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In
Philadelphia, the Philly Handstyle is still very prominent. Almost all local handstyles are somewhat influenced by the Philly Handstyle. What makes this handstyle unique is that the letters are stretched out vertically and the tag is usually painted in very few if not one line. This usually gives
151:. The handstyle can be described as "elegant, single-line scripts." The style has been popularized by writers such as Chaz Bjorquez, CRYPTIK, DEFER, SLEEPS, PRIME. The L.A. handstyle has reached global significance, especially within the art world through galleries, exhibitions, and collections.
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Handstyles can be used as the basis for evaluation. Writers are usually perceived as having "good" or "bad" handstyles by those in the graffiti community. Good handstyle is usually associated with style, consistency(uniformity), flow, and balance while bad handsyles are associated with sloppy
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and try to tag in one continuous flow along with the movements of the ride, hence the name. Characteristics of
Busflow include a rounded typography, connected (often through one-line) and generally equal-sized letters, and often loops in letters like K, M, or R.
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and
Philadelphia in the mid '70s, different writers and crews started stylizing and personalizing their tags. Over time, the concept of a handstyle emerged through the stylising of these tags. Today specific handstyles are associated to specific writers, crews,
124:. This handstyle is distinctively cryptic and has a dark aesthetic. The letters are usually painted vertically, while free climbing or rappeling off buildings. The result of this is long horizontal hieroglyphic/cryptic tags. In
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a sharp and energetic aesthetic almost looking like cursive letters. Philly letters are usually difficult to read for those outside the graffiti community due to this abstraction and stylisation of the letters.
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The concept of having unique and expressive handstyles developed slowly. When graffiti first started in the '70s, a tag's style was the writer's personal handwriting. In the
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Handstyles are usually unique to a writer or a crew but they can also be regional or shared between several writers. For example, in the '70s and '80s, the cities of
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even if they do not use this style and it can be seen all around the major cities of Brazil. This style has also spread to
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70:(tracking), a writer would focus on line lengths, line direction, line curvature, letter size and letter balance.
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neighborhoods in the '60s and '70s, and even hand-painted gang lettering in the '40s, is a prominent handstyle in
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there are different handstyles. Similarly to the way a typographer would focus on
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Another
Example of Pichação from São Paulo, Brazil in 2013.
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had distinct handstyles. Other regional handstyles include
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of an artist, also known as a writer. The same way that in
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The Rise of Legal
Graffiti Writing in New York and Beyond
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In graffiti culture, the unique handwriting of an artist
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The Art of
Getting Over: Graffiti at the Millennium
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284:The Elements of Typographic Style, version 3.1
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364:Routledge Handbook of Graffiti and Street Art
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46:there are different typefaces or fonts, in
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286:. Canada: Hartley & Marks. p. 32.
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216:Example of Philly handstyle from 2014.
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361:Ross, Jeffrey Ian (2016-03-02).
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167:helped to popularize the style.
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250:Schacter, Rafael (2013-09-03).
139:Cholo Handstyle descended from
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128:all writers are influenced by
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297:Kramer, Ronald (2016-11-23).
824:Sarajevo Street Art Festival
414:"ORFN: A Life Under Shadows"
120:is a handstyle developed in
30:culture denoting the unique
282:Bringhurst, Robert (2005).
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783:Palestine (West Bank Wall)
708:São Paulo (Beco do Batman)
154:Busflow originated in the
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258:. Yale University Press.
228:Example of bus flow from
184:Example of Pichação from
158:. Writers would take the
829:Sarasota Chalk Festival
819:Pasadena Chalk Festival
156:San Francisco Bay Area
768:Sydney (Newtown area)
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897:Category: Street art
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270:handstyle graffiti.
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814:See No Evil
753:Balmy Alley
596:Sticker art
502:terminology
149:Los Angeles
143:writing in
82:, and even
56:point sizes
32:handwriting
850:Public art
799:Beton Fest
616:Wheatpaste
539:Subway Art
523:Propaganda
464:Street art
423:2021-01-29
398:2017-03-20
238:References
44:typography
24:hand style
880:Vandalism
729:Melbourne
698:Brazil (
621:Wildstyle
606:Throw ups
508:Handstyle
418:SF Weekly
186:São Paulo
126:São Paulo
122:São Paulo
52:typefaces
36:signature
20:Handstyle
910:Category
763:Sarajevo
738:5 Pointz
702:pichação
684:Adelaide
642:Graffiti
498:Graffiti
478:Activism
232:in 2021.
130:Pichação
118:Pichação
108:Pichação
75:New York
48:graffiti
28:graffiti
838:Related
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689:Atlanta
647:Stencil
601:Tagging
471:Culture
171:Gallery
145:Chicano
104:Chicago
66:), and
64:leading
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637:Street
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571:Pieces
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190:Brazil
134:Europe
84:cities
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80:gangs
719:Kyiv
369:ISBN
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165:ORFN
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