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Handsome (Handsome album)

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509:, which are probably its closest contemporaries, deservedly recognised as classics in their genre. Yet it doesn’t really sound like any of them. Handsome is its own beast entirely." They add that, "On the surface, it’s a fairly relentless listen, but multiple turns reveal variety and gentle exploration. Riding the punk and hardcore influence is a real love of ambient dissonance, where space is earned through patience and repetition. ‘Left of Heaven’ exemplifies this, beginning with a beautifully skewed verse riff that builds atop thick, ascending chords, then concedes ground to a coarse anti-solo. Singer Jeremy Chatelain adds to the murk with opaque lyrics a detached melancholy. The following song, ‘Thrown Away’ is the sort of song for which 422: 384: 334: 329: 417: 412: 407: 402: 379: 374: 369: 364: 324: 319: 314: 452:, wrote that, "like the bands from which it is descended, Handsome's chief strategy is to combine dramatic vocal melodies, chugging, tandem guitar lines, and pounding rhythms into brief, catchy anthems." She claimed, "the powerhouse rhythm section could jackhammer through the strongest bulwark, and any of these songs could turn a crowd of 238:
sold out or something. We knew from the beginning of Handsome that we didn't want to do the same thing -- Peter was tired of doing the same kinda licks, and I was tired of the thrash thing. We knew that we wanted a melodic singer over really heavy music." In a 1997 review of a Handsome concert with
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It has been described as "slightly more cerebral" than Peter Mengede's previous band Helmet. Drummer Pete Hines, formerly of Cro-Mags, stated in a 1997 interview that, "Because Sony has used our ex-bands as marketing, I think that a lot of people who were into those bands tend to think that we've
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stated in his review that, "Handsome delivers a distinctive hybrid that is complex and interesting, particularly when, as in "Eden Complex," the band shifts effortlessly from one hook filled section to the next." In August 1998,
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It was released by Epic on February 4, 1997, with a black and white music video being made to support the single "Needles". Touring for the album lasted up until late July 1997, and included runs of shows in America with
229:. According to Mengede, Wild at the time was interested in looking up photos of diseased genitalia on the internet, recalling that he'd often show these photos to the band members during the making of the album. 559:
In a 2023 interview, Mengede said there had been interest for the band to officially release some of their live recordings, but that they chose not to due to the poor sound quality of the recordings.
256:-influenced style than the other two acts, and described their sound as "staking its tent in hard-driving rock territory that flirted with, but never completely embraced, metal and hardcore." 548:
was reissued on vinyl in two different editions, through 6131 Records and SRC Vinyl, respectively. 6131 pressed the album on two colors; SRC's version saw the album pressed on 180g
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on a 2019 list of "The 12 most underrated albums of the ’90s", claiming "Handsome could boast a frontman with an emotional range to rival the very best rock singers of the decade."
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In Europe, the album came with a bonus disc which featured the songs "Closer" and "Spill". "Closer" appears as a hidden track on some versions, and was performed live in 1997.
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and Silverchair/Local H. Like Mengede, Silverchair also originated from Australia, and the members were fans of Helmet. In June 1997, Handsome played at the
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receive all the credit, but which Handsome perfected first; slashing hardcore spliced to a twinkly chorus, unfamiliar bedfellows only seeking coexistence."
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stated that the band had "incredible potential but did not quite fit anywhere within the worlds of alternative, metal and the nightmarish arrival of
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vinyl, mastered for the format with lacquers made by Stan Ricker, inside of a matte gatefold jacket which fits the exclusive 7-inch including the
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included Handsome on their list of the "top 50 cult metal bands", and labelled their sole album as an "overlooked alt-metal gem."
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wrote in 2018, "this is an album mostly consigned to obscurity. It deserves so much more. It’s just as good as
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in Sweden, which coincidentally featured Helmet, who were promoting their recent release
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was discovered by the other members during a long auditioning process in New York.
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The band eventually signed a million dollar multi-record deal with
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ne'er do-wells into a writhing mass of moshers." Peter Stepek of
869:"Handsome's Concert & Tour History | Concert Archives" 936:
The Collector's Guide to Heavy Metal: Volume 3: The Nineties
905:"Handsome - Handsome | Songs, Reviews, Credits |" 971:
Mayhew, Malcolm (February 28, 1997). "Capsule Reviews".
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Handsome - Handsome | Songs, Reviews, Credits | AllMusic
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named it as one of the "top unheard records of '97".
201:. Their eponymous debut was recorded and mastered at 225:. It was mixed by Date and Swiss-American engineer 111: 99: 83: 67: 56: 48: 35: 21: 174:Mengede recruited former members of New York area 790:"Interview: Pete Hines of Handsome, April 1997" 143:. It was released on February 4, 1997, through 139:is the only studio album by American rock band 686:"The 50 greatest cult metal bands of all time" 159:Handsome was founded by Australian guitarist 8: 604:"Multimedia content" – (Enhanced CD version) 399: 361: 311: 1134:"The 12 most underrated albums of the '90s" 898: 896: 702:: CS1 maint: numeric names: authors list ( 684:June 4, 2021, Metal Hammer (June 4, 2021). 664:"19 Bands Who Only Released One Good Album" 1098: 1096: 990:MusicHound Rock: The Essential Album Guide 286: 27: 18: 252:claimed that Handsome had much less of a 1037: 1035: 679: 677: 784: 782: 655: 1020:(Vol. 119) (in German). March 25, 1997 695: 1061:"97s best: Who was that masked band?" 1049:. CMJ Network, Inc. January 23, 1997. 768: 766: 764: 292: 7: 817: 815: 1104:"The Fangasm: Handsome by Handsome" 1087:"Music Fanzine | Jersey Beat" 831:Hill, Stephen (January 21, 2016). 14: 821:Mengede, Peter. V3 podcast, 2023. 401: 363: 313: 16:1997 studio album by Handsome 420: 415: 410: 405: 400: 382: 377: 372: 367: 362: 344:Collector's Guide to Heavy Metal 332: 327: 322: 317: 312: 851:"What's that stink at Saltair?" 833:"A Metalhead's Guide To... Emo" 1: 992:. Visible Ink Press. p.  727:(42). CMJ Network, Inc.: 53. 948:Collector's Guide Publishing 163:, an original member of the 1179: 300: 297: 26: 974:Fort Worth Star-Telegram 887:"Chairpage News Archive" 356:Fort Worth Star-Telegram 873:www.concertarchives.org 717:Anon. (February 1997). 583:"Dim the Lights" – 2:54 577:"Left of Heaven" – 3:07 574:"Going to Panic" – 3:13 267:Corrosion of Conformity 1163:Handsome (band) albums 589:"My Mind's Eye" – 3:09 147:, and was produced by 1047:CMJ New Music Monthly 807:CMJ New Music Monthly 724:CMJ New Music Monthly 598:"Eden Complex" – 3:25 586:"Lead Bellied" – 2:46 494:Water & Solutions 449:CMJ New Music Monthly 63:, Seattle, Washington 1140:. September 3, 2019. 633:Tom Capone – guitars 580:"Thrown Away" – 3:37 288:Professional ratings 988:Gulla, Bob (1999). 940:Burlington, Ontario 609:European bonus disc 595:"Quiet Liar" – 4:07 289: 1114:on August 23, 2021 670:. August 20, 2019. 645:Pete Hines – drums 642:Eddie Nappi – bass 571:"Ride Down" – 3:20 287: 271:Hultsfred Festival 203:Bad Animals Studio 1158:1997 debut albums 957:978-1-894959-62-9 601:"Swimming" – 4:06 475:Rich Quinland of 441: 440: 132: 131: 78:alternative metal 1170: 1142: 1141: 1130: 1124: 1123: 1121: 1119: 1110:. Archived from 1100: 1091: 1090: 1083: 1077: 1076: 1074: 1072: 1067:. August 2, 1998 1057: 1051: 1050: 1039: 1030: 1029: 1027: 1025: 1008: 1002: 1001: 998:Internet Archive 985: 979: 978: 968: 962: 961: 928: 922: 921: 919: 917: 900: 891: 890: 883: 877: 876: 865: 859: 858: 847: 841: 840: 828: 822: 819: 810: 804: 798: 797: 786: 777: 772:Mengede, Peter. 770: 759: 758: 757: 755: 743: 737: 736: 714: 708: 707: 701: 693: 681: 672: 671: 660: 637:Jeremy Chatelain 592:"Waiting" – 2:44 568:"Needles" – 3:12 506:Fantastic Planet 488:Drowned in Sound 425: 424: 423: 419: 418: 414: 413: 409: 408: 404: 403: 387: 386: 385: 381: 380: 376: 375: 371: 370: 366: 365: 337: 336: 335: 331: 330: 326: 325: 321: 320: 316: 315: 290: 188:Jeremy Chatelain 95: 94: 90: 52:February 4, 1997 31: 19: 1178: 1177: 1173: 1172: 1171: 1169: 1168: 1167: 1148: 1147: 1146: 1145: 1132: 1131: 1127: 1117: 1115: 1102: 1101: 1094: 1085: 1084: 1080: 1070: 1068: 1059: 1058: 1054: 1041: 1040: 1033: 1023: 1021: 1010: 1009: 1005: 987: 986: 982: 970: 969: 965: 958: 950:. p. 187. 930: 929: 925: 915: 913: 903:Stepek, Peter. 902: 901: 894: 885: 884: 880: 867: 866: 862: 849: 848: 844: 830: 829: 825: 820: 813: 805: 801: 788: 787: 780: 771: 762: 753: 751: 745: 744: 740: 716: 715: 711: 694: 683: 682: 675: 662: 661: 657: 652: 624: 617:"Closer" – 2:58 565: 540: 538:Release history 473: 421: 416: 411: 406: 394:MusicHound Rock 383: 378: 373: 368: 333: 328: 323: 318: 285: 262: 235: 157: 128: 92: 88: 87: 44: 17: 12: 11: 5: 1176: 1174: 1166: 1165: 1160: 1150: 1149: 1144: 1143: 1125: 1108:DrownedInSound 1092: 1078: 1052: 1031: 1003: 980: 963: 956: 932:Popoff, Martin 923: 892: 878: 860: 842: 823: 811: 799: 778: 776:podcast, 2019. 774:BoostingShapes 760: 738: 709: 673: 654: 653: 651: 648: 647: 646: 643: 640: 634: 631: 623: 620: 619: 618: 615: 614:"Spill" – 3:17 611: 610: 606: 605: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 564: 561: 539: 536: 500:Around the Fur 472: 469: 439: 438: 435: 427: 426: 397: 389: 388: 359: 351: 350: 347: 339: 338: 309: 303: 302: 299: 295: 294: 284: 281: 261: 258: 234: 231: 156: 153: 130: 129: 127: 126: 123: 117: 115: 109: 108: 103: 97: 96: 85: 81: 80: 71: 65: 64: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1175: 1164: 1161: 1159: 1156: 1155: 1153: 1139: 1135: 1129: 1126: 1113: 1109: 1105: 1099: 1097: 1093: 1088: 1082: 1079: 1066: 1062: 1056: 1053: 1048: 1044: 1038: 1036: 1032: 1019: 1018: 1013: 1007: 1004: 999: 995: 991: 984: 981: 977:. p. 14. 976: 975: 967: 964: 959: 953: 949: 945: 941: 937: 933: 927: 924: 912: 911: 906: 899: 897: 893: 888: 882: 879: 874: 870: 864: 861: 856: 852: 846: 843: 838: 834: 827: 824: 818: 816: 812: 808: 803: 800: 795: 791: 785: 783: 779: 775: 769: 767: 765: 761: 750: 749: 742: 739: 734: 730: 726: 725: 720: 713: 710: 705: 699: 691: 687: 680: 678: 674: 669: 665: 659: 656: 649: 644: 641: 638: 635: 632: 629: 628:Peter Mengede 626: 625: 621: 616: 613: 612: 608: 607: 603: 600: 597: 594: 591: 588: 585: 582: 579: 576: 573: 570: 567: 566: 563:Track listing 562: 560: 557: 555: 551: 547: 543: 537: 535: 533: 532: 526: 524: 520: 519: 514: 512: 508: 507: 502: 501: 496: 495: 490: 489: 484: 482: 478: 470: 468: 466: 465: 459: 455: 451: 450: 445: 436: 434: 433: 429: 428: 398: 396: 395: 391: 390: 360: 358: 357: 353: 352: 348: 346: 345: 341: 340: 310: 308: 305: 304: 296: 293:Review scores 291: 282: 280: 278: 277: 272: 268: 259: 257: 255: 251: 250: 245: 241: 233:Musical style 232: 230: 228: 224: 220: 216: 212: 208: 204: 200: 196: 191: 189: 185: 181: 177: 172: 170: 166: 165:New York City 162: 161:Peter Mengede 154: 152: 150: 146: 142: 138: 137: 124: 122: 119: 118: 116: 114: 110: 107: 104: 102: 98: 86: 82: 79: 75: 74:Post-hardcore 72: 70: 66: 62: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1137: 1128: 1116:. 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Index


Studio album
Handsome
Bad Animals
Genre
Post-hardcore
alternative metal
Label
Epic
Producer
Terry Date
Handsome
Epic Records
Terry Date
Peter Mengede
New York City
Helmet
hardcore
Cro-Mags
Quicksand
Jeremy Chatelain
Sony
Epic
Bad Animals Studio
Seattle
Washington
Terry Date
midwest
Deftones
Ulrich Wild

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