 541:Hanbury Hall 533: 529: 525: 512: 507:Joseph Goupy 494: 484: 483: 453: 442: 440: 433: 414: 403: 393: 391: 372: 336:Chapel Royal 329: 315:joining them 313:Brook Street 282: 278: 274: 261: 257: 253: 245: 241:Edward Heath 219:favourably: 216:Arts Council 206: 196: 184: 169: 160: 150: 143: 136: 129: 117: 105:Please help 100:verification 97: 75:late 1960s. 73: 67:and a small 61:harpsichords 57:Brook Street 54: 50:Jimi Hendrix 37: 36:(previously 33: 32: 18: 4357:Videography 4306:Buddy Miles 4291:Roger Mayer 3700:Live albums 3655:Voodoo Soup 3173:Fitzwilliam 3135:Water Music 2729:Der Messias 2095:London Wall 2085:Jewel Tower 2042:Roman Baths 1813:Burgh House 1434:Tate Modern 1213: / 674:London room 644:harpsichord 599:sculptures. 479:Restoration 375:harpsichord 4427:Categories 4383:Black Gold 3919:Smash Hits 3855:Winterland 3722:Experience 3627:Loose Ends 3620:War Heroes 2772:Belshazzar 2360:Alessandro 2311:Floridante 2075:Down House 2016:restricted 1954:Kew Palace 1921:Royal Mews 1823:Forty Hall 1755:(selected) 1646:Hall Place 1378:Cutty Sark 1198:51°30′47″N 910:14 January 868:14 January 789:References 767:upholstery 689:tester bed 464:amanuensis 436:tester bed 417:clavichord 271:The Museum 133:newspapers 65:clavichord 4301:Billy Cox 3806:Woodstock 3785:Radio One 3416:Göttingen 3409:Festivals 3342:Germanico 3063:Canticles 2708:Structure 2623:Oratorios 2507:Faramondo 2465:Ariodante 2402:Partenope 2346:Rodelinda 2339:Tamerlano 2297:Radamisto 2243:Agrippina 2037:Red House 1201:0°08′45″W 596:paintings 332:George II 301:Hyde Park 4412:Category 4244:and acts 3496:Category 2884:Cantatas 2821:Theodora 2765:Hercules 2723:Part III 2542:Deidamia 2500:Berenice 2493:Giustino 2479:Atalanta 2353:Scipione 2215:Florindo 2136:Category 1187:Guardian 1064:(1857). 736:See also 492:—  458:and his 364:Georgian 163:May 2024 4483:Mayfair 4197:Hendrix 3507:Commons 3160:sonatas 3158:XV solo 3003:Anthems 2835:Jephtha 2814:Solomon 2807:Susanna 2718:Part II 2702:Messiah 2674:Athalia 2667:Deborah 2613:Alceste 2486:Arminio 2437:Orlando 2423:Sosarme 2388:Tolomeo 2250:Rinaldo 2236:Rodrigo 1354:Belfast 1144:Andante 682:Bedroom 668:Messiah 660:Messiah 648:Ruckers 593:prints, 405:Messiah 383:Ruckers 368:garrets 188:Viyella 147:scholar 79:History 42:Mayfair 3911:albums 3792:Stages 3426:London 3356:Gideon 2984:Gloria 2793:Joshua 2751:Semele 2744:Samson 2713:Part I 2660:Esther 2535:Imeneo 2472:Alcina 2458:Oreste 2430:Catone 2367:Admeto 2325:Flavio 2318:Ottone 2229:Almira 2221:Daphne 2203:Operas 1124:  1103:  1078:  1050:  421:Modena 395:Alcina 214:, the 149:  142:  135:  128:  120:  3989:Blues 3517:Audio 3421:Halle 3349:Nabal 3334:Other 3150:Flute 2606:Comus 2521:Serse 2381:Siroe 2276:Silla 2269:Teseo 1151:(PDF) 1140:(PDF) 753:Notes 566:, by 489:frame 342:with 154:JSTOR 140:books 3452:Will 3303:Opus 3239:367b 3234:367a 3219:364b 3214:364a 3209:363b 3204:363a 3184:359b 3179:359a 3156:and 3154:solo 2681:Saul 2416:Ezio 2409:Poro 1421:Tate 1352:HMS 1122:ISBN 1101:ISBN 1076:ISBN 1048:ISBN 912:2013 870:2013 611:(by 429:Kent 307:and 239:and 126:news 63:, a 3294:379 3289:378 3284:376 3279:375 3274:374 3269:373 3264:372 3259:371 3254:370 3249:369 3244:368 3229:366 3224:365 3199:362 3194:361 3189:360 3167:358 615:). 427:in 109:by 4429:: 3152:, 2218:, 1185:, 1176:, 1142:, 1099:. 898:. 832:^ 670:. 551:. 543:, 431:. 354:, 303:, 243:. 235:, 231:, 227:, 223:, 71:. 3551:e 3544:t 3537:v 3175:" 3171:" 2583:" 2579:" 2576:" 2572:" 2569:" 2565:" 2562:" 2558:" 2224:) 2212:( 2170:e 2163:t 2156:v 1247:e 1240:t 1233:v 1130:. 1109:. 1084:. 1056:. 939:. 914:. 872:. 769:. 587:, 207:i 176:) 170:( 165:) 161:( 151:· 144:· 137:· 130:· 103:.

Index


Mayfair, London
Mayfair
George Frideric Handel
Jimi Hendrix
Brook Street
harpsichords
clavichord
chamber organ

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Viyella
Stanley Sadie
Keith Faulkner
Royal College of Music
Royal Academy of Music
Arts Council
Sir Charles Mackerras
Sir Charles Groves
Christopher Hogwood
Neville Marriner

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